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Journal articles on the topic 'Minimalist aesthetics'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Sobreira, Érica Maria Calíope, and Danielle Mantovani. "Minimalist Aesthetics: conveying an image through clothing style." Modapalavra e-periódico 17, no. 42 (2024): 01–18. http://dx.doi.org/10.5965/1982615x17422024e0008.

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Minimalism is a theme on the rise in consumer literature, especially when it involves fashion and minimalist aesthetics. Despite this, there are few studies dedicated to discussing what reactions the minimalist aesthetics may produce on the perceptions of others about minimalists as individuals. With this essay, we fill this gap by discussing what image minimalist aesthetics conveys about people who adopt a minimalist clothing style. We discuss, therefore, how minimalists may be perceived as more competent and less warm people in the eyes of others, in addition to being able to convey an image

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2

Liu, Weiguo. "Exploration of the Minimalist Aesthetic in Geometric Form Language in Oil Painting." Highlights in Art and Design 9, no. 1 (2025): 11–14. https://doi.org/10.54097/yz7j8p34.

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This study, which is entitled "Exploration of the Minimalist Aesthetic in Geometric Form Language in Oil Painting," investigates the way in which geometric form language accomplishes minimalist aesthetics in the oil painting. Based on the theory of geometric form language and minimalist aesthetics, the analysis in the article explores the visualization of the concepts discussed such as simplicity of form, purity of color, equilibrium in the composition, and the connectedness of the artist to conceptually new approaches in art production. The paradigmatic artworks of Piet Mondrian, Kazimir Male

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Tanaka, Jessica C. "The Concept of Emptiness in Wabi-Sabi Aesthetics and Its Influence on Scandinavian Minimalist Space Design." Art and Society 4, no. 2 (2025): 8–15. https://doi.org/10.56397/as.2025.02.02.

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The convergence of Wabi-Sabi aesthetics and Scandinavian minimalism has redefined contemporary space design, emphasizing emptiness, simplicity, and natural beauty. Despite their cultural differences, both philosophies share a reverence for space as an intentional presence, fostering mindfulness, tranquility, and functionality. Wabi-Sabi embraces imperfection and transience, while Scandinavian minimalism prioritizes clean lines and functional clarity, yet both highlight the importance of natural materials, subdued color palettes, and handcrafted details. This paper explores the role of emptines

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H, Roni, and Ismail . "DESAIN MEJA MAKAN LIPAT UNTUK APARTEMEN PANDAN WANGI TIPE 21." Jurnal Kreatif : Desain Produk Industri dan Arsitektur 3, no. 2 (2020): 9. http://dx.doi.org/10.46964/jkdpia.v3i2.89.

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Dapur biasanya menjadi ruangan yang kurang diperhatikan tata letak dan estetikanya, padahal dapur merupakan bagian penting dalam rumah tangga. Tidak semua rumah maupun apartemen memiliki area dapur yang cukup luas. Kondisi dapur seperti ini tidak akan menjadi masalah jika pemilik rumah mampu menyiasatinya dengan baik. Perabotan yang ada di dapur seperti meja makan dapat tertata rapi dan berfungsi ganda untuk mengatasi keterbatasan lahan. Pada meja makan yang sudah ada khususnya di Apartemen Pandan Wangi untuk type 21 belum memilki meja makan dan sebagian besar untuk pengguna apartemen maupun r

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Forster, Lou. "Towards an Embodied Abstraction: An Historical Perspective on Lucinda Childs’ Calico Mingling (1973)." Arts 10, no. 1 (2021): 7. http://dx.doi.org/10.3390/arts10010007.

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In the 1970s, choreographer Lucinda Childs developed a reductive form of abstraction based on graphic representations of her dance material, walking, and a specific approach towards its embodiment. If her work has been described through the prism of minimalism, this case study on Calico Mingling (1973) proposes a different perspective. Based on newly available archival documents in Lucinda Childs’s papers, it traces how track drawing, the planimetric representation of path across the floor, intersected with minimalist aesthetics. On the other hand, it elucidates Childs’s distinctive use of lit

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Monisha, B., and Nischay N. Gowda Dr. "Sustainability a key focus in minimalist interior design in residential building." International Journal of Trends in Emerging Research and Development 2, no. 6 (2024): 269–72. https://doi.org/10.5281/zenodo.14669921.

