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Journal articles on the topic 'Miniature painting'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Na Ri, Ge Le. "Characteristics of Mongol Figures in Persian Miniature Paintings." Highlights in Art and Design 4, no. 2 (2023): 62–64. http://dx.doi.org/10.54097/hiaad.v4i2.12855.

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Among art categories, Persian miniature paintings have a very high reputation. Persian miniature paintings are also called Iranian miniature paintings. Persian miniature paintings first appeared in illustrations in books. Miniature painting began to have a significant Mongolian style in the 13th century AD. At the same time, it was influenced by Mongolian art and finally reached its peak in the 15th and 16th centuries. Because the Mongols at that time wanted to write "Historical Collection" and other similar types of works, they added some illustrations. This movement effectively promoted the

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2

Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.

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Abdulaziz, A.Akbarkhujaev. "TRADITIONAL PRINCIPLES OF MINIATURE ART OF UZBEKISTAN." LOOK TO THE PAST 5, Special issue 1 (2022): 57–61. https://doi.org/10.5281/zenodo.6758083.

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This article discusses the traditional principles of the Uzbek miniature school. In particular, the masters, schools and traditions of miniature art, the necessary styles when creating a miniature, composition, placement, symmetry, asymmetry, rhythm, proportion, module, differential, stylization, etc. are scientifically covered. Implementation of the principles of miniature painting in the art of painting with traditional varnish, the emergence of a new type of art in the creative practice of Uzbek artists - lacquer miniatures.

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Tanieva, Guldona M., and Anvar G. Tadzhiev. "ART OF MINIATURE IN CENTRAL ASIA AND ITS HISTORICAL DEVELOPMENT." JOURNAL OF LOOK TO THE PAST 4, no. 8 (2021): 66–73. http://dx.doi.org/10.26739/2181-9599-2021-8-9.

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In present research is said about the steps of development of one of the kind of arts such as miniature in Central Asia, its specific aspects Forming of the Central Asian schools of miniature, about the role of the masters of Amir Timur's times and times of his descendantsand their influence on the school of miniatures of such countries as Turkey, Iran, Azerbaydjan in the 16-19 centuries.The article also provides information on students from the famous artists of their time and their works created in their art schools and their own paintings (miniature).Index Terms:Central Asia, fine arts, eas

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Aytaç, A. "Turkish textiles which have been described in paintings of artist Şevket Dağ." Universum Humanitarium, no. 1 (July 13, 2021): 73–89. http://dx.doi.org/10.25205/2499-9997-2021-1-73-89.

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The perception of painting that started with the Turks, the Gokturks and the Uighurs was expressed mostly in miniature after Islam. There was a false perception that Islam imposed a ban on painting. Therefore, not much painting art was seen in the Ottomans until recently. There are mostly miniature paintings in the Ottomans. The art of painting has developed in the last periods of the Ottoman Empire. One of the most important representatives of that period was Şevket Dağ. She is one of the first graduates of Şevket Dağ Sanayi-i Nefise School. There are no foreign influences in Şevket Dağ's pai

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7

Bankov, Mikhail S. "TO THE QUESTION OF SPACE ORGANIZATION OF BOOK ILLUMINATION OF LATE ANTIQUITY AND EARLY MIDDLE AGES (IV – VII CENTURY)." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 29–48. http://dx.doi.org/10.36340/2071-6818-2021-17-4-29-48.

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The article focuses on peculiarities of spatial organization of book miniature paintings of late antique and early medieval manuscripts (IV – VII centuries). The author analyses the problem of conveying illusion of depth in illustration in context of gradual transmission from roll to codex, which took place in antique book culture between the II and the V centuries. By analyzing survived fragments of illuminated rolls author displays characteristic features of their spatial organization and observes influence which had tradition of roll illustration on the development of codex. Nevertheless, p

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Darwish, Mahmoud Ahmed. "Two Armenian Bibles with Arabic Influences of miniature painting (Gregor Tatevatsi 1346-1410)." International Journal for Innovation Education and Research 4, no. 8 (2016): 72–100. http://dx.doi.org/10.31686/ijier.vol4.iss8.578.

