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Books on the topic 'Mirrors in architecture'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Heyne, Pamela. Mirror bydesign: Using reflection to transform space. New York: Wiley, 1996.

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2

Heyne, Pamela. Mirror by design: Using reflection to transform a space. New York: Wiley, 1996.

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3

Sergio, Jaretti, Jaretti Donata, and Penco Chiara, eds. Palazzi di specchio: Iran & India XVI-XXI secolo = Mirror palaces : Iran and India XVI-XXI century. Torino: CELID, 2008.

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4

interviewer, Sondermann Vanessa, Megert Christian 1936-, Akademie-Galerie-Die Neue Sammlung, and Staatliche Kunstakademie Düsseldorf, eds. Christian Megert: Prof. Christian Megert, Lehrstuhl für die Integration von Bildender Kunst und Architektur 1976-2001 : Ausstellung in der Akademie-Galerie, Die Neue Sammlung, 21.10.2017-14.01.2018, Staatliche Kunstakademie Düsseldorf. [Düsseldorf]: [Staatliche Kunstakademie Düsseldorf], 2017.

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5

Antoine, Amarger, and Vinci (Group), eds. The Hall of Mirrors: History & restoration. Dijon: Éditions Faton, 2007.

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6

Mies van der Rohe Haus, ed. Spiegel: Mies van der Rohe und die Geschichte von Glanz und Abglanz. Berlin: Form + Zweck, 2015.

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7

Ali, Akay, ed. Kırık aynalar: Avrupa'nın Müslümanları ve Orta Doğu'nun Hıristyanları : Saraybosna'dan Kudüs'e bir görsel seyahatname : Balkanlar'dan Orta Doğu'ya parçalanan kimlikler = Broken mirrors : European Muslims, Eastern Christians : a visual book of travels from Sarajevo to Jerusalem : scattered identities between the Balkans and the Middle East. Istanbul: Mesut Tufan, 2007.

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8

S, Ozhegov S., ed. Mirrored in wood :bBurmese art and architecture. Bangkok: White Lotus Press, 1999.

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9

José, Afonso. CRCB: Sons invisíveis = invisible sounds : music, mirror of architecture. Lisboa · Portugal: Caleidoscópio, 2020.

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10

Villanueva, Beatriz. 22 couples & Co: Mirror stories of Spanish architecture (2000-2015). Madrid]: Ediciones Asimétricas, 2015.

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11

Sörenson, Ulf. Rosenbad: The building as a mirror. Stockholm: Stockholmia förlag, 2001.

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12

Das, S. K. Mirrored Metropolis: New architecture and urban planning in India. Edited by Aedes Galerie für Architektur und Raum. Berlin: Aedes, 2003.

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13

Roger, Garaudy. Mosquée, miroir de l'Islam =: The mosque, mirror of Islam. Paris, France: Editions du Jaguar, 1985.

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14

author, Postal Matthew A., and Hurley, Marianne Rapalus, 1946- author, eds. Waldorf-Astoria Hotel interiors site description: Waldorf-Astoria Hotel, ground floor interior, consisting of the Park Avenue vestibules and foyer, the Lexington Avenue vestibules and foyer; first floor interior, consisting of the Park Avenue Lobby and colonnade, West Lounge (formerly Peacock Alley), West Elevator Lobby, Main Lobby, Main Lobby Hall, East Arcade, Lexington Avenue stairs and landing; second floor interior, consisting of the Lexington Avenue stairs and landing; third floor interior, consisting of the Lexington Avenue stairs and landing, the Grand (Main) Ballroom and balconies, Ballroom Entrance Hall (originally Silver Gallery), (Grand) Ballroom Foyer, Basildon Room, Jade Room, Astor Gallery, foyer connecting the Jade Room and Astor Gallery with Lexington Avenue stairs; and the fixtures and interior components of these spaces including but not limited to the wall surfaces, ceiling surfaces, floor surfaces, murals, mirrors, chandeliers, all lighting fixtures, attached furnishings, doors, elevator doors, grilles, railings and balustrades, decorative metalwork and attached decorative elements; 301 Park Avenue (aka 101-121 East 49th Street, 100-120 East 50th Street, 538-556 Lexington Avenue), Borough of Manhattan : Built 1929-31; Schultze & Weaver, architect. New York]: Landmarks Preservation Commission, 2017.