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Minimalist interior design, characterized by simplicity, functionality, and timeless aesthetics, has emerged as a sustainable approach to residential building design. This research examines how sustainability principles are seamlessly integrated into minimalist interiors, focusing on material selection, energy efficiency, and waste reduction. By leveraging eco-friendly materials, optimizing space utilization, and incorporating energy-saving technologies, minimalist design not only reduces environmental impact but also enhances the well-being of occupants. The study highlights case studies and

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Arpita, Bayan, Manogna Lalitha, and Nischay N. Gowda Dr. "Optimising storage in small urban apartments without compromising aesthetics." International Journal of Trends in Emerging Research and Development 2, no. 6 (2024): 213–20. https://doi.org/10.5281/zenodo.14651680.

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This study investigates innovative strategies for optimising storage in small urban apartments without compromising aesthetic appeal. As urban living spaces become increasingly compact, efficient use of space is crucial, yet often leads to sacrificing design elements. The study employed a mixed-methods approach, combining qualitative analysis of design trends with quantitative data on spatial functionality. Key design strategies examined include space optimisation through the integration of multifunctional furniture, minimalist design principles, and hidden compartments. In particular, multifu

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MELESHCHUK, Anatoly. "THE INFLUENCE OF ZEN BUDDHISM ON THE FORMATION OF REALISM IN JAPANESE CULTURE: FROM SIMPLICITY TO UNIVERSALITY." Epistemological Studies in Philosophy Social and Political Sciences 7, no. 2 (2024): 40–48. https://doi.org/10.15421/342441.

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This article explores the profound influence of Zen Buddhism on the formation of Japanese aesthetics, focusing on key concepts such as simplicity (kanso), naturalness (shibumi), and impermanence (mujo). Zen realism, characterized by the acceptance of reality without subjective embellishments, is examined as a foundational principle that shaped not only Japanese cultural identity but also a universal aesthetic language. The study highlights the philosophical tenets of Zen, including the principles of «non-duality» (fuju) and «direct intuition» (jikan), which guide the perception of reality as i

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Shik, I. A. "Julia Zhukova’s Porcelain Art: The Philosophy and Aesthetics of Minimalism." Art & Culture Studies, no. 4 (December 2024): 222–53. https://doi.org/10.51678/2226-0072-2024-4-222-253.

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In the article, the researcher examines the conceptual and artistic features of the contemporary St. Petersburg porcelain artist Julia Zhukova’s works. The author pays special attention to their relation to the experience of the Russian and European avant-garde, as well as to the traditions of modernism in the 20th-century porcelain. The topic is relevant due to the popularity of the aesthetic and philosophical ideas of minimalism, which find expression in Julia Zhukova’s works, in contemporary art and culture. The researcher concludes that the shapes designed by the sculptor are distinguished

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Sobti, Shaheen, and Mahima Kapur. "The Impact of Western History on the Evolution of Contemporary Interior Design in India." RESEARCH HUB International Multidisciplinary Research Journal 12, no. 3 (2025): 44–50. https://doi.org/10.53573/rhimrj.2025.v12n3.005.

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The evolution of contemporary interior design in India is deeply intertwined with the country's encounters with Western history, particularly during colonialism, post-independence modernism, and globalization. This study explores how Western architectural ideologies, spatial planning techniques, and aesthetic preferences have influenced Indian interior spaces over time. The colonial era introduced Victorian, Gothic, and Neoclassical styles, leading to hybrid aesthetics such as Indo-Saracenic and Anglo-Indian designs. Post-independence, Indian modernist architects adopted functional and minimal

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Orlova, Gayane. "“&” — “Or” — “If ” — “Then” (“&” — “Eller” — “Hvis” — “Så”) by Solvej Balle: Identifying genre." Scandinavian Philology 19, no. 1 (2021): 164–75. http://dx.doi.org/10.21638/11701/spbu21.2021.110.

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The aim of this article is to contribute to a deeper understanding of Danish minimalism by performing a genre analysis of Solvej Balle’s four short prose books (brief fictional prose) — “&”, “Or”, “If ” and “Then” — written over a 23-year period, between 1990 and 2013. The four texts are connected by a commonality of motifs and thematic elements, identical form and linguistic structure and therefore they comprise a rather unusual tetralogy. Balle’s texts are viewed in the context of the development of Danish literature of that period with an emphasis on minimalist aesthetics and their orig

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Ashline, William L. "Clicky Aesthetics: Deleuze, Headphonics, and the Minimalist Assemblage of "Aberrations"." Strategies: Journal of Theory, Culture & Politics 15, no. 1 (2002): 87–101. http://dx.doi.org/10.1080/10402130220127861.

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Ma, Yuxin. "Taoist Aesthetics Perspective: Cultural Consciousness and Innovation in Craft Design." International Journal of Global Economics and Management 3, no. 3 (2024): 340–42. http://dx.doi.org/10.62051/ijgem.v3n3.39.

