Relevant bibliographies by topics / Mise en abyme

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mise en abyme'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Mise en abyme"

1

Henry, Karen. "Mise En Abyme." Afterimage 28, no. 1 (2000): 13. http://dx.doi.org/10.1525/aft.2000.28.1.13.

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Dowling, Finuala. "Mise-En-Abyme." Scrutiny2 19, no. 1 (2014): 154. http://dx.doi.org/10.1080/18125441.2014.906247.

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Morzhenkova, Natalia. "From Cross-cultural and Intercultural to Transcultural: Mise en Abyme in Amy Tan’s The Bonesetter’s Daughter." Journal of Intercultural Communication & Interactions Research 3, no. 1 (2024): 35–58. http://dx.doi.org/10.3726/jicir.2023.1.0004.

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Abstract This article explores how Amy Tan employs the mise en abyme principle in her transgenerational and transcultural novel The Bonesetter’s Daughter. Mise en abyme is defined in this literary analysis as an internal duplication of a literary work or its part, as a result of which the whole incorporates a reflection of itself, and in turn the reflection includes the whole. This novel’s key theme that interdependence is a fundamental characteristic of human existence is bolstered by numerous recursive textual tactics, which serve as mirrors, linking various narrative sequences. This article
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4

Natividade, Everton. "A 'mise en abyme' como recurso eniano nos anais." Aletria: Revista de Estudos de Literatura 19, no. 3 (2009): 47–56. http://dx.doi.org/10.17851/2317-2096.19.3.47-56.

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Resumo: No fragmento 22 do primeiro canto dos Anais (ed. Valmaggi), Quinto Ênio (239—ca. 169 a.C.) apresenta a sua versão da concepção dos gêmeos Rômulo e Remo, numa cena em que a narrativa do poeta contém o discurso de Ília, mãe dos gêmeos, recém-acordada de um sonho bastante agitado. Na fala de Ília, insere-se a fala do seu pai, um discurso dentro de outro discurso. O procedimento do récit enchâssé cria um efeito de mise en abyme que tem especial relevância para a leitura interpretativa do fragmento, por sua vez criador de uma segunda mise en abyme nos Anais. Outro sonho narrado no primeiro
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Visy, Beatrix. "A fénykép mint mise en abyme – „prózafordulat”, fotó a mise en abyme tükröződésében." Per Aspera ad Astra 9, no. 1 (2022): 113–31. http://dx.doi.org/10.15170/paaa.2022.09.01.06.

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A tanulmány az eredetileg képzőművészethez kapcsolódó jelenség, a mise en abyme szépirodalmi működését vizsgálja. A fogalmi, elméleti megközelítés rávilágít arra is, hogy a mise en abyme mint a narráción belüli öntükröző alakzat gyakran vizuális narrációként vagy képleírásként, ekphrasziszként van jelen a műben. A fotográfiában a valóság és „tükröződése” még bonyolultabb kérdéseket vet fel, a fénykép irodalmi művekben való felbukkanása pedig gyakran hatással van a narrációra, a próza egyes jegyeire. A fényképek több alkalommal is a szöveg öntükröző alakzataiként ragadhatók meg, a képen látható
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Hwang, Hyeyoung. "A study on ‘mise en abyme’ in Dongin Kim’s Gwanghwasa." Korean Society of Culture and Convergence 45, no. 2 (2023): 227–35. http://dx.doi.org/10.33645/cnc.2023.02.45.02.227.

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The purpose of this paper is to analyze the aspects of ‘mise en abyme’ in Dongin Kim’s Gwanghwasa which is one of the representative works of the artist's esthetic tendency. First of all, the work consists of a story about a painter that the narrator creates. The portrait of the painter Solgeo is also introduced as ‘mise en abyme’, which is overlapped with the story created by the narrator. The name of the painter in the novel, which is the same as that of Solgeo, a great painter in the Shilla Dynasty, reminds us of the pursuit of living painting. The pupil of the portrait of an absolute beaut
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Kunz, Marco. "Autocita y mise en abyme." Anales de Literatura Española, no. 42 (January 7, 2025): 65–84. https://doi.org/10.14198/aleua.26738.

