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Dissertations / Theses on the topic 'Milton, John. Paradise Lost'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Arvin, Ittamar Johanan. "Bliss, delight and pleasure in Paradise lost /." Connect to full text, 2001. http://setis.library.usyd.edu.au/adt/public_html/adt-NU/public/adt-NU20030129.094154/index.html.

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Avin, Ittamar Johanan. "Bliss Delight and Pleasure in Paradise Lost." University of Sydney. English, 2001. http://hdl.handle.net/2123/484.

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There have been many studies of keywords in Paradise Lost. Over the last fifty or so years words such as �wander�, �lapse�, �error�, �fruit�, �balmy�, �fall�, �hands�, among others, have attracted critics� attention. The present enquiry brings under scrutiny three linked keywords which have up to now escaped notice. These are the words �bliss�, �delight�, and �pleasure�. The fundamental proposition of the thesis is that Milton does not use these words haphazardly or interchangeably in his epic poem (though in other of his poetic productions he is by no means as fastidious). On the contrar

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3

Mattern, Frank. "Milton and Christian Hebraism : forms and functions of Rabbinic Exegesis in 'Paradise Lost' /." Heidelberg : Universitätsverl. Winter, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3240965&prov=M&dok_var=1&dok_ext=htm.

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4

Stallard, Matthew S. "John Milton’’s Bible: Biblical Resonance in Paradise Lost." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1218072545.

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5

Wilson, Emma Annette. "John Milton's use of logic in 'Paradise Lost'." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/850.

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6

Stallard, Matthew S. "John Milton's Bible : scriptural resonance in Paradise lost /." View abstract, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3320757.

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7

Mathews, Justin Lee. "Paradise Lost and the Medieval Tradition." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/28.

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8

Zwierlein, Anne-Julia. "Majestick Milton : British imperial expansion and transformations of "Paradise lost", 1667-1837 /." Münster : Lit, 2001. http://catalogue.bnf.fr/ark:/12148/cb39248240h.

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9

Brown, M. Dawn Henderson. "Original and eternal seduction Satan's psyche in Paradise lost /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/brownm/melissabrown.pdf.

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10

Hay, Ken. "Metaphoric strategies and the paradox of the fortunate fall in Paradise Lost." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq25607.pdf.

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11

Voss, Annemarie. "John Milton's Paradise lost in Germany : reception and German-language criticism." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762991.

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This survey focuses on German-language studies of John Milton's Paradise Lost, based on a bibliography of more than 140 German-language publications dating from 1651 to the present. Its purpose is to describe and evaluate these studies and to make their arguments accessible to readers who have difficulties locating, obtaining, and/or reading these texts.Chapters 1-4 give an account of Milton's reception in Germany and Switzerland. Topics discussed include the evaluation of Milton as poet and man, the influence of Milton's Paradise Lost on the development of German literature (Klopstock's Messi

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12

DeFurio, Laura. "Milton's indeterminate theodicy will, grace, and cause in Paradise lost /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1711556971&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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13

Whisman, Derek K. "A Devil of a Coincidence: Study on Milton and Gower." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/42655.

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The seventeenth-century epic poem Paradise Lost is one of the most widely studied texts in all of literary history. The work, written by John Milton, depicts Satanâ s fall from Heaven and subsequent deeds on Earth and in Hell. One of the more remarkable and, often, most overlooked scenes in the story involves the distinctive personification of Sin and Death. Milton depicts Sin as the daughter of Satan, with no mention of a mother, born through a process of spontaneous generation. Satan then becomes so captivated by his daughterâ s wickedness that he forces himself upon her, causing Sin to

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14

Koo, Youngwhoe. "Idea of Natural Law in Milton's Comus and Paradise Lost." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277958/.

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This dissertation tries to locate Milton's optimistic view of man and nature as expressed in Comus, Doctrine and Discipline of Divorce, and Paradise Lost in the long tradition of natural law that goes back to Aristotle, Cicero, and Aquinas.