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15

Indira Gandhi National Centre for the Arts, ed. The Indian temple: Mirror of the world. New Delhi, India: New Age Books, 2016.

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16

author, Postal Matthew A., ed. United Nations Hotel, first floor Interiors, consisting of the Ambassador Grill and the hotel lobby reception area, entrance foyer and hallway, and the fixtures and interior components of these spaces, which may include but are not limited to the columns, wall surfaces, ceiling surfaces, floor surfaces, mirrors, lighting fixtures, attached furnishings, doors, railings, balustrades, decorative metalwork and attached decorated elements; 1 and 2 United Nations Plaza (aka 783-793 First Avenue, 335-343 East 44th Street and 323-333 East 44th Street, 322-334 East 45th Street), Manhattan: Built 1969-76 (Ambassador Grill) and 1979-83 (hotel lobby); Kevin Roche John Dinkeloo and Associates, architects. New York]: Landmarks Preservation Commission, 2017.

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17

author, Postal Matthew A., and Robins Anthony author, eds. Loew's Paradise Theater interior, consisting of the lobby, the foyer, the grand lobby, the main staircase leading from the grand lobby to the promenade level and the area under the staircase, the orchestra seating level of the auditorium, the proscenium area and arch, and the alcoves flanking the proscenium area; the promenade level and upper foyer interior, the men's lounge, the women's lounge, the hallways leading to the mezzanine seating level of auditorium, and the mezzanine seating level of the auditorium; the balcony level interior, consisting of the balcony seating level of the auditorium; all stairways, landings, intermediate lobbies, and elevator lobbies leading to and from the above spaces; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, ticket booths, display cases, framed display boards, columns, pilasters, doors, railings, balustrades, metalwork, mirrors, chandeliers, lighting fixtures, exit signs, attached decorative and sculptural elements; 2405-2419 Grand Concourse (aka 2394-2408 Creston Avenue), Borough of the Bronx: Built 1928-29; John Eberson, architect. New York, N.Y.]: Landmarks Preservation Commission, 2006.

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18

Christian, Taillard. The Grand Theatre of Bordeaux: Mirror of a society. [Paris]: CNRS Editions, 1993.

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19

Seibel, Frank. Leuchtendes Schiff in schwerer See: Das Haus Schminke im Spiegel des zwanzigsten Jahrhunderts = Kelly ship in heavy seas : the Schminke House in the mirror of the twentieth century. [Zittau]: Edition Sächsische Zeitung, 2017.

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20

Hardenbergh, H. J. (Henry Janeway), 1847-1918, Betts Mary Beth author, and New York (N.Y.). Landmarks Preservation Commission. Research Department, eds. Plaza Hotel, ground floor interior consisting of the Fifth Avenue vestibules, Lobby, corridor to the east of the Palm Court, the Palm Court, Terrace Room, corridor to the north of the Palm Court connecting to the 59th Street Lobby and the Oak Room, foyers to the Edwardian Room from the corridor to the north of the Palm Court and the 59th Street Lobby, the Edwardian Room, 59thStreet Lobby and vestibule, the Oak Room and the Oak Bar, corridor to the east of the Oak Room, corridor to the south of the Palm Court, and the staircases connecting the ground floor to the mezzanine floor; mezzanine floor interior consisting of the Terrace Room Corridor, Mezzanine Foyer, Terrace Room balcony, Terrace Room and fountain, and the staircase connecting the mezzanine floor to the first floor Grand Ballroom Foyer; first floor interiorconsisting of the Grand Ballroom Foyer, Grand Ballroom Corridor, Grand Ballroom and stage, and Grand Ballroom boxes; and the fixtures and the interior components of these spaces, including but not limited to, wall surfaces, ceiling surfaces and floor surfaces, murals, mirrors, chandeliers, all lighting fixtures, attached furnishings, doors, exterior elevator doors and grilles, railings and balustrades, decorative metalwork and attached decorative elements; 768 Fifth Avenue and 2 Central Park South, Borough of Manhattan: Built 1905-07; 1919-22; 1929; architects Henry Janeway Hardenbergh, Warren & Wetmore, and Schultze & Weaver. New York, N.Y.]: New York City Landmarks Preservation Commission, 2005.

