Relevant bibliographies by topics / Mimezys

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mimezys'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Mimezys"

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TATALOVIĆ, NIKOLA. "GADAMEROVO „PONAVLJANJE“ MIMEZISA I." Arhe 18, no. 35 (2022): 203–23. http://dx.doi.org/10.19090/arhe.2021.35.203-223.

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Istraživanje prati osnovne momente Gadamerove rehabilitacije pojma mimezis koji je od odlučujućeg značaja za izgradnju celine njegovog projekta filozofske hermeneutike. Istraživanje ukazuje na temeljne pretpostavke koje rukovode Gadamerovim vraćanjem „izvornom” smislu mimezisa. Analizirajući Gadamerovo razumevanje pojma igre, preobražaja u tvorevinu i vremenskog karaktera umetničkog dela, istraživanje nastoji da ukaže na temeljnu određenost Gadamerovog pojma mimezis platonističkom tradicijom, pre svega neoplatonizmom. U pogledu na platonistički postavljenu igru razumevanja mimezisa koja se kre
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Januškaitė, Evelina. "Būdraujantis ir iš dabarties išsprūstantis (at)vaizdas: (ne)fiksuojanti laikmena Agnės Jonkutės kūryboje." Acta Academiae Artium Vilnensis, no. 110-111 (October 16, 2023): 549–70. http://dx.doi.org/10.37522/aaav.110-111.2023.186.

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Pasitelkus fenomenologinę laiko patirties sampratą, šiame straipsnyje tyrinėjama tikrovės daugialypumą ir jo pėdsaką laiko tėkmėje aktualizuojančios menininkės Agnės Jonkutės kūryba, akcentuojama mimezės kaip iš individualios patirties kylančios tikrovės kartotės prasmė. Straipsnyje aptariamas kintančiame vaizde glūdintis mimetiškumas bei pabrėžiamas mimezės, kuri šiuolaikiniame mene reiškiasi kaip momentinis atspindys arba kaip tikrovės įspaudas, lakumas. Svarstoma prielaida, kad mimezė funkcionuoja kaip (ne)fiksuojanti laikmena ir yra viena šiuolaikybės, kuri nėra tiesiog aktuali, o veikiau
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TATALOVIĆ, NIKOLA. "MIMESIS IS SOMEWHERE ELSE I: APPROACHING THE MIMETIC LANDSCAPE OF THE REPUBLIC." Arhe 20, no. 39 (2024): 257–74. http://dx.doi.org/10.19090/arhe.2023.39.257-274.

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Tekst nastoji da se izbori za pristup Platonovom pitanju o mimezisu nastojeći da odgovarajući metod pronađe u samom tekstu Države. Prvi deo rada predstavlja razmatranje pitanja zašto se pitanje mimezisa u poslednjoj knjizi Države ponavlja, tj. zašto se mimetički pesnik vraća u Sokratov govor ako je prethodno bio uspešno izgnan? Otvarajući mogućnost da mimetički pesnik zapravo nikada nije bio proteran, već da je sve vreme bio skriven unutar samog Sokratovog govora, članak u drugom svom delu ukazuje na to da Platon unutar prve kritike mimezisa, razlikom sadržaja i stila podražavanja, nudi ključ
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Januškaitė-­Krupavičė, Evelina. "Atvaizdas atspindyje – mimetinis ir laikiškas patyri­ mas šiuolaikiniame mene." Acta Academiae Artium Vilnensis, no. 96 (October 20, 2019): 308–33. http://dx.doi.org/10.37522/aaav.96.2020.55.

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 Šiame straipsnyje aktualizuojamas žiūrovo kaip vaizdo objekto klausimas ir tikrovės patyrimas per mimetišką ir laikišką savo paties kaip Kito ir aplinkos atspindį. Aptariama prieš atspindintį ir atvaizdo nefiksuo- jantį paviršių besisteigianti introspektyvi būsena. Interpretuojant meno kūrinius, kuriuose pasitelkiami reflektuojantys paviršiai, analizuojama reprezentacinė-mimetinė atspindžio funkcija meno kūriniuose. Išryškinant tikrovės ir iliuzijos parametrus, veidrodinis atspindys apmąstomas psichoanalitiniu ir fenomenologiniu požiūriu. Straips
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TATALOVIĆ, NIKOLA. "MIMESIS IS SOMEWHERE ELSE II: A POET IS A PAINTER IS A PHILOSOPHER." Arhe 20, no. 40 (2024): 127–52. http://dx.doi.org/10.19090/arhe.2023.40.127-152.