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15

Mattern, Frank. "Milton and Christian Hebraism : forms and functions of Rabbinic exegesis in Paradise Lost." Thesis, Heidelberg Winter, 2002. http://d-nb.info/992549485/04.

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16

Hopkins, Andrew J. "I fall erroneous, there to wander decoding Milton's mazes in Paradise lost /." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1594487871&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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17

Hannon, Elizabeth. "The influence of Paradise Lost on the hymns of Charles Wesley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25417.

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An overview of the prose writings of John Wesley, and the hymn writing of his brother Charles, shows that John Milton was an important influence on both men. A search of the literature indicates that critics have rarely noticed this, and although some work has been done on John's abridgement of Paradise Lost, there are no qualitative studies of its effect on the hymnody of Charles. Although the singing of hymns is a potential way of influencing language and doctrine of all singers, it is particularly important for people who have little other education. Charles Wesley, as the most prolific En

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18

Bruce, Adam Alexander. "John Milton: A Cause Without a Rebel." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/56611.

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John Milton has been frequently associated with rebellion, both by modern scholars and by his contemporaries. Objectively speaking, he may very well be a rebel; however, looking to his own works complicates the issue. In fact, Milton makes very clear in his writing, especially in The Tenure of Kings and Magistrates, that he abhors rebellion mainly because it is unlawful. Furthermore, he describes the uprising against King Charles I by disassociating it from any kind of rebellion, instead determining that the uprising was done lawfully. Milton writes about rebellion in the same way in many of h

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19

Mathis, Gilles. "Analyse stylistique du Paradis perdu de John Milton l'univers poétique, échos et correspondances /." Aix-en-Provence : Université de Provence, 1987. http://books.google.com/books?id=xApbAAAAMAAJ.

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20

McCrady, Matthew B. "The influence of seventeenth century Anglo-Saxon scholarship on Milton's prose works, The history of Britain and Paradise lost." [Morgantown : West Virginia University Libraries], 1998. http://etd.wvu.edu/templates/showETD.cfm?recnum=106.

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Thesis (M.A.)--West Virginia University, 1998.<br>Title from document title page. Document formatted into pages; contains iv, 90 p. Vita. Includes abstract. Includes bibliographical references (p. 84-88).

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21

Riley, Karis G. "Passions on trial : early modern passions and affections in John Milton and Paradise Lost." Thesis, University of York, 2016. http://etheses.whiterose.ac.uk/17810/.

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This dissertation is about Milton’s moral vision of the passions in a century that thought passions were the difference between a free body and a materially determined body, justified knowledge and error, paradise and hell – in short, the difference between a virtuous life and an enslaved soul. In what has been called an ‘affective turn’ within literary studies, Passions on Trial adds to the growing body of scholarship characterised by a fascination with early modern agency, passions, senses, humours, and the body, and proposes that the next turn points towards ethics. My dissertation contribu

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22

Moore, J. Aaron. "Hell, maybe it's you, Adam the mimetics of troubled identifications in Paradise Lost /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-2/moorej/jaaronmoore.pdf.

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23

Abbott, William T. "John Milton: Not War, Not Peace, Not Exactly Grotian." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2052.

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Foreword This paper will be of value in answering continuing questions regarding John Milton's position on war and peace. The questions continue and are valid because Milton's works, as considered in the paper, offer support for both pro-war and pro-peace interpretations. The paper also addresses a middle-ground interpretation-that Milton's position can best be understood in light of the legal theories of Hugo Grotius, the seventeenth-century Dutch scholar who is generally accepted as the father of modern international law. The works considered include, among others, the Nativity Ode, the sonn

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24

Middleton, Devane King. "Forbidden fruit Dryden's The state of innocence and fall of man, an operatic version of Paradise lost /." Click here to access thesis, 2006. http://www.georgiasouthern.edu/etd/archive/spring2006/devane%5Fk%5Fmiddleton/middleton%5Fdevane%5Fk%5F200601.pdf.

