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Relevant bibliographies by topics / Ming - Qing

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Academic literature on the topic 'Ming - Qing'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Ming - Qing"

1

Rowe, William T. "Ming-Qing Guilds." MING QING YANJIU 1, no. 1 (1992): 47—ins01. http://dx.doi.org/10.1163/24684791-90000319.

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von Glahn, Richard. "Modalities of the Fiscal State in Imperial China." Journal of Chinese History 4, no. 1 (2019): 1–29. http://dx.doi.org/10.1017/jch.2019.15.

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AbstractIn the past two decades, increasing attention has been paid to the significance of the fiscal capacity of the premodern state to promote or retard economic growth. In particular, scholarship on economic history has stressed the positive impact the emergence of the “fiscal state” had in enhancing economic growth in early modern Europe. Comparative studies have contrasted the administrative efficiency of the emerging European fiscal state with contemporary Asian empires (the Ottomans, Mughals, and the Ming and Qing empires in China). But the Ming-Qing state represents only one version of Chinese state formation under the Chinese empire. This article identifies four basic types of fiscal state that appeared between the Qin unification and the Ming-Qing era, analyzes their ideological foundations, and assesses their implications for economic growth.

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Lee, Jun Gab. "Qing and Liuqiu in Ming-Qing transition period." Journal of Ming-Qing Historical Studies 39 (April 30, 2013): 77–120. http://dx.doi.org/10.31329/jmhs.2013.04.39.77.

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Chen, Kun, Dan Lu, Zimin Jin, Miao Su, and Jing Jin. "Song Brocade in the Ming and Qing Dynasties." Clothing and Textiles Research Journal 38, no. 4 (2020): 285–97. http://dx.doi.org/10.1177/0887302x20932657.

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Song brocade is Chinese traditional brocade that originated in the Song dynasty but flourished in the Ming and Qing dynasties. Its delicate patterns, graceful colors, and exquisite techniques show the unique craftsmanship of ancient China. The fabric structure, pattern, and weaving technique had changed greatly because of the social environment, cultural customs, and other factors during the Ming and Qing dynasties. This article proposed a new series of classification for Song brocade patterns in Ming and Qing dynasties and recurred the fabric weave of Song brocade in Ming and Qing dynasties. Besides, the research provided a concise English-language description of historical background, varieties, and specifications based primarily on Chinese-language research publications.

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Pang, Nai-Ming. "Textual Criticisms of the Daxiyang During the Ming-Qing the Ming and Qing Dynasties." JOURNAL OF ASIAN HISTORICAL STUDIES 140 (September 30, 2017): 415–51. http://dx.doi.org/10.17856/jahs.2017.09.140.415.

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Nyanchen, Zhen. "THE USE AND ARTISTIC FEATURES OF XUANZI POLYCHROME PAINTING IN THE MING AND QING DYNASTIES." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (2020): 134–44. http://dx.doi.org/10.36340//2071-6818-2020-16-3-134-144.

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In the field of the pictorial decoration of Chinese architecture, the decor of the period of the Ming and Qing dynasties is considered the most outstanding since, at that time, the technique was perfect, and the methods of decoration were rich in their diversity, which was not possible in previous eras. The polychrome painting of official buildings during the Ming and Qing dynasties’ reign is quite different from the Song dynasty’s polychrome painting. The transition from the Song dynasty’s polychrome painting to the Ming and Qing dynasties’ polychrome painting was completed during the Yuan dynasty’s reign. Due to the decrease of dougong in size in the Ming dynasty, polychrome painting began to be placed on beams. Xuanzi polychrome painting, which originated from painting beams under the Yuan dynasty, became the primary type. By the Qing dynasty, Hexi polychrome painting and Suzhou polychrome painting, which evolved from the folk polychrome painting of the Jiangnan region of the Ming dynasty, appeared. The Xuanzi type was one of the three main polychrome painting types in the Qing dynasty. It was fully developed compared to the Hexi type as it was used more widely. The article explains the development of the artistic features of the various decorative parts of Xuanzi polychrome painting during the Ming and Qing dynasties, the characteristics of each gradation, and the method of distinguishing it, as well as its place of application.

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Hardie, Alison. "Political Drama in the Ming-Qing Transition: A Study of Four Plays." MING QING YANJIU 17, no. 01 (2012): 1–34. http://dx.doi.org/10.1163/24684791-01701002.