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Rad predstavlja primenu Platonovog načina intepretacije mimetičkog pesnika preko razlike onoga šta se govori i kako se govori na samu njegovu kritiku mimezisa u Državi. Prvi deo rada prati razliku šta i kako Platonove kritike unutar desete knjige Države, a sve kako bi ukazao na rapsodijski karakter date kritike. Drugi deo rada, primenom istog metoda, ukazuje na to da refleksije Platonovog Sokrata o karakteru njegovog govora pokazuju filozofa kao jednakog pesniku. I filozof i pesnik su mišljeni kao neko drugi, tj. mišljeni su kao slikari. U konačnom, rad zaključuje da ni pesnik, ni filozof nisu
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Kastnerová, Martina. "Fikce a skutečnost - je mimesis překonaný konstrukt?" FILOSOFIE DNES 3, no. 2 (2011): 53–67. http://dx.doi.org/10.26806/fd.v3i2.316.

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Základní otázkou studie je, zda lze koncept mimésis považovat v současné teorii interpretace za udržitelný, přičemž se zaměřuje na kritiku formulovanou na základě dvou argumentů – tj. buďto se odmítá vztah skutečnosti a uměleckého, resp. literárního díla, nebo se tento vztah připouští, ale odmítá se, že by se vyčerpával pouze vztahem prosté nápodoby. Dále se (v komparativním náhledu) zaměřuje na současné koncepce, které pracují s konceptem mimeze jako s interpretačně funkčním. V závěru se tak ukazuje, že předpoklad vztahu mezi fikcí a skutečností lze v současných teoriích interpretace považova
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Kastnerová, Martina. "Fikce a skutečnost - je mimesis překonaný konstrukt?" FILOSOFIE DNES 3, no. 2 (2011): 53–67. http://dx.doi.org/10.26806/fd.v3i2.70.

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Základní otázkou studie je, zda lze koncept mimésis považovat v současné teorii interpretace za udržitelný, přičemž se zaměřuje na kritiku formulovanou na základě dvou argumentů – tj. buďto se odmítá vztah skutečnosti a uměleckého, resp. literárního díla, nebo se tento vztah připouští, ale odmítá se, že by se vyčerpával pouze vztahem prosté nápodoby. Dále se (v komparativním náhledu) zaměřuje na současné koncepce, které pracují s konceptem mimeze jako s interpretačně funkčním. V závěru se tak ukazuje, že předpoklad vztahu mezi fikcí a skutečností lze v současných teoriích interpretace považova
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Čanji, Andrej. "Postmodern mimesis in Woody Allen's film Zelig." Zbornik Akademije umetnosti, no. 8 (2020): 42–52. http://dx.doi.org/10.5937/zbaku2008042c.

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Ossman, Susan. "Mimesis." Hermès 22, no. 1 (1998): 9. http://dx.doi.org/10.4267/2042/14942.

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Taylor, James. "Mimesis." Chicago Review 46, no. 1 (2000): 56. http://dx.doi.org/10.2307/25304455.

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Dissertations / Theses on the topic "Mimezys"

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Марковський, Б. В. "Християнська експлікація давніх міфологічних символів". Thesis, Видавництво СумДУ, 2011. http://essuir.sumdu.edu.ua/handle/123456789/12978.

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Vavříková, Eliška. "Mimesis a Poiesis." Doctoral thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78216.

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Wilkie, Kate. "Mimesis index symbiosis." Thesis, The University of Sydney, 2011. https://hdl.handle.net/2123/29281.

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This investigation will pose the question: What are the functions of the shadows in key moments in the history of pictorialism? And how these moments, cited, are drawn together to provide an historical and theoretical context, which informs my practice.
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Vana, Gerhard. "Metropolis : Modell und Mimesis /." Berlin : Mann, 2001. http://www.gbv.de/dms/bs/toc/33178727x.pdf.

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Pedroza, Edgar. "Through mimesis and methodology." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/44284.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.<br>Leaf 58 blank.<br>Includes bibliographical references (leaves 54-55).<br>The goal of this document is to outline the trajectory in which I have been working the past several years. I would like to comment and detail the production of several projects, including Site Nine: Indefensible Structures, Text 11: Site Translations, Study For Casablanca: Maps For Access And Improvised Housing, and Lavon, Texas - Levittown, New York. The reach of the projects, and it is perpetually adaptive to new concerns, is not to a
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Tedeschi, Francesca <1997&gt. "Mimesis and Surveillance Art." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21291.

