Relevant bibliographies by topics / Mirk, John

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mirk, John'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Mirk, John"

1

FLETCHER. "JOHN MIRK AND THE LOLLARDS." Medium Ævum 56, no. 2 (1987): 217. http://dx.doi.org/10.2307/43629105.

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Foss, David B. "John Mirk’s Instructions for Parish Priests." Studies in Church History 26 (1989): 131–40. http://dx.doi.org/10.1017/s0424208400010913.

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Little is known of John Mirk. When he wrote Instructions, he was, its colophon informs us, a canon regular of Lilleshall priory, Shropshire. Lilleshall was a house of Arroasian canons, a branch of the Augustinian order, so named because its first house was that of St Nicholas, Arras. Lilleshall was founded in 1144–8, and contained some ten canons in 1400.
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Ford, Judy Ann. "The Autonomy of Conscience: Images of Confession in Mirk's Festial." Renaissance and Reformation 35, no. 3 (1999): 5–27. http://dx.doi.org/10.33137/rr.v35i3.10738.

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Le présent article examine la présentation du sacrement de la confession dans le Festial, recueil populaire anglais de sermons de langue vernaculaire rédigé par John Mirk vers la fin du XIVe siècle. En particulier, l'article s'intéresse aux exempla dans les sermons pour le carême, en concluant que les exempla de Mirk dépeignent les pécheurs comme participants autonomes au processus de leur propre salut, capables de communiquer avec la divinité sans intermédiaire clérical. Le Festial était orthodoxe; ses sermons font allusion fréquemment à la nécessité de se confesser à un prêtre. Néanmoins, se
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Barbosa, Iracema. "Mira Schendel." Revista VIS: Revista do Programa de Pós-Graduação em Arte 14, no. 2 (2016): 83–100. http://dx.doi.org/10.26512/vis.v14i2.20188.

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 A poética de Mira Schendel se constrói através da repetição de gestos sensíveis que, de acordo com a artista, funcionam apenas para ativar o vazio. A partir da observação de algumas de suas obras, este artigo procura pontos de contato com o pensamento Oriental sobre tal noção de vazio, e cria vínculos com certas reflexões do músico John Cage e do escritor Jorge Luis Borges.
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Fenollosa Laguarda, Carles. "Joan Francesc Mira." REVISTA VALENCIANA DE FILOLOGIA 1, no. 1 (2017): 261. http://dx.doi.org/10.28939/rvf.v1i1.30.

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Battersby, Susan. "Is goat milk infant formula a safe alternative to cows' milk infant formula?" Journal of Health Visiting 3, no. 10 (2015): 542–47. http://dx.doi.org/10.12968/johv.2015.3.10.542.

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Gutiérrez Montañés, María. "Josep Maria Joan i Rosa y el Museu del Joguet: un ejemplo de interés por el juguete nipón." Mirai. Estudios Japoneses 5 (June 10, 2021): 205–11. http://dx.doi.org/10.5209/mira.73281.

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El fin del presente artículo es acercarnos a la colección de muñecas tradicionales japonesas (ningyō) y otros juguetes en el Museu del Joguet de Cataluña (Figueras), estudiando sus características y tipologías así como la figura de su coleccionista, Josep Maria Joan i Rosa.
 Consideramos que este es un ejemplo de la presencia de estas piezas de origen nipón en nuestro país, así como la relación que determinadas figuras, coleccionistas en este caso, han establecido a lo largo del tiempo con Japón. Como resultados y aportaciones queremos establecer un marco histórico que nos hable de la lle
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clarke, Sue. "Cows' milk allergy in infants." Journal of Health Visiting 3, no. 5 (2015): 256–62. http://dx.doi.org/10.12968/johv.2015.3.5.256.

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Cabañas Moreno, Pilar. "Sobre la correspondencia inédita entre Joan Miró y Shûzô Takiguchi. Relación personal y colaboración artística." Archivo Español de Arte 73, no. 291 (2000): 277–84. http://dx.doi.org/10.3989/aearte.2000.v73.i291.832.

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Noakes, Amy. "A practical guide to expressing breast milk." Journal of Health Visiting 5, no. 9 (2017): 442–46. http://dx.doi.org/10.12968/johv.2017.5.9.442.

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Dissertations / Theses on the topic "Mirk, John"

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Monteau, Elodie. "Edition critique d'une révision du XVème siècle du recueil hagiographique moyen-anglais du "Festial" de John Mirk, conservé dans les manuscrits London British Library Harley 2247, Royal 18 B xxv & Trinity College Dublin 428, avec notes et glossaire." Poitiers, 1998. http://www.theses.fr/1998POIT5017.