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About a century ago, Armenian illuminated manuscripts attracted the attention of scholars and lovers of art. Since that time intensive studies of medieval Armenian art had been conducted a unique historical panorama of the art of illumination, embracing more than thirteen centuries has been given.The heritage of a number of miniature schools and their outstanding representatives has been studied; the significance of medieval Armenian painting in the history of world art has been revealed. Although, most of them illuminated, many have not yet been published. Among the best examples of medieval

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9

Banthia, Prashasti, and Kumkum Bharadwaj. "A STUDY OF CULTURAL ADOPTION OF MINIATURE PAINTINGS IN AIR INDIA PUBLICITY POSTERS." ShodhShreejan: Journal of Creative Research Insights 1, no. 1 (2024): 18–23. https://doi.org/10.29121/shodhshreejan.v1.i1.2024.6.

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To study the cultural factors, appealing elements and themes of Indian miniature painting used in different commercial advertising posters of Air India. This objective will be achieved by qualitative analysis of some posters used in advertising campaigns by Air India company ever since from its establishment, in which artist uses Indian miniature paintings as reference to communicate and influence people both nationally and internationally. By medium of this paper it will be easier to make people aware about the cultural and artistic importance of Indian miniature painting and how it helped Ai

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Agrawal, Ruchi, and Dr Anu Ukande. "INDIAN ART IN CONTEXT: MANUSCRIPT PAINTINGS OF BAL-GOPAL-STUTI." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 15–21. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.114.

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This article seeks to re-discover the glorious manuscript of Bal-Gopal-Stuti which depicts the tales of Krishna based on the hymns attributed to Bilvamangala. Illustrating of the manuscript of Bal-Gopal-Stuti probably began in the early fifteenth century. Bal-Gopal-Stuti is an esteemed literary masterpiece written in Sanskrit devoted to the Hindu God Krishna. Since its composition around thirteenth- fourteenth century. Bilvamangala’s poems have continued to be popular among the devotees of Krishna. Indian art is the outcome of a fusion of several traditions and is still evolving. Indian painti

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Sevgili Polat, Zülbiye, Fidan Puran, and Ömer Zaimoğlu. "Miniature-Style Paintings in the Kubbe-i Hadra Section of the Mevlana Museum." Рroblems of engineering and professional education 77, no. 2 (2025): 7–27. https://doi.org/10.32523/2220-685x-2025-77-2-7-27.

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The miniature paintings examined in this study were discovered during restoration work at the Mevlana Museum in Konya. These miniatures, which contain pictorial elements, reflect the characteristic features of the period in which they were created, as shown by the results of the study. The miniatures discovered during the restoration process depict elements such as castle walls, roads, hills, cypress trees, and spring branches in a clear composition. This study used a literature review method, drawing on both electronic and printed sources. The miniatures were evaluated from various perspectiv

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Smith, Tara B. M. "Miniature Mindfulness: Finding Spiritual Flow with Warhammer 40,000 Models." Religions 16, no. 2 (2025): 121. https://doi.org/10.3390/rel16020121.

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Warhammer 40,000 (40k) is the world’s most popular miniature wargame. The game is played with miniatures (small-scale figures made of hard plastic or other materials), which have usually been painted by each individual player. These player–painters typically spend hours in deep concentration painting the models. Drawing on interviews and journal entries from a six-month participant study of 14 painters, this paper explores whether miniature painters achieve a flow state, whether this creates a greater feeling of mindfulness, and how painting impacts their overall mental health. Results from th

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Ismayilov, J. "CREATIVE ATTITUDE TO MINIATURE AESTHETICS." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 45 (December 5, 2022): 24–27. https://doi.org/10.5281/zenodo.7398769.