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This research investigates the application of Taoist aesthetics in modern craft design, meeting the demand for individualized cultural products. It reviews Taoist principles—"nature," "non-action," and "simplicity"—and their reflection in design, emphasizing harmony with nature and a minimalist design philosophy. The research demonstrates the contribution of Taoist philosophy to the enrichment of design principles, providing innovative direction to designers while honoring and integrating traditional cultural elements with contemporary preferences.

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Zhang, Yuzhi. "An Analysis of MUJIs Successful Strategy in the Chinese Market." Advances in Economics, Management and Political Sciences 117, no. 1 (2024): 26–31. http://dx.doi.org/10.54254/2754-1169/117/20241993.

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Abstract: The Chinese consumer market has changed significantly in the last few years due to a tendency toward simplicity and a change in customer sentiments. MUJI has effectively entered the Chinese market by using its sustainable development idea and minimalist style, allowing it to adapt to this shift. This paper aims to examine the innovative marketing strategy employed by MUJI in the Chinese market, its capacity to achieve long-term growth, and its role as a symbol of the minimalist lifestyle, while demonstrating an ability to adapt to the changing needs of its customers. In this paper, b

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Umpusinga, Hasrun Afandi, and Bambang Purwoko. "How Sustainability Labels, Minimalist Design, and Brand Activism Influence Premium Product Perception." International Journal of Business, Law, and Education 6, no. 1 (2025): 844–54. https://doi.org/10.56442/ijble.v6i1.1107.

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This study investigates the influence of sustainability labels, minimalist design, and brand activism on consumers’ perception of premium products. Drawing from signaling theory and consumer psychology, the research examines how these factors serve as signals that shape premium product evaluation. Using survey data analyzed through multiple regression, the findings reveal that all three variables significantly and positively impact premium product perception, with sustainability labels exerting the strongest effect. Minimalist design and brand activism also contribute meaningfully by enhancing

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Chen, Congjing. "Ecological Design Aesthetics: Integrating Sustainability, Functionality, and Visual Appeal." Journal of Emerging Academic Research 1, no. 1 (2025): 1–14. https://doi.org/10.70693/jear.v1i1.4.

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This paper explores the concept of ecological design aesthetics, an emerging paradigm that integrates environmental sustainability with functionality and visual appeal in the field of design. As global environmental crises such as climate change and resource depletion intensify, designers are increasingly challenged to create products that are not only aesthetically pleasing and functional but also ecologically responsible throughout their lifecycle. The paper examines the critical role of sustainable materials, innovative production methods, and the balance between functionality and aesthetic

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mishra,, Gaurav. "Harmony as an Aesthetic Approach for Meditation Centers." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 04 (2024): 1–5. http://dx.doi.org/10.55041/ijsrem30584.

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In recent years, meditation centres have become increasingly popular among individuals seeking solace, tranquillity, and respite from the pressures of contemporary life. This research paper seeks to explore the significance of harmony as an aesthetic approach in designing and organizing meditation centres, with the aim of enhancing the overall meditative experience for practitioners. By conducting an interdisciplinary examination of architecture, interior design, and psychological well-being, this study aims to investigate the role of harmonious aesthetics in facilitating a more effective and

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Mercer, Claire. "Middle class construction: domestic architecture, aesthetics and anxieties in Tanzania." Journal of Modern African Studies 52, no. 2 (2014): 227–50. http://dx.doi.org/10.1017/s0022278x14000068.

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ABSTRACTThis paper examines the new styles of houses under construction in contemporary Tanzania and suggests that they can be understood as the material manifestation of middle class growth. Through an examination of the architecture, interior decor and compound space in a sample of these new houses in urban Dar es Salaam and rural Kilimanjaro, the paper identifies four domestic aesthetics: the respectable house, the locally aspirant house, the globally aspirant house and the minimalist house, each of which map on to ideas aboutujamaa, liberalisation and the consumption of global consumer goo

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Wendhi Agusdi and Heldi Heldi. "Re-Design Interior Cafe “Aicon Coffe And Donuts” Dengan Konsep Modern Minimalis." Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain 1, no. 4 (2024): 102–17. http://dx.doi.org/10.62383/abstrak.v1i4.202.

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. In the modern era, cafés have become a popular place for students and the public to socialise and work. The importance of unique and comfortable interior design drives intense competition in this industry. This study focuses on the interior re-design of ‘Aicon Coffee and Donuts’ café in Padang, which faced spatial, comfort and aesthetic issues. The 4D method (Define, Design, Develop, Disseminate) was used for design analysis and development, with primary and secondary data. Results show the importance of a minimalist modern concept that emphasises simplicity, functionality and aesthetics. Th

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Kamal, Mohammad, and Osama Nasir. "Minimalism in architecture: a basis for resource conservation and sustainable development." Facta universitatis - series: Architecture and Civil Engineering 20, no. 3 (2022): 277–300. http://dx.doi.org/10.2298/fuace221105021k.