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Cette thèse de doctorat propose l'édition du corpus hagiographique de trois manuscrits du XVème siècle en moyen-anglais : London British Library Harley 2247 (H), London British Library Royal 18 B xxv (R) et Trinity College Dublin 428 (T), témoins d'une révision d'un cycle de sermons compilé aux alentours de 1380 par John Mirk : Le "Festial". L'étude comprend la description, la localisation ainsi que le profil linguistique de chacun des manuscrits. Le commentaire repose sur l'analyse des différents types de corrélations existant entre H, T et R, les sources utilisées ainsi que le choix du texte
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Meurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale." Paris 7, 2008. http://www.theses.fr/2008PA070003.

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C'est en procédant à une analyse de l'interaction entre l'écriture et l'image dans les œuvres de Joan Miró et de René Magritte que ce travail de mise en contraste cherche à vérifier quel est le rôle joué par l'écriture dans la création picturale - vérifier comment le langage écrit influence, interfère et/ou s'incorpore dans la genèse de l'œuvre d'art. Le texte est structuré autour de quatre axes centraux d'analyse, chacun comportant son propre fondement théorique et méthodologique. Le premier axe examine les fondements du modus operandi des deux artistes, et vise à mettre en valeur l'importanc
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Boix, Pons Antonio. "Joan Miró: El compromiso de un artista, 1968-1983." Doctoral thesis, Universitat de les Illes Balears, 2010. http://hdl.handle.net/10803/9407.

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This thesis proves that the evolution of life, thoughts and work of Joan Miró in the 1968-1983 period is deeply related with his historical context in its political,economic, social, cultural and artistic. A solid conductor is his social and artistic commitment, based on four fluent influences in ideological which were depositing from childhood to old age: Catalan nationalism, Catholicism, moral conservadurism and progressive political. Such influences were sometimes contradictory and this was a personal tension, that he resolve in this period of 1968-1983 with a greater involvement in the str
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Dalla, Costa Murilo José Farias. "Significações mortuárias da série Les constellations de Joan Miró." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/100639.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2012<br>Made available in DSpace on 2013-06-25T21:08:56Z (GMT). No. of bitstreams: 1 312420.pdf: 1982562 bytes, checksum: fb022ff66808f9f254d474ef07f65ed1 (MD5)<br>Não há estudos aprofundados sobre a série Constelações (1940-1941) de Joan Miró (1893-1983). O caráter hermético das pinturas pode ser considerado uma das causas do silêncio crítico sobre a série. Nesta investigação, propomos a hipótese, a partir da análise dos documentos disponí
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Sclaunick, Élisa. "L'écriture de Joan Miró dans l'oeuvre de Jacques Dupin." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC049.

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Jacques Dupin et Joan Miró sapent les frontières entre poésie et arts plastiques ; pourtant, ils maintiennent l'écart qui sépare leurs disciplines. Édifiée sur un champ de ruines, leur communauté artistique est le lieu d'une expérience négative au revers créateur. C'est cette tension que cette thèse explore en interrogeant les rapports entre plasticien et écrivain, entre signes plastiques et linguistiques, entre puissances de destruction et de création. Poète ou critique d'art, pour Jacques Dupin il faut trancher. Alors qu'il est considéré comme spécialiste — et même expert — de l'oeuvre de Jo
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Pesquero, Ramon Saturnino. "Joan Miró: una lectura filosófica a partir de "La Masia"." Doctoral thesis, Universitat de les Illes Balears, 1999. http://hdl.handle.net/10803/9426.

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Un estudio hermenéutico sobre la obra de Joan Miró. La obra mironiana contiene "una intencionalidad secreta y está inscrita no ámbito de la cabalística". Por este motivo, posibilita establecer algunas relaciones con la obra esotérica de "El Bosco" y con la mística obra de Kandisky. <br/>La parte central del estudio está dedicada a desvelar los significados: 1o) de los 20 signos de su Cortège des obsessions, siempre recurrentes en su obra y cuyo simbolismo cabalístico definiría el espíritu semita-catalán de su autor (I Parte); 2o) de "La Masia", como "metáfora mayor del habitar (existir, en
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Umaña, José Luis. "Lecture sémiologique d'une œuvre d'art : la Sieste de Joan Miro." Master's thesis, Université Laval, 1992. http://hdl.handle.net/20.500.11794/33436.