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La mise en abyme, definida como relación especular entre la obra entera y un fragmento que refleja características importantes de ésta, se basa en un desdoblamiento (o una multiplicación) interno de una parte del texto, una repetición que puede ser figurada o literal. Mientras que la mise en abyme por sustitución metonímica y metafórica ha sido objeto de numerosos estudios, la autocita en cuanto reiteración de pasajes idénticos en la misma obra no ha atraído mucho la atención crítica y su carácter de mise en abyme resulta dudoso en muchos casos. En este artículo se examinan tres textos en que
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Zalewski, Andrzej. "Unveiling the frame of philosophy." Philosophical Discourses 2 (2020): 123–31. http://dx.doi.org/10.16926/pd.2020.02.08.

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Philosophy in this text is considered under the model of mise en abyme, which is used in particular in the art of fiction narration. A novel about the process of novel writing is an example of mise en abyme. A film about movie directing is also an example of mise en abyme. A painting showing the artist working on the work of art also has features of mise en abyme. Likewise, mise en abyme philosophy is philosophy that discusses how philosophy is created. Philosophy in such a shape is no longer understood as an endless space “inhabited” by situations, concepts, assertions, philosophical theses w
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Cohn, Dorrit, and Lewis S. Gleich. "Metalepsis and Mise en Abyme." Narrative 20, no. 1 (2012): 105–14. http://dx.doi.org/10.1353/nar.2012.0003.

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Rinon, Yoav. "Mise en abyme and Tragic Signification in the Odyssey: The Three Songs of Demodocus." Mnemosyne 59, no. 2 (2006): 208–25. http://dx.doi.org/10.1163/156852506777069673.

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AbstractThis essay highlights some aspects of the tragic conception of the Odyssey in assertion of its generic identity, focusing on the three songs of the bard Demodocus recounted in Book 8 of the epic and using mise en abyme as the primary exegetical tool. Mise en abyme, a narratological term denoting a certain part of a literary work of art that represents the work as a whole, functions in Demodocus' first song to mark the Odyssey as an epic in dialogue with the Iliad. The second song functions as a mise en abyme of both the content of the Odyssey and its poetic form. The last of the bard's
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Dissertations / Theses on the topic "Mise en abyme"

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Allegue, Fuschini Ludivine. "Mise en abyme de l'oeuvre et perception esthétique." Paris 1, 2003. http://www.theses.fr/2003PA010542.

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La mise en abyme est une mise en scène de la perception esthétique qui implique le spectateur dans le processus de création artistique. Une union naît ainsi entre l'artiste, l'oeuvre, le spectateur et aboutit souvent à une ambigui͏̈té quant à leur distinction et celle des réalités. Nous examinons d'abord la transgression du cadre par l'image peinte dans la miniature persane, qui a pour particularité de mettre le spectateur face à la création picturale et ce qui lui précède: la page blanche. Puis nous étudions l'improvisation dans la musique tzigane, car ce procédé nous permet d'assister à une
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Mundler, Helen Esther. "Le texte dans le texte dans l'oeuvre d'a. S. Byatt (1978-1996)." Strasbourg 2, 1998. http://www.theses.fr/1998STR20023.

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L'oeuvre d'a. S. Byatt (nee 1938), auteur prolifique et erudite, a ete etonnamment negligee par les etudes du roman britannique contemporain, ne suscitant que quelques aticles. Cette these constitue une premiere longue etude de sa fiction. Notre corpus se compose de la fiction entre 1978 et 1996. Notre etude porte sur les procedes auto-reflexifs romanesques intertextuels et intratextuels, que nous cherchons a examiner a travers l'analyse du 'texte dans le texte' afin d'etablir une poetique de l'oeuvre byattienne et de la situer dans l'ethique et l'esthetique postmodernes. Byatt double les nive
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Merrison, Jonathan Paul. "Mise en abyme in three novels by Claude Simon." Thesis, University of Exeter, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421554.

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Snow, Marcus. "Into the abyss : a study of the mise en abyme." Thesis, London Metropolitan University, 2016. http://repository.londonmet.ac.uk/1106/.

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As no single English study of the mise en abyme with its examples in our late-modern world has been undertaken, this thesis concerns the mise en abyme in English literature. In approximately the last third of the twentieth century, the concept has increasingly been associated with ‘postmodernism’ and the essential groundlessness of all claims to general or universal truth. In this thesis, I argue that the mise en abyme has become such a broad staple of character and narrative study that its meaning is diffuse in the extreme. First celebrated in the 1980s and 1990s, by several literary thinkers
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Fortin, Martine. "L'expérience du divertissement, ou, Mise en abyme : autoportrait d'un personnage /." Thèse, Chicoutimi : Universite du Quebec à Chicoutimi, 1995. http://theses.uqac.ca.