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Partendo dalle nozioni fondamentali sul tema del mascheramento e del volto espresse da diversi critici e studiosi come Belting, Bettini, Frontisi-Ducroux, Vernant. A seguire, vi sarà sviluppata un'approfondita elaborazione sul concetto di mimesis. Il lavoro prevede l'analisi di tre case studies nell'ambito dell'arte contemporanea. Gli artisti individuati fanno parte di quella che viene definita corrente della "Surveillance Art", una critica politica ai metodi di sorveglianza sempre più presenti nelle nostre società contemporanee.
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Örnlind, Henrik. "Rekonstruktion av mimesis : Ett försök att tänka begreppet mimesis utifrån Paul Ricoeur och inifrån Martin Heidegger." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-9943.

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This essay tries to investigate the possibility to reconstruct the concept of mimesis in Martin Heidegger’s hermeneutical phenomenology in Sein und Zeit. Paul Ricoeur’s interpretation of the concept of mimesis in Aristotle’s Poetics, develops a new temporal understanding of the mimetic activity, which Ricoeur in his work Time and Narrative, claims to have the possibility to overcome the aporias in the phenomenology of time. With this criticism as the background context for the present study, seeks this essay to pick up Ricoeur’s new conception of mimesis, and use that in a comparative philosop
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Ganani-Tomares, Dafna. "Mimesis : Judith Butler, visual practice, tragic art." Thesis, Goldsmiths College (University of London), 2007. http://research.gold.ac.uk/178/.

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The project grounds the use of mimesis in my video art practice. In the written element I query equivalence between mimesis and performativity in Judith Butler's conception; I consider the tragic and hyperbolic faculties of these, as ways of promoting expansion of context in received convention. My video clips have performance in them and mime destructive regimes in mainstream conventions of visual culture, of sexual identity and of political position, to challange these. They mobilize convention and deviation from it, through ineptitude of performance or my ambiguous relation to the conventio
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SILVA, CHRISTIANI MARGARETH DE MENEZES E. "MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A presente dissertação de mestrado tem o objetivo de mostrar os vínculos entre a noção de mimesis, prazer e conhecimento na Poética de Aristóteles. No texto da Poética, dois momentos são importantes para analisar o prazer que o homem experimenta ao estar diante de um mimema: quando o exemplo é uma pintura, e quando o exemplo é uma tragédia. No caso do exemplo pictórico, o prazer é claramente cognitivo: há prazer em reconhecer do que o mimema (a pintura) é mimema. No caso da tragédia a questão é mais complexa, pois ela surte
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Valakas, Konstantinos. "Homeric mimesis and the Ajax of Sophocles." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/283656.

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Books on the topic "Mimezys"

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Shteĭnbuk, F. M. Tilesnistʹ--mimezys--analiz: (tilesno-mimetychnyĭ metod analizu khudoz͡hnikh tvoriv). Znanni͡a Ukraïny, 2009.

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Buzaglo, Shai. Mimezis: Shirim. Geṿanim, 2011.

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Buzaglo, Shai. Mimezis: Shirim. Geṿanim, 2011.

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Metscher, Thomas. Mimesis. 2nd ed. transcript, 2004.

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Nikolaidis, Andrej. Mimesis. Asociacioni Ulqini, 2006.

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Potolsky, Matthew. Mimesis. Routledge, 2006.

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Metscher, Thomas. Mimesis. Aisthesis, 2001.

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Dami︠a︡nova, Adriana. Mythos & mimesis. Sema Rsh, 2002.

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Munteanu, Marius. Mimesis: Parodii. Facla, 1986.

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Schönert, Jörg, and Ulrike Zeuch, eds. Mimesis - Repräsentation - Imagination. Walter de Gruyter, 2004. http://dx.doi.org/10.1515/9783110201826.

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Book chapters on the topic "Mimezys"

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"PLATO’S REPUBLIC." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-11.

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"ARISTOTLE’S POETICS." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-12.

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"IMITATIO: RHETORICAL IMITATION." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-14.

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"THEATRE AND THEATRICALITY." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-15.

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"REALISM." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-16.

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"MIMESIS AND IDENTITY." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-18.