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21

Deva, Krishna. Kalādarpaṇa, the mirror of Indian art: Essays in memory of Shri Krishna Deva. New Delhi: Aryan Books International, 2009.

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22

1914-2001, Krishna Deva, Desai Devangana 1937-, and Banerji Arundhati, eds. Kalādarpaṇa, the mirror of Indian art: Essays in memory of Shri Krishna Deva. New Delhi: Aryan Books International, 2009.

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23

1914-2001, Krishna Deva, Desai Devangana 1937-, and Banerji Arundhati, eds. Kalādarpaṇa, the mirror of Indian art: Essays in memory of Shri Krishna Deva. New Delhi: Aryan Books International, 2009.

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24

Laura, Sasso, ed. La continuità e lo specchio: Progettare architetture e paesaggi fluviali = Continuity and the mirroir : designing architectures and river landscapes. Milano: Lybra immagine, 2005.

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25

Tonelli, Maria Cristina, ed. Giovanni Klaus Koenig. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-191-4.

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An architect and academic, Giovanni Klaus Koenig (1924-1989) was a designer of rail means of transport, passionate scholar of trains and trams, critic of contemporary architecture and an industrial design historian. As an intellectual he was committed to solving the problems of Florence, his city. All of this in years in which critical and operational attention to the present was uncommon, the discipline of design was still to be founded, the involvement of an architect with rolling stock companies was out of the ordinary. The text aims to piece together his figure mirrored with his city and the national context, thanks to the contribution of those who had him as an interlocutor and the scholars who worked on the beaten track of his research. The goal is not limited to render the complex of a culturally incisive personality, but to highlight areas still to be explored for current scholars, those "phosphorescent trails" that he left us as a legacy.
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26

Barry, Judith. Judith Barry: Through the mirror of seduction : an essay on the work of Judith Barry. Dublin: Douglas Hyde Gallery, 1988.

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27

Nadi︠e︡z︠h︡din, A. M. Kirovohradshchyna u dzerkali chasu: Arkhitekturne mystet︠s︡tvo = Kirovogradshchina v zerkale vremeni : arkhitekturnoe iskusstvo = Kirovohrad in the mirror of time : architectural arts. Kirovohrad: Imeks LTD, 2013.

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28

(Foreword), Rod Slemmons, Belinda Hellinger Fornasieri (Designer), and Carol A. Willis (Preface), eds. Towering Mirrors, Mirroring Towers: Photographs of Urban Reflections. Glitterati, Inc., 2006.

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29

Die deutschen Spiegelkabinette: Studien zu den Räumen des späten 17. und des frühen 18. Jahrhunderts. München: Tuduv, 1985.

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30

The Hall of Mirrors: History and Restoration. Hudson Hills Press, 2008.

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31

Mirrors of memory: Culture, politics, and time in Paris and Tokyo. Charlottesville [Va.]: University of Virginia Press, 2011.

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32

Wallace, Aurora. News Capital. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037344.003.0002.

