Relevant bibliographies by topics / Miniature painting

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Miniature painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Miniature painting"

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Na Ri, Ge Le. "Characteristics of Mongol Figures in Persian Miniature Paintings." Highlights in Art and Design 4, no. 2 (2023): 62–64. http://dx.doi.org/10.54097/hiaad.v4i2.12855.

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Among art categories, Persian miniature paintings have a very high reputation. Persian miniature paintings are also called Iranian miniature paintings. Persian miniature paintings first appeared in illustrations in books. Miniature painting began to have a significant Mongolian style in the 13th century AD. At the same time, it was influenced by Mongolian art and finally reached its peak in the 15th and 16th centuries. Because the Mongols at that time wanted to write "Historical Collection" and other similar types of works, they added some illustrations. This movement effectively promoted the
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Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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Abdulaziz, A.Akbarkhujaev. "TRADITIONAL PRINCIPLES OF MINIATURE ART OF UZBEKISTAN." LOOK TO THE PAST 5, Special issue 1 (2022): 57–61. https://doi.org/10.5281/zenodo.6758083.

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This article discusses the traditional principles of the Uzbek miniature school. In particular, the masters, schools and traditions of miniature art, the necessary styles when creating a miniature, composition, placement, symmetry, asymmetry, rhythm, proportion, module, differential, stylization, etc. are scientifically covered. Implementation of the principles of miniature painting in the art of painting with traditional varnish, the emergence of a new type of art in the creative practice of Uzbek artists - lacquer miniatures.
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Tanieva, Guldona M., and Anvar G. Tadzhiev. "ART OF MINIATURE IN CENTRAL ASIA AND ITS HISTORICAL DEVELOPMENT." JOURNAL OF LOOK TO THE PAST 4, no. 8 (2021): 66–73. http://dx.doi.org/10.26739/2181-9599-2021-8-9.

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In present research is said about the steps of development of one of the kind of arts such as miniature in Central Asia, its specific aspects Forming of the Central Asian schools of miniature, about the role of the masters of Amir Timur's times and times of his descendantsand their influence on the school of miniatures of such countries as Turkey, Iran, Azerbaydjan in the 16-19 centuries.The article also provides information on students from the famous artists of their time and their works created in their art schools and their own paintings (miniature).Index Terms:Central Asia, fine arts, eas
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Aytaç, A. "Turkish textiles which have been described in paintings of artist Şevket Dağ." Universum Humanitarium, no. 1 (July 13, 2021): 73–89. http://dx.doi.org/10.25205/2499-9997-2021-1-73-89.

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The perception of painting that started with the Turks, the Gokturks and the Uighurs was expressed mostly in miniature after Islam. There was a false perception that Islam imposed a ban on painting. Therefore, not much painting art was seen in the Ottomans until recently. There are mostly miniature paintings in the Ottomans. The art of painting has developed in the last periods of the Ottoman Empire. One of the most important representatives of that period was Şevket Dağ. She is one of the first graduates of Şevket Dağ Sanayi-i Nefise School. There are no foreign influences in Şevket Dağ's pai
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Bankov, Mikhail S. "TO THE QUESTION OF SPACE ORGANIZATION OF BOOK ILLUMINATION OF LATE ANTIQUITY AND EARLY MIDDLE AGES (IV – VII CENTURY)." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 29–48. http://dx.doi.org/10.36340/2071-6818-2021-17-4-29-48.

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The article focuses on peculiarities of spatial organization of book miniature paintings of late antique and early medieval manuscripts (IV – VII centuries). The author analyses the problem of conveying illusion of depth in illustration in context of gradual transmission from roll to codex, which took place in antique book culture between the II and the V centuries. By analyzing survived fragments of illuminated rolls author displays characteristic features of their spatial organization and observes influence which had tradition of roll illustration on the development of codex. Nevertheless, p
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Darwish, Mahmoud Ahmed. "Two Armenian Bibles with Arabic Influences of miniature painting (Gregor Tatevatsi 1346-1410)." International Journal for Innovation Education and Research 4, no. 8 (2016): 72–100. http://dx.doi.org/10.31686/ijier.vol4.iss8.578.

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About a century ago, Armenian illuminated manuscripts attracted the attention of scholars and lovers of art. Since that time intensive studies of medieval Armenian art had been conducted a unique historical panorama of the art of illumination, embracing more than thirteen centuries has been given.The heritage of a number of miniature schools and their outstanding representatives has been studied; the significance of medieval Armenian painting in the history of world art has been revealed. Although, most of them illuminated, many have not yet been published. Among the best examples of medieval
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Banthia, Prashasti, and Kumkum Bharadwaj. "A STUDY OF CULTURAL ADOPTION OF MINIATURE PAINTINGS IN AIR INDIA PUBLICITY POSTERS." ShodhShreejan: Journal of Creative Research Insights 1, no. 1 (2024): 18–23. https://doi.org/10.29121/shodhshreejan.v1.i1.2024.6.

