Relevant bibliographies by topics / Miniature painting / Dissertations / Theses
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Dissertations / Theses on the topic 'Miniature painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Consult the top 17 dissertations / theses for your research on the topic 'Miniature painting.'

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1

Gude, Tushara Bindu. "Between music and history Rāgamālā paintings and European collectors in late eighteenth-century northern India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023838261&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

Helke, Gun-Dagmar. "Johann Esaias Nilson (1721-1788) : Augsburger Miniaturmaler, Kupferstecher, Verleger und Kunstakademiedirektor /." München : Scaneg, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016505480&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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3

Serban, Carrie. "A study of the Ottoman guilds as they are depicted in Turkish miniature paintings /." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111584.

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This thesis explores the Ottoman guilds during the sixteenth and eighteenth centuries as they are depicted in the miniature paintings contained within two well-known and well-preserved festival albums: the Surname-i Humayun (1582) and the Surname-i Vehbi (1720). These manuscripts describe the events occurring during the festival celebrations for the circumcisions of the sons of Sultan Murad III (r. 1574-95) and Sultan Ahmed III (r. 1703-30) and while they offer an excellent portrait of Ottoman society in general, they are particularly noteworthy for their portrayals of guild processions. Based
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4

Ghoochani, Ghazaleh. "Le bleu dans la miniature safavide avant Shah Abbas." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040021.

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Ces travaux portent sur plusieurs facettes de l’emploi du bleu dans les miniatures persanes. Ils se fondent sur un corpus constitué de 56 manuscrits à peintures, appartenant à la période qui va de l’accession au trône des Safavides jusqu’au règne de Shah Abbâs (soit de 1501 à 1588), et conservés à la Bibliothèque Nationale de France et à la British Library. Ce travail s’articule autour de deux grands axes. Le premier aborde les questions préliminaires relatives aux matériaux et techniques utilisés pour fabriquer la couleur bleue qui se rencontrent dans la peinture persane du XVIe siècle. Cette
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5

Shanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.

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6

Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara
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7

Ahmadi, Bahram. "L'enseignement universitaire de la peinture en Iran : problèmes et influences." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10077.

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La peinture « classique » persane a perdu ses caractéristiques en se rapprochant de la peinture occidentale; puis à l'époque Qajar, avec le changement culturel et social, une nouvelle peinture est née tandis que, simultanément, une évolution apparaissait dans son enseignement. Ainsi l'art de la peinture se divise en « art mineur » et « art majeur », dont l'enseignement suit, pour chacun d'eux, un chemin différent. La peinture « réaliste », comme manifestation de l'art majeur, s'est installée à l'école de Ṣanīʿ-al-Molk puis à l'école Dār al-Fonūn pour arriver enfin à l'école de Kamāl-al-Molk qu
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8

Veiga, Alfredina de Jesus da Cunha. "Estudo arqueométrico de pinturas a óleo sobre cobre dos séculos XVII/XVIII do Museu de Évora." Doctoral thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/17299.

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Este trabalho teve como objetivo o estudo arqueométrico de um grupo de pinturas sobre cobre dos séculos XVII/XVIII pertencentes a uma coleção de cerca de sessenta medalhões do Museu de Évora. O estudo material incidiu sobre dezasseis dos medalhões, que constituem uma amostra representativa do tipo de retratos miniatura que eram pintados na Corte Europeia dos séculos XVII/XVIII, e dos diferentes estados de conservação e restauro existentes nesta coleção. Além da simples observação do seu estado de conservação e das escassas interpretações históricas que lhes são atribuídas, estas peças nunca ti
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9

Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

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Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr
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10

Murphy, Laura L. "The Aesthetics of Anxiety: Making in a Time of Environmental Collapse." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343065382.

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11

Vaidya, Aradhana. "Translating Indian miniature paintings into a time-based medium." Texas A&M University, 2008. http://hdl.handle.net/1969.1/85978.

