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Journal articles on the topic 'Mirrors in art. Art, Medieval'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

PELEVIN, MIKHAIL. "The Art of Chieftaincy in the Writings of Pashtun Tribal Rulers." Journal of the Royal Asiatic Society 29, no. 3 (2019): 485–504. http://dx.doi.org/10.1017/s1356186319000051.

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AbstractThe article surveys the views of Pashtun military-administrative elite on governance in the works of Khushḥāl Khān Khaṫak (d. 1689) and Afżal Khān Khaṫak (d. circa 1740). The texts under discussion pertain to the universal literary genre of “Mirrors for Princes”(naṣīḥat al-mulūk)and include the Khaṫak chieftains’ didactical writings in prose and verse, as well as still poorly studied documents on real politics from Afżal Khān's historiographical compilation “The Ornamented History”(Tārīkh-i muraṣṣaʿ). Rooted in the medieval Persian classics, early modern Pashto “mirrors” are distinguis

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2

Hoffman, Donald L. "The Medieval Filmscape: Reflections of Fear and Desire in a Cinematic Mirror by William F. Woods." Arthuriana 24, no. 4 (2014): 154–56. http://dx.doi.org/10.1353/art.2014.0049.

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3

Blaydes, Lisa, Justin Grimmer, and Alison McQueen. "Mirrors for Princes and Sultans: Advice on the Art of Governance in the Medieval Christian and Islamic Worlds." Journal of Politics 80, no. 4 (2018): 1150–67. http://dx.doi.org/10.1086/699246.

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4

Kisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII." Early Music History 16 (October 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.

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Ever since the publication of Frank Harrison's book Music in Medieval Britain in 1958, the study of the cultivation of liturgical music in late-medieval England has been based on the institutional structure of the Church: on the cathedrals, colleges and parish churches, and on the household chapels of the monarchy and higher nobility both spiritual and lay. In that and most subsequent studies, however, male figures have been seen to dominate the establishments under investigation. If art history (perhaps musicology's closest sister discipline) can be shown to have characterised the patronage o

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5

Osberg, Richard H. "Illuminating the Book: Makers and Interpreters. Essays in Honour of Janet Backhouse, and: Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England ed. by Michelle P. Brown and Scott Mckendrick." Arthuriana 10, no. 4 (2000): 66–69. http://dx.doi.org/10.1353/art.2000.0072.

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6

Конурбаев, Марклен, Marklen Konurbaev, Салават Конурбаев, and Salavat Konurbaev. "An Essay on the History and Hermeneutics of Naslhat al-Muluk by Ghazali, Abu HamidMuhammad Ibn Muhammad Al-Tusi: semic analysis." Servis Plus 8, no. 4 (2014): 21–29. http://dx.doi.org/10.12737/6463.

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The series of articles entitled «An Essay on the History and Hermeneutics ofphilosophy ofFalsafa» is dedicated to the studies of Abu Hamid Muhammad Ibn Muhammad Al- TusT&#180;s work «NasihatAl-Muluk». The Persian philosopher of lth century Al-Ghazali went down in history as one of the brightest representatives of medieval Muslim apologetics. The study of his works allows turning to different aspects of life of the medieval Muslim East. One of&#180;his mostfamousworks, «NasihatAl-Muluk», which is part of his fundamental theological study «The Elixir of Bliss», belongs to the genre of me

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7

Mammaev, M. M. "SYMMETRY AND ASYMMETRY IN FORMS AND DECORATIVE FINISH OF MUSLIM GRAVESTONES OF THE 14th -15th CENTURIES IN THE VILLAGE OF KUBACHI." History, Archeology and Ethnography of the Caucasus 13, no. 4 (2017): 54–73. http://dx.doi.org/10.32653/ch13454-73.

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This article is sequel to the article published in the third issue of the Journal “Herald of the Institute of History, Archeology and Ethnography of the Dagestan Scientific Center of the Russian Academy of Sciences” in 2017 and it deals with the peculiarities of decorative finish of Muslim gravestones of the 14th -15th centuries in the village of Kubachi, partly in the village of Ashty, and now uninhabited villages of Dats’amazhe and Kalakoreish. This article, unlike the previous one, covers the issues related to the principles and methods used by stonecutters, calligraphers and ornamentalists

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8

Alkhayat, Marwa Essam Eldin. ""Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture." Jurnal Humaniora 30, no. 1 (2018): 27. http://dx.doi.org/10.22146/jh.32137.