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The sixties-eighties stage of Azerbaijani painting, which has an ancient history and rich artistic traditions, was also characterized by appeals to national traditions by artists of different ages. One of such creators was Yuran Mammadov (1934-1984), who lived and created in Nakhchivan. The young artist who studied in Baku and St. Petersburg and is deeply familiar with the traditions of realism, unlike many others, preferred to create paintings with modern themes and different genres with a creative attitude to the miniature style, which has ancient traditions. Yuran Mammadov, who tried himsel

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14

Nasriddinovich, Narziyev Nuriddin. "The role of drawing science in the art of miniature painting." American Journal Of Social Sciences And Humanity Research 5, no. 3 (2025): 76–77. https://doi.org/10.37547/ajsshr/volume05issue03-20.

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The article discusses the significance of drawing science in the formation and development of the art of miniature. Particular attention is paid to the roles of a linear drawing, a system of proportions and compositional solutions borrowed from drawing treatises, which became the basis of the visual culture of miniatures in various historical periods.

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Agrawal, Sujata. "INDIAN MINIATURES (PAHARI PAINTINGS A STUDY OF INDIAN LANDSCAPES, SOCIAL LIFE AND LOVING SONGS OF GEET GOVINDA)." ARTS ACADEMY 2, no. 2 (2022): 119–26. http://dx.doi.org/10.56032/2523-4684.2022.2.2.119.

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The article highlights the history of the Indian miniature as a carrier of unique cultural information. The author considers the artistic miniature not only as a special genre of Indian culture, but also as a means of transmitting social traditions, culture, values, including religious ones. Pahari and Kangra miniatures are considered under the direct influence of the topos, in the context of their historical and chronological development. The author gives a commentary on each miniature, its color painting, highlights the main themes and images, connects local motifs with the history of the co

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Grieten, Stefaan. "Het Toren van Babel-schilderij in het Mauritshuis. Een illustratie van de relatie tussen de 15 de-eeuwse miniatuur- en schilderkunst in de Nederlanden." Oud Holland - Quarterly for Dutch Art History 108, no. 3 (1994): 109–19. http://dx.doi.org/10.1163/187501794x00422.

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AbstractIn the Mauritshuis at Thc Hague is the earliest extant painting on the theme of the Tower of Babel (fig. I). The panel's smal size (19.7 × 17 cm) and the min ute detail of the narrative scene suggest a relationship with the art of the miniaturc. This connection, which is demonstrable in other early representations of the theme (figs. 2-3), is confirmed by numerous motivic similarities with a number of miniatures (figs.4 6) in Les anciennes croniques et conquestes de Charlemaine, a manuscript which was illuminated by Jan de Tavernier between 1458 and c. 1465 and shortly afterwards showe

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Mikešová, Pavla. "Miniatura důstojníka 8. pěšího pluku rakouské armády. Nová akvizice Národního muzea od Patrizia Kettnera z roku 1836." Acta Musei Nationalis Pragae – Historia 77, no. 1-2 (2023): 5–20. http://dx.doi.org/10.37520/amnph.2023.002.

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The article explores a signed and dated portrait miniature of an officer by the painter Patrizio Kittner (1809–1900) from Brno, which was previously unknown. The aim of the text is to present Kittner’s portrait miniature through formal, stylistic and contextual analysis. The introduction focuses on the forgotten miniature painter’s personality, his artistic background, and his work for commissioners among the Moravian aristocracy and leading industrialists. It then proceeds with a formal description of the portrait miniature, its condition having been carefully assessed after the National Muse

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Stolyarova, E. G., A. V. Knyazeva, and A. V. Davydov. "ARTISTIC FEATURES OF RUSSIAN VACQUERY MINIATURE CRAFTS IN MODERN DECORATIVE ARTS AND DESIGN." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 94 (2024): 101–6. http://dx.doi.org/10.37313/2413-9645-2024-26-94-101-106.