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Nous avons analysé le tableau "La Sieste" de Joan Miré à partir de la sémiologie visuelle proposée par Fernande Saint-Martin. Cette analyse est divisée en deux parties: l'une correspond à l'analyse colorématique et l'autre à l'analyse syntaxique. Pour la première étape, nous avons élaboré une grille de 20 cases appliquée à l'œuvre, qui nous a servi à réaliser les différentes études sur les rélations qui s'établissent entre les colorâmes. En ce qui concerne la deuxième étape, nous avons segmenté l'œuvre en dix régions et ajouté des sous-régions selon le besoin de l'analyse. Celles-ci ont été ét
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Thornton-Cronin, Lesley. "Boundaries of horror : Joan Miró and Georges Bataille, 1930-1939." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7193/.

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This thesis represents an original contribution to art historical scholarship in its investigation of the overlaps between the art of the Catalan artist Joan Miró and the writings of French philosopher Georges Bataille in the period 1930–1939. I examine three series of intimate, private works undertaken by Miró in 1930, 1935-1936, and 1938-1939 through the lens of contemporary Bataillean texts in order to identify corresponding themes, imagery, and operations. I argue that not only does Bataillean thought represent a direct source of influence on Miró’s work of this time, but also that the art
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Reus, Morro Jaume. "Evasió i exili interior en l'obra de Joan Miró: 1939-1945." Doctoral thesis, Universitat de les Illes Balears, 2004. http://hdl.handle.net/10803/37403.

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L’interès d’aquesta investigació s’ha centrat en dos aspectes complementaris de l’obra de Joan Miró, del període de 1939 a 1945. Un és la producció artística i l’altre és el procés auto reflexiu. El període de la trajectòria vital i professional objecte d’anàlisi, el de major tensió emocional per a l’artista i la seva família, està marcat per inflexions significatives, però també per continuïtats. Miró fou capaç de superar l’opressió d’un ambient hostil gràcies a una severa auto disciplina en el treball, una recapitulació sobre el propi llenguatge artístic i un inèdit procés d’auto reflexió
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Shim, Jiyoung. "Joan Miró, "illustrateur" des poètes : à la lumière de l'Extrême-Orient." Paris 7, 2009. http://www.theses.fr/2009PA070036.

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Joan Mirô a consacré une part importante de ses forces à l'illustration de la poésie, en créant une relation nouvelle entre texte et image, la poésie lui étant un moteur de renouvellement de son art pictural, et celui de ses nombreuses collaborations avec les poètes. La créativité foisonnante de ses divers ouvrages, échappant à toute catégorisation du livre illustré, prouve la singularité de son art d'illustrer la poésie, qui relève plus de l'interprétation du moment de sa lecture du texte poétique, que de la transposition visuelle du contenu textuel. Son illustration refusant ainsi toute anal
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Books on the topic "Mirk, John"

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Miró, Joan. Miro universe: Werke aus der Fundació Joan Miró : Kunsthalle Augsburg. Edition Signum, 1999.

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1893-1983, Miró Joan, and Museum of Modern Art (New York, N.Y.), eds. Joan Miró. Museum of Modern Art, 1993.

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Batllori, Joan M. Minguet. Joan Miró. Fundación Mapfre, Instituto de Cultura, 2008.

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Miró, Joan. Joan Miró. De La Cierva, 2007.

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Miró, Joan. Joan Miro . Kunsthaus, 1986.

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1893-1983, Miró Joan, and Prat Meritxell, eds. Joan Miró. Ediciones Polígrafa, 2009.

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1893-1983, Miró Joan, and Museum of Modern Art (New York, N.Y.), eds. Joan Miró. Museum of Modern Art, 2008.

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Miró, Joan. Joan Miró. Timothy Yarger Fine Art, 1999.

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Miró, Joan. Joan Miro . Fabbri, 1988.

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Lanchner, Carolyn. Joan Miró. Museum of Modern Art, 2008.

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Book chapters on the topic "Mirk, John"

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Thompson, John J. "Preaching with a Pen: Audience and Self-Regulation in the Writing and Reception of John Mirk and Nicholas Love." In Sermo. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.sermo.1.101588.

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Wild, Gerhard. "Miró, Joan." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13196-1.

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Stegmann, Tilbert Dídac. "Mira, Joan F." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13190-1.

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Wild, Gerhard. "Miró, Joan: Écrits e entretiens." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13197-1.

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Stegmann, Tilbert Dídac. "Mira, Joan F.: Els treballs perduts." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13191-1.

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Azara, Pedro, and Marc Marín. "An archaeological exhibition without archaeology? Joan Miró looks at Mesopotamian masterpieces." In Museums and the Ancient Middle East. Routledge, 2018. http://dx.doi.org/10.4324/9781351164160-11.