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In a novel way, modern architecture has a great influence and impact on present-day contemporary architecture. Since the late 1980s, ?minimalism in architecture has been taken into consideration. Less is more is emphasized, which adheres to the philosophy of filling the space with the necessary items and clearing unneeded clutter to allow room for significant materials and objects. With simple shapes and clear lines, a neutral color scheme, and plain textures, minimalism exudes calm. Minimalism is about eliminating life's excesses. We can find freedom, contentment, and the ability to concentra

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Dimitrova, Denitsa. "Postmodern Aesthetics and Mythological Imagery in the Late Works of Yavor Tsanev." Visual Studies 8, no. 3 (2024): 391–97. https://doi.org/10.54664/nwme9165.

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The article considers the art of Yavor Tsanev as personal, clothed in silence, even aristocratic. He has a very clean, laconic, synthetic language in his painting. He is a minimalist who achieves a very strong and deep spiritual stillness and drama in his art. His works visually leave an impression of hypnotic and metaphysical impact, with accumulated spiritual experience. In them, freedom was achieved in the thematic-mythological interpretation of the soul and spiritualization of the material. The paintings of Yavor Tsanev are conceived as fascinating narratives, filled with fantasy in the co

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Damayanti, Friska, and Ade Setiawan. "PERANCANGAN BENCH MULTIFUNGSI BERGAYA JAPANDI." Jurnal Kreatif : Desain Produk Industri dan Arsitektur 13, no. 01 (2025): 17. https://doi.org/10.46964/jkdpia.v13i01.1342.

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Land limitations have increased the trend of limited housing development, based on this, it is necessary to choose the right furniture to support residential activities, one solution is to choose multifunctional furniture. Bench is furniture that is usually used only as a seat, in an era of high interest in multifunctional furniture and design trends that continue to grow, one of which is the Japandi style, a study was conducted that aims to create multifunctional Japandi furniture that combines Japanese minimalist aesthetics and Scandinavian practicality, so that it can optimize limited resid

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Patil, Rashmi S. "The silence within: Existential themes and minimalist aesthetics in Jon Fosse’s selected plays." International Journal of Research in English 7, no. 1 (2025): 85–89. https://doi.org/10.33545/26648717.2025.v7.i1b.289.

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Lei, Zhen. "Research on the aesthetics of movie posters from the perspective of minimalist style." Asia Cultural Creativity Institute 3, no. 2 (2023): 25–42. http://dx.doi.org/10.54385/cbt.2023.3.2.25.

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The movie poster is the first public information released on the eve of the release of a new work, and it is also the most important way to show the audience, and the final release of the poster indicates that a new film work is about to be released to the market.Therefore, showing the creative concept and unique aesthetic style of the film through the highly artistic visual impact of the excellent movie poster to stimulate the audience's desire to watch the movie has always been one of the important means of film publicity.It fully illustrates that this form of advertising after a century of

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Ho, Ang-Cheng Kris, and Fernando Martin Pastor. "The Mutual Influence between Asian Cultures and American Minimalist Music: An Essential Channel for Aesthetic Exchange." Malaysian Journal of Music 11, no. 1 (2022): 33–52. http://dx.doi.org/10.37134//mjm.vol11.1.3.2022.

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This research aims to show the mutual influence between Asian cultures and American minimalist music. This cultural exchange that started with John Cage, before continuing with Toru Takemitsu and then, Tan Dun, has been a fruitful channel of communication for new compositions in both continents. The paper explores the close connection between early minimalist composers (Reich, Glass, La Monte Young, and Terry Riley) and Asian music and philosophies (Zen Buddhism and Spirituality) as well as some of the ramifications of these traditions over the past five decades. The concept of minimalism was

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Riya, Khemka, Sinha Meenakshi, and Nischay N. Gowda Dr. "Eco-friendly decorating styles in residential houses." International Journal of Trends in Emerging Research and Development 2, no. 6 (2024): 273–79. https://doi.org/10.5281/zenodo.14670762.

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The area of research on eco-friendly decorating styles in residential houses focuses on sustainable design practices that reduce environmental impact while enhancing the aesthetics & functional aspects of homes. This includes the use of renewable, recycled, & natural materials; implementing energy conservation measures; improving indoor air quality; & integrating biophilic design elements. The research aims to create living spaces that promote health & well-being, are economically viable & foster a stronger connection with nature. Eco-Friendly decorating styles in residenti

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Drobot, Irina-Ana. "Austerity in Japanese Spaces." Papers in Arts and Humanities 3, no. 1 (2023): 81–95. http://dx.doi.org/10.52885/pah.v3i1.129.