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This article examines the Russian crafts of lacquer miniature painting in the context of the manifestation of their artistic features in modern decorative and applied arts and design. The authors’ goal is to identify stylistic techniques of Russian varnishes and analyze the possibilities of using authentic characteristics of folk art in the author’s design of design objects and decorative arts. The article presents the general and specific in the visual arts and technologies of Fedoskino, Palekh, Kholuy and Mstera. It has been determined that Fedoskino has the artistic features of realistic oi

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Maniakowska-Jazownik, dr Zofia. "Zjawisko korozji szkieł w zbiorach miniatur Muzeum Narodowego w Krakowie / The Phenomenon of Glass Corrosion in Miniature Collections from the National Museum in Krakow (Summary)." Rozprawy Muzeum Narodowego w Krakowie/Papers of the National Museum in Krakow 13, no. 13 (2025): 134–51. https://doi.org/10.52800/rmnk13.a9.

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As multitechnological objects, miniatures are exposed to many destructive processes within all component materials. Their results and effects overlap and initiate further damage. In miniature collections, glass performs various functions. It is most often present in the form of cover glass, which, characteristically, is usually convex. It also often plays the role of a painting support in many techniques used for creating miniatures. Glass, as a sensitive material, is subject to complex corrosive processes. It is very complicated and difficult to protect miniatures from these changes.

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Mokhtar, Mumtaz, Nurul Huda Mohd Din, Rashidah Salim, and Nurul Izza Ab Aziz. "Art Appreciation on Mughal Miniature Paintings from Islamic Art Museum Malaysia Kuala Lumpur." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 89–96. http://dx.doi.org/10.21834/ebpj.v7isi9.4251.

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This paper discusses the art appreciation on Mughal miniature paintings from Islamic Art Museum Kuala Lumpur. The focus of appreciation is from five miniature painting had been exhibited at IAMM. Namely The exhibition of 14 Dynasties and a Region: The History and Culture of the Muslim World from 8th June until 16th October 2022. The analysis of the artwork is focused on the layout composition, variation of colors and the style The discipline of art history has been pioneered by the west and directly inevitably their formulas are also used in analyzing Islamic works of art.

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Zeybekoglu, Senem, and Hossein Sadri. "Miniature as a way of representation in design studio: a case study." Archnet-IJAR: International Journal of Architectural Research 13, no. 2 (2019): 408–24. http://dx.doi.org/10.1108/arch-02-2019-0037.

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Purpose Learning from traditional miniature painting and from recent studies on their modern and creative applications, the purpose of this paper is to identify the key qualifications of miniature and possible ways for using miniature in urban design studios. Following discussions on the pedagogical and professional effects of using miniature in a design studio, the paper introduces De-Urban Design Studio’s philosophy and its experience in employing miniature as a way of representation as the case study. Design/methodology/approach Different from the urban design’s professional role which mate

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Morris, Rekha, та J. Jain-Neubauer. "The Rāmāyaṇa in Pahari Miniature Painting". Journal of the American Oriental Society 105, № 4 (1985): 789. http://dx.doi.org/10.2307/602781.

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Rao, K. Mrutyunjaya. "PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 15–26. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.62.

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This paper discusses the magnificent contribution of Indian miniature painting as the torch bearer of Indian visual culture for the future generations with transitions and various idioms. It’s Visual imagery raised to paramount importance from the auxiliary position to the religious text. Artist has not imitated from nature but imbibed the spirit of divinity and greater love and passion on Indian culture. Its function is religious as well as decorative. “Horrorvacuue” the desire of filling space is the common characteristics of an Indian is often appears in Indian painting. The articulations o

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Səfxan qızı Məhərrəmova, Nigar. "History of Azerbaijani carpets with classical composition." SCIENTIFIC WORK 66, no. 05 (2021): 149–53. http://dx.doi.org/10.36719/2663-4619/66/149-153.

