Relevant bibliographies by topics / Miniature painting, Indic

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Miniature painting, Indic'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Miniature painting, Indic"

1

Banthia, Prashasti, and Kumkum Bharadwaj. "A STUDY OF CULTURAL ADOPTION OF MINIATURE PAINTINGS IN AIR INDIA PUBLICITY POSTERS." ShodhShreejan: Journal of Creative Research Insights 1, no. 1 (2024): 18–23. https://doi.org/10.29121/shodhshreejan.v1.i1.2024.6.

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To study the cultural factors, appealing elements and themes of Indian miniature painting used in different commercial advertising posters of Air India. This objective will be achieved by qualitative analysis of some posters used in advertising campaigns by Air India company ever since from its establishment, in which artist uses Indian miniature paintings as reference to communicate and influence people both nationally and internationally. By medium of this paper it will be easier to make people aware about the cultural and artistic importance of Indian miniature painting and how it helped Ai
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Dr., Seema Tiwari. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research - Granthaalayah 7, no. 11(SE) (2019): 146–49. https://doi.org/10.5281/zenodo.3585116.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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Dhiman, Rekha. "MUGHAL CARPET COLOR MAKING PROCESS (WITH REFERENCE TO THE JAHANGIR ERA)." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–3. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3644.

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Mughal painting maintains an independent and significant identity throughout Asia. Babur, the fifth generation of Timur Vansh, established Mughal culture in 1527 by dominating some parts of India. Which was extended by the rulers of Humayun, Akbar, Jahangir, Shahjahan and Aurangzeb. At this time, all the arts developed properly. Mughal carpet painting was at its peak till the reign of Shahjahan. Iranian, Chinese and Western art styles influenced this. At this time the painting was effective as miniature and crystal painting. 'Jahangir period (from 1605 to 1627 AD) painting was in its youth in
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Tiwari, Seema. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 146–49. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3725.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k
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5

Kaur, Jasminder. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 18–32. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.1988.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th
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Jasminder, Kaur. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research - Granthaalayah 5, no. 6 (2017): 18–32. https://doi.org/10.5281/zenodo.805871.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th
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7

Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." Porn Studies 7, no. 1 (2019): 36–60. http://dx.doi.org/10.1080/23268743.2018.1532808.

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8

Anupama, C. S. "Recollecting the History of Mysore Ganjifa: An Art Historical Perspective." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 7 (2024): 164–71. http://dx.doi.org/10.31305/rrijm.2024.v09.n07.020.

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Vijayanagara Empire becomes one of the best examples for understanding the development of different art forms in southern region of India. Vijayanagara Empire is not just known for its supremacy in administration and political and economic power but also the empire shares its contribution in the field of art and culture. This research paper is an attempt to know how Vijayanagara becomes the root cause for different art forms or style of paintings such as Surpur style paintings, Tanjavur paintings, traditional Mysore painting, Ganjifa art etc. during the period of its reign. It is necessary to
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9

Cattoni, Nadia. "The Figure of Radha in Miniature Paintings: From the Pastoral to the Courtly, from Text to Visuality, from Polyphony to Normativity." Religion and Gender 5, no. 1 (2015): 52–70. http://dx.doi.org/10.18352/rg.10083.

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This article analyses how Radha was depicted in miniature paintings between the 16th and 19th century in North India. Interrogating the link between text and image, contrasting poetry, style and historical settings with the visual representations of this central figure, the reflections focus on the changing nature of Radha. Through various examples from miniature paintings of different periods and schools, this article analyses the way the rich personality of Radha was transposed into images. In order to stress the changes brought to this female figure, she will be compared to Krishna, the mas
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Schimmel, Annemarie, and Norah M. Titley. "Persian Miniature Painting and Its Influence on the Art of Turkey and India." Journal of the American Oriental Society 108, no. 1 (1988): 174. http://dx.doi.org/10.2307/603279.

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Dissertations / Theses on the topic "Miniature painting, Indic"

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Gude, Tushara Bindu. "Between music and history Rāgamālā paintings and European collectors in late eighteenth-century northern India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023838261&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr
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Books on the topic "Miniature painting, Indic"

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Sumahendra. Miniature painting technique. Rooprang Publications, 1990.

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2

Nanda, Manisha. Kangra Valley painting. Himachal Academy of Arts, Culture & Languages, 2009.

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Manisha, Nanda, and Himachal Academy of Arts, Culture & Languages., eds. Kangra Valley painting. Himachal Academy of Arts, Culture & Languages, 2009.

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Khandalavala, Karl J. Paintings of bygone years. Vakils, Feffer & Simons, 1991.

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India, National Museum of, ed. Indian miniature paintings. National Museum, 2009.

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6

Gangoly, O. C. Masterpieces of Rajput painting. Rabindranth Roy Charitable Trust, 2012.

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Charak, Sukh Dev Singh. Jammu rāgamālā paintings. Abhinav Publications, 1998.

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Siṃha, Rājeśvaraprasāda Nārāyaṇa. Geeta Govind in Basohli painting. 2nd ed. Reliance Pub. House, 1987.

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India, National Museum of. Indian miniature paintings =: Bhāratīya laghu-citrakalā. National Museum, 2009.

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10

Sodhi, Jiwan. A study of Bundi school of painting. Abhinav Publications, 1999.

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Book chapters on the topic "Miniature painting, Indic"

1

Di Pietrantonio, Natalia. "Pornography and Indian miniature painting: the case of Avadh, India." In South Asian Pornographies. Routledge, 2024. http://dx.doi.org/10.4324/9781003359708-8.

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"Miniature painting, cultural economy and territorial dynamics in Rajasthan, India." In Cultural Industries and the Production of Culture. Routledge, 2004. http://dx.doi.org/10.4324/9780203392263-27.

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"The origins and development of miniature painting in northern India and Rajasthan." In Cultural Industries and the Production of Culture. Routledge, 2004. http://dx.doi.org/10.4324/9780203392263-28.

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Prabha Ray, Himanshu. "Archaeology of Buddhism in post-partition Punjab: the disputed legacy of Gandhāra." In The Rediscovery and Reception of Gandhāran Art. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-6.

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After complex negotiations, which only compounded the trauma of the Partition of the Indian subcontinent on 15th August 1947 and the enormous humanitarian crisis that resulted from it, the cultural heritage of the Punjab was also divided, with Indian Punjab receiving from Lahore Museum a total of 627 Gandhāran sculptures, miniature paintings, and so on. Clearly, the sculptures of Gandhāra were accepted as the cultural heritage of undivided Punjab, a region that extended across both Pakistan and India. The nineteenth century kingdom of Maharaja Ranjit Singh (1780-1839), also known as the ‘lion
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"Miniature-paintiDg Of about half of the collection. Hamza-Nama, India 16th c. Colour transparencies." In Islamic Art Collections. Routledge, 2013. http://dx.doi.org/10.4324/9780203036907-11.

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