Academic literature on the topic 'Misanthropie'

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Journal articles on the topic "Misanthropie"

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Ainseba, Tayeb. "L’espionnage totalitaire intrafamilial dans 1984 de George Orwell." Études littéraires 46, no. 3 (April 11, 2017): 65–75. http://dx.doi.org/10.7202/1039381ar.

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Les enfants sont victimes de la misanthropie de leurs parents mais les petits enfants eux-mêmes peuvent-ils haïr généralement leur espèce ? L’hypothèse d’une misanthropie infantile semble recevable quand on la confronte à 1984 de G. Orwell. Quels sont ses fondements et modalités ?
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Gerber, Lisa. "A Word Against Misanthropy." Journal of Philosophical Research 46 (2021): 73–87. http://dx.doi.org/10.5840/jpr20211013180.

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Ian Kidd and David Cooper each develop a revisionist conception of misanthropy as the critical judgment and moral condemnation of humanity based on entrenched, ubiquitous, and pervasive human failings. I offer two objections to this revisionist conception since it equates the imputation of humanity with misanthropy and because it fails to address the worse form of misanthropy, which is the hatred and contempt of humanity. In the final section, I argue that we should not become misanthropes or develop a misanthropic stance. Misanthropy fails to make important distinctions about vulnerability and moral responsibility among people, allows for the renunciation of moral responsibility, and undermines the moral community.
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Berthelot, Katell. "The Accusations of Misanthropy Against the Jews in Antiquity." Antisemitism Studies 7, no. 2 (September 2023): 338–69. http://dx.doi.org/10.2979/antistud.7.2.04.

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Abstract: This article argues that the origin of the accusation of misanthropy against the Jews is Greek—not Egyptian, as other scholars have thought—and reflects a Greek interpretative framework. The depiction of the Jewish way of life as misanthropic may go back to Hecataeus of Abdera, at the very beginning of the Hellenistic era, or it may have developed later, in the context of Ptolemaic Egypt or during the Judeo-Seleucid conflict of the second century BCE. Accusations of misanthropy are often found to appear during conflicts between Jews and Greeks—be it in the Seleucid kingdom, in Alexandria at the beginning of the first century CE, or in Syria during the first century. Moreover, several authors who depict the Jews as misanthropes share a Stoic or at least a universalist ideological background. Finally, in a Roman context, the accusation of misanthropy becomes associated with an aversion to the phenomenon of Judaization or conversion to Judaism.
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Berthelot, Katell. "The Accusations of Misanthropy Against the Jews in Antiquity." Antisemitism Studies 7, no. 2 (September 2023): 338–69. http://dx.doi.org/10.2979/ast.2023.a910235.

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Abstract: This article argues that the origin of the accusation of misanthropy against the Jews is Greek—not Egyptian, as other scholars have thought—and reflects a Greek interpretative framework. The depiction of the Jewish way of life as misanthropic may go back to Hecataeus of Abdera, at the very beginning of the Hellenistic era, or it may have developed later, in the context of Ptolemaic Egypt or during the Judeo-Seleucid conflict of the second century BCE. Accusations of misanthropy are often found to appear during conflicts between Jews and Greeks—be it in the Seleucid kingdom, in Alexandria at the beginning of the first century CE, or in Syria during the first century. Moreover, several authors who depict the Jews as misanthropes share a Stoic or at least a universalist ideological background. Finally, in a Roman context, the accusation of misanthropy becomes associated with an aversion to the phenomenon of Judaization or conversion to Judaism.
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Brémaud, Nicolas. "Haine et misanthropie dans Timon d’Athènes , de Shakespeare." L'Évolution Psychiatrique 83, no. 3 (July 2018): 487–99. http://dx.doi.org/10.1016/j.evopsy.2017.11.004.

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Sami Ullah Khan, Dr. Abdus Samad, and Amar Yasir. "Misanthropic Attitude of George Orwell’s Animal Farm: from Revolution to Rehabilitation." Research Journal of Social Sciences and Economics Review (RJSSER) 2, no. 1 (March 7, 2021): 168–73. http://dx.doi.org/10.36902/rjsser-vol2-iss1-2021(168-173).