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The purpose of this paper is to look at austerity present in Japanese culture spaces, such as Japanese gardens, Japanese interior design, which is minimalist, Japanese haiku poems settings, and their connection with Buddhist philosophy. The Japanese do not seem keen on accumulating objects. Instead, they prefer to keep their space minimal. The emptiness in Japanese Buddhist philosophy appears in interior design and garden design. Moreover, the Japanese focus more on their surroundings, for instance on contemplating the seasons and on their awareness of the changing seasons. Buddhist temples al

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Jia, Yan, and Muhammad Firzan. "Exploring the Zen Aesthetic Principles in the Design of Tea Rooms in Hebei Province, China." Buildings 14, no. 11 (2024): 3439. http://dx.doi.org/10.3390/buildings14113439.

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Tea rooms hold a significant place in Chinese culture, serving as spaces for social interaction and spiritual reflection. Tea consumption in Hebei Province has continued to rise, leading to an increase in the number of tea rooms. This study explores how Zen aesthetics are incorporated into the design of tea rooms in Hebei, with a focus on how minimalist principles reflect cultural and spiritual values. Renowned for its rich heritage, Hebei has become a key region where Zen elements such as the use of natural materials and harmonious spatial layouts are seamlessly integrated into tea room inter

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Pratama, Rizky Fiqran. "Pengaruh Estetika Desain terhadap Persepsi Merek dan Keputusan Pembelian Konsumen di Pasar Internasional." Design Journal 3, no. 1 (2025): 31–40. https://doi.org/10.58477/dj.v3i1.199.

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The study aimed to examine the importance of product design aesthetics in influencing consumer brand perception and brand purchasing behavior in a culturally diverse market. Using a mixed methods approach, the researchers obtained quantitative data through questionnaires distributed to 300 respondents selected through stratified random sampling from three leading economies (USA n=100, Germany n=100, Japan n=100). Multivariate regression analysis showed a significant positive effect of aesthetics on brand equity formation (β=0.71, p<0.001; R²=0.42), explaining up to 42% of the variance in pu

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Mia Yolanda. "EVALUASI USABILITY WEBSITE DISDUKCAPIL KABUPATEN MAJALENGKA MENGGUNAKAN METODE HEURISTIC EVALUATION." SEMINAR TEKNOLOGI MAJALENGKA (STIMA) 8 (October 1, 2024): 19–25. http://dx.doi.org/10.31949/stima.v8i0.1248.

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This study evaluates the usability of the DISDUKCAPIL website of Majalengka Regency using the heuristic evaluation method. By collecting questionnaire data referring to ten heuristic principles, this study identified key issues such as aesthetics, flexibility, and system feedback. The results indicate that a more minimalist and consistent design is needed to improve user experience. Recommendations for improvement are focused on increasing visibility, user control, and help features. Implementation of recommendations is expected to improve the effectiveness and efficiency of services provided

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Muhammad Hafeez Abdul Nasir, Ahmad Sanusi Hassan, Mohd Nasrun Mohd Nawi, Aimi Salihah Abdul Nasir, and Mohamad Sukeri Khalid. "Developments of Façade Design with a Special Reference to the City Hotels in Kuala Lumpur." Journal of Advanced Research in Applied Sciences and Engineering Technology 29, no. 1 (2022): 266–82. http://dx.doi.org/10.37934/araset.29.1.266282.

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The study examines the façade design developments of the high-rise city hotels since the 1960s post-colonial period in Malaysia. Strategically located in the tourist hub of Malaysia’s capital, three case studies of high-rise city hotels built in different architectural periods notably the 1970s Modern, the 1990s Post-Modern and the contemporary Neo-Minimalist, were meticulously selected to undertake a visual survey on the façade design elements. The high-rise hotel façade design in Kuala Lumpur as reviewed, historically began as a modest extension of shop houses and gradually metamorphosed int

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Alamandha, Bintang Febrian, and Rina Yulius. "Usability Analysis of the IBOSS PTSP BP Batam User Interface Using Heuristic Evaluation." Journal of Information Systems and Informatics 6, no. 2 (2024): 1070–85. http://dx.doi.org/10.51519/journalisi.v6i2.756.