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In the late Ming dynasty, a new genre of drama arose, which presented on stage recent political events, featuring real historical persons; this genre continued across the Ming-Qing transition. The earliest and one of the best known examples is The Cry of the Phoenix (Ming feng ji), dramatising the conflict between corrupt minister Yan Song (1481-1568) and upright official Yang Jisheng (1516-1555), and probably written by someone in the literary circle of Wang Shizhen (1526-1590). The genre reached its apogee in Kong Shangren’s (1648-1718) The Peach Blossom Fan (Taohua shan). Around the Ming-Qing transition, in the Chongzhen and Shunzhi reigns, a considerable number of plays focused on the conflict during the preceding Tianqi reign between the Eastern Grove (Donglin) faction and the chief eunuch Wei Zhongxian (1568-1627). Eleven plays on this subject are known, of which three survive: Fan Shiyan’s Eunuch Wei Grinds Down the Loyal (Wei jian mo zhong ji), the Clear-Whistling Scholar’s (Qingxiaosheng) A Happy Encounter with Spring (Xi feng chun), and Li Yu’s 李玉 A Roster of the Pure and Loyal (Qing zhong pu). Basing my argument on an examination of these plays and of another play by Li Yu, Reunion across Ten Thousand Miles (Wan li yuan), also based on contemporary events, I suggest that the lively version of events given by these political dramas both reflected and helped to develop and spread the popularly accepted view of late-Ming and Southern Ming factional conflict leading to the fall of the Ming dynasty. According to this view, broadly following the Eastern Grove and Revival Society (Fushe) narrative, the decline and fall of the Ming dynasty was the fault of corrupt officials and evil palace eunuchs who misled the Emperor and were bravely resisted by righteous and incorruptible officials who fell as martyrs to their unprincipled opponents. This simplistic view, endorsed to a great extent in the official Ming History (Ming shi), which was mostly written by former Eastern Grove and Revival Society adherents, has persisted in the popular mind to the present day. I also argue that, after the establishment of the Qing, political drama could serve as a vehicle for the covert expression of Ming loyalism.

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Pease, Jonathan, and Timothy Brook. "Geographical Sources of Ming-Qing History." Chinese Literature: Essays, Articles, Reviews (CLEAR) 12 (December 1990): 144. http://dx.doi.org/10.2307/495234.

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Takao, Ishibashi. "Ming-Qing Studies in Japan: 1984." Chinese Studies in History 22, no. 1-2 (1989): 29–41. http://dx.doi.org/10.2753/csh0009-463322010229.

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Tsuyoshi, Katayama. "Ming-Qing Studies in Japan: 1983." Chinese Studies in History 22, no. 1-2 (1989): 5–15. http://dx.doi.org/10.2753/csh0009-46332201025.

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Dissertations / Theses on the topic "Ming - Qing"

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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.

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Ming, Yau-yau. "Qing poetry on Ming a historical perspective focusing on the writing on Ming Yuefu = Qing zhao yong Ming shi ji de shi xue shen shi : yi Ming yue fu de zhuan shu wei zhong xin /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44204723.

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Thornton, Susanna. "Buddhist Monasteries in Hangzhou in the Ming and Early Qing." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719169.

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Lee, Pak-tsun. "The late Qing revolutionaries' understanding of the American War of Independence Qing mo ge ming pai dui Meiguo du li ge ming de ren shi /." Click to view the E-thesis via HKUTO, 1997. http://sunzi.lib.hku.hk/hkuto/record/B31951399.

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鍾妙昏 and Miu-fun Anita Chung. "Jiehua of the Qing Dynasty (1644-1911)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238373.

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Chui, Mai-hing. "A study of the Ming and Qing historical novels related to Yue Fei Yi Yue Fei wei ti cai de Ming Qing yan yi yan jiu /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record/B38803835.

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Li, Xiaorong 1969. "Rewriting the inner chambers : the boudoir in Ming-Qing women's poetry." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100645.

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My dissertation takes the social and symbolic location of women---the inner chambers [guige or gui]---as a point of departure to examine Ming-Qing women's unique approach to the writing of poetry. In Ming-Qing China, women continued to be assigned to the inner, domestic sphere by Confucian social and gender norms. The inner chambers were not only a physically and socially bounded space within which women were supposed to live, but also a discursive site for the construction of femininity in both ideological and literary discourses. The term gui embraces a nexus of meanings: the material frame of the women's chambers; a defining social boundary of women's roles and place; and a conventional topos evoking feminine beauty and pathos in literary imagination. Working with the literary context of boudoir poetics, yet also considering other indispensable levels of meanings epitomized in the cultural signifier guige, my dissertation demonstrates how Ming-Qing women poets re-conceive the boudoir as a distinctive textual territory encoded with their subjective perspectives and experiences. Compared with the poetic convention, the boudoir as inscribed in Ming-Qing women's texts is far more complex as its depiction is informed by nuances in their historical, social and individual experiences.

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Chan, Kit-i. "Wei Yijie(1616-1686) a case study of Late Ming literati serving the Qing government = Wei Yijie : Ming mo shi ren shi Qing ge an yan jiu /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkutrfo/record/B31691973.

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Books on the topic "Ming - Qing"

1

Qing ming. Hong qi chu ban she, 2014.

