Relevant bibliographies by topics / Mirrors in art

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  1. Dissertations / Theses

Academic literature on the topic 'Mirrors in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Dissertations / Theses on the topic "Mirrors in art"

1

Ross, Zachary R. "MIRRORS." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/183.

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MIRRORS is a cycle of songs composed for soprano voice and piano using five poems by Sylvia Plath. The work features the creation of a protagonist and tells a chronological story through the arrangement of the five poems colored and unified by the manipulation of a thematic twelve-tone row.
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Ambrosio, Jeanie. "Mirror Images: Penelope Umbrico’s Mirrors (from Home Décor Catalogs and Websites)." Scholar Commons, 2018. https://scholarcommons.usf.edu/etd/7466.

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As the artwork’s title suggests, Penelope Umbrico’s "Mirrors (from Home Décor Catalogs and Websites)" (2001-2011), are photographs of mirrors that Umbrico has appropriated from print and web based home décor advertisements like those from Pottery Barn or West Elm. The mirrors in these advertisements reflect the photo shoot constructed for the ad, often showing plants or light filled windows empty of people. To print the "Mirrors," Umbrico first applies a layer of white-out to everything in the advertisement except for the mirror and then scans the home décor catalog. In the case of the web-ba
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3

Knezevic, Danica. "Minding my own mirrors." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10204.

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This aim of my research paper is to process the search for self and identity through the analogy of the mirror as a negotiation between visibility and invisibility. There are aspects of the self that are seen and parts that remain hidden. I believe there is a need to be mirrored in order to reveal invisibilities. Others, objects and experiences form a self with necessary reflections. These are crucial in order to preserve and construct an internal dialogue, which affirm the various identities that construct the self. The outcome of this practice-based research will be a performance-based visu
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4

Barry, Marie Porterfield. "Lesson 13: Mirrors in Renaissance and Baroque Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/14.

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5

Haley, Stephen John. "Mirror as metasign : contemporary culture as mirror world /." Connect to thesis, 2005. http://eprints.unimelb.edu.au/archive/00001650.

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6

Pinholster, William. "After August: Museums As Mirrors." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1588.

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The After August Museum collects and exhibits an open, user-generated body of content. Its primary objective is to help heal the post-Katrina Lower Ninth Ward community. It is respectful and considerate of the area's established traditions, present concerns, and future goals. The museum assumes multiple shapes and plays multiple roles as it acts as the center of the transitioning community.
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7

Mansfield, Alesa. "Mirrors, morality, and musings : a study of Elizabeth Layton's visual dialectic /." View abstract, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3286185.

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8

Goldbeck, Justina. "Beauty is in the eye of she who holds it." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1173.

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Justina Goldbeck Artist Statement My work explores themes of supernatural alternate universes and humans interaction with nature. Using the medium of photography I strive to create impossible realities, juxtaposing the real and the imagined. My work portrays mystical women interacting with surreal environments and seeks to portray the simple act of existing nature as a magical and spiritual experience. As a female artist my work has often been criticized for being too beautiful and for this reason, void of substance. I believe that beauty has inherent value and goodness. My photos celebrate t
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9

Salas, Leslie. "Mirrors and Vanities." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5697.

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Mirrors and Vanities is a multi-modal collection which showcases the diversity of working in long and short storytelling forms. Featured in this thesis are fiction, nonfiction, graphic narrative, and screenplay. Using unconventional approaches to storytelling in order to achieve emotional resonance with the audience while maintaining high standards for craft, these stories and essays explore the costs inherent to the subtle nuances of interpersonal relationships. The fiction focuses on the complications of characters keeping secrets. A husband discovers the truth behind his wife's misca
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10

Etheridge, Kate. "Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0ad79384-a85e-4fbd-93d5-d5b993844ffb.

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This thesis explores the transformation of the mirror's symbolic role in the poetry and visual art of late nineteenth-century Paris. For centuries the mirror has been associated with both truth and artifice, whether in religion, popular culture, art, or theories of aesthetics. In the context of nineteenth-century literature, M.H. Abrams uses the mirror to represent the age-old idea of the artist as an objective reflector of the world, juxtaposing this with the nineteenth-century notion of the artist as a subjective lamp. However, this thesis shows that, far from being abandoned as a symbol of
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