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This paper aims to focus on finding and highlighting the misanthropic aspects and their effects on the characters in the novel Animal Farm by George Orwell. The misanthropic perspectives in the novel have been premeditated deeply. Misanthropy has been implemented on the characters. The characters like, Old Major, Napoleon, Squealer, and others have been studied to manifest the misanthropic attitudes in it. Old major is the father of misanthropy in the novel Animal Farm and gives the idea of rehabilitation in the animals' lives and Napoleon accomplishes it. The disgusting behavior of the animals leads to revolution. Misanthropy affects humans' lives and they become homeless. The findings of the paper are that the animals possess disgusting behavior against humans. The paper concludes that the whole novel is replete with misanthropy and it is the very aspect that has been probed by this article. Eventually, misanthropy proves to be a nightmarish dream for animals of the Animal Farm and a complete disillusionment they expect from the revolution.
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Toews, David. "De plus hautes diversités : la misanthropie et la futurologie de Gabriel Tarde." Cahiers de philosophie de l’Université de Caen, no. 54 (December 31, 2017): 103–22. http://dx.doi.org/10.4000/cpuc.319.

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Völker, Oliver. ",,Auskehricht“: Figuren des Globalen und des Randständigen in Johann Carl Wezels Belphegor und Jonathan Swifts Gulliver’s Travels." Literatur für Leser 43, no. 2 (January 1, 2022): 89–101. http://dx.doi.org/10.3726/lfl.2020.02.02.

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Abstract Kurz nach seiner Veröffentlichung verschwand Johann Carl Wezels Roman Belphegor (1776) aus der öffentlichen Wahrnehmung und dem etablierten Feld der deutschen Literatur. Bisherige Lektüren haben dafür dessen Misanthropie und Skeptizismus angeführt. In diesem Artikel lenke ich den Blick hingegen auf die Bedeutung von Marginalisierten und Entrechteten für den Roman selbst, indem ich dessen Darstellung des atlantischen Sklavenhandels und somit seine Situiertheit in den Widersprüchen der Spätaufklärung hervorhebe. Die monotone Zeit- und Raumstruktur des Romans, so die These, macht den Handel und die Zirkulation von in Dinge verwandelten Menschen abbildbar, die im Schatten von normativen Modellen des Kosmopolitismus und universeller Rechte stehen. Aus dieser Perspektive wird Belphegor im Kontext der europäischen Kolonialgeschichte lesbar, was durch einen abschließenden Bezug zu Jonathan Swifts Gulliver’s Travels (1726) verdeutlicht wird.
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Valente, Rubia R., and Ryan A. Smith. "Religiosity and Misanthropy across the Racial and Ethnic Divide." Religions 14, no. 3 (March 15, 2023): 393. http://dx.doi.org/10.3390/rel14030393.

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The systematic study of misanthropy, the lack of trust in humanity, has proliferated over the last 30 years. One prominent line of research details racial and ethnic disparities in levels of misanthropy, but pays little attention to the role of religiosity, while another focuses attention on religiosity and its impact on levels of misanthropy, with only scant attention to the role of race and ethnicity. Little attempt has been made to synthesize these two strands of literature to address an important unanswered question: Does the association between religiosity and misanthropy vary by racial and ethnic group? To answer this question, we pooled data from the General Social Survey (GSS, 2000–2018). Among other things, we find stark racial differences between Blacks and Whites in terms of the effect of religiosity on misanthropy. Blacks and Latinos who attend religious services weekly (social religiosity) have significantly higher levels of misanthropy than others, while Whites who attend weekly services are less likely to be misanthropic. An important takeaway is that service attendance (a type of social capital) is associated with feelings of misanthropy for all groups (albeit in opposite directions for Blacks and Latinos versus Whites), rather than personal acts of prayer (individual religiosity). When it comes to misanthropy, we conclude that religion works differently for minorities compared with Whites. We discuss the implications of our findings for future research.
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Cordier, Pierre. "Katell Berthelot, Philanthrôpia judaica. Le débat autour de la « misanthropie » des lois juives dans l’Antiquité." Anabases, no. 2 (October 1, 2005): 261–63. http://dx.doi.org/10.4000/anabases.1555.

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Dissertations / Theses on the topic "Misanthropie"

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Ainseba, Tayeb. "La littérature politique de la misanthropie et de la misologie." Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0017.