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The article provides information about the historical review of Azerbaijani carpets and examines its stages. The 16th century is characterized as the Golden Age of Azerbaijani history and culture. The carpet weaving of that time combined the subtlety and wonder of miniature painting, the decorative-plan solution of traditional motifs, a magnificent color palette reflecting all the colors and diversity of nature. Key words: carpet, pattern, color, Islam, miniature painting, sufism, seljuk, component

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Pulikova, Lyubov V. "Creation of a Miniature Painting Class as an Artistic Cultural Event." Observatory of Culture 20, no. 4 (2023): 386–95. http://dx.doi.org/10.25281/2072-3156-2023-20-4-386-395.

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The miniature painting class at the Imperial Academy of Arts existed for more than half a century, but no researcher has examined the prerequisites for its formation. Information about the class’s activities is sketchy, and the names and number of students remain unknown. From a review of the historiography on the subject it becomes clear that there are almost no documents devoted to the problem of teaching miniature painting at the Imperial Academy of Arts. Since the reign of Peter the Great, the miniature portrait has gone through several stages: a reward portrait depicting reigning persons

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Dr., Seema Tiwari. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research - Granthaalayah 7, no. 11(SE) (2019): 146–49. https://doi.org/10.5281/zenodo.3585116.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k

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Panjwani, Priyanka. "Deconstructing a Janamsakhi Illustration:." Sikh Research Journal 8, no. 1 (2023): 127–43. http://dx.doi.org/10.62307/srj.v8i1.27.

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It is rightly said that “All art is in part about the world in which it emerged.” As part of a North Indian hagiographic manuscript written in the 19th century, the miniature painting analyzed in this essay depicts a miracle of the founder of Sikhism-Guru Nanak. This essay will deconstruct the visual elements in the watercolor painting and link it to different styles of miniature painting of that period. It will also attempt to answer a fundamental question formulated by French art historian and archaeologist Oleg Grabar– can a work of culture be meaningfully understood through the application

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Alijon Turdaliyev, Botirali Baratboyev, Sharaboyev Ulugbek, and Zokirov Vokhidjan. "About Behzad and The Great Painter Kamoliddin Behzad." Journal of Advanced Zoology 44, S6 (2023): 1487–93. http://dx.doi.org/10.17762/jaz.v44is6.2502.

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In this article, Kamoliddin Behzod is a genius artist, who has become a symbol of spiritual flight and the highest peak of classical miniature painting for all painters, a sharp turn in visual arts in Central Asia (Movarounnahr) in the 15th-16th centuries under the influence of the painter's life and work is described by scientists and artists as "Awakening" in the history of art. " (Renaissance) period. In 2010, for the first time in Tashkent, within the framework of the celebrations of the 345th anniversary of the birth of the famous artist, the main goal of the "International Exhibition of

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Bombardier, Alice. "Twentieth-Century Mutations of Persian Miniature Painting:." Beiträge zur islamischen Kunst und Archäologie 5, no. 1 (2017): 149–66. http://dx.doi.org/10.29091/9783954906864/009.

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Dulal, Lok Nath. "Wall Painting of Pujari Math of Bhaktapur: An Exploration." Contemporary Research: An Interdisciplinary Academic Journal 6, no. 2 (2023): 124–43. http://dx.doi.org/10.3126/craiaj.v6i2.60252.

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Historical evidences prove that painting is considered as the mother of all other forms of art and crafts. While artists start to sculpture the icon and any art objects, very first, they sketch the drawing of concerning deities and specimens, therefore, a painting is said to be the mother of all other sculpture arts. Therefore, the history of creation of painting is older than other forms of arts. On the basis of creating materials, mediums, instruments, technologies, and nature, painting can be classified into three different forms such as fresco, miniature and painted scroll. This article ha

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Рябцева, І. М. "To the problem of interpreting the genre of choral miniatures in the creation of Lesya Dichko (on the example of choral miniatures on poetic texts „Winter”, „Na chovni”, „Spring”)." Музикознавча думка Дніпропетровщини, no. 16 (December 18, 2019): 5–17. http://dx.doi.org/10.33287/221918.

