Relevant bibliographies by topics / Miniature painting, Indian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Miniature painting, Indian'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Miniature painting, Indian"

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Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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Banthia, Prashasti, and Kumkum Bharadwaj. "A STUDY OF CULTURAL ADOPTION OF MINIATURE PAINTINGS IN AIR INDIA PUBLICITY POSTERS." ShodhShreejan: Journal of Creative Research Insights 1, no. 1 (2024): 18–23. https://doi.org/10.29121/shodhshreejan.v1.i1.2024.6.

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To study the cultural factors, appealing elements and themes of Indian miniature painting used in different commercial advertising posters of Air India. This objective will be achieved by qualitative analysis of some posters used in advertising campaigns by Air India company ever since from its establishment, in which artist uses Indian miniature paintings as reference to communicate and influence people both nationally and internationally. By medium of this paper it will be easier to make people aware about the cultural and artistic importance of Indian miniature painting and how it helped Ai
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Agrawal, Ruchi, and Dr Anu Ukande. "INDIAN ART IN CONTEXT: MANUSCRIPT PAINTINGS OF BAL-GOPAL-STUTI." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 15–21. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.114.

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This article seeks to re-discover the glorious manuscript of Bal-Gopal-Stuti which depicts the tales of Krishna based on the hymns attributed to Bilvamangala. Illustrating of the manuscript of Bal-Gopal-Stuti probably began in the early fifteenth century. Bal-Gopal-Stuti is an esteemed literary masterpiece written in Sanskrit devoted to the Hindu God Krishna. Since its composition around thirteenth- fourteenth century. Bilvamangala’s poems have continued to be popular among the devotees of Krishna. Indian art is the outcome of a fusion of several traditions and is still evolving. Indian painti
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Agrawal, Sujata. "INDIAN MINIATURES (PAHARI PAINTINGS A STUDY OF INDIAN LANDSCAPES, SOCIAL LIFE AND LOVING SONGS OF GEET GOVINDA)." ARTS ACADEMY 2, no. 2 (2022): 119–26. http://dx.doi.org/10.56032/2523-4684.2022.2.2.119.

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The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the co
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Rao, K. Mrutyunjaya. "PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 15–26. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.62.

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This paper discusses the magnificent contribution of Indian miniature painting as the torch bearer of Indian visual culture for the future generations with transitions and various idioms. It’s Visual imagery raised to paramount importance from the auxiliary position to the religious text. Artist has not imitated from nature but imbibed the spirit of divinity and greater love and passion on Indian culture. Its function is religious as well as decorative. “Horrorvacuue” the desire of filling space is the common characteristics of an Indian is often appears in Indian painting. The articulations o
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Dr., Seema Tiwari. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research - Granthaalayah 7, no. 11(SE) (2019): 146–49. https://doi.org/10.5281/zenodo.3585116.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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Tiwari, Seema. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 146–49. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3725.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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Cardeira, Ana Mafalda, Stéphane Longelin, Agnès Le Gac, Isabel Nogueira, Maria Luísa Carvalho, and Marta Manso. "Spectroscopic Characterization of a Contemporary Indian Miniature Painting." Applied Spectroscopy 67, no. 12 (2013): 1376–81. http://dx.doi.org/10.1366/13-07147.

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Panjwani, Priyanka. "Deconstructing a Janamsakhi Illustration:." Sikh Research Journal 8, no. 1 (2023): 127–43. http://dx.doi.org/10.62307/srj.v8i1.27.

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It is rightly said that “All art is in part about the world in which it emerged.” As part of a North Indian hagiographic manuscript written in the 19th century, the miniature painting analyzed in this essay depicts a miracle of the founder of Sikhism-Guru Nanak. This essay will deconstruct the visual elements in the watercolor painting and link it to different styles of miniature painting of that period. It will also attempt to answer a fundamental question formulated by French art historian and archaeologist Oleg Grabar– can a work of culture be meaningfully understood through the application
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Dissertations / Theses on the topic "Miniature painting, Indian"

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Vaidya, Aradhana. "Translating Indian miniature paintings into a time-based medium." Texas A&M University, 2008. http://hdl.handle.net/1969.1/85978.

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The purpose of this research and the corresponding project is to explore and interpret the qualities of the traditional art form of Indian miniature paintings into a digital, time based medium. These are beautiful, finely-drawn paintings with rich detailed patterns and striking bold colors. Intricately and meticulously drawn, they employ an alternative means of representation distinctly different from a conventional lens-based perspective. Most 3-dimensional digital media makes use of either a real or a virtual camera to inform the representation of space. In this project I deviate from this c
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Gude, Tushara Bindu. "Between music and history Rāgamālā paintings and European collectors in late eighteenth-century northern India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023838261&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr
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Books on the topic "Miniature painting, Indian"

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Usha, Bhatia, and Khandalavala Karl J, eds. Indian miniature painting. Lalit Kalā Akademi, 1986.