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This research investigates user dissatisfaction with the IBOSS user interface, reported by 54% of users in an initial survey, and aims to improve the interface through heuristic evaluation and subsequent redesign using Gestalt principles. The usability of the IBOSS user interface was assessed using the heuristic evaluation method, focusing on 10 usability variables. Among the 10 heuristic variables, only the ‘Aesthetics and Minimalist Design’ variable was rated positively, with a score of 78% and was considered satisfactory with no need for improvement. Based on the evaluation results, the int

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Kashish Goel. "A study between aesthetic and functional design with respect to restaurant with Wabi Sabi style." World Journal of Advanced Research and Reviews 24, no. 1 (2024): 2561–68. http://dx.doi.org/10.30574/wjarr.2024.24.1.3270.

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Wabi-sabi is a Japanese aesthetic that finds beauty in imperfection, transience, and simplicity. In restaurant design, it involves balancing aesthetics with functionality to create a unique and memorable dining experience. This research focuses on the combination of aesthetics and functionality in wabi-sabi inspired restaurants. Wabi-sabi, a Japanese aesthetic emphasizing imperfection, simplicity, and transience, is increasingly popular in modern interior design. Wabi-sabi is a Japanese aesthetic that celebrates the beauty of imperfection, transience, and simplicity. It finds beauty in the nat

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Kashish, Goel. "A study between aesthetic and functional design with respect to restaurant with Wabi Sabi style." World Journal of Advanced Research and Reviews 24, no. 1 (2024): 2561–68. https://doi.org/10.5281/zenodo.15063251.

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Wabi-sabi is a Japanese aesthetic that finds beauty in imperfection, transience, and simplicity. In restaurant design, it involves balancing aesthetics with functionality to create a unique and memorable dining experience. This research focuses on the combination of aesthetics and functionality in wabi-sabi inspired restaurants. Wabi-sabi, a Japanese aesthetic emphasizing imperfection, simplicity, and transience, is increasingly popular in modern interior design. Wabi-sabi is a Japanese aesthetic that celebrates the beauty of imperfection, transience, and simplicity. It finds beauty in the nat

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Isroni Isroni, Dedi Suharyadi, Sukmono Bayu Adhi, and Roy Irawan. "Emotional Branding and Customer Loyalty: Gen Z in Japan and Indonesia." International Journal of Economics and Management Research 4, no. 1 (2025): 758–66. https://doi.org/10.55606/ijemr.v4i1.492.

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Global brands increasingly struggle to retain Generation Z consumers who demand emotionally resonant and culturally relevant brand experiences. In Japan, where emotional restraint and symbolic messaging dominate consumer-brand interactions, Gen Z tends to bond with brands through aesthetics, storytelling, and quiet symbolism. Meanwhile, in Indonesia, Gen Z consumers exhibit high emotional expressiveness and loyalty to brands that foster social connection, authenticity, and community engagement. This paper analyzes how emotional branding mechanisms—such as brand love, emotional attachment, and

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Tenzer, Michael. "One Fusion Among Many: Merging Bali, India, and the West through Modernism." Circuit 21, no. 2 (2011): 77–100. http://dx.doi.org/10.7202/1005274ar.

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The relationship between world music traditions and modernist art music in the European tradition is often explored in composers’ musical fusions, but the motivations and aesthetics of such works often receive less notice than those grounded in post-modern (minimalist, popular music) approaches. In this essay the author asserts a particular relationship between rigorous modern composition technique and the highly rational patterning of Indonesian and Indian music, and follow this with analysis of Unstable Centre/Puser Belah (2003) a work composed for two simultaneous Balinese gamelan. The anal

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Pole, Antoinette, and Sangeeta Parashar. "Am I Pretty? 10 Tips to Designing Visually Appealing Slideware Presentations." PS: Political Science & Politics 53, no. 4 (2020): 757–62. http://dx.doi.org/10.1017/s1049096520000827.

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ABSTRACTThe importance of slideware presentations at conferences remains underestimated. Although several articles in the profession focus on this topic, emphasis on aspects of design and aesthetics appears scant. Changing trends and advances in software, instructional design, and human–computer interactions demand political scientists adapt and pay greater attention to balance and harmony, learning to distinguish between design and decoration. Building on Salmond and Smith’s (2011) work, this article offers 10 tips for creating cleaner, more visually appealing, minimalist slideware presentati

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Güven, Zühre Canay. "Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema." İnsan ve İnsan Dergisi 12, no. 40 (2025): 37–50. https://doi.org/10.29224/insanveinsan.1658448.