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The current study is a postmodern appraisal of Bob Dylan’s artistic career and vocal gestures to examine the way melody in popular music works in relation to speech and singing, the grand and the ordinary. It historicizes Bob Dylan’s protest music of the 1960s within the paradigm of folk music culture. Dylan’s music is full of riffs, blues sequences, and pentatonic melodies—all heavily part and parcel of blues, folk, gospel, and country music. It is the music that dwells on the pleasures of repetition, of circularity, and of the recurring familiar tune integrated within Dylanesque poetics of r

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9

Alkhayat, Marwa Essam Eldin. ""Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture." Jurnal Humaniora 30, no. 1 (2018): 27. http://dx.doi.org/10.22146/jh.v30i1.32137.

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The current study is a postmodern appraisal of Bob Dylan’s artistic career and vocal gestures to examine the way melody in popular music works in relation to speech and singing, the grand and the ordinary. It historicizes Bob Dylan’s protest music of the 1960s within the paradigm of folk music culture. Dylan’s music is full of riffs, blues sequences, and pentatonic melodies—all heavily part and parcel of blues, folk, gospel, and country music. It is the music that dwells on the pleasures of repetition, of circularity, and of the recurring familiar tune integrated within Dylanesque poetics of r

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10

Classen, Albrecht. "Madeline H. Caviness and Charles G. Nelson†, Women and Jews in the Sachsenspiegel Picture-Books. Turnhout: Brepols/Harvey Miller Publishers, 2018, 472 pp., a vast number of colored and b/w ill." Mediaevistik 32, no. 1 (2020): 462–64. http://dx.doi.org/10.3726/med.2019.01.118.

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One of the most important medieval law books, the Sachsenspiegel (The Saxon Mirror), composed by Eike von Repgow around 1220/1230, represents a stunning bibliophile masterpiece in its various <?page nr="463"?>manuscript versions. Much discussed already by German, but also American and other scholars, it has now received once again extensive attention and careful analysis by the art historian Madeline H. Caveness and her Germanist colleague, Charles G. Nelson, who passed away in 2008. This was certainly a great team, though it might have been very useful if also a legal historian had join

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11

Moreira de Souza, Celia Daniele. "A Arte do Aconselhamento em Kalila e Dimna de Ibn Almuqaffaᶜ (séc. VIII) e O Príncipe de Maquiavel (séc. XVI)". Mosaico 11, № 2 (2018): 179. http://dx.doi.org/10.18224/mos.v11i2.6351.

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O presente artigo tem por objetivo discutir a arte de aconselhamento presente no fabulário Kalila e Dimna de Abdullah Ibn Almuqaffaᶜ do séc. VIII e no manual O Príncipe de Nicolau Maquiavel do séc. XVI, ensejando evidenciar um possível diálogo entre as obras. Alguns historiadores sugerem que ambas as obras encontrariam semelhanças que sugeririam uma recepção das ideias de Kalila e Dimna por Maquiavel. Entretanto, até o momento não há trabalhos disponíveis que de fato investiguem esta relação, logo este artigo pretende discutir se tais semelhanças realmente são verificáveis, ou se as mesmas são

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12

Bigelow, John. "Three Links in a Golden Chain." Ideas and Ideals 12, no. 4-2 (2020): 372–93. http://dx.doi.org/10.17212/2075-0862-2020-12.4.2-372-393.

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One of Plato’s dialogues, the Timaeus (ca 370 BCE), describes an abstract numerical pattern that is said to have guided the creative work of an artisan, the Demiurge, who designed both the soul that animates the material world as a whole and the souls of each of the sentient beings that live within this world. Any artist or artisan who took this creation story seriously might reasonably be motivated to take guidance from this same numerical design in his or her own creative work, hoping thereby to mirror the macrocosm in the microcosm of a work of art. Have any artists in history tried to do t

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13

Rone, Vincent. "History and Reception in the Music of The Legend of Zelda Peritexts." Journal of Sound and Music in Games 1, no. 2 (2020): 44–67. http://dx.doi.org/10.1525/jsmg.2020.1.2.44.

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This article argues that the music of opening peritexts within two The Legend of Zelda games reflects their reception history and continuity within the series mythology. On the one hand, “The Legendary Hero” peritext of The Wind Waker mirrors the game's reception history as one of departure from a Zelda tradition established by Ocarina of Time, which caused controversy initially yet gained acceptance in the long term. The audiovisual components of “The Legendary Hero” all position gamers to consider the events of Ocarina of Time as old, submerged under the Great Sea. Textual references to “leg

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14

Schneider, Laurie. "Mirrors in art." Psychoanalytic Inquiry 5, no. 2 (1985): 283–324. http://dx.doi.org/10.1080/07351698509533590.