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The purpose of the article is to identify the features of the genre ofUkrainian choral miniature and to identify the basic principles of theirimplementation in the choral works by Lesya Dychko. The purpose of thework determines the relevant tasks, which are in identifying the genrestyle landmarks of the musical language of L. Dichko, available in selectedchoral miniatures for poetic texts and, based on their analysis, outline anumber of immanent features inherent in the creativity of the composer.The methods of the research is formed by the using of empiricalapproaches of scientific investigat

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Leonhard, Karin. "Painted Gems. The Color Worlds of Portrait Miniature Painting in Sixteenth- and Seventeenth-Century Britain." Early Science and Medicine 20, no. 4-6 (2015): 428–57. http://dx.doi.org/10.1163/15733823-02046p06.

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It has been argued persuasively that we should see the art of the portrait miniaturist as being closely related to the art of the goldsmith – with the painted ‘jewel’ of the portrait set into a richly ornamented piece of jewelry. Indeed, there is a close affinity between Nicholas Hilliard’s art of portrait miniature painting and goldsmithery. His Treatise’s famous section devoted to precious stones reflects this idea, as it is concerned with the relationship of those stones to the colors used in the miniatures, colors that can be seen as surrogates for the stones themselves. Color, light and s

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Klamt, Johann-Christian. "Zur Reproduktionsgeschichte mittelalterlicher Schriftformen und Miniaturen in der Neuzeit Teil II: Die erste Hälfte des 19. Jahrhunderts." Quaerendo 29, no. 4 (1999): 247–74. http://dx.doi.org/10.1163/157006999x00103.

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AbstractWith the growing enthusiasm for medieval art and architecture during the first half of the 19th century also miniature painting gained larger attention by scholars in various parts of Western Europe. In the wake of great ancestors as Mabillon and Bessel - and still indebted to them - those men discussed and copied medieval miniatures with an astonishing sensibility for both the artistic detail and the historical background. But also these protagonists - with their manifold intentions and their endeavour for the spreading of fac-similes - can be caught manipulating - unconsciously or co

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Lécosse, Cyrille. "Du petit art à l’art du petit. Le portrait miniature et son public sous la Révolution (1791-1799)." Histoire de l'art 77, no. 2 (2015): 19–30. https://doi.org/10.3406/hista.2015.3641.

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In the second half of the 18 th century, many art critics saw a connection between miniaturization in painting and a diminution of talent. This negative conflation between “art du petit” and “petit art,” however, did not prevent miniature portraits from achieving great success with patrons. If the taste for miniature portraiture was already well established in elite circles, it became similarly popular amongst more modest milieus. It was a phenomenon that only increased during the French Revolution. Indeed, at this time of crisis, the reduced prices of miniature portraits made them a very attr

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Cardeira, Ana Mafalda, Stéphane Longelin, Agnès Le Gac, Isabel Nogueira, Maria Luísa Carvalho, and Marta Manso. "Spectroscopic Characterization of a Contemporary Indian Miniature Painting." Applied Spectroscopy 67, no. 12 (2013): 1376–81. http://dx.doi.org/10.1366/13-07147.

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Dr Balbinder Kumar. "Prakratik Manviya Pravratti,Rangmay Srashti evam kalatamak samanjasyta maen varn samrenshad Bodh." Knowledgeable Research: A Multidisciplinary Journal 1, no. 1 (2022): 45–50. http://dx.doi.org/10.57067/kr.v1i1.105.

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The tradition of using color in Indian painting has been going on since ancient painting styles. These include Ajanta, Pala, Apabhransh, Mughal, Rajasthani and Pahari styles. In which lines and letters have been used in a very realistic manner and the environment of the picture has been made beautiful, an attempt has also been made to create a three-dimensional effect from the lines. In the journey from Ajanta to Pahari miniature painting, there has been a lot of innovation and development in the varna tradition

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Kumari, Kanchan. "SPIRITUAL HAPPINESS IN MALWA MINIATURE PAINTINGS STYLE." ShodhKosh: Journal of Visual and Performing Arts 2, no. 2 (2021): 34–47. http://dx.doi.org/10.29121/shodhkosh.v2.i2.2021.28.