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Cette étude de science politique s’inscrit dans le prolongement d’une thèse effectuée en littérature comparée, intitulée « Entre littérature et philosophie : l’Homme est-il un animal politique ? Physique de la misanthropie » (dirigée par M. F. Monneyron, soutenue en nov. 2013, publiée chez L’Harmattan). Dans cette analyse, il s’agissait de tenter une ébauche de conceptualisation philosophique de la haine de l’humanité en partant du théâtre de la misanthropie pour voir ensuite si les quelques résultats obtenus pouvaient s’appliquer à la littérature concentrationnaire et aux dystopies, deux autres genres littéraires qui forment le terreau naturel de doctrines et de pratiques misanthropes.Quelles sont les déterminations culturelles (mythologiques, religieuses, artistiques, médiatiques) de la misanthropie et de la misologie ? Comment apprécier leurs impacts dans le champ politique des paroles et des actes ? La misanthropie n’est-elle pas un composé de misogynie et de misandrie ? Peut-elle être érotique et créer des réseaux ? Comment se concrétise-t-elle dans les domaines du travail, de l’économie, de la technique, de la guerre, dans les problématiques afférentes aux minorités ? Et la démocratie peut-elle générer de la misanthropie ?
This sociological study draws on a comparative literature thesis entitled « Entre littérature et philosophie : l’Homme est-il un animal politique ? Physique de la misanthropie » (Between literature and philosophy: is Man a political animal? Physics of misanthropy) (defended in Nov. 2013, published by L’Harmattan). In this analysis, the aim was to try to sketch a philosophical draft of the hatred of humanity based on misanthropic theatre before trying to apply the results thus obtained to concentration camp literature and to dystopias, two other genres which form the breeding-ground of misanthropic doctrines and practices. This first thought process allowed giving form to some powerfully material aspects of misanthropy: its geography, its therianthropic productions, its infantile manifestations, its exanthropic phenomenology and its dietetics.In the present political science thesis, our aim is to identify the cultural determinations of misanthropy and misology (be it mythological, religious, artistic or in the media) before reflecting on the impact they might have on the political field of speech or of deeds. Isn’t misanthropy a compound of misogyny and misandry? Can misanthropy be erotic? How does it appear in the realms of work, economy, technique, war or in the issues relating to minorities? Eventually we will ask ourselves to which extent democracy creates misanthropy
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Ainseba, Tayeb. "Entre littérature et philosophie : l'Homme est-il un animal politique : physique de la misanthropie." Perpignan, 2013. http://www.theses.fr/2013PERP1219.

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Comment saisir à partir d'une étude par thème - celui de la misanthropie -, ce qui fait césure et / ou continuité dans les rapports entre littérature et philosophie ? Où doit-on situer la barrière entre ces deux disciplines ? Quand les deux ne font-elles plus qu'une ? L'intérêt d'une telle recherche est de sortir la misanthropie du théâtre lieu où la tradition de l'agrégation de Lettres Modernes l'a quelque peu enfermée ces dernières années. A préférer le roman au théâtre, l'on s'aperçoit que la misanthropie peut se décliner en misanthropie passive et en misanthropie active. La misanthropie passive des Cnémon, des Alceste, etc. , est peu dangereuse en vérité pour la Polis tant ces misanthropes rêvent de vivre hors jeu social ; les misanthropes actifs de Huxley ou d'Orwell sont autrement plus actifs, leur projet politique étant de ramener l'Homme au stade de babouin. La véritable misanthropie n'est-elle pas celle qui annihile en misologue la culture collective pour empêcher l'essor de toute culture personnelle ?
How can one grasp, starting from the study of he theme of misanthropy -, what ceates truncation and / or continuity in the relations between literature and philosophy ? Where does one situate the threshold between these two disciplines ? When do both become one ? The interest of this research is to free misanthropy from the theatrical sphere in which it has somehow been immured, for the past years, by the tradition of the "Agrégation" in French Language and Literature. By concentrating on novels rather than on plays, one notices that misanthropy of the Cnémons, the Alcestes, etc. , is somewhat dangerous for the Polis given how these misanthropists dream of living out of the social game ; the active misanthropists of Huxley and Orwell are more active, diferently, since their political project consists of bringing Man back to the stage of baboon. Isn't true misanthropy that which annihilates, as a misologist, collective culture to prevent the development of all personal culture ?
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Berthelot, Katell. "Philanthrôpia judaica : le débat autour de la "misanthropie" des lois juives dans l'Antiquité /." Leiden ; Boston : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb389800778.