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Thesis (M.A.)--Georgia Southern University, 2006.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Arts" ETD. Includes bibliographical references (p. 77-80)

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25

Le, Roux Selene. "Poetry of revolution : the poetic representation of political conflict and transition in Milton's Paradise Lost and Marvell's Cromwell poems /." Link to the online version, 2007. http://hdl.handle.net/10019/1760.

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Dittrich, Marie-Agnes. "John Christopher Smiths «Paradise Lost» nach Milton. Epische Dramatik, dramatische Poesie und das Problem ihrer Vertonung." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36814.

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27

Dunser, Maria Lynn. "Reading nature, reading Eve reading human nature in John Milton's Paradise Lost /." Master's thesis, Mississippi State : Mississippi State University, 2008. http://library.msstate.edu/etd/show.asp?etd=etd-04032008-144046.

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28

Gibson, Kristopher. "A Critique of Stanley Fish’s Reader-Response Reading of John Milton’s Paradise Lost." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-36435.

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The essay critically examines Stanley Fish’s reader-response reading of Paradise Lost.In particular Fish’s main thesis that John Milton’s sole purpose in Paradise Lost is toeducate the reader on their position as fallen.The essay then examines two key claimsthat Fish employs to arrive at his conclusion, namely: (1) Fish’s notion of intendedreadership and authorial intent for Paradise Lost; and (2) Fish’s claims of readerresponse to Paradise Lost in two selected contexts (i) the reader response to Satan in thebeginning of Paradise Lost (ii) the reader response to an aspect of narration in Parad

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29

Ghermani, Laïla. "Le visible et l'invisible dans Paradise Lost de John Milton (1608-1674) : genèse et essor d'une poétique hérétique." Paris 3, 2008. http://www.theses.fr/2008PA030133.

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Comment le poète miltonien peut-il affirmer qu’il va voir et dire les choses invisibles aux yeux des mortels (« […] see and tell / Of things invisible to mortal eyes » (III, 54-55)) ou encore qu’il va montrer les exploits invisibles des anges (« invisible exploits » V, 565) dans son épopée ? L’objectif de la présente étude est de montrer que l’entreprise de rendre visible l’invisible est profondément originale d’un point de vue à la fois esthétique et théologique. En effet, pour formuler un tel argument, John Milton s’appuie sur une théologie qui lui est propre et qu’il revendique comme héréti

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30

Caland, Fabienne Claire. "Seuils, passages, parole : Les lieux initiatiques dans "The lord of the rings" (Tolkien), "Paradise lost" (Milton) et "Inferno" (Dante)." Limoges, 1999. http://www.theses.fr/1999LIMOA015.

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Le voyage que ce soit dans l'espace, le temps ou la hierarchie sociale, est l'un des themes fondamentaux de la litterature. Pour mettre en evidence la relation intime entre l'etre et sa traversee, trois types de voyage ont retenu notre attention : proposes par tolkien, milton et dante, les voyages litteraires issus de la culture judeo-chretienne nous entrainent du xiveme siecle pour le poeme de dante au xxeme siecle pour le roman de tolkien. Ils ne peuvent toutefois se resumer en une lutte entre le bien et le mal ; ils sont davantage une peregrination, le parcours personnel et universel de neo

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31

Buckham, Rebecca Lynn. "Reading nature the georgic spirit of Paradise lost, early modern England, and twenty-first-century ecocriticism /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1760071351&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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32

Fernandes, Marcos Aurélio Zamith. "A relação entre a serpente e satã em Paradise Lost." Universidade Presbiteriana Mackenzie, 2016. http://tede.mackenzie.br/jspui/handle/tede/2991.

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Lavelle, William H. "Revolutionary Satan: A Reevaluation of the Devil's Place in Paradise Lost." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429893486.

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34

St-Jacques, François. "Étude comparative de trois traductions de Paradise Lost de l'anglais au français : définition d'une méthodologie quantitative de l'équivalence en traduction littéraire." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/27977/27977.pdf.

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35

Frey, Christopher Lorne. "Body marks in early modern English epic : Spenser's Faerie Queene and Milton's Paradise Lost." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97835.