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Xiaofen, Wu, ed. Tongcheng Ming Qing ming huan. Anhui mei shu chu ban she, 2011.

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3

Ming ming dong le qing. Zhongguo wen lian chu ban she, 2015.

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4

Qing ming jie. Xin ya wen hua shi ye you xian gong si, 2015.

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5

Ming Qing shi. Liaoning ren min chu ban she, 1985.

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1959-, Huang Dingsheng, and Lin Zhangsan, eds. Qing ming jie. Dao tian chu ban you xian gong si, 2000.

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Qing ming jie. Xin ya wen hua shi ye you xian gong si, 2012.

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Qing ming jie. MKini Dotcom, 2010.

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9

Qing ming ji. Ming ri gong zuo shi gu fen you xian gong si, 2010.

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10

Hu shang Ming Qing ming zhai. Shanghai shu dian chu ban she, 2006.

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Book chapters on the topic "Ming - Qing"

1

Emmerich, Reinhard, Hans van Ess, Raoul David Findeisen, Martin Kern, and Clemens Treter. "Die Literatur der Ming- und Qing-Zeit." In Chinesische Literaturgeschichte. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-05239-1_4.

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Heylen, Ann. "Taiwan in late Ming and Qing China." In Routledge Handbook of Contemporary Taiwan. Routledge, 2016. http://dx.doi.org/10.4324/9781315769523-2.

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Meulenbeld, Mark. "Chinese Religion in the Ming and Qing Dynasties." In The Wiley-Blackwell Companion to Chinese Religions. John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781444361995.ch6.

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Huadong, Guo. "Imperial Tombs of the Ming and Qing Dynasties." In Atlas of Remote Sensing for World Heritage: China. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-32823-7_7.

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ZHU, Yi-ting. "Ethical Thought in the Ming and Qing Dynasties." In A Panoramic History of Traditional Chinese Ethics. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1252-7_7.

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Roberts, J. A. G. "The Early Modern Period:The Ming and the Early Qing." In A History of China. Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27704-9_4.

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Huang, Qinglv, and Liang Yan. "Analyze Ming and Qing Literature Under Big Data Technology." In 2020 International Conference on Data Processing Techniques and Applications for Cyber-Physical Systems. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1726-3_45.

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Perez-Garcia, Manuel. "The Mandate of Heaven, the Rule of the Emperor: Self-Sufficiency of the Middle Kingdom." In Palgrave Studies in Comparative Global History. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7865-6_3.

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Abstract This chapter pays special attention to the analysis of the state administrative capacity of late Ming and Qing China by exploring the reforms introduced from the late sixteenth century up to 1796 regarding tax collection. Institutional constraints will be further explored through the rooted mandarinate system and despotic rule of the emperor and officials who fostered the multiplication of institutions, mainly during the expansion to western provinces throughout the Qing dynasty

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O’Brien, Patrick Karl. "The Ming and Qing Imperial States and Their Agrarian Economies." In Palgrave Studies in Economic History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54614-4_4.

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Roberts, J. A. G. "The Early Modern Period: The Ming and the Early Qing." In A History of China. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34536-2_4.

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Conference papers on the topic "Ming - Qing"

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Wenyong, Bai. "Interpretation of Chinese Ming and Qing fiction Narrative Pattern Analysis." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.1.

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Sun, Lin. "New Views on Legendsr Teaching in Ming and Qing Dynasties." In 8th International Conference on Education, Management, Information and Management Society (EMIM 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/emim-18.2018.151.

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Liu, Haiying. "Jingdezhen Export Ceramic Colored Drawing Sculptures in Ming and Qing Dynasties." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.142.

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Rui, Hu. "The Social Impact of Cotton Planting in the Ming and Qing Dynasties." In Proceedings of the 2018 International Conference on Economy, Management and Entrepreneurship (ICOEME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icoeme-18.2018.92.

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Li, Wen-Jiao, and Hui Tao. "Relationship between Cloud Pattern and Female during the Ming and Qing Dynasties." In 3rd Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/sschd-17.2017.18.

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"The Study of Opera and Garden Culture in the Ming and Qing Dynasties." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.73.

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Yan Wen-hong and Ouyang Jin-jin. "GIS based study on restoration and planning of Qing & Ming Dynasty town." In 2010 Second IITA International Conference on Geoscience and Remote Sensing (IITA-GRS 2010). IEEE, 2010. http://dx.doi.org/10.1109/iita-grs.2010.5602951.

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Wei, Dejun. "Analysis on House Furnishings of Ming and Qing Dynasties and Their Cultural Characteristics." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.96.

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Zhang, Ying, and Jinquan Lu. "Research on the Auspicious Patterns of Ming and Qing Dynasties Ceramics in Jingdezhen." In 2017 International Conference on Society Science (ICoSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.45.

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"Comparative Analysis of Materials of Su-style Furniture Woodcarving in Ming and Qing Dynasty." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.010.

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