Academic literature on the topic 'Misers – Fiction'

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Journal articles on the topic "Misers – Fiction"

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Mann, Susan, Keith McMahon, and Yenna Wu. "Misers, Shrews, and Polygamists: Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction." Harvard Journal of Asiatic Studies 57, no. 1 (1997): 262. http://dx.doi.org/10.2307/2719369.

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Widmer, Ellen, and Keith McMahon. "Misers, Shrews, and Polygamists: Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction." Chinese Literature: Essays, Articles, Reviews (CLEAR) 18 (December 1996): 228. http://dx.doi.org/10.2307/495645.

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Epstein, Maram. "Misers, Shrews, and Polygamists: Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction (review)." China Review International 3, no. 1 (1996): 222–26. http://dx.doi.org/10.1353/cri.1996.0052.

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Berg, Daria. "Mcmahon Keith: Misers, shrews, and polygamists: sexuality and malefemale relations in eighteenthcentury Chinese fiction. xi, 378 pp. Durham and London: Duke University Press, 1995. £18.95." Bulletin of the School of Oriental and African Studies 61, no. 1 (1998): 180–81. http://dx.doi.org/10.1017/s0041977x00016323.

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Faurot, Jeannette L. "Misers, Shrews, and Polygamists: Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction. By Keith McMahon. Durham, N.C.: Duke University Press, 1995. xii, 378 pp. $49.95." Journal of Asian Studies 55, no. 2 (1996): 444–45. http://dx.doi.org/10.2307/2943383.

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Dikötter, Frank. "Misers, Shrews, and Polygamists: Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction By Keith Mcmahon. [Durham: Duke University Press,1995.378 pp. £18.95 ISBN 0-8223-1566-1]." China Quarterly 148 (December 1996): 1392–93. http://dx.doi.org/10.1017/s0305741000050888.

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Ward, Megan. "Speculative Archival Methods and the Victorian Miser's Queer Hoard." Victorian Literature and Culture 53, no. 1 (2025): 1–22. https://doi.org/10.1017/s1060150325000026.

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Prompted by the gaps in archival evidence for writing histories of minoritized lives, scholars, archivists, and artists have increasingly adopted speculative archival methods. Shaped by queer temporalities, Black feminist epistemologies, and decolonial approaches, speculative approaches use techniques from narrative fiction to envision and reconstruct the past while acknowledging the limitations of documentary evidence. This essay seeks to expand the potential of fictional character for writing minoritized historical subjects by reexamining the institutionalization of archives in the nineteent
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d’Hont, Coco. "The (un)death of the author: Authorship as horror trope in Stephen King’s fiction." Horror Studies 12, no. 2 (2021): 175–88. http://dx.doi.org/10.1386/host_00036_1.

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Both in his fiction and in his non-fiction, Stephen King has reflected in more depth on authorship than most of his peers. Critically negotiating Roland Barthes’s declaration of the death of the Author (1967), King ‘resurrects’ the author persona in his fiction and turns it into an ‘undead’ horror trope. This article explores how this narrative mechanism operates in four King novels: Misery, The Dark Half, Bag of Bones and Lisey’s Story. King’s development of authorship into a fictional horror trope, the analysis demonstrates, metaphorically negotiates King’s anxiety regarding his own authorsh
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Talbott, Siobhan. "‘Causing misery and suffering miserably’: Representations of the Thirty Years’ War in Literature and History." Literature & History 30, no. 1 (2021): 3–25. http://dx.doi.org/10.1177/03061973211007353.

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This article examines a range of fictional literature – poetry, prose, play and song produced between the seventeenth and twenty-first centuries – that represents aspects of the Thirty Years’ War, a conflict fought in Europe from 1618 to 1648. Depiction of the Thirty Years’ War in literary works is compared to that found in empirical historical evidence and historians’ analyses. It is concluded that historical fictions offer a different, but equally valid, account of the conflict to academic histories, and that by using historical fictions and empirical evidence together, a more holistic pictu
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Barolsky, Paul. "MICHELANGELO'S MISERY: A FICTIVE AUTOBIOGRAPHY." Source: Notes in the History of Art 27, no. 1 (2007): 22–24. http://dx.doi.org/10.1086/sou.27.1.23207981.

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Dissertations / Theses on the topic "Misers – Fiction"

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Callahan, Marina. "Misery Poker." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2406.

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A collection of nonfiction and fiction pieces that seek to address contemporary moral dilemmas, including but not limited to the hapless, the hopeless, and the helpless. A newly divorced man grapples with nature and estrangement, a woman helps her former lover contemplate suicide, a family copes with the aftermath of breast cancer, a woman travels to the dark side of LA where she watches a porn filmed in her boyfriend's childhood home, and a final story that seeks to reclaim Callahan's relationship with her father that was founded in beekeeping but lost to religion. In each story there is a si
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Furci, Guido. "L'héritage nu. Mises en fiction du "témoin historique". Primo Levi - Aharon Appelfeld - Philip Roth." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA077.