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Texte remanié de: Th. D.--Histoire des religions--Paris--Université de la Sorbonne-Paris IV, 2001. Titre de soutenance : Philantrôpia judaica : Israël et l'humanité dans la pensée juive à l'époque hellénistique et romaine, 3e siècle av. n.è.-1er siècle de n.è.
Bibliogr. p. 394-418. Index.
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Yang, Zhen. "La littérature française dans les revues littéraires chinoises entre 1917 et 1937." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040078.

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La période comprise entre 1917 et 1937 marque le début de la littérature chinoise moderne. La littérature française a participé à la construction de cette nouvelle littérature, dont la modernité réside dans la négation des valeurs littéraires et sociales chinoises classiques, dans l’ouverture aux littératures étrangères et dans l’appel au respect de l’individualité. Des écrivains chinois novateurs contestent la nécessité de la société et mettent en avant la vie intérieure dans la littérature. Ils trouvent une signification à la vie dans l’amour et dans la beauté, chacun interprétant ces notions à sa manière. Cette époque est aussi celle, en Chine, de débats littéraires. Aux écrivains individualistes s’opposent des écrivains passéistes et des écrivains engagés à gauche. La confrontation entre différentes conceptions littéraires se reflète dans la réception de la littérature française. Dans les revues littéraires chinoises, des idées opposées sont formulées à propos de Ronsard, de Montaigne et de Malherbe. Des controverses agitent les milieux littéraires autour de Molière, de Rousseau ou de Baudelaire. Les divergences sur la compréhension de la littérature française résultent du fait que les critiques et les traducteurs chinois perçoivent de manière différente la relation entre l’homme et le temps, et la relation entre l’homme et la société. L’interprétation de la littérature française par les écrivains chinois s’appuie sur des réflexions sur l’homme et sur sa situation existentielle
The period between 1917 and 1937 marks the beginning of modern Chinese literature. French literature has contributed to the construction of Chinese new literature, the modernity of which resides in the denial of traditional Chinese literary and social values, in the opening to foreign literatures, and in the call for respect of the individuality. Chinese writers with pioneering spirit contest the necessity of the society and highlight the internal life in literature. They all consider the pursuit of love and beauty as the signification of the life. However, they interpret those notions of love and beauty in different ways. This period in China is full of literary debates. Individualistic writers are opposed to backward-looking writers and left-wing writers. The confrontation between different literary conceptions is reflected in the reception of French literature in China. In Chinese literary magazines, opposed ideas are formulated on Ronsard, on Montaigne and on Malherbe. Debates concerning Molière, Rousseau and Baudelaire arose in literary circles. The difference of opinions on French literature results from the fact that Chinese critics and translators understand in different ways the relationship between mankind, the time and the society. The interpretation of French literature by Chinese writers is based on reflection on human beings and on their existential situation
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Brown, David Cleveland. "How to be a Misanthrope: Creating the Title Role in Moliere’s The Misanthrope." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2128.

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This thesis documents my research, rehearsal, and performance of the role of Alceste in Moliere’s The Misanthrope, which includes, a biography of Moliere, character analysis, role development, a rehearsal journal, character research, acting process, evaluation of my performance, and script analysis. The Misanthrope was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed in the Robert E. Nims Theatre of the Performing Arts Center September 17 - 19, 24 - 26 at 7:30pm, and September 27, 2015 at 2:30pm.
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Lucas, Richard. "The Misanthrope : 2012 via 1981." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43417.

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The Misanthrope, a play written by French author Molière in 1666, remains relevant to modern audiences, as evidenced by recent high profile productions at the Stratford Festival, and on prestigious stages in New York, London, and Toronto. This paper examines different productions and translations, analyzes the play itself, and concludes with a proposal for a presentation of The Misanthrope that, I believe, will best connect with a Canadian audience in 2012. Chapter 1 is an examination of the play, its historical context, and its different translations. In Chapter 2, I analyse the characters and the themes of the play. Chapter 3 is a report on my 1981 presentation of The Misanthrope at the Dorothy Somerset Theatre at UBC. In Chapter 4, I provide an in-depth exploration and directorial analysis of how I would produce a staging of The Misanthrope in 2012.
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Gougelmann, Stéphane. "L'Ecriture de l'intime dans les oeuvres et le journal de Jules Renard." Thesis, Paris 10, 2009. http://www.theses.fr/2009PA100108.