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New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz, two of the most influential and internationally recognized figures in this movement, this article examines how their distinct directorial styles articulate the aesthetics of slowness. Both emerged in the 1990s as central figures in the post-Yeşilçam cinematic landscape, yet their approaches differ markedly. Ceylan’s films employ rural landscap

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Cui, Guolian, Mohd Zafrullah Mohd Taib, and Azhar Abd Jamil. "Cultural Aesthetics in Hotel Design: A Systematic Review of Ru-Porcelain and Ethnic Culture's Influence on Perceptual Experience, Brand Identity, and Sustainable Development Goals (SDGs)." Journal of Lifestyle and SDGs Review 5, no. 2 (2024): e04279. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n02.pe04279.

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Objectives: This study investigates the integration of Ru-porcelain and ethnic cultural aesthetics in hotel design to enhance perceptual experiences, strengthen brand identity, and contribute to achieving Sustainable Development Goals (SDGs), particularly SDG 11 (Sustainable Cities and Communities) and SDG 12 (Responsible Consumption and Production). Theoretical Framework: Grounded in the principles of cultural sustainability, sensory engagement, and brand differentiation, the study explores how cultural aesthetics can shape unique and memorable guest experiences while promoting sustainable pr

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Andersson, Johan. "Homonormative aesthetics: AIDS and ‘de-generational unremembering’ in 1990s London." Urban Studies 56, no. 14 (2018): 2993–3010. http://dx.doi.org/10.1177/0042098018806149.

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This article historically contextualises the origins of a transnational gay male aesthetic many now think of as homonormative. While typically understood as a depoliticisation that ‘recodes freedom and liberation in terms of privacy, domesticity, and consumption’ (Manalansan, 2005: 142), homonormativity also has an associated look defined by a set of slick surface appearances relating both to the body and design. Recognisable in various locations across the globe and in multiple settings including cruise ships, resorts, and gyms, this aesthetic is, above all, associated with gaybourhoods and g

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Moi, Ruben. "Going on beyond Modernism in Beckett's Texts for Nothing." Nordlit 9, no. 2 (2005): 133. http://dx.doi.org/10.7557/13.1855.

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The title of Samuel Beckett's thirteen minimalist prose texts from 1954, Texts for Nothing, contrasts strongly with the award of the Nobel Prize for literature and the canonization of the author in 1969. This prestigiousrecognition can clearly be regarded as a public act of Beckettian irony, as hardly any other author has done more to refute ideas of canonicity and to undermine the foundations of the institution of literature - not to mention principal philosophical positions. Beckett's failure to appear at the ceremonial event seems symbolic of the many elsewheres of his idiosyncratic imagina

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Chen, Junheng. "Visual Style Innovation and Practice in Animation Design." Highlights in Art and Design 9, no. 1 (2025): 19–23. https://doi.org/10.54097/aspt3c46.

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Innovation in animation visual style is a key factor in enhancing the artistic value and market competitiveness of works. This study explores the role of core elements such as character design, color application, dynamic expression, and more in the formation of visual style through a systematic analysis of animation design visual elements. The study finds that minimalist styles are more popular in contemporary animation creation, and the development of digital technology has significantly increased the market share of hybrid-media animation. In the practical section, this research integrates t

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Mulyanto, Taufik Murtono, Lili Hartono, Endang Sri Handayani, Sugeng Wardoyo, and Isnawati Muslihah. "Innovating Minimalist Wayang Beber Batik Motifs: Leveraging Fuzzy C-Means Clustering for Sustainable Design in the Creative Industry." Journal of Lifestyle and SDGs Review 5, no. 3 (2025): e05080. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n03.pe05080.

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Objective: The primary aim of the research is to develop minimalist wayang beber batik motifs that cater to the preferences of the younger generation. The study seeks to address the challenges faced by the Indonesian batik industry in adapting to contemporary market tastes, particularly the demand for simpler and more modern designs. Theoretical Framework: The research is grounded in the design thinking model, which includes five stages: empathize, define, ideate, prototype, and test. This model is influenced by practices from the Hasso Plattner Institute at Stanford University. The theoretica

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Mendelyté, Aténé. "The Intermedial and the Transmedial across Samuel Beckett’s Artistic Practices." Acta Universitatis Sapientiae, Film and Media Studies 13, no. 1 (2016): 43–53. http://dx.doi.org/10.1515/ausfm-2016-0013.

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Abstract The essay offers a brief overview of famous Irish playwright Samuel Beckett’s intermedial practices. By exploring a number of artistic media (drama, theatre, novel, television play, film) the artist tried to get at the essentials of each medium by virtue of his minimalist and media-conscious aesthetics. As a result of this gesture he uncovered certain transmedial properties such as musical rhythm and structure, montage, black and white film and photography aesthetics and tenebrism situated at the core of supposed media-specificity. Moreover, it is argued that Beckettian intermediality

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Ding, Yuechun, Xing Meng, and Cong Sun. "Simplicity Matters: Unraveling the Impact of Minimalist Packaging on Green Trust in Daily Consumer Goods." Sustainability 16, no. 12 (2024): 4932. http://dx.doi.org/10.3390/su16124932.