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Mémoire (M.A.)--Université du Québec à Chicoutimi, 1995.<br>Accompagné d'une vidéocassette, sous la cote +N-16038. Le titre de la vidéocassette varie. Martine Fortin et Guy Bonneau ont utilisé le même film dans la rédaction de leur communication. CaQCU CaQCU CaQCU Document électronique également accessible en format PDF. CaQCU
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Schleicher, Harald. "Film-Reflexionen : autothematische Filme von Wim Wenders, Jean-Luc Godard und Federico Fellini /." Tübingen : M. Niemeyer, 1991. http://catalogue.bnf.fr/ark:/12148/cb357437462.

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Alonso, Mariângela [UNESP]. "Da receita à paixão: a mise en abyme em Clarice Lispector." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/126607.

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Made available in DSpace on 2015-08-20T17:10:14Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-05-04. Added 1 bitstream(s) on 2015-08-20T17:25:44Z : No. of bitstreams: 1 000841117_20221210.pdf: 437353 bytes, checksum: fe6bacedf416f1739e5e2228aefc34f6 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Résumé: Les récits de Clarice Lispector s'étendent au-delà des espaces fictifs et se caractérisent par le refus du récit fermé et achevé, en quête de formes liquides et inconcluses qui perpétuellement se rompent pour de nouveau se rétablir, dans un mouveme
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Alonso, Mariângela. "Da receita à paixão : a mise en abyme em Clarice Lispector /." Araraquara, 2015. http://hdl.handle.net/11449/126607.

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Orientador: Guacira Marcondes Machado Leite<br>Banca: Maria das Graças Gomes Villa da Silva<br>Banca: Silvana Vieira da Silva<br>Banca: Arnaldo Franco-Júnior<br>Banca: Aparecida Maria Nunes<br>Resumo: As narrativas de Clarice Lispector expandem-se para além dos espaços ficcionais, caracterizando-se pela recusa à narrativa fechada e acabada ao buscar formas líquidas e inconclusas, que perpetuamente se desmancham para novamente se construir, num movimento circular e escorpiônico, restando à autora tecer e destecer o texto num contínuo entrelaçamento. Assim, a massa textual assinala a intersecção
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Goes, Alan Eduardo dos Santos. "O cinema nos filmes de David Lynch: uma anÃlise sobre a reflexividade e mise en abyme em Mulholland Drive e Inland Empire." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18659.

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CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior<br>Este trabalho se propÃe a analisar os modos de agenciamento do cinema reflexivo proposto pelo artista estadunidense David Lynch, com atenÃÃo maior para as obras Mulholland Drive e Inland Empire. Para isso, serÃo resgatadas discussÃes sobre o dispositivo cinematogrÃfico, desde a proposiÃÃo por Baudry, passando por atualizaÃÃes como as propostas por Metz e noÃÃes mais recentes como as apresentadas por Andrà Parente. As perspectivas sobre o dispositivo sÃo relacionadas com o conceito de mise en abyme; operacionalizado por Andrà Gide, p
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Craciun, Marinela-Denisa. "La technique de la mise en abyme dans l'oeuvre romanesque d'Umberto Eco." Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20006/document.

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À la fois procédé artistico-littéraire et réflexion intellectuelle, la mise en abyme est une des stratégies de création favorites du romancier Umberto Eco. Certains auteurs ont utilisé cette technique uniquement pour de créer de « simples » jeux de miroirs (comme c’est le cas des Nouveaux Romanciers). Chez Umberto Eco, la mise en abyme est destinée à faire saillir aussi bien l’intelligibilité que la structuration de l’oeuvre. Elle est un principe récursif de la génération de figures et de formes narratives fractales : elle est pour ainsi dire le raisonnement servant comme base dans la création
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Books on the topic "Mise en abyme"

1

Barry, Judith. Projections: Mise en abyme. Presentation House Gallery, 1997.

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Helga, Pakasaar, Wallis Brian 1953-, and Presentation House Gallery, eds. Judith Barry: Projections = mise en abyme. Presentation House Gallery, 1997.

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Morales, Sebastián Díaz. Sebastián Diáz Morales: Mise en abyme. Edited by Rüttinger Ines 1983-, Schmidt Eva 1957-, Museum für Gegenwartskunst Siegen, and Biennale di Venezia (57th : 2017 : Venice, Italy). Bom Dia Boa Tarde Boa Noite, 2017.