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« Chacun pour moi. » Telle est la devise amusante que Catulle Mendès attribue à Jules Renard (1864-1910).En effet, auteur d’un Journal intime et d’une oeuvre qui ressemble à son Journal, Renard manifeste dans ses écrits une attention scrupuleuse à lui-même et aux autres à travers lui-même. En cela, il participe à ce mouvement fin-de-siècle où le culte du document en littérature est en partie évincé par la culture du moi. Mais, désireux d’affirmer toute sa singularité, il élabore un style qui tranche sur tous les autres et se veut artiste indépendant. Nous avons donc tenté de comprendre la logique qui pousse l’homme à s’écrire et souhaité mettre en évidence la dialectique qui se noue entre l’intime et son reflet d’encre. Pour ce faire, il nous a d’abord semblé utile de suivre le parcours qui conduit Renard de l’abandon des principes réalistes à une littérature d’observation mais d’une observation ouvertement subjective et s’incarnant dans une image intériorisée de la réalité vécue. Pour autant, la peinture de soi ne se réduit pas au genre de l’autoportrait. L’intime est relationnel et sa représentation inclut nécessairement la présence des autres. Cependant, l’intersubjectivité est ambivalente chez Jules Renard : l’autre peut apparaître comme une force aliénante, un ennemi à railler ou à charmer, mais offre aussi la possibilité de s’épanouir dans une relation d’amitié ou d’amour, dans l’admiration, voire la fraternisation. Enfin, il nous est apparu que l’écriture de l’intime était pour l’écrivain le moyen de se connaître, mais surtout de s’amender moralement et de s’inventer poétiquement dans une forme lacunaire et laconique. L’écrivain s’approche alors de son idéal d’humour et invite son lecteur à devenir son semblable, son frère, autrement dit à être son intime
"Everyman for myself", that is the amusing motto Catulle Mendès attributed to Jules Renard (1864-1910). Indeed, as an author of an intimate Diary and of a work which looks like his Diary, Renard pays in his written work very close attention to himself and to others. In that, he takes part in the fin-de-siècle movement, when the cult of the document in literature was partly supplanted by the culture of the ego. But, anxious as he was to assert all his singularity, he elaborated a style which strongly contrasts with all others and claimed to be independent artist. Thus, we tried to understand the logic which drove the man to write about himself and we wished to highlight the dialectic which binds intimacy with its literary reflection. To do so, it proved useful to follow the course led by Renard, from giving up realistic principles to a literature of observation; yet an openly subjective observation which embodied in an internalized image of real life. Nevertheless, self portraying is not reduces to the genre of the self-portrait. Privacy is relational and its representation necessarily includes the presence of others. However, intersubjectivity is ambivalent in Jules Renard. The other may appear as an alienating force, as an enemy to be mocked at or to charm, but also offers the opportunity to open out into friendship or love relationship admiration and even fraternization. Lastly, it seemed to us that private writing was a way for the writer to know himself but above all a way to amend morally, and to invent himself poetically in a lacunary and laconic form. The writer then approached his ideal of humour and invites his reader to become his fellow man, his brother in other words to be on intimate terms with him
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Dimitriou, Katherine. "Even misanthropes have their reasons." Full text, Acrobat Reader required, 2002. http://viva.lib.virginia.edu/etd/masters/ArtsSci/Philosophy/2002/Dimitriou/thesis2000.pdf.

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Bahadoran, Christophe. "Hydrodynamique des processus misanthropes spatialement heterogenes." Palaiseau, Ecole polytechnique, 1997. http://www.theses.fr/1997EPXX0047.

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Nous nous interessons aux processus misanthropes sur le reseau d-dimensionnel. Il s'agit d'une classe de systemes de particules englobant le processus d'exclusion simple, dont elle conserve de maniere generale la propriete d'attractivite et la connaissance explicite des mesures invariantes extremales sous forme produit. La dynamique de ces systemes est definie par la marche aleatoire des particules, et la frequence de leurs sauts, qui depend localement de la configuration environnante. Nous proposons dans cette these une generalisation d'un resultat du a f. Rezakhanlou (comm. Math. Phys. 140, 1991). Dans cet article, il est prouve que la limite hydrodynamique des processus misanthropes asymetriques dans l'echelle de temps eulerienne est donnee par les solutions entropiques d'une equation de conservation scalaire. Nous considerons ici des systemes spatialement heterogenes, i. E. Pour lesquels la marche aleatoire des particules et la frequence des sauts dependent regulierement de la position macroscopique. Nous incluons dans la dynamique des creations et destructions de particules. Nous demontrons que la limite hydrodynamique est donnee par les solutions entropiques d'une equation de conservation scalaire spatialement heterogene avec second membre. Pour y parvenir, nous formulons pour la solution entropique des conditions d'entropie differentes de celles de kruzkov (math. Ussr sb. 10, 1970), car celles-ci n'apparaissent plus naturellement a l'echelle microscopique. Nous nous appuyons egalement sur la methode de l'entropie relative (lett. Math. Phys. 22, 1991). Nous montrons comment elle peut etre utilisee, bien qu'on ne sache plus expliciter les mesures invariantes pour les systemes heterogenes.
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Bossier, Ulrich. "Wenn Literaten übersetzen : Molières Misanthrope in sieben neueren Verdeutschungen /." Frankfurt am Main : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb391848118.