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15

Lucas, Tamara. "When art mirrors planetary health." Lancet 398, no. 10296 (2021): 202. http://dx.doi.org/10.1016/s0140-6736(21)01558-0.

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16

Varsano, Paula. "Disappearing Objects/Elusive Subjects." Representations 124, no. 1 (2013): 96–124. http://dx.doi.org/10.1525/rep.2013.124.1.96.

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This paper examines changes in the philosophical and literary representations of mirrors—and mirroring—in a foundational period of Chinese history beginning with the pre-classical period and ending in the medieval Tang Dynasty. Inspired by the peculiarity of this object, which acts upon subjects at least as much as it is acted upon by them, this study of the literary mirror, of reflection and reflexivity, provides a glimpse into the larger issue of the construction of subjectivity in premodern China. Through the examination of each stage of the literary mirror’s gradual transformation from met

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17

PETRAKIS, N. "Earmarks of art history: Cerumen and medieval art." American Journal of Otolaryngology 21, no. 1 (2000): 5–8. http://dx.doi.org/10.1016/s0196-0709(00)80067-8.

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18

PETRAKIS, N. "Earmarks of art history: Cerumen and medieval art." American Journal of Otolaryngology 21, no. 1 (2000): 5–8. http://dx.doi.org/10.1016/s0196-0709(00)80104-0.

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19

Hofmann, Richie. "Looking at Medieval Art." Yale Review 108, no. 2 (2020): 168. http://dx.doi.org/10.1111/yrev.13641.

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20

Foster, Paul. "Medieval Manichaean Book Art." Expository Times 121, no. 1 (2009): 26. http://dx.doi.org/10.1177/00145246091210010302.

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21

Woodacre, Elena. "Medieval Art in Motion." Medieval Feminist Forum 56, no. 2 (2021): 218–20. http://dx.doi.org/10.17077/1536-8742.2263.

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22

Hofmann, Richie. "Looking at Medieval Art." Yale Review 108, no. 2 (2020): 168. http://dx.doi.org/10.1353/tyr.2020.0056.

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23

Chudzikowska-Wołoszyn, Małgorzata. "Glossa do enigm biskupa Aldhema (ok. 639-709)." Studia Warmińskie 48 (December 31, 2011): 275–89. http://dx.doi.org/10.31648/sw.300.

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Though the Latin language appeared on British Island in common with Roman Invasion, exactly after 55 AD, yet his real popularization had become until after 597 AD, in which the Romans missionary gets to the Anglo-Saxon Canterbury and started great evangelization on this lands. The British Clergy and Aristocracy were very quickly mastered the arcana of Latin language which in this days was a synonym of a culture and a imperial traditions. Anglo-Saxon like any another nation managed to subordinate to themselves the Church language and not resign at the same time about an old traditions and fondn

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24

v. GladiSS, Almut, and Eva Baer. "Metalwork in Medieval Islamic Art." Die Welt des Islams 29, no. 1/4 (1989): 221. http://dx.doi.org/10.2307/1571024.

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25

Brown, Katharine R., William D. Wixom, Charles T. Little, Barbara Drake Boehm, and Timothy B. Husband. "Medieval Art and the Cloisters." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 14. http://dx.doi.org/10.2307/3258929.

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26

Wixom, William D., Margaret E. Frazer, Timothy B. Husband, Barbara Drake Boehm, and Katharine R. Brown. "Medieval Art and the Cloisters." Metropolitan Museum of Art Bulletin 48, no. 2 (1990): 16. http://dx.doi.org/10.2307/3258949.

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27

Wixom, William D., Charles T. Little, Katharine R. Brown, and Timothy B. Husband. "Medieval Art and The Cloisters." Metropolitan Museum of Art Bulletin 47, no. 2 (1989): 14. http://dx.doi.org/10.2307/3259893.

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28

Husband, Timothy B. "Medieval Art and the Cloisters." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 33. http://dx.doi.org/10.2307/3269168.

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29

Whelan, Estelle, and Eva Baer. "Metalwork in Medieval Islamic Art." Journal of the American Oriental Society 110, no. 1 (1990): 136. http://dx.doi.org/10.2307/603940.

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30

Frazer, Margaret E., Jane Hayward, Timothy Husband, and Katharine R. Brown. "Medieval Art and the Cloisters." Recent Acquisitions, no. 1985/1986 (1985): 14. http://dx.doi.org/10.2307/1513683.

