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1

Mechanics' Institute of Saint John (N.B.), ed. Mechanics' Institute Hall, Monday evening, May 20: Fourth night of the mammoth troupe of the world ... fourth appearance in St. John of Rumsey & Newcomb's Minstrels .. [Saint John, N.B.?: s.n., 1987.

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2

Lhamon, W. T. Jim Crow, American: Selected songs and plays. Cambridge, Mass: Belknap Press of Harvard University Press, 2009.

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3

Brown, Carlyle. The little Tommy Parker celebrated colored minstrel show. New York: Dramatists Play Service, 1992.

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4

Pickering, Michael. Blackface minstrelsy in Britain. Burlington, VT: Ashgate, 2007.

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5

Waterhouse, Richard. From minstrel show to vaudeville: The Australian popular stage, 1788-1914. Kensington, NSW, Australia: New South Wales University Press, 1990.

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6

T, Lhamon W., ed. Jim Crow, American: Selected songs and plays. Cambridge, MA: Belknap Press of Harvard University Press, 2009.

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7

T, Lhamon W., ed. Jim Crow, American: Selected songs and plays. Cambridge, Mass: Belknap Press of Harvard University Press, 2009.

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8

T, Lhamon W., ed. Jim Crow, American: T.D. Rice. Cambridge, MA: Belknap Press of Harvard University Press, 2009.

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9

McAllister, Marvin Edward. Whiting up: Whiteface minstrels & stage Europeans in African American performance. Chapel Hill: University of North Carolina Press, 2011.

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10

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., programme: Wednesday, Nov. 27 Guy Bros. Minstrels. [London, Ont.?: s.n., 1986.

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11

Mahar, William J. Behind the burnt cork mask: Early blackface minstrelsy and Antebellum American popular culture. Urbana: University of Illinois Press, 1999.

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12

Riis, Thomas Laurence. More than just minstrel shows: The rise of black musical theatre at the turn of the century. Brooklyn, N.Y: Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York, 1992.

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13

Nowatzki, Robert. Representing African Americans in transatlantic abolitionism and blackface minstrelsy. Baton Rouge: Louisiana State University Press, 2010.

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14

author, Ohri Aditi, Crooks Julie 1962 author, Kelebay Alexandra author, Thompson Cheryl author, Boone Emilie author, Bowen Deanna author, Duncan, Carol B. (Carol Bernadette), 1965- author, et al., eds. Towards an African Canadian art history: Art, memory, and resistance. Concord, ON: Captus Press, 2019.

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15

Sacks, Howard L. Way up north in Dixie: A Black family's claim to the Confederate anthem. Washington: Smithsonian Institution Press, 1993.

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16

Wesley, Brown. Darktown strutters: A novel. New York, N.Y: Cane Hill Press, 1994.

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17

Wiley, Richard. Commodore Perry's minstrel show: A novel. Austin, TX: University of Texas Press, 2006.

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18

Wiley, Richard. Commodore Perry's minstrel show: A novel. Austin: University of Texas Press, 2007.

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19

Jim, Lee, Hamady Walter, Perishable Press Limited, and Press Collection (Library of Congress), eds. Whitman sampler: One chapter from Commodore Perry's minstrel show ... Mt. Horeb, Wis: Perishable Press, 1999.

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20

Haskell, Sara Elizabeth. Detroit civil rights trilogy. [Big Rapids, Mich.]: Rye Productions, 2010.

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21

T, Lhamon W., ed. Jump Jim Crow: Lost plays, lyrics, and street prose of the first Atlantic popular culture. Cambridge, Mass: Harvard University Press, 2003.

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22

Slout, William L. Burnt Cork and Tambourines: A Source Book of Negro Ministrelsy (Clipper Studies in the Theatre, No. 11). Borgo Pr, 1999.

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23

Slout, William L. Burnt Cork and Tambourines: A Source Book of Negro Ministrelsy (Clipper Studies in the Theatre, No 11). Borgo Pr, 1997.