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This chapter examines the first two papers of the penny press of the 1830s, the New York Sun and the New York Herald, through their transition from tiny four-sheet bulletins printed out of cramped rookeries to important urban institutions with increasingly immodest architectural ambitions, giving new city inhabitants signposts on the landscape that recalled both a recognizable old world and reassurances of the new. The city and the newspapers shared a common set of values—industrial capitalism, specialization of labor, geographic concentration, and an intricate and specialized economic structure—that materialized in the form that media architecture began to adopt. The parallel development of the city and the newspaper industry shows their forms coming to mirror each other in the segmentation of neighborhoods and news sections.
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33

De Spiegel: Theatre architecture as a mirror of experience. Amsterdam: Architectura & Natura Press, 2007.

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34

Komaitis, Konstantinos. The Democratic Nature of the Internet’s Infrastructure. International Institute for Democracy and Electoral Assistance (International IDEA), 2023. http://dx.doi.org/10.31752/idea.2023.35.

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The strength of the Internet lies in its original design, which in some ways mirrors democratic ideas. As with the separation of powers in a true democratic state, the architecture of the Internet has no centre of control and allows power to flow from the bottom up and even from the margins, rather than always from above. During the past few years, policymakers have directed their attention towards the top layers of the ‘Internet stack’, those where the effect on democracy is more easily observable. Little attention has been paid to the infrastructure of the Internet—the part that is invisible to users yet constitutes the essence of what the Internet is really about. This paper seeks to alert democratic stakeholders to often ignored aspects of the digital threats to democracy, and to highlight the key weak spots of the Internet as an infrastructure upon which democracy itself partly rests.
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35

Hritz, Carrie, Christian Isendahl, Lisa J. Lucero, John Meunier, Steffen Nijhuis, Payam Ostovar, Clemens Reichel, Vernon L. Scarborough, Federica Sulas, and T. L. Thurston. IF THE PAST TEACHES, WHAT DOES THE FUTURE LEARN? Ancient Urban Regions and the Durable Future. Edited by John T. Murphy and Carole L. Crumley. TU Delft, 2022. http://dx.doi.org/10.47982/bookrxiv.32.

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How can we transform urban environments to encourage durability and mediate the social price of myriad risks and vulnerability?Our work here is to build a bridge from archaeology to mainstream architectural and design theory. The study of places, landscapes, and regions links the two fields. Architecture can be shaped and enhanced by the long-term cultural and geographic perspective afforded by archaeology; architecture can offer archaeology a ride into the future. We hope that our efforts are novel enough to be inspiring and connected enough to allow existing concepts to be furthered. The bridge unites three domains: material, social, and aesthetic. We look to the past to find material technologies—new engineering and conceptual solutions to an array of problems—and the past obliges with many examples. However, these technologies in their material aspects are only part of the story. The archaeologist sees them as playing a role in a system. This system, while mechanically functional, is also profoundly social: it includes administrative structures, but also innumerable other kinds of relationships—kin groups, neighborhoods, genders—that mirror the embedded relations between humans and nature. As in architecture, systems include semantics and aesthetics: not only are these forms pleasing to the eye, but they also tell stories of history and place and give identity and meaning to the lives in which they are enmeshed. This multi-functionality and multi-vocality are inherent in past systems.
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36

Hardy, Thomas, and Tim Dolin. A Pair of Blue Eyes. Edited by Alan Manford. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199538492.001.0001.

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‘Elfride Swancourt was a girl whose emotions lay very near the surface.’ Elfride is the daughter of the Rector of Endelstow, a remote sea-swept parish in Cornwall based on St Juliot, where Hardy began the book during the first days of his courtship of his first wife Emma. Blue-eyed and high-spirited, Elfride has little experience of the world beyond, and becomes entangled with two men: the boyish architect, Stephen Smith, and the older literary man, Henry Knight. The former friends become rivals, and Elfride faces an agonizing choice. Written at a crucial time in Hardy’s life, A Pair of Blue Eyes expresses more directly than any of his novels the events and social forces that made him the writer he was. Elfride’s dilemma mirrors the difficult decision Hardy himself had to make with this novel: to pursue the profession of architecture, where he was established, or literature, where he had yet to make his name?
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37

Scamozzi, Vincenzo 1552-1616. Mirror of Architecture, or, the Ground-Rules of the Art of Building. Creative Media Partners, LLC, 2021.