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31

Kornbluth, Genevra. "Early Medieval Art. Lawrence Nees." Speculum 79, no. 3 (2004): 805–7. http://dx.doi.org/10.1017/s0038713400090321.

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32

Kessler, Herbert L. "Reading ancient and medieval art." Word & Image 5, no. 1 (1989): 1. http://dx.doi.org/10.1080/02666286.1989.10435390.

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33

Foletti, Ivan, and Adrien Palladino. "Roundtable. Medieval Art Today, Why?" Convivium 7, no. 2 (2020): 160–85. http://dx.doi.org/10.1484/j.convi.5.123124.

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34

Barral i Altet, Xavier, and Ivan Foletti. "Medieval Art History in Prison." Convivium 4, no. 1 (2017): 11–14. http://dx.doi.org/10.1484/j.convivium.4.2017002.

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35

HICKS, CAROLA. "ANIMALS IN EARLY MEDIEVAL ART." Art Book 1, no. 2 (1994): 27. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00032.x.

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36

Jensen, Robin M. "Book Review: Medieval Liturgical Art." Expository Times 122, no. 2 (2010): 98–99. http://dx.doi.org/10.1177/00145246101220020702.

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37

Chikarkova, Maria. "Medieval origins of street art." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 10, no. 19 (2020): 99–106. http://dx.doi.org/10.34079/2226-2830-2020-10-19-99-106.

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The article deals with "street art" as a kind of urban culture, outrageous self-expression of urban youth. Its study is condensed mainly on modern modifications of phenomena such as graffiti, video projection, art intervention, flash mob and more. But the historical forms of this phenomenon, whose roots go back to cave times, are much more diverse and unexpected. The ancient street art is pretty well known to us, however the medieval street art, even the closest ‒ European, scientists were much less interested. However, the Soviet-era disregard for the experience of the Middle Ages, which was

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38

Griggs, Jessica. "Brain-bending art: Twisting mirrors, unreal shadows." New Scientist 207, no. 2778 (2010): 35. http://dx.doi.org/10.1016/s0262-4079(10)62280-4.

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39

Brigden, Roy. "Lark Mirrors: Folk Art from the Past." Folk Life 43, no. 1 (2004): 132. http://dx.doi.org/10.1179/flk.2004.43.1.132.

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40

Fenech, Natalino. "Lark Mirrors: From Tools to Folk Art." Folk Life 44, no. 1 (2005): 30–47. http://dx.doi.org/10.1179/flk.2005.44.1.30.

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41

Brigden, Roy. "Lark Mirrors: Folk Art from the Past." Folk Life - Journal of Ethnological Studies 43, no. 1 (2004): 132. http://dx.doi.org/10.1179/043087704798237245.

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42

Fenech, Natalino. "Lark Mirrors: From Tools to Folk Art." Folk Life - Journal of Ethnological Studies 44, no. 1 (2005): 30–47. http://dx.doi.org/10.1179/043087705798236939.

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43

Pestell, Richard. "Medieval art and the performance of Medieval music." Early Music XV, no. 1 (1987): 57–70. http://dx.doi.org/10.1093/earlyj/xv.1.57.

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44

Muzaffarli, D. "GROTESQUE IN MEDIEVAL ART OF AZERBAIJAN." Journal of history 88, no. 1 (2018): 20–25. http://dx.doi.org/10.26577/jh-2018-1-175.

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45

Brook, Leslie C., and Douglas Kelly. "The Art of Medieval French Romance." Modern Language Review 90, no. 1 (1995): 180. http://dx.doi.org/10.2307/3733306.

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46

Busby, Keith, and Douglas Kelly. "The Art of Medieval French Romance." Comparative Literature 47, no. 3 (1995): 263. http://dx.doi.org/10.2307/1771489.

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47

Sheingorn, Pamela. "The Medieval Feminist Art History Project." Medieval Feminist Newsletter 12 (September 1991): 5–10. http://dx.doi.org/10.17077/1054-1004.1591.

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48

Brown, Rachel Fulton. "Make Art—and Academia—Medieval Again." Academic Questions 33, no. 3 (2020): 377–82. http://dx.doi.org/10.1007/s12129-020-09908-4.

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49

Gillerman, Dorothy. "Seeing Medieval Art. Herbert L. Kessler." Speculum 81, no. 2 (2006): 546–48. http://dx.doi.org/10.1017/s0038713400003146.

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50

Dunbabin, J. "Anjou: Medieval Art, Architecture and Archaeology." English Historical Review 119, no. 480 (2004): 171. http://dx.doi.org/10.1093/ehr/119.480.171.

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