Relevant bibliographies by topics / Minyan of the Stars (New York, N.Y.) / Journal articles
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Journal articles on the topic 'Minyan of the Stars (New York, N.Y.)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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1

Кюркчиева, Ива. "Терени, методи и проблеми в етнологията на спорта". Терени, № 2 (23 квітня 2025): 5–23. https://doi.org/10.60053/ter.2018.2.5-23.

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Настоящата статия представя основните подходи към темата за спорта в социалните науки и по-конкретно какво е мястото на етнологията в нея. Характерна особеност на това направление е, че към него се пристъпва интердисциплинарно. Проучванията на спортните култури са приносни, когато са разработени в социален, културен и политически контекст и именно тук е важната роля на етнологията. В този текст представям разнообразните изворови материали, теренна работа и методи на изследване, проследени през призмата на няколко проблемни кръга, чрез които могат да се интерпретират различните въпроси, фокусир
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Драгойкова, Бистра. "ДА БЪДЕШ ИНФЛУЕНСЪР: ЦЕЛИ, ТРУДНОСТИ И ЕМОЦИИ". Терени, № 8 (18 червня 2025): 86–107. https://doi.org/10.60053/ter.2024.8.86-107.

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Социалните мрежи: средство за споделяне на съдържание, взаимодействие с членове на семейството, приятели, колеги, развиване на бизнес, популяризиране на каузи и теми, място за създаване и споделяне. Сред множеството онлайн потребители съществуват такива, чието съдържание оказва влияние върху нагласите на аудиторията им чрез видеосъдържание, блогове, постове и въобще използване на всякакви публикации в онлайн платформите – инфлуенсъри. Дейността им изисква иновативни практики и стратегии, които да гарантират постоянен успех във вечно променящата се онлайн среда. Шансът за постигане на професион
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3

Paterson, Amy. "The Phantom Tollbooth by N. Juster." Deakin Review of Children's Literature 1, no. 4 (2012). http://dx.doi.org/10.20361/g24g60.

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Juster, Norton. The Phantom Tollbooth. 50th Anniversary Edition. Illus. Jules Feiffer. New York: Alfred A. Knopf, 2011. Print. The 50th Anniversary Edition of The Phantom Tollbooth is geared as much toward nostalgic adults as it is to a new generation of children. New introductions by the author himself, as well as fellow children’s author Maurice Sendak, accompany a slew of admiring essays by authors ranging from Suzanne Collins to Michael Chabon. The new hardcover edition retains all of the original maps and illustrations, as well as new and old photos of both Juster and Feiffer. As a child,
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Feisst, Debbie. "Good Little Wolf by N. Shireen." Deakin Review of Children's Literature 1, no. 4 (2012). http://dx.doi.org/10.20361/g2c01f.

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Shireen, Nadia. Good Little Wolf. New York: Alfred A Knopf. 2011. Print. Good Little Wolf is British illustrator Nadia Shireen’s picture book debut, and a successful one at that. Shireen, who earned an MA in Children’s Book Illustration from Angela Ruskin University in Cambridge, originally planned a career in law but thankfully pursued her passion for illustration and now, authorship. The story begins with the narrator ensuring a group of youngsters, including a red-hooded girl and a (soother) suckling pig are all comfortable. Rolf is a good little wolf. He is helpful to his friends, the elde
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Pearce, Hanne. "Touched by Fire by I. N. Watts." Deakin Review of Children's Literature 3, no. 4 (2014). http://dx.doi.org/10.20361/g28g7m.

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Watts, Irene N., Touched by Fire. Toronto: Tundra Books, 2013. Print.In the first decade of the 20th century, Miriam Markovitz and her family have fled their small town in the country to live in Kiev. She and her family are Jewish and the Tsar does not favor Jews. After narrowly escaping the pogroms, Miriam’s father Sam dreams of taking the whole family to America. Known as the “Golden Land”, in America Jews are free of persecution. Over the next few years the family relocates to Berlin where Miriam’s parents and grandparents work hard to save enough money. The plan is for Sam to travel to New
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6

Russell, David. "The Tumescent Citizen." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2376.

