Academic literature on the topic 'Mincovnictví'

This thesis deals with the period, which was not fully researched until now by the czech numismatists. It is a unique numismatic work fully dedicated to the tetrarchic period in czech language. Its center of gravity lies in the detailed study of the production of coins and iconography, both before the reform, in 294, and afterwards. It is also given a description of previous period of the end of the third century AD to facilitate the understanding of monetary developments and policies of the tetrarchic period. The study of the numismatic material and literature allow to deliver new opinions concerning the disintegration of tetrarchic system and of the monetary reforms from the end of the third century AD. It is discussed the problematic of using marks on coins, which are usually interpreted as an indication of nominal value. The work includes a detailed study of 1,752 gold coins of the second half of the 3rd century, which helps to clarify the vague classification of gold coins and their standards. Attached is a catalog of the Roman imperial coins from AD 284-337, which are deposited in the Charles University collection of ancient. These coins have not been published until now. Key words: Tetrarchy, Diocletian, Constantinus, nummus, monetary refroms, coinage, marks of value, XXI, Heraclea, golden...

(in English) The work deals with the latest development in a period of Roman coinage, which stands off the general interest. The purpose of this work is to define and describe the motives used on Roman coins in the early period defined at the beginning of the government of Valentinian I in 364 and coinage reform of Anastasius I in 498; to classify the individual image groups and explain their importance in terms of state propaganda. The work also notes the relationship between the coin images and legends; use of mint marks as a part of the image content, and describes the relationships among the coin images and contemporary sociopolitical phenomena and events. An important part of the work will be integration of the field of late Roman coins into historical context. The aim will be to determine how the late Roman coins in character were based on previous coinage and then on the contrary how they influenced Byzantine coins.

The main subject of this thesis is a detailed analysis of pre-oppid coin types represented in the monitored region and their interpretation. The thesis also includes a chronological concept of the earliest stages of Celtic coinage (3rd-2nd cent. BC.) and its relationship to the archaeological chronology of the middle of La Tene period. In the first part I describe various pre-oppid types known from Moravia. Subsequently, the thesis deals with production-trading centers (Němčice nad Hanou, Roseldorf, Nowa Cerekwia) in the corridor of the Amber Route. However, the most important part is typological - a chronological overview of coins from the production- trading center Němčice nad Hanou, which is mostly based on catalog of coin findings from newly compiled by E. Kolníková. Keywords: Celts - Coinage - Amber Road - pre-oppid coins - LT C1 - C2 - Moravia

This PhD research has furnished the occasion to update the outdated works about Late Roman coinage focusing especially on a topic not so commonly examined like the Late Roman silver coinage. More precisely, it is analysed and discussed some of its more intriguing aspects. First of all how silver, as metal, was considered and perceived in Late Roman society and, therefore, why during fifth century AD silver bullion was used to produce fine silver objects rather than coins. Two different Late Roman customs concerning silver coinage are then reviewed: hoarding, with a list of most recent findings, and clipping. Finally a chapter is dedicated to the metrology and fineness of Late Roman silver coins together with an accurate analysis of the 7 different denominations. This extensive and deep discussion about Late Roman silver coinage's main problematics is completed by the most recent and updated catalogue of all the Late Roman silver denominations known so far. Such a review has given not only the possibility of updating or modifying some of the previous theories but also the opportunity to suggest some new ideas. --------------------------------------- Podrobně jsou zkoumány některé konkrétní zásadsní otázky, především jakým způsobem bylo v pozdně římské společnosti vnímáno stříbro jako kov a proč tedy...

The enemies are at the gates. Being dazzled by their golden jewels - or perhaps fascinated by their handsome leader - a girl makes a pact with them and betrays her city and her own kin. However, instead of the promised reward, she is killed by her beneficiary. In a particular variant of this story, the girl's name is Tarpeia and the city is Rome, the agreed reward are golden bracelets of the hostile Sabines and the murder weapons are their shields being worn - surprise! - on their left arms together with the jewels. The rendering of this scene in the Roman visual arts is of the primary interest of this thesis. As a particular event linked tightly to the legendary history of Rome, the Punishment of Tarpeia is generally believed to lack any closer iconographic parallels in the Etruscan and Greek arts; sometimes it is even supposed that the traitress is portrayed as a kind of heroic figure, not a negative one. Having analysed the surviving scenes of the Punishment of Tarpeia, I put that opinion into question suggesting they were artificially designed and composed in full accordance with the traditional imagery of the trespassers in the Greek and Etruscan visual arts. To support my assumption, I turn to scrutinize the compositions as well as minor details of contentually related scenes in the Greek and...