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24

Hornback, Robert. Racism and Early Blackface Comic Traditions: From the Old World to the New. Palgrave Macmillan, 2018.

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25

Hornback, Robert. Racism and Early Blackface Comic Traditions: From the Old World to the New. Palgrave Macmillan, 2018.

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26

Austen, Jake, Yuval Taylor, and Mel Watkins. Darkest America: Black Minstrelsy from Slavery to Hip-Hop. Norton & Company, Incorporated, W. W., 2012.

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27

Stark, Seymour. Men in Blackface: True Stories of the Minstrel Show. Xlibris Corporation, 2001.

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28

Stark, Seymour. Men in Blackface: True Stories of the Minstrel Show. Xlibris Corporation, 2001.

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29

Byrne, Kevin James. Minstrel Traditions. Taylor & Francis Group, 2021.

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30

Minstrel Traditions. Taylor & Francis Group, 2020.

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31

Pickering, Michael. Blackface Minstrelsy in Britain. Taylor & Francis Group, 2017.

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32

Pickering, Michael. Blackface Minstrelsy in Britain. Taylor & Francis Group, 2017.

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33

Pickering, Michael. Blackface Minstrelsy in Britain. Taylor & Francis Group, 2016.

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34

Camp, Lorraine Le. Racial considerations of minstrel shows and related images in Canada. 2005.

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35

Jim Crow, American: Selected songs and plays. Cambridge, MA: Belknap Press of Harvard University Press, 2009.

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36

Mechanics' Institute, Burnham & Phillips' San Francisco minstrels: This evening programme .. [S.l: s.n., 1986.

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37

Mechanics' Institute Hall, Tuesday evening, May 21: Fifth night of this unrivalled troupe of artistes pronounced by the press and public ... Rumsey and Newcomb's Minstrels .. [Saint John, N.B.?: s.n., 1987.

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38

Barlow Bros. & Frost's Minstrels, under the management of Abe. Spitz ... [S.l: s.n., 1987.

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39

Mechanics' Institute: Whiting's minstrels from New York : first tour through the British pro[vinces] Wednesday evening, August 5, 1863. [S.l: s.n., 1986.

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40

Thompson, Katrina Dyonne. Same Script, Different Actors. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038259.003.0007.

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This chapter examines the emergence of a distinct American entertainment culture, and specifically how scenes of blacks performing music and dance for whites directly influenced popular culture through the blackface minstrel show, fiction literature, travel narratives, and Southern folklore. It argues that these distorted images were recreated and further developed on the Northern stage through the rise of the American blackface minstrel show in the 1830s. It shows that white men performing in blackface in minstrel shows were mimicking black slaves while black slaves were presenting a facade of black culture that was forced upon them by white masters. Beyond the development of the blackface minstrel show as a major form of entertainment, scenes of enslaved blacks performing became the staple setting for popular fiction as well as proslavery and antislavery texts. This project recognizes blackface minstrelsy as a representation of whites imitating Southern white ideals and images of blackness.
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41

McAllister, Marvin. Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance. University of North Carolina Press, 2011.

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42

Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance. University of North Carolina Press, 2014.

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43

Sacks, Howard L. Way Up North in Dixie, A Black Family's Claim to the Confederate Anthem. Smithsonian Instn.P., 1995.

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44

McAllister, Marvin. Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance. University of North Carolina Press, 2011.

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45

Abbott, Lynn, and Doug Seroff. Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi, 2012.

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46

Abbott, Lynn, and Doug Seroff. Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi, 2007.

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47

Abbott, Lynn, and Doug Seroff. Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi, 2012.

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48

Abbott, Lynn, and Doug Seroff. Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi, 2012.

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49

Abbott, Lynn, and Doug Seroff. Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi, 2012.

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50

Wells, Keiko. Minstrel Shows and Songs: An Archival Collection of Early American Books and Documents. Synapse, Edition, 2020.

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