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Pendant de nombreuses années, Aharon Appelfeld, Philip Roth et Primo Levi entretiennent une sorte de « dialogue à distance », interrompu en 1987 par la mort de ce dernier. Notre travail vise à analyser les modalités à travers lesquelles la production de ces trois écrivains – marqués de manière plus ou moins « directe » par l’histoire de la deuxième guerre mondiale et la mémoire de la Shoah – complexifie, avant tout sur le plan fictionnel, une certaine conception du témoignage, dont les enjeux esthétiques sont loin d’être anodins. Certes, dans un premier temps il a été important de reconstituer
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Coüasnon, Marguerite de. "La femme de lettres face à Rousseau : mises en scène de soi dans la fiction (1791-1825)." Rennes 2, 2010. http://www.theses.fr/2010REN20023.

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L’objectif de cette étude est de faire découvrir les missions que deux femmes de lettres, Isabelle de Charrière et Mme de Genlis, attachent à leurs statuts d’auteures. Jusqu’ici, la recherche s’est attelée à analyser les représentations de la femme, davantage dans l’imaginaire masculin que dans l’esprit des femmes elles-mêmes. Dans les textes analysés, la femme auteur se compare à Jean-Jacques Rousseau dans l’intention de le supplanter. Les exigences des hommes se sont accrues à l’issue de la Révolution française envers les femmes. Les auteures font évoluer leurs héroïnes face à des personnage
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Kinas, Fernando. "Le lieu de la fiction." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030074/document.

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Le sujet central de cette recherche est une investigation sur le statut de la fiction dans le théâtre occidental contemporain. En ligne avec les transformations sociales de son temps, les contours du théâtre ont perdu de leur netteté. En ce moment de mise en question radicale, la permanence, la mutation ou la disparition de la fiction est l’une des caractéristiques principales pour la reconfiguration de l’art théâtral. En diagnostiquant l’environnement de méfiance par rapport aux méthodes et résultats de la représentation, nous avons étudié ce nouveau lieu qu’occupe, ou peut occuper, la fictio
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Wärme, Robert. "Stranger than fiction : En studie kring berättarstruktur i en film." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3739.

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Denna uppsats är en narratologisk analys av berättarstrukturen inom filmen Stranger than fiction. Uppsatsen inleder med en terminologi samt en teoridel kring vad som är berättarstruktur. Utifrån detta analyserar jag filmen för att grundläggande redogöra kring hur den är berättad genom att först beskriva filmens totala fabula för att sedan analysera vad som egentligen förmedlas och på så sätt även komma fram till en slutsats kring filmens totala berättarstruktur. Resultatet visar på att Stranger than fiction är berättad genom flertalet olika nivåer som visar på två olika berättare inom två olik
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Piedade, Nicolas. "Fictions ventriloques : mise en abyme et narrations subjectives dans le roman moderniste européen." Electronic Thesis or Diss., Limoges, 2023. https://aurore.unilim.fr/theses/nxfile/default/3c706b9e-ca59-4015-b434-c8bcc5f50dde/blobholder:0/2023LIMO0014.pdf.

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La littérature moderniste est communément définie par la critique autour de la notion de crise. Elle s'étend sur une période dont l'échelle varie selon les critiques, mais qu'il est néanmoins possible de circonscrire vulgairement des débuts du symbolisme (Baudelaire, Rimbaud, Mallarmé) aux débuts la seconde guerre mondiale. On comprendra dès lors que le modernisme a fait l'objet d'une circulation entre les différentes ères culturelles, d'abord européennes puis américaines, ce qui en fait un mouvement aux contours certes fluctuants, mais dont l'unité déborde très largement les limites des front
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Girard, Christelle. "La Comédie humaine : une poétique en fictions." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC293.

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La pensée d'une réflexion consubstantielle à l'œuvre artistique - qu'elle soit formulée par les premiers romantiques allemands ou, de manière différente, par les romantiques français - prend de l'ampleur à la fin du XVIIIe et au siècle suivant. Or, de manière a priori paradoxale, la métatextualité ne s'affaiblit pas lorsque s'impose l'esthétique réaliste au XIXe siècle. Le métadiscours ne brise certes pas l'immersion fictionnelle comme dans le roman parodique et ses avatars, mais il perdure sous des formes nouvelles incorporées à la fiction. Balzac incarne cette tendance. En ce sens, nous défe
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Rioux, Caroline. "Étude de la mise en abyme dans le roman le voyeur d'Alain Robbe-Grillet /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2002. http://theses.uqac.ca.

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Boneva, Ralitza. "Réel et représentation à l'épreuve de la fiction dans l'oeuvre de Michael Haneke." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30072/document.

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Notre étude se propose de montrer qu'au cours des deux dernières décennies, des années 1989-2009, avec les films de Michael Haneke réalisés pour le cinéma, des innovations décisives apparaissent dans la fiction de nos jours. Des formes nouvelles bouleversent le récit, révélant ce qui, dans la fiction conventionnelle, est devenu stéréotype et mettent en cause la représentation. Des nouveaux rapports entre réel et représentation, entre visible, invisible et insupportable à voir, entre instance énonciative et spectateur entrent en jeu. De nouveaux