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To study the cultural factors, appealing elements and themes of Indian miniature painting used in different commercial advertising posters of Air India. This objective will be achieved by qualitative analysis of some posters used in advertising campaigns by Air India company ever since from its establishment, in which artist uses Indian miniature paintings as reference to communicate and influence people both nationally and internationally. By medium of this paper it will be easier to make people aware about the cultural and artistic importance of Indian miniature painting and how it helped Ai
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Agrawal, Ruchi, and Dr Anu Ukande. "INDIAN ART IN CONTEXT: MANUSCRIPT PAINTINGS OF BAL-GOPAL-STUTI." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 15–21. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.114.

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This article seeks to re-discover the glorious manuscript of Bal-Gopal-Stuti which depicts the tales of Krishna based on the hymns attributed to Bilvamangala. Illustrating of the manuscript of Bal-Gopal-Stuti probably began in the early fifteenth century. Bal-Gopal-Stuti is an esteemed literary masterpiece written in Sanskrit devoted to the Hindu God Krishna. Since its composition around thirteenth- fourteenth century. Bilvamangala’s poems have continued to be popular among the devotees of Krishna. Indian art is the outcome of a fusion of several traditions and is still evolving. Indian painti
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Dissertations / Theses on the topic "Miniature painting"

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Gude, Tushara Bindu. "Between music and history Rāgamālā paintings and European collectors in late eighteenth-century northern India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023838261&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Helke, Gun-Dagmar. "Johann Esaias Nilson (1721-1788) : Augsburger Miniaturmaler, Kupferstecher, Verleger und Kunstakademiedirektor /." München : Scaneg, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016505480&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Serban, Carrie. "A study of the Ottoman guilds as they are depicted in Turkish miniature paintings /." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111584.

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This thesis explores the Ottoman guilds during the sixteenth and eighteenth centuries as they are depicted in the miniature paintings contained within two well-known and well-preserved festival albums: the Surname-i Humayun (1582) and the Surname-i Vehbi (1720). These manuscripts describe the events occurring during the festival celebrations for the circumcisions of the sons of Sultan Murad III (r. 1574-95) and Sultan Ahmed III (r. 1703-30) and while they offer an excellent portrait of Ottoman society in general, they are particularly noteworthy for their portrayals of guild processions. Based
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Ghoochani, Ghazaleh. "Le bleu dans la miniature safavide avant Shah Abbas." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040021.

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Ces travaux portent sur plusieurs facettes de l’emploi du bleu dans les miniatures persanes. Ils se fondent sur un corpus constitué de 56 manuscrits à peintures, appartenant à la période qui va de l’accession au trône des Safavides jusqu’au règne de Shah Abbâs (soit de 1501 à 1588), et conservés à la Bibliothèque Nationale de France et à la British Library. Ce travail s’articule autour de deux grands axes. Le premier aborde les questions préliminaires relatives aux matériaux et techniques utilisés pour fabriquer la couleur bleue qui se rencontrent dans la peinture persane du XVIe siècle. Cette
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Shanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.

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Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara
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Ahmadi, Bahram. "L'enseignement universitaire de la peinture en Iran : problèmes et influences." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10077.

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La peinture « classique » persane a perdu ses caractéristiques en se rapprochant de la peinture occidentale; puis à l'époque Qajar, avec le changement culturel et social, une nouvelle peinture est née tandis que, simultanément, une évolution apparaissait dans son enseignement. Ainsi l'art de la peinture se divise en « art mineur » et « art majeur », dont l'enseignement suit, pour chacun d'eux, un chemin différent. La peinture « réaliste », comme manifestation de l'art majeur, s'est installée à l'école de Ṣanīʿ-al-Molk puis à l'école Dār al-Fonūn pour arriver enfin à l'école de Kamāl-al-Molk qu
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Veiga, Alfredina de Jesus da Cunha. "Estudo arqueométrico de pinturas a óleo sobre cobre dos séculos XVII/XVIII do Museu de Évora." Doctoral thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/17299.

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Este trabalho teve como objetivo o estudo arqueométrico de um grupo de pinturas sobre cobre dos séculos XVII/XVIII pertencentes a uma coleção de cerca de sessenta medalhões do Museu de Évora. O estudo material incidiu sobre dezasseis dos medalhões, que constituem uma amostra representativa do tipo de retratos miniatura que eram pintados na Corte Europeia dos séculos XVII/XVIII, e dos diferentes estados de conservação e restauro existentes nesta coleção. Além da simples observação do seu estado de conservação e das escassas interpretações históricas que lhes são atribuídas, estas peças nunca ti
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Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr
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Murphy, Laura L. "The Aesthetics of Anxiety: Making in a Time of Environmental Collapse." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343065382.

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Books on the topic "Miniature painting"

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Sumahendra. Miniature painting technique. Rooprang Publications, 1990.

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Usha, Bhatia, and Khandalavala Karl J, eds. Indian miniature painting. Lalit Kalā Akademi, 1986.

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Mike, Davidson. Painting Civil War miniatures. Schiffer Pub., 1995.

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Douglas, Congdon-Martin, ed. Painting miniature military figures. Schiffer Publishing, 1994.

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Heinlen, Michael. Medieval & Renaissance miniature painting. Bruce Ferrini Rare Books, 1989.