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This study delves into the complex dynamics of consumer attitudes toward sustainable products, particularly within the fast-moving consumer goods category, highlighting the significant correlation between elegant and minimalist design aesthetics and the establishment of green trust in sustainable product offerings. Interestingly, while visually complex packaging may capture visual attention, it does not generate higher levels of green trust compared to simpler alternatives within the same product category. The findings underscore the importance of simple packaging design in mitigating consumer

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K Nayar, Pramod. "Drawing (Upon) Human Rights: Reading the Illustrated Version of the UDHR." Artha - Journal of Social Sciences 18, no. 3 (2019): 65–77. http://dx.doi.org/10.12724/ajss.50.5.

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This essay examines the illustrated version of the Universal Declaration of Human Rights. The use of stick-figures, it argues, is a verbal-visual discourse that performs the human subject as an anonymous yet identifiably human person. Emphasising the constructed nature of the human, the combination of text and image functions as an instance of ‗expository discourse‘. In the second section of the essay I propose that the UDHR‘s illustrated version uses the aesthetics of ‗figurative realism‘ wherein the representation of the human person as a stick means that we see a figure who stands in for th

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Min, Anqi. "The Application of Traditional Hmong Patterns in Contemporary Ceramic Designs." International Journal of Education and Humanities 13, no. 3 (2024): 326–28. http://dx.doi.org/10.54097/8kecz781.

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China's ethnic minority cultures, with thousands of years of historical past, have exceptionally rich and profound cultural values and material creations. However, given modern society's rapid industrialisation process, these indigenous cultures are frequently marginalization and fail to be widely absorbed into the global mainstream culture. Many traditional designs, decorations, and costumes are currently just emulating the ancient manner. Meanwhile, modern porcelain design emphasizes utilitarian use and the minimalist aesthetics of modernity. What novel sparks could be generated by merging C

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Дубовик, Сергій. "ВПЛИВ ТЕХНІКИ «САШІ-МОНО» НА СУЧАСНЕ МИСТЕЦТВО: ТРАДИЦІЇ ЯПОНСЬКОЇ СТОЛЯРНОЇ МАЙСТЕРНОСТІ В НОВІТНІХ ІНТЕРПРЕТАЦІЯХ". Мистецтво в культурі сучасності: теорія та практика навчання 1, № 5 (2025): 123–28. https://doi.org/10.31652/3041-1017-2025(5-1)-15.

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The article explores the influence of the traditional Japanese technique of sashi-mono carpentry on contemporary art and design. The technique, which involves the creation of wooden joints without the use of glue or metal fasteners, has become the embodiment of the principles of minimalism, functionality, and aesthetics inherent in Japanese culture. The article analyzes the historical origins of the method, its formation in the Edo period and its preservation in the context of Japan's modernization. Particular attention is paid to modern approaches to the adaptation of “sashi-mono” in furnitur

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Weng, Cheng-Chu. "Making minimalism disappear…" Journal of Contemporary Painting 6, no. 1-2 (2020): 149–64. http://dx.doi.org/10.1386/jcp_00019_1.

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‘Making minimalism disappear…’ presents an essay regarding my approach to ‘expansion painting’, and specifically provides a study of another kind of minimalist aesthetic. The account begins with a signature work, Shoji (2015), which is proposed as a way to unfold what expansion painting is. I describe my approach as drawing upon painterly compositional methods but developed through site-specific considerations of architectural spaces, bodies and differing levels of consciousness. The works ‘take place’ when interacting in these layered spaces, or what I refer to as a ‘sense’ of painting space.

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Tang, Shu-wing, and Marzenna Wiśniewska. "Performing—Feeling, Auto-Transformation, and Expression: Tang Shu-wing and His Theatre Studio in Hong Kong." Pamiętnik Teatralny 72, no. 3 (2023): 57–71. http://dx.doi.org/10.36744/pt.1493.

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This article presents the multifaceted persona of Tang Shu-wing, an acclaimed director, actor, and drama teacher, and examines his profound connections with the Polish theater tradition, particularly Jerzy Grotowski. The text also discusses Tang Shu-wing’s Shakespearean productions staged in Warsaw and Gdańsk. Marzenna Wiśniewska’s introduction contextualizes the appendix, which contains the edited transcript of a lecture delivered by Tang Shu-wing during the international online conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and I

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