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38

The Mirror of Great Britain: National Identity in Seventeenth-Century British Architecture. Spire Books, 2012.

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39

Venice, the Enchanted Mirror: A Bedside Companion. Souvenir Press, 2006.

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40

Oehlen, Albert. Albert Oehlen: Mirror Paintings. Holzwarth Publications, 2006.

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41

Craig, Justin B., and Ken Moores. Leading a Family Business. ABC-CLIO, LLC, 2017. http://dx.doi.org/10.5040/9798400677694.

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Based on insights from executives across the globe, this planning guide captures the unique challenges faced by leaders of a family business and presents an approach to help these operations survive and thrive across generations. Leading a company is a much different experience for those in a family-run business than for their contemporaries in nonfamilial environments. This book provides a comprehensive overview of the skill set and mindset required to lead family enterprises, and it introduces the four critical areas in which family businesses differ from traditional companies—management structures, governance mechanisms, entrepreneurial advantages, and stewardship practices. In a fascinating convergence of entrepreneurship, family relations, and corporate principles, the authors present two frameworks to better understand the best practices of leading a family business: a firm-level frame focused on these four critical areas of difference (architecture, governance, entrepreneurship, and stewardship) and an individual one that mirrors these in terms of the skill set and mindset successful leaders need to develop. Craig and Moores consider the differences between leadership in family enterprises and non-family enterprises; the entrepreneurial capabilities needed by executives in family-based firms; and the use of power, identification, and motivation in managing their responsibilities both at home and in the workplace. Case studies provide a real-life look at the inner workings of family operations across the globe.
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42

Green, Roger Jonathan. Haus Vaterland, Berlin: Pleasure architecture as a mirror of conflicts in German history, 1912-1961. 1988.

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43

Las Vegas In The Rearview Mirror The City In Theory Photography And Film. ROUNDHOUSE PUBLISHING GROUP, 2013.

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44

Towards a Non-Intentional Space: About Sou Fujimoto's Architectural Design for Mirrored Gardens. Konig, Walther, Buchhandlung, GmbH & Co. KG. Abt. Verlag, 2016.

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45

Lyons, John D., ed. The Oxford Handbook of the Baroque. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190678449.001.0001.

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Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term ‘Baroque,’ the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankind’s view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
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46

Kalādarpaṇa: The mirror of Indian art : essays in memory of Shri Krishna Deva. New Delhi: Aryan Books International, 2009.

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47

Mirror Image Scarves-8 Beautifully Symmetrical Easy-to-Make Scarves that Reflect the Finest Architecture of Nature and Man. LEISURE ARTS, 2016.

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48

The Mirror and the frame: John Yeon and the landscape art of China and Japan. Eugene, OR: John Yeon Center, School of Architecure and Allied Arts, University of Oregon, 2010.

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49

Scamozzi, Vincenzo. Mirror of Architecture: Or the Ground-Rules of the Art of Building. Exactly Laid down by Vincent Scamozzi, ... Whereby the Principal Points of Architecture Are Easily and Plainly Demonstrated. Creative Media Partners, LLC, 2018.

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50

George, Alain, and Andrew Marsham, eds. Power, Patronage, and Memory in Early Islam. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498931.001.0001.

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The Umayyads, the first Islamic dynasty, ruled over the largest empire that the world had seen, stretching from Spain in the west to the Indus Valley and Central Asia in the east. They played a crucial rule in the articulation of the new religion of Islam during the seventh and eighth centuries, shaping its public face, artistic expressions, and the state apparatus that sustained it. The present volume brings together a collection of essays that bring new light to this crucial period of world history, with a focus on the ways in which Umayyad elites fashioned and projected their image and how these articulations, in turn, mirrored their times. These themes are approached through a wide variety of sources, from texts through art and archaeology to architecture, with new considerations of old questions and fresh material evidence that make the intersections and resonances between different fields of historical study come alive.
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