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English - All the arts are result of human nature & Beauty. one of the ancient primitive art and the cultured art and on the other hand, the development of folk art takes place. Folk art often consists of religious narratives, religious traditions, religious symbols and a part from fictional mythological events, social festivals and social beliefs are based on the background. Art is incomplete without each other in terms of folk art and classical art. These two forces are complementary to each other. This most of the paintings of our Indian miniature painting style are based on poems and l

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Brenyuk, Alla. "Basics of analyzing works of painting for students of artistic specialties." Pedagogical Education:Theory and Practice 34 (June 1, 2023): 188–200. https://doi.org/10.32626/2309-9763.2023-34-188-200.

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The analysis of paintings is based on the main characteristics of painting as an art form, such as color, composition, genre, subject, technique, type, style, etc. Due to the wide range of color modeling, the spectacular potential of light, the synthesis of genres, techniques and styles, and the limitless variability of form, painting has the maximum number of artistic possibilities. According to its functional purpose, painting is divided into the following fields, namely monumental, easel, decorative, iconography, and miniature. The functional purpose of a painting defines not only its size,

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Joshi, Indu, and Kamal Kishore Kashyap. ""IMPACT OF MINIATURE PAINTING ON CONTEMPORARY ARTISTS OF RAJASTHAN"." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 204–6. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3738.

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Contemporary art which believes in the creation of an unimaginable world by creating new forms of continuous form which has shaped its sensation by mixing multiple modes of expression and has also reduced the distance of art from other experimental disciplines. As a result, the creation of an artwork today has created a new way to express the psychological effects of human beings through pictures by creating musical melodies, perfume fragrances and many other environments.The influence or inspiration of something has always been behind any experiment or work in human life, in the same way, man

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Пивень, Марина Георгиевна. "Interpretations of the Old Testament Plot "David’s Victory over the Goliath" in Italian Decorative Painting of XVth Century." Вестник церковного искусства и археологии, no. 1(2) (June 15, 2020): 9–23. http://dx.doi.org/10.31802/2658-5111-2020-1-2-9-23.

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Статья посвящена рассмотрению трактовки ветхозаветного сюжета победы Давида над Голиафом (Первая книга Царств) в живописных произведениях художников Италии XV в. Автор сосредоточивает внимание на декоративных композициях повествовательного характера, выполненных Пезеллино, Джованни ди Сер Джованни (по прозвищу Скеджа) и Андреа дель Кастаньо. Живописные образы рассмотрены в контексте культурных тенденций и идеалов эпохи Возрождения, а также в контексте параллельно развивающейся изобразительной традиции представления библейского героя в статуарной пластике. В статье уделено внимание источникам и

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BEREZINA, Elizaveta. "Lacquered History: Soviet Crafts and Problematic Memory of the Communist Past." Martor. The Museum of the Romanian Peasant Anthropology Review 26 (2021): 47–54. http://dx.doi.org/10.57225/martor.2021.26.03.

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The paper questions the ethics of displaying lacquer miniatures representing the Soviet past drawing on the example of an exhibition and publishing project Russian History: The Twentieth Century in Lacquer Miniature undertaken by the All-Russian Museum of Decorative, Applied and Folk Art (Moscow). In November 2017, almost 300 lacquer miniatures were displayed to commemorate the centenary of the Russian Revolution and other upheavals of the twentieth century. While recognizing the efforts of the curators to introduce the imagery of lacquer painting into the actual discussion on the communist pa

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Nargiz, Rzayeva. "THE MINIATURE TRADITIONS OF AZERBAIJAN FINE ARTS IN THE 1990s–2000s." Problems of Arts and Culture / İncəsənət və mədəniyyət problemləri 17, no. 3 (2023): 88–94. https://doi.org/10.5281/zenodo.8416433.