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Books on the topic "Misanthropie"

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Ditche, Elisabeth Rallo. Le misanthrope dans l'imaginaire européen: La misanthropie au théâtre. Paris: Desjonquères, 2007.

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Didier, Souiller, Zaragoza Georges, and Filoche Christina, eds. Mélancolie et misanthropie. Neuilly-les-Dijon: les Editions du Murmure, 2007.

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Wannicke, Rainer. Sartres Flaubert: Zur Misanthropie der Einbildungskraft. Berlin, Germany: D. Reimer, 1990.

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Praetorius, Friedrich-Karl. Reisebuch für den Menschenfeind: Die Freuden der Misanthropie. Frankfurt am Main: Suhrkamp, 1993.

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Frederique, Toudoire-Surlapierre, ed. La misanthropie au théâtre: Ménandre, Shakespeare, Molière, Hofmannsthal. Paris: Presses universitaires de France, 2007.

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Wendelin, Schmidt-Dengler, and Huber Martin 1963-, eds. Statt Bernhard: Über Misanthropie im Werk Thomas Bernhards. [Wien]: Edition S, 1987.

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Praetorius, Friedrich-Karl. Reisebuch für den Menschenfeind: Die Freuden der Misanthropie. Frankfurt am Main: Suhhrkamp, 1993.

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Süskind, Patrick. The pigeon. London: Hamish Hamilton, 1988.

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Süskind, Patrick. Die Taube. Zürich: Diogenes, 1990.

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Süskind, Patrick. Die Taube. Zürich: Diogenes, 1987.

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Book chapters on the topic "Misanthropie"

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Marneros, Andreas. "Die Empathie und der Altruismus, die Philanthropie und die Misanthropie." In Mein Bruder Sisyphos, mein Freund der Minotauros, 35–54. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-55808-9_5.

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Lipiński, Cezary. "Hasssongs. Misanthropie und Rassenhetze als ideologische Hauptkomponenten der rechtsradikalen Musikszene am Beispiel ausgewählter Lyrics von „Landser”." In Menschen als Hassobjekte, 51–66. Göttingen: V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014847.51.

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Steinkogler, Helmut, and KLL. "Molière: Le misanthrope." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13230-1.

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Svoboda, Toby. "Introducing Misanthropy." In A Philosophical Defense of Misanthropy, 1–14. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003189398-1.

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Svoboda, Toby. "The Ethics of Misanthropy." In A Philosophical Defense of Misanthropy, 29–39. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003189398-3.

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Svoboda, Toby. "Objections to Cognitivist Misanthropy." In A Philosophical Defense of Misanthropy, 69–89. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003189398-5.

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Svoboda, Toby. "Arguing for Cognitivist Misanthropy." In A Philosophical Defense of Misanthropy, 40–68. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003189398-4.

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Lougheed, Kirk. "Benatar’s Misanthropic Argument for Anti-Natalism." In African Communitarianism and the Misanthropic Argument for Anti-Natalism, 27–41. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11851-7_3.

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Menrisky, Alexander. "Edward Abbey’s Misanthropic Vision of Sustainability." In The Palgrave Handbook of Global Sustainability, 1–11. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-38948-2_190-1.

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Menrisky, Alexander. "Edward Abbey’s Misanthropic Vision of Sustainability." In The Palgrave Handbook of Global Sustainability, 2447–57. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-01949-4_190.

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Conference papers on the topic "Misanthropie"

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McMain, Emma. "Horrors in the Chthulucene: "Pedagogical Misanthropy" as a Critical Framework for Disrupting Anthropocentric Media." In 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1683220.

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