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LaBuzetta, Evan. "Empathy for the Devil: The Origins of Mick Jagger’s Devil in John Milton’s London." In Rock and Romanticism. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72688-5_2.

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Sancery, Arlette. "John Mirk, exemple parfait du clerc anglais à la fin du xive siècle." In Le clerc au Moyen Âge. Presses universitaires de Provence, 1995. http://dx.doi.org/10.4000/books.pup.2488.

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"Joan Miró." In Surrealist Painters and Poets. The MIT Press, 2001. http://dx.doi.org/10.7551/mitpress/6565.003.0060.

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"5. BULLETS OF MILK: JOHN UPDIKE." In The Dictator's Dictation. Columbia University Press, 2005. http://dx.doi.org/10.7312/boye13674-005.

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Conference papers on the topic "Mirk, John"

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Orlova, Ksenia. "Sculpture by Joan Miro." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.8.

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Orlova, Ksenia. "Joan Miro and the Ancient Catalan Art." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.107.

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Orlova, Ksenia. "Several Illustrations of Joan Miro for the Plays of Alfred Jarry." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.74.

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TUSSOLINI, IURY GABRIEL AMAZONAS, GABRIELLE RODRIGUES TUSSOLINI, GABRIELLA FONSECA DE JESUS MESQUITA, et al. "The anticorruption compliance programs and the Brazilian regulatory reality today." In I South Florida Congress of Development. CONGRESS PROCEEDINGS I South Florida Congress of Development - 2021, 2021. http://dx.doi.org/10.47172/sfcdv2021-0002.

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March 2021, a 12-month-old infant was brought to the HPS East Zone Little Jonh, in the capital of the State of Amazonas, Brazil, where she was admitted with fever, vomiting, intense prostration, little acceptance of breast milk, difficulty in walking, associated with left-facing strabismus and neck stiffness. At admission, the main author performed a lumbar puncture, and serological tests on the CSF to identify the causative agent were referred to a reference laboratory, which suggested that they be referred to the Central Laboratory - LACEN for suspecting the presence of agent Angionsytrongyl
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TUSSOLINI, IURY GABRIEL AMAZONAS, GABRIELLE RODRIGUES TUSSOLINI, GABRIELLA FONSECA DE JESUS MESQUITA, et al. "A RARE CASE OF EOSINOPHYLIC MENINGITIS BY PROBABLE ANGIOSTRONGYLUS CANTONENSIS, IN AN INFANT IN THE CITY OF MANAUS, IN THE AMAZON REGION OF BRAZIL." In I South Florida Congress of Development. CONGRESS PROCEEDINGS I South Florida Congress of Development - 2021, 2021. http://dx.doi.org/10.47172/sfcdv2021-0009.

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March 2021, a 12-month-old infant was brought to the HPS East Zone Little Jonh, in the capital of the State of Amazonas, Brazil, where she was admitted with fever, vomiting, intense prostration, little acceptance of breast milk, difficulty in walking, associated with left-facing strabismus and neck stiffness. At admission, the main author performed a lumbar puncture, and serological tests on the CSF to identify the causative agent were referred to a reference laboratory, which suggested that they be referred to the Central Laboratory - LACEN for suspecting the presence of agent Angionsytrongyl
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TUSSOLINI, IURY GABRIEL AMAZONAS, GABRIELLE RODRIGUES TUSSOLINI, GABRIELLA FONSECA DE JESUS MESQUITA, et al. "A RARE CASE OF EOSINOPHYLIC MENINGITIS BY PROBABLE ANGIOSTRONGYLUS CANTONENSIS, IN AN INFANT IN THE CITY OF MANAUS, IN THE AMAZON REGION OF BRAZIL." In I South Florida Congress of Development. CONGRESS PROCEEDINGS I South Florida Congress of Development - 2021, 2021. http://dx.doi.org/10.47172/sfcdv2021-0062.

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March 2021, a 12-month-old infant was brought to the HPS East Zone Little Jonh, in the capital of the State of Amazonas, Brazil, where she was admitted with fever, vomiting, intense prostration, little acceptance of breast milk, difficulty in walking, associated with left-facing strabismus and neck stiffness. At admission, the main author performed a lumbar puncture, and serological tests on the CSF to identify the causative agent were referred to a reference laboratory, which suggested that they be referred to the Central Laboratory - LACEN for suspecting the presence of agent Angionsytrongyl
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Orlova, Ksenia. "Joan Miro. 1960s: In Search of a New Artistic Language, Close Contacts With the Cultures of the USA and Japan." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.025.

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