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India, National Museum of, ed. Indian miniature paintings. National Museum, 2009.

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Mukherjee, Bratindra Nath. Earliest Indian miniatures. Arts India Publication, 1992.

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Daljeet. The glory of Indian miniatures. Mahindra Publications, 1988.

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India, National Museum of. Indian miniature paintings =: Bhāratīya laghu-citrakalā. National Museum, 2009.

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Metropolitan Museum of Art (New York, N.Y.), ed. Indian court painting, 16th-19th century. bThemes and Hudson, 1997.

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Metropolitan Museum of Art (New York, N.Y.), ed. Indian court painting, 16th-19th century. Metropolitan Museum of Art, 1997.

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Prof, Jain P. C., Bhatia Usha, Satyajit, Arpana Fine Arts Miniature Museum., and Academy of Fine Arts and Literature (India), eds. The magic of Indian miniatures: Collection of Arpana Fine Arts Miniature Museum. 2nd ed. Academy of Fine Arts and Literature, 2008.

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Custodia, Fondation. The courts of India: Indian miniatures from the collection of the Fondation Custodia, Paris. Fondation Custodia, 1991.

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Prof, Jain P. C., Baswani Veena, and Dutta Gupta R. K, eds. Indian miniature painting: Manifestation of a creative mind. Brijbasi Art Press, 2006.

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Book chapters on the topic "Miniature painting, Indian"

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Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." In South Asian Pornographies. Routledge, 2024. http://dx.doi.org/10.4324/9781003359708-8.

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Freya Krishna, Mahima. "REFLECTIONS OF MINIATURE PAINTING IN INDIAN CULTURE; A COGNITIVE STUDY." In Research Trends in Language, Literature & Linguistics Volume 3, Book 5. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt5p2ch2.

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Nature is the best known artist. In nature’s creation we see forms, but there is no out-line. The line is created by an artist. Miniature painting is an art of line. Miniature painting formally came to be known as a technique in the 17th Century AD, though it started its ovulation in the 9th century AD on palm leaves. Popularly painted subjects depicted court scenes, mythology and folklore under patronage of Indian maharajas, Indian Miniature painting, took an interesting twist under the colonial patronage from 1860s, with depiction of the common person and their life. Visually there was an am
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Prabha Ray, Himanshu. "Archaeology of Buddhism in post-partition Punjab: the disputed legacy of Gandhāra." In The Rediscovery and Reception of Gandhāran Art. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-6.

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After complex negotiations, which only compounded the trauma of the Partition of the Indian subcontinent on 15th August 1947 and the enormous humanitarian crisis that resulted from it, the cultural heritage of the Punjab was also divided, with Indian Punjab receiving from Lahore Museum a total of 627 Gandhāran sculptures, miniature paintings, and so on. Clearly, the sculptures of Gandhāra were accepted as the cultural heritage of undivided Punjab, a region that extended across both Pakistan and India. The nineteenth century kingdom of Maharaja Ranjit Singh (1780-1839), also known as the ‘lion
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"Conclusion." In Earth Diplomacy. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059493-007.

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Fritz Scholder’s paintings conjured the United States’ betrayal of its treaty obligations to Native nations before diverse publics abroad in 1972. Disgusted by the US government’s propaganda, the artist defected from a tour in Romania to visit Dracula’s castle and paint a little-known Indian/Vampir series on canvases that fit in his suitcase. Emblematic of the failure of modern nation-state diplomacy, the miniature paintings align Native Americans and Transylvanians in a global struggle against dispossession. They foretell the flourishing of alternative cultures of diplomacy beyond the coffin
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"Miniature painting, cultural economy and territorial dynamics in Rajasthan, India." In Cultural Industries and the Production of Culture. Routledge, 2004. http://dx.doi.org/10.4324/9780203392263-27.

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"The origins and development of miniature painting in northern India and Rajasthan." In Cultural Industries and the Production of Culture. Routledge, 2004. http://dx.doi.org/10.4324/9780203392263-28.

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"Miniature-paintiDg Of about half of the collection. Hamza-Nama, India 16th c. Colour transparencies." In Islamic Art Collections. Routledge, 2013. http://dx.doi.org/10.4324/9780203036907-11.

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Conference papers on the topic "Miniature painting, Indian"

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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these
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