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"MIMESIS AND CULTURE." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-19.

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"INTRODUCTION: APPROACHING MIMESIS." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-9.

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"INTRODUCTION TO THE FIFTIETH-ANNIVERSARY EDITION." In Mimesis. Princeton University Press, 2014. http://dx.doi.org/10.1515/9781400847952-001.

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"MIMESIS." In Mimesis. Princeton University Press, 2014. http://dx.doi.org/10.1515/9781400847952-002.

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Conference papers on the topic "Mimezys"

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Cerar, Maja, and Liubo Borissov. "Autopoiesis/Mimesis." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2007. http://dx.doi.org/10.1145/1280120.1280136.

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Nickel, Ronald H., Igor Mikolic-Torreira, and Jon W. Tolle. "Implementing a Large Non-Linear Integer Optimization on a Distributed Collection of Office Computers." In ASME 2000 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/imece2000-2112.

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Abstract We describe how we implemented the MIMERBS non-linear integer optimization methodology to run across a virtual super-computer of existing Windows NT computers networked together by an ordinary office LAN. We describe how we configured this virtual computer and how we parallelized MIMERBS to work efficiently in view of the high communications costs of our virtual computer. We also describe how we made MIMERBS highly fault-tolerant and dynamically configurable; in particular we describe techniques for handling the loss of individual computers, for automatic on-the-fly addition of new co
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Domínguez, Ignacio X., Rogelio E. Cardona-Rivera, James K. Vance, and David L. Roberts. "The Mimesis Effect." In CHI'16: CHI Conference on Human Factors in Computing Systems. ACM, 2016. http://dx.doi.org/10.1145/2858036.2858141.

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Ramond, Catherine. "Mimesis dramatique, mimesis romanesque chez Sade : une œuvre à deux faces ?" In Sade en jeu. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5865.

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Nickel, Ronald H., Igor Mikolic-Torreira, and Jon W. Tolle. "A New Approach for Large Non-Linear Integer Optimization Suitable for Implementation on a Distributed Collection of Computers." In ASME 2000 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/imece2000-2107.

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Abstract We present a new methodology called Multi-Indenture, Multi-Echelon Readiness-Based Sparing (MIMERBS) for solving large, non-linear integer optimization problems that arise in determining the retail and wholesale sparing policies that support the aircraft operating from a deployed aircraft carrier. MIMERBS determines the minimum cost mix of spare parts that meets required levels of expected aircraft availability. The size (thousands of variables), the nonlinear relationship between spare parts and aircraft availability, and the requirement that the variables be integers make this probl
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Lee, D., and Y. Nakamura. "Mimesis from partial observations." In 2005 IEEE/RSJ International Conference on Intelligent Robots and Systems. IEEE, 2005. http://dx.doi.org/10.1109/iros.2005.1545256.

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MORETTI SILVA, ANDRESSA, and RAQUEL SCOTTI HIRSON. "Structure and Spontaneity in Corporeal Mimesis and Word Mimesis as Premises to think about Stage Presence." In XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51825.

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Dörrenbächer, Judith, Diana Löffler, and Marc Hassenzahl. "Becoming a Robot - Overcoming Anthropomorphism with Techno-Mimesis." In CHI '20: CHI Conference on Human Factors in Computing Systems. ACM, 2020. http://dx.doi.org/10.1145/3313831.3376507.

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BROWN, ERIN, and JORDAN ZLATEV. "BRIDGING THE GAP: FROM BODILY MIMESIS TO SPEECH." In EVOLANG 10. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814603638_0064.

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Sameti, Mozhdeh. "DIALOGUE AND DIALOGISM IN DIEGETIC DRAMA." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.134s.

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Diegetic drama is between a purely narrative text and a purely dialogical text. Diegesis (narrative) is a concept taken from Plato’s theories, usually opposed to mimesis (imitation). This type of drama became an established genre in the modern era in opposition to the classical Aristotelian drama. Brecht’s “epic theatre” is one of the well-known types of diegetic theatre and drama, whose purpose was to combat the audience’s passivity and invite them to activate their thinking. After Brecht, other dramatists, such as Beckett, created diegetic dramas combining third-person, abstract narratives (
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Reports on the topic "Mimezys"

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Horikawa, Nobuko. Not Just Child’s Play: Neo-Romantic Humanism in Ogawa Mimei’s Stories. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5889.

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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