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Are male porn stars full-fledged citizens? Recent political developments make this question more than rhetorical. The Bush Justice Department, led by Attorney General John Ashcroft, has targeted the porn industry, beginning with its prosecution of Extreme Associates. More recently, the President requested an increase in the FBI’s 2005 budget for prosecuting obscenity, one of the few budget increases for the Bureau outside of its anti-terrorism program (Schmitt A1). To be sure, the concept of “citizen” is itself vexed. Citizenship, when obtained or granted, ostensibly legitimates a subject and
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7

Taylor, Leah. "Modern Inspiration from the Beat Generation." AmeriQuests 17, no. 1 (2022). http://dx.doi.org/10.15695/kxtbpg62.

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The segment of my work containing song lyrics was inspired by a question: Was the Beat Movement an isolated period of thought, tied to one time and location that generated the Beat Generation writers' unique ideas and inquisitive minds? Certainly, the ideas of the Beats were not confined to one city, or even one country: we can trace their travels to San Francisco, New York, Palo Alto, the Baja Peninsuala, Guatemala, Tangiers, London, Paris, Rome, and places in between. The Beats, like other anti-establishment cultural movements, were tied to an historical moment, in that case post-war America
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8

Mole, Tom. "Hypertrophic Celebrity." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2424.

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Critics are always trying to catch up with the phenomena they analyse, and critics of celebrity culture are no different. For most of its history, the celebrity apparatus has had a vested interest in staying invisible. So long as it remained illegible to cultural analysis, it could claim to be simply a transparent medium for exhibiting star quality. The celebrity’s public profile could appear to be the well-earned result of talent and determination, or the seemingly magical crystallization of his or her personality. But recently, some of the mechanics of celebrity culture have gained their own
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Brien, Donna Lee. "Why Foodies Thrive in the Country: Mapping the Influence and Significance of the Rural and Regional Chef." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.83.

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Introduction The academic area known as food studies—incorporating elements from disciplines including anthropology, folklore, history, sociology, gastronomy, and cultural studies as well as a range of multi-disciplinary approaches—asserts that cooking and eating practices are less a matter of nutrition (maintaining life by absorbing nutrients from food) and more a personal or group expression of various social and/or cultural actions, values or positions. The French philosopher, Michel de Certeau agrees, arguing, moreover, that there is an urgency to name and unpick (what he identifies as) th
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10

Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl
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Rintoul, Suzanne. "Loving the Alien." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2408.

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In a 2003 Rolling Stone review of David Bowie’s 1972 concept album The Rise and Fall of Ziggy Stardust and the Spiders From Mars, one critic looks back and argues that “[the creation of] Ziggy was a shrewd move because it presented Bowie, the fledgling artiste, as an established rock star.” Bowie’s shrewdness, the author muses, lies in the fact that he created in Ziggy “rock’s first completely prepackaged persona,” and inscribed it over his own. Whether or not Ziggy was indeed the first such persona (one asks oneself if all celebrities are not, to a degree, prepackaged personae), Bowie’s self-
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12

Fairchild, Charles. "'Australian Idol' and the Attention Economy." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2427.

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The elaborate cross-media spectacle, ‘Australian Idol,’ ostensibly lays bare the process of creating a pop star. Yet with so much made visible, much is rendered opaque. Specifically, ‘Idol’ is defined by the use of carefully-tuned strategies of publicity and promotion that create, shape and reshape a series of ‘authentic celebrities’ – pop stars whose emergence is sanctified through a seemingly open process of public ratification. Yet, Idol’s main actor is the music industry itself which uses contestants as vehicles for crafting intimate, long-term relationships with consumers. Through an anal
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13

Graf, Shenja van der. "Blogging Business." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2395.

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SuicideGirls.com In September 2001 two entrepreneurs Missy (coal-black Betty Page bangs and numerous tattoos) and Sean launched SuicideGirls.com. With their backgrounds in graphic design, programming and photography, they came up with the idea of launching an alternative adult site that started out as “a kind of an art project” — it grew out of an interest in Bunny Yeager’s pinup photos, where the control and attitude of the sexy women were emphasized, only now it was about pierced and tattooed females. Missy describes the portrayal of women on the site in the following words: The site is abou
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14

Stewart, Jonathan. "If I Had Possession over Judgment Day: Augmenting Robert Johnson." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.715.