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As epic was considered a culturally comprehensive genre, so Spenser's Faerie Queene and Milton's Paradise Lost provide an effective locus for inquiry into literary representations of body marks in the Renaissance, and hence of the body itself. While grounded on central principles of Renaissance poetics such as delightful teaching, utpictura poesis, and catharsis, Spenser's and Milton's graphic accounts of wounds and diverse other types of body marks show corporeality can have positive import for the soul and heroic identity, just as they are shaped in part by bodily experienees. This dissertat

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36

McConomy, Erin Elizabeth. "Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37223.pdf.

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37

Pepperney, Justin R. "Religious Toleration in English Literature from Thomas More to John Milton." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1245245934.

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38

White, Edmund C. "The concept of discipline : poetry, rhetoric, and the Church in the works of John Milton." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:53045aa1-8ed3-4b24-b561-65fc03afaf13.

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Discipline was an enduring concept in the works of John Milton (1608-1674), yet its meaning shifted over the course of his career: initially he held that it denoted ecclesiastical order, but gradually he turned to representing it as self-willed pious action. My thesis examines this transformation by analysing Milton’s complex engagement in two distinct periods: the 1640s and the 1660s-70s. In Of Reformation (1641), Milton echoed popular contemporary demands for a reformation of church discipline, but also asserted through radical literary experimentation that poetry could discipline the nation

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39

Zaring, Meredith A. ""How Art Thou Lost": Reconsidering the Fall in Fitzgerald's Tender is the Night." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/127.

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In Tender Is the Night, F. Scott Fitzgerald retells the story of the Fall from Genesis through psychologist Dick Diver and his wife and patient Nicole, drawing poetic and thematic inspiration from John Milton’s Paradise Lost. This essay traces the progression of the Divers’ fall and ultimate separation through the novel’s three books and considers how the highly autobiographical foundation of the novel, which has drawn considerable critical attention, may in fact allow Fitzgerald to craft a work that aligns with and simultaneously expands upon Milton’s interpretation of the Fall.

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40

White, Michael 1971. "The relationship between the grotesque and revolutionary thought in Milton's Paradise lost and Shelley's Prometheus unbound /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20187.

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No substantial studies, at least to my knowledge, have yet been dedicated either to Milton's or to Shelley's extensive poetic use of the grotesque. This omission surprises me, especially given the voluminous critical attention both authors receive. Neither Milton nor Shelley's grotesquerie can be viewed as the basis of artistic method or artistic achievement as we might with, say, Rabelais, or Poe, or even Kafka. And neither Milton nor Shelley is self-consciously an artist of "the grotesque." In fact, Milton, from his seventeenth century perspective, would scarcely have regarded the term as be

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41

Björnlund, Stefan. "To Justify the Ways of Satan by Men : En analys av kritiska tolkningspositioner av Satan i John Miltons Paradise Lost." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-65422.

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This study analyses readings and interpretations of the satanic figure in John Milton´s epic Paradise Lost. The study highlights positions from the literature debate about Satan, the main character, and analyses interpretations of Milton´s Satan in order to investigate the critical positions about the relation between text and interpretation. The study has a meta-perspective and analyses the character of Satan in relation to the two main positions that have occupied the debate. The central question for this study is the role of the satanic figure in Paradise Lost. Have the critics read him as

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42

Wallbanks, Mark. "The vicissitudes of the authentic self: a literary mapping of the authentic self from John Milton's Paradise lost to Bret Easton Ellis' Glamorama /Mark Wallbanks." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/364.

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Since the rise of individualism in the seventeenth century there has been increasing pressure on individuals to define themselves in the public eye. This has led to the recent phenomena of identity politics and self-branding. Yet how is one's true identity - if such a thing exists - ever expressed externally? How do individuals deal with the inner and outer aspects of identity? These are some of the issues which impinge upon the ethics of authenticity. This thesis investigates the development of the concept of the authentic self from its inception in the modern period to the postmodern. Throug

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43

Le, Roux Selene. "Poetry of revolution : the poetic representation of political conflict and transition in Milton’s Paradise Lost and Marvell’s Cromwell Poems." Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2869.