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The purpose of this research and the corresponding project is to explore and interpret the qualities of the traditional art form of Indian miniature paintings into a digital, time based medium. These are beautiful, finely-drawn paintings with rich detailed patterns and striking bold colors. Intricately and meticulously drawn, they employ an alternative means of representation distinctly different from a conventional lens-based perspective. Most 3-dimensional digital media makes use of either a real or a virtual camera to inform the representation of space. In this project I deviate from this c
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12

Mercy, Nicole. "Recherches sur la peinture au Karnataka : de l’école de Vijayanāgar à l’école de Mysore, XVIème-XIXème." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL191.

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L’objet de ce travail est l’étude de la peinture au Karnataka depuis l’école de Vijayanāgar jusqu’à celle de Mysore, du XVIème au XIXème siècle. Nous avons tenté de réunir le corpus le plus large possible afin d’avoir une vision globale de l’art du Karnataka à travers ses peintures murales, ses manuscrits illustrés et ses images mobiles.Notre objectif était de mieux comprendre l’évolution de la peinture au Karnataka durant les trois cents ans qui séparent l’école de Vijayanāgar de celle de Mysore. Les seuls vestiges de l’école de peinture de Vijayanāgar se trouvent dans les peintures murales d
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13

Goudie, Allison J. I. "The sovereignty of the royal portrait in revolutionary and Napoleonic Europe : five case studies surrounding Maria Carolina, Queen of Naples." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:aeecdc4b-d840-4e25-be64-ba1407e18cd2.

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This study demonstrates how royal portraiture functioned during the Revolutionary and Napoleonic wars as a vehicle for visualizing and processing the contemporary political upheavals. It does so by considering a notion of the 'sovereignty of the portrait', that is, the semiotic integrity (or precisely the lack thereof) and the material territory of royal portraiture at this historical juncture. Working from an assumption that the precariousness of sovereignty which delineated the Revolutionary and Napoleonic wars goes hand in hand with the precariousness of representation during the same perio
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14

Lauren, Samantha Garretson Peter P. "Painted interiors from the Houghton Shahnameh." 2004. http://etd.lib.fsu.edu/theses/available/etd-08212004-004051.

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Thesis (M.A.)--Florida State University, 2004.<br>Advisor: Dr. Peter Garretson, Florida State University, College of Social Sciences, Program in Asian Studies. Title and description from dissertation home page (viewed Jan. 13, 2005). Includes bibliographical references.
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15

Abooali, Sareh. "Space, Gaze and Femineity: Representation of Women in Architectural Spaces in Persian Miniature Painting (Timurid to Safavid eras)." Thesis, 2021. https://hdl.handle.net/2440/134181.

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Architecture can be compared with the veil (or hijab) in terms of its visual and spatial functions. While the veil may overtly conceal, it may also define the woman it clothes in the same way that architecture may simultaneously support and represent its function. Both can deny or direct vision, and mediate space. However, whilst the veil has often been invoked in critiques of the cultural construction of women, the agential role of architecture has largely been overlooked. Using architecture as a lens, this art-historical thesis examines the representation of female figures in Persian miniatu
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16

Sajadi, Forough. "The impact of the Netherlandish art on Persian Miniature in Safavid era 1588 - 1722." Doctoral thesis, 2021. https://depotuw.ceon.pl/handle/item/3971.

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This dissertation focuses on the impact of Netherlandish art on the development of Farangi Sāzi in the Safavid period during 1588-1722. This impact was examined in two parts: first, examining a group of the Europeanized artworks that were executed by Persian royal painters, and second, the sojourn of eleven Netherlandish painters in Persia, specifically the service of three painters in the royal library. The study will then argue to what extent these two stories are correlated or independent.<br>Celem pracy jest omówienie wpływu sztuki holenderskiej na rozwój stylu Farangi Sāzi w okresie panow
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17

Šubrtová, Jana. "Antifonář sedlecký a česká malba 13. století." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313156.

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Painting decorations of the Sedlec Antiphonary manuscript (Prague, NK ČR, XIII A 6) serve as significant evidence for art painting development in Central Europe during the cultural changes, when Late Romanesque style evolved into Gothic. The aim of the thesis is to submit profound art-historical analysis of the Sedlec Antiphonary manuscript, which is stored in National Library of the Czech Republic in Prague, call number XIII A 6. The main method of this work is the careful study of painting decorations in the manuscript, in terms of both analysing their layout in general and typology of the s
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