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Mike, Davidson. Painting Napoleonic miniatures with Mike Davidson. Schiffer Pub., 1996.

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Milstein, Rachel. Miniature painting in Ottoman Baghdad. Mazdâ, 1990.

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India, National Museum of, ed. Indian miniature paintings. National Museum, 2009.

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Saqafat-e-Pakistan, Idara, ed. Miniature paintings from Pakistan. Pakistan National Council of the Arts, Ministry of Culture & Sports, 1995.

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Avants, Brett. Getting started painting diorama figures in acrylics. Letterman Publications, 2001.

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Book chapters on the topic "Miniature painting"

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Nelson, Robert S. "A Thirteenth-Century Byzantine Miniature in the Vatican Library." In Later Byzantine Painting. Routledge, 2024. http://dx.doi.org/10.4324/9781003554134-9.

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Ranjana, Ragini, Monika, Mohammad Shahid, and Mazhar Kamran. "Exploring Adaptability of Miniature Painting to New Media." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-97257-7_16.

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Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." In South Asian Pornographies. Routledge, 2024. http://dx.doi.org/10.4324/9781003359708-8.

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Crosby, Mark. "A Minute Skirmish: Blake, Hayley and the Art of Miniature Painting." In Blake and Conflict. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230584280_10.

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Legassie, Shayne Aaron. "The Gothic Fly." In Burn after Reading: Vol. 1, Miniature Manifestos for a Post/medieval Studies + Vol. 2, The Future We Want: A Collaboration. punctum books, 2014. https://doi.org/10.21983/p3.0067.1.16.

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Gore Verbinski’s 2002 filmThe Ringis a remake of the popular Japanese horror movieRingu (1998), directed by Hideo Nakata. Both films tell the story of a cursed vide-otape whose viewers die gruesome deaths seven days after they watch it. At the level of both plot and visual style, Verbinski’s departures from Ringuare deeply in-debted to the conventions of the gothic novel, especially as they were mediated by European and American cine-ma. This gothic aesthetic “translates” Ringu into a more familiar Hollywood idiom for the benefit of North Ameri-can viewers. Many of The Ring’s gothic innovation
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"Miniature painting: Ahmadnagar and Bijapur." In Architecture and Art of the Deccan Sultanates. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521563215.007.

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Freya Krishna, Mahima. "REFLECTIONS OF MINIATURE PAINTING IN INDIAN CULTURE; A COGNITIVE STUDY." In Research Trends in Language, Literature & Linguistics Volume 3, Book 5. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt5p2ch2.

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Nature is the best known artist. In nature’s creation we see forms, but there is no out-line. The line is created by an artist. Miniature painting is an art of line. Miniature painting formally came to be known as a technique in the 17th Century AD, though it started its ovulation in the 9th century AD on palm leaves. Popularly painted subjects depicted court scenes, mythology and folklore under patronage of Indian maharajas, Indian Miniature painting, took an interesting twist under the colonial patronage from 1860s, with depiction of the common person and their life. Visually there was an am
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"Miniature painting: Golconda and other centres." In Architecture and Art of the Deccan Sultanates. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521563215.008.

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"Safavid Revival in Persian Miniature Painting." In À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries. BRILL, 2019. http://dx.doi.org/10.1163/9789004412644_004.

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Mansion, L. "Letters Upon the Art of Miniature Painting." In Color and Victorian Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003084976-20.

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Conference papers on the topic "Miniature painting"

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Altundoğan, Turan Göktuğ, and Mehmet Karaköse. "Reconstructing Artistic Heritage: Style Transfer in Ottoman Miniature Paintings Using Pre-Trained CNN with PSNR Based Image Similarity." In 2024 2nd International Conference on Sustaining Heritage: Embracing Technological Advancements (ICSH). IEEE, 2024. https://doi.org/10.1109/icsh62408.2024.10779766.

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Zaremba, Krzysztof. "Optical fibre lighting system for the miniature painting exposition in the National Museum in Warsaw." In Congress on Optics and Optoelectronics, edited by Leszek R. Jaroszewicz, Brian Culshaw, and Anna G. Mignani. SPIE, 2005. http://dx.doi.org/10.1117/12.623048.

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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these
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Tabarestani, Solale, Mohammad Eslami, and Farah Torkamni-Azar. "Painting style classification in Persian Miniatures." In 2015 9th Iranian Conference on Machine Vision and Image Processing (MVIP). IEEE, 2015. http://dx.doi.org/10.1109/iranianmvip.2015.7397538.

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URSACHI, Rodica. "Trei piloni ai artei naționale: Igor Vieru, Ilie Bogdesco și Mihail Petric. 100 ani de la naștere." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p302-308.

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The article is focused on the creation of three plastic artists from the Republic of Moldova, who would have celebrated their centenary this year - Igor Vieru (1923-1988), Ilia Bogdesco (1923 2010), Mihail Petric (1923-2005). Their contribution is a significant one for national art, each one leaving a considerable mark in the field and genre they work in – graphics, thematic painting, landscape, etc. Several aspects and factors of the creative process of each individual artist are mentioned in the article. The thematic topics addressed are described, the components of the plastic language used
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