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Févry, Sébastien. La mise en abyme filmique: Essai de typologie. Editions du CEFAL, 2000.

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Donatella, Izzo, ed. Il Racconto allo specchio: Mise en abyme e tradizione narrativa. Nuova Arnica editrice, 1990.

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Cutrona, Alessandro. L'attualità della mise en abyme nelle opere di Peter Greenaway e Charlie Kaufman. Mimesis, 2016.

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Berta, Luca. Oltre la mise en abyme: Teoria della metatestualità in letteratura e filosofia. FrancoAngeli, 2006.

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D'Ottavi, Stefania D'Agata. Il sogno e il libro: La mise en abyme nei poemi onirici di Chaucer. Bulzoni editore, 1992.

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Makkonen, Anna. Romaani katsoo peiliin: Mise en abyme -rakenteet ja tekstienvälisyys Marko Tapion Aape Heiskasen viikatetanssissa. Suomalaisen Kirjallisuuden Seura, 1991.

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Holmes, Jonathan. Mise en abyme and the suspension of dissent in "The taming of the shrew". University of Birmingham, 1999.

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Book chapters on the topic "Mise en abyme"

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Bernard, Mark. "The Mise en Abyme of Youth." In Halloween. Routledge, 2019. http://dx.doi.org/10.4324/9781315185453-4.

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Ferraro, Estella. "Synthesis of Thoughts: Mise en Abyme." In Wilful Blindness. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-32654-8_9.

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Josephs, Herbert. "The Ambiguity of Baroque Enchantment: Operatic Mise en Abyme." In The Orchestration of the Arts — A Creative Symbiosis of Existential Powers. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_4.

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Craven, Alice Mikal. "Invisible Whiteness mise en abyme: J’irai cracher sur vos tombes." In Visible and Invisible Whiteness. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76777-2_8.

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Barre, Aurélie. "Poétique de la description : Lancelot dans la tente de Renart (Renart le contrefait, branche II)." In Arthur après Arthur. Presses universitaires de Rennes, 2017. https://doi.org/10.4000/13mwe.

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Dans la deuxième branche de Renart le contrefait, la description de la tente de Renart décorée de plusieurs tableaux est pour le clerc de Troyes l’occasion de faire remonter à la surface de la mémoire, au sein d’une digression qui tient à la fois de l’ekphrasis et de la mise en abyme, des bribes de textes du passé. Il juxtapose ainsi, selon une liste aléatoire et intime, les matières bibliques, antiques, arthuriennes. L’avant-dernière scène peinte évoquée représente le combat entre Lancelot et Méléagant. L’auteur retient l’étonnante posture de dos du combattant qui par bien des aspects permet
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Stone, Jonathan. "Decadent Style with a Symbolist Worldview: Palimpsest, Mise en abyme, and the Perils of Profound Superficiality." In Decadence and Modernism in European and Russian Literature and Culture. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34452-8_2.

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"Mise En Abyme." In First Crack. McGill-Queen's University Press, 1998. http://dx.doi.org/10.1515/9780773583894-025.

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"Mise en Abyme:." In The Baroque Technotext. Intellect Books, 2020. http://dx.doi.org/10.2307/j.ctv36xw070.9.

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Letalleur-Sommer, Séverine. "La mise en abyme." In Comprendre la mise en abyme. Presses universitaires de Rennes, 2019. http://dx.doi.org/10.4000/books.pur.180336.

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Frohne, Ursula. "Cinema Mise en abyme:." In Technology and Desire. Intellect Books, 2014. http://dx.doi.org/10.2307/j.ctv36xvm0m.14.

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Conference papers on the topic "Mise en abyme"

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Sánchez Dabaliña, Jorge. "Espacios recursivos en la imagen: del Mise en Abyme al Efecto Droste." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.18041.

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La recursividad es un concepto de creciente importancia, que podría consolidarse como una pieza clave al momento de desarrollar ontologías que buscan reconciliar la dualidad tecnología-naturaleza. Yuk Hui (2022) propone crear un modelo basado en la recursividad para integrar este “pensamiento tecnológico” con la naturaleza y el organicismo. Las estructuras recursivas, o los “Bucles Extraños”, también son un elemento central en la obra de Hofstadter (2007), donde explora la complejidad emergente de estas estructuras formales. La expresión “Mise en Abyme”, que significa literalmente “Puesta en a
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