Academic literature on the topic 'Minnie Mouse (Fictional character)'

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Journal articles on the topic "Minnie Mouse (Fictional character)"

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Ronyak, Jennifer. "Schubert’s “Ständchen” in the Voice of the Cinematic Amateur." 19th-Century Music 42, no. 3 (2019): 157–83. http://dx.doi.org/10.1525/ncm.2019.42.3.157.

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Scholars who have analyzed performances of Schubert’s Lieder have generally focused on the voices of masterful professionals, whether looking at performances before or during the age of sound recordings. This tendency overlooks one historically important group of performers: the amateurs who made up the broad marketplace for the genre during Schubert’s lifetime and throughout the nineteenth century. Studying this group of performers with any level of aesthetic particularity is, however, difficult: documentary evidence of particular singers in this group in the nineteenth century and even the e
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Das, Rimasree. "A study of diasporic elements in the select works of Margaret Atwood, Jhumpa Lahiri and Kiran Desai." International Journal of English Literature and Social Sciences 8, no. 3 (2023): 329–36. http://dx.doi.org/10.22161/ijels.83.53.

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After the two world wars and India's independence from the British in 1947, English-language writing in India has advanced significantly. Since the two world wars and India's independence from the British in 1947, Indian Writing in English, as it was once known, has advanced significantly with a few countable writers on the horizon. There weren't many writers in the corpus of works that were produced in the English language by Indian writers, especially before the label changed from Indo-Anglian Literature (that was named such before) to Indian Writing in English. The two most recent female au
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Rushkoff, Douglas. "Coercion." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2193.

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The brand began, quite literally, as a method for ranchers to identify their cattle. By burning a distinct symbol into the hide of a baby calf, the owner could insure that if it one day wandered off his property or was stolen by a competitor, he’d be able to point to that logo and claim the animal as his rightful property. When the manufacturers of products adopted the brand as a way of guaranteeing the quality of their goods, its function remained pretty much the same. Buying a package of oats with the Quaker label meant the customer could trace back these otherwise generic oats to their sour
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Bender, Stuart Marshall. "You Are Not Expected to Survive: Affective Friction in the Combat Shooter Game Battlefield 1." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1207.

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IntroductionI stumble to my feet breathing heavily and, over the roar of a tank, a nearby soldier yells right into my face: “We’re surrounded! We have to hold this line!” I follow him, moving past burning debris and wounded men being helped walk back in the opposite direction. Shells explode around me, a whistle sounds, and then the Hun attack; shadowy figures that I fire upon as they approach through the battlefield fog and smoke. I shoot some. I take cover behind walls as others fire back. I reload the weapon. I am hit by incoming fire, and a red damage indicator appears onscreen, so I move
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Collins, Steve. "Amen to That." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2638.

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 In 1956, John Cage predicted that “in the future, records will be made from records” (Duffel, 202). Certainly, musical creativity has always involved a certain amount of appropriation and adaptation of previous works. For example, Vivaldi appropriated and adapted the “Cum sancto spiritu” fugue of Ruggieri’s Gloria (Burnett, 4; Forbes, 261). If stuck for a guitar solo on stage, Keith Richards admits that he’ll adapt Buddy Holly for his own purposes (Street, 135). Similarly, Nirvana adapted the opening riff from Killing Jokes’ “Eighties” for their song “Come as You Are”. Mus
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Henderson, Neil James. "Online Persona as Hybrid-Object: Tracing the Problems and Possibilities of Persona in the Short Film Noah." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.819.

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Introduction The short film Noah (2013) depicts the contemporary story of an adolescent relationship breakdown and its aftermath. The film tells the story by showing events entirely as they unfold on the computer screen of Noah, the film’s teenaged protagonist. All of the characters, including Noah, appear on film solely via technological mediation.Although it is a fictional representation, Noah has garnered a lot of acclaim within an online public for the authenticity and realism of its portrayal of computer-mediated life (Berkowitz; Hornyak; Knibbs; Warren). Judging by the tenor of a lot of
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Books on the topic "Minnie Mouse (Fictional character)"

1

Sapienza, Marilyn J. Baby Minnie, come and play: A book about association. Walt Disney Co., 1990.

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2

Productions, Walt Disney, ed. The "Pop-up" Minnie Mouse: Story and illustrations. Applewood Books, 1993.

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3

Parent, Nancy. Blooming bows. Disney Press, 2013.

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Scollon, Bill. Minnie's summer vacation. Disney Press, 2014.

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Ring, Susan. Minnie's summer vacation. Disney Press, 2009.

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Pictures, Walt Disney, ed. Disney standard character guidebook: Mickey Mouse, Minnie Mouse, Donald Duck, Daisy Duck, Goofy, Pluto. [Disney Consumer Products, 1997.

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Joanne, Schmaltz, ed. The Minnie & friends cookbook. Disney Press, 2014.

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8

James, Patterson. Cat & mouse. Warner Books, 2003.

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9

James, Patterson. Cat & Mouse. G. K. Hall, 1998.

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James, Patterson. Cat & mouse. Warner Books, 1998.

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