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augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dictionary 107) Almost everything associated with Robert Johnson has been subject to some form of augmentation. His talent as a musician and songwriter has been embroidered by myth-making. Johnson’s few remaining artefacts—his photographic images, his grave site, other physical records of his existence—have attained the status of reliquary. Even the integrity of his forty-two surviving recordings is now challenged by audi
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15

Pegrum, Mark. "Pop Goes the Spiritual." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1904.

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Kylie Minogue, her interviewer tells us in the October 2000 issue of Sky Magazine, is a "fatalist": meaning she "believe[s] everything happens for a reason" (Minogue "Kylie" 20). And what kind of reason would that be? Well, the Australian singer gives us a few clues in her interview of the previous month with Attitude, which she liberally peppers with references to her personal beliefs (Minogue "Special K" 43-46). When asked why she shouldn't be on top all the time, she explains: "It's yin and yang. It's all in the balance." A Taoist – or at any rate Chinese – perspective then? Yet, when asked
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16

Gehrmann, Richard. "War, Snipers, and Rage from Enemy at the Gates to American Sniper." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1506.

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The concept of war is inextricably linked to violence, and military action almost always resounds with the emotion and language of rage. Since the War on Terror began in September 2001, post-9/11 expressions of terror and rage have influenced academics to evaluate rage and its meanings (Gildersleeve and Gehrmann). Of course, it has directly influenced the lives of those affected by global conflicts in war-torn regions of the Middle East and North Africa. The populace there has reacted violently to military invasions with a deep sense of rage, while in the affluent West, rage has also infiltrat
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17

Lee, Jin, Tommaso Barbetta, and Crystal Abidin. "Influencers, Brands, and Pivots in the Time of COVID-19." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2729.

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In light of the COVID-19 pandemic, where income has become precarious and Internet use has soared, the influencer industry has to strategise over new ways to sustain viewer attention, maintain income flows, and innovate around formats and messaging, to avoid being excluded from continued commercial possibilities. In this article, we review the press coverage of the influencer markets in Australia, Japan, and Korea, and consider how the industry has been attempting to navigate their way through the pandemic through deviations and detours. We consider the narratives and groups of influencers who
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18

Kennedy, Ümit. "“THESE VLOGS AREN’T REAL”." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3080.

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Introduction – Family Influencers Family vlogging on YouTube is a practice gaining in popularity and scope. An increasing number of couples are giving up their jobs to become full-time “vloggers” or, in industry terms, “creators”. This involves parents filming their everyday lives with their children and uploading the footage to YouTube in daily or weekly instalments for others to watch and respond to. Vlogging reflects a current Western obsession with documenting and recording the self. The digital practice of recording life on YouTube is part of a “broadcast era” (Garde-Hansen et al.). YouTu
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Chariatte, Jerome, and Diana Ingenhoff. "Country reputation." DOCA - Database of Variables for Content Analysis, January 7, 2025. https://doi.org/10.34778/4k.

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Country reputation is a central target construct in research on country-of-origin effects, international public relations, and especially public diplomacy. Public Diplomacy is about building up international relationships in a networked environment and creating a favorable (foreign) public opinion about the country to advance its goals (Wu & Wang, 2019; Zaharna, 2020). We can distinguish four important attitudinal key constructs relevant to public diplomacy: The country’s image, identity, reputation, and brand. Buhmann and Ingenhoff (2015) systematize the conceptual differences along two b
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20

Nairn, Angelique. "Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1624.

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In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars,
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21

Nolan, Huw, and Jo Coghlan. "Mutating a Better Man." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3170.

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Introduction Michael Gracey's Better Man (2024) presents an innovative biographical representation of British pop star Robbie Williams through a radical visual strategy—depicting its subject as a CGI primate rather than through a human actor. Filmed in Australia and partially funded by the Australian Government, the film follows a relatively standard biopic narrative tracing Williams’s trajectory from his Stoke-on-Trent childhood through his tumultuous Take That tenure to solo stardom, mapping his struggles with addiction, familial relationships, and mental health crises. What distinguishes Be
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