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Thesis (MA (English Literature))--University of Stellenbosch, 2007.<br>Seventeenth-century England witnessed a time of radical sociopolitical conflict and transition. This thesis aims to examine how two writers closely associated with this period and its controversies, John Milton and Andrew Marvell, represent events as they unfold. This thesis focuses specifically on Milton’s Paradise Lost and Marvell’s Cromwellian poems in order to show how these poets reinterpret established literary conventions and invoke traditional Puritan practices in order to explain and legitimise the precario

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44

Poulin, René. ""Advise him of his happy state" : a study of Raphael's instruction of man in Milton's Eden." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63386.

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45

Midan, Marc. "Milton & Melville : le démon de l'allusion." Paris 7, 2014. http://www.theses.fr/2014PA070086.

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Milton & Melville : Le Démon de l'allusion étudie la signification de l'allusion à Milton dans Taïpi, Moby¬Dick, L'Escroc à la confiance et Billy-Budd, Marin. Un état détaillé de la recherche sur les rapports entre les deux auteurs montre la prédominance d'une conception de l'allusion comme moyen d'identifier le sens d'un texte incertain à celui d'un autre, supposé stable ; or, il s'agit, en réalité, d'une relation dynamique et réciproque. Ludique, satirique, impie, ou érotique, l'allusion melvillienne est multiforme et variable ¬ondoiement qui la dérobe à une approche trop générale, mais

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46

Curtis, Corbin. "Nabokov’s Satan: Defining and Implementing John Milton’s Arch Fiend as a Contemporary Character Trope." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524755406848739.

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47

Mathews, Alice McWhirter. "The Path to Paradox: The Effects of the Falls in Milton's "Paradise Lost" and Conrad's "Lord Jim"." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc332146/.

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This study arranges symptoms of polarity into a causal sequence# beginning with the origin of contrarieties and ending with the ultimate effect. The origin is considered as the fall of man, denoting both a mythic concept and a specific act of betrayal. This study argues that a sense of separateness precedes the fall or act of separation; the act of separation produces various kinds of fragmentation; and the fragments are reunited through paradox. Therefore, a causal relationship exists between the "fall" motif and the concept of paradox.

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48

Hansen, Steven McKay. ""Fidelity and Ripeness": The Telos of Milton's Mature Christian Learners." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8402.

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In this paper, I argue that Milton envisions a long view of education in which continual encounters with evil allow created beings to prove themselves and gradually approach a state like God’s—a state marked by constant righteous habits and by a dilation of subjective time with increased access to past and future knowledge. I discuss the roles of opposition in Miltonic education, illustrating how non-examples may result in apophatic revelation about the divine. Acts of rebellion in Paradise Lost demonstrate, however, that the timetable for introducing opposition proves complex, since created b

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Veto-Bougeard, Marie-Elisabeth. "Chateaubriand traducteur : de l'exil au Paradis perdu." Paris 4, 2000. http://www.theses.fr/2000PA040111.

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De ses essais fragmentaires de jeunesse à la traduction intégrale de Paradise lost en 1836, le fait traductif tient dans sa vie un rôle essentiel. Depuis l'exil en Angleterre, et ses traductions d'abord alimentaires, un cheminement le mène des extraits (Contes ossianiques, Beattle, etc. ) jusqu'à Milton qui a exercé sur lui une forte emprise littéraire, politique et religieuse : cette quête de soi qu'est la traduction a sur son œuvre propre des retentissements importants. Mais par sa revendication à provoquer une "révolution dans la manière de traduire", Chateaubriand pose son activité hors du

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50

Cerritelli, Jennifer. "Milton's "Accomplished Eve" (4.660) : feminism in Pradise Lost /." Click for abstract, 1998. http://library.ctstateu.edu/ccsu%5Ftheses/1483.html.

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Thesis (M.A.)--Central Connecticut State University, 1998.<br>Thesis advisor: Dr. Mary Anne Nunn. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 92-94).

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