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In the 1990s–2000s, it is possible to observe the desire to give modernity to the ancient national artistic traditions in the visual art of Azerbaijan in the painting works of the old, middle and young generation artists of the time. One of the main factors determining this is the continuation of ancient miniature traditions in a new direction in our country since the years of independence. Therefore, 1990–2000 years can be characterized as a new stage of development of miniature style works in Azerbaijani painting. This was done by different generations of artists – Elchin A

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Nargiza, Khasanova, and Ismatova Shakhrizoda. "EDUCATIONAL TRADITIONS IN NATIONAL MINIATURE PAINTING (On the example of the National Institute of Arts and Design named after Kamoliddin Behzod)." LOOK TO THE PAST 5, no. 9 (2022): 5. https://doi.org/10.5281/zenodo.7026926.

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The article discusses the formation and methods of art education of miniature schools in Uzbekistan and the factors associated with its development. The tradition of miniature art is one of the indicators of incomparable value, and the importance of this art form within the framework of national spirituality is emphasized on the importance of the transformation of form. The issues of the formation of the specialty of miniature and the improvement of the direction in higher art education in Uzbekistan are also covered.

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Minissale, Gregory. "Esoteric and exoteric vision in South Asian miniature painting." World Art 11, no. 3 (2021): 255–75. http://dx.doi.org/10.1080/21500894.2021.1911838.

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Ayres, Larry M. "An Early Christian Legacy in Italian Romanesque Miniature Painting." Wiener Jahrbuch für Kunstgeschichte 46-47, no. 1 (1994): 37–44. http://dx.doi.org/10.7767/wjk.1994.4647.1.37.

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Baranov, E. F. "Original Technique for Miniature Painting on Opalescent Guilloche Enamel." Secreta Artis 6, no. 3 (2024): 59–67. http://dx.doi.org/10.51236/2618-7140-2023-6-3-58-67.

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Arakelyan, M. G. "Illuminated Bible of the Armenian Master Ghazar Baberdatsi of Lvov." Art & Culture Studies, no. 2 (June 2023): 248–67. http://dx.doi.org/10.51678/2226-0072-2023-2-248-267.

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The proposed subject has tremendous significance for specialists in the field of studying iconography, Armenian miniature painting and theology, since the article examines and analyzes the relationship of miniatures of the masters of the Armenian community of New Julfa (Isfahan, Iran) with the works of Armenian miniaturists of the Polish-Lithuanian Commonwealth of the first quarter of the 17th century. This is especially presented in the iconography of full-page miniatures with the biblical and apocalyptical scenes in the traditions of the East and West. Thus, the miniatures of the Bible (Mate

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Dhiman, Rekha. "MUGHAL CARPET COLOR MAKING PROCESS (WITH REFERENCE TO THE JAHANGIR ERA)." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–3. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3644.

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Mughal painting maintains an independent and significant identity throughout Asia. Babur, the fifth generation of Timur Vansh, established Mughal culture in 1527 by dominating some parts of India. Which was extended by the rulers of Humayun, Akbar, Jahangir, Shahjahan and Aurangzeb. At this time, all the arts developed properly. Mughal carpet painting was at its peak till the reign of Shahjahan. Iranian, Chinese and Western art styles influenced this. At this time the painting was effective as miniature and crystal painting. 'Jahangir period (from 1605 to 1627 AD) painting was in its youth in

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Tiwari, Seema. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 146–49. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3725.

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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous k

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Maeda Tareq Mohammed. "The Aesthetics of Timurid and Safavid Miniatures." Basrah Arts Journal, no. 29 (May 28, 2024): 52–60. http://dx.doi.org/10.59767/2024.05/29.5.

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This research studies the aesthetics of Timurid and Safavid miniatures in a comparative manner. The first chapter deals with the research problem, its importance, and defining the most important terms used in it. The research problem included the topic of the aesthetics of Timurid and Safavid miniatures in the drawings of both eras through the artistic works produced by Islamic painting schools, where each school has characteristics that distinguished it from the other. The research problem was overcome through the following question: How did the Muslim artist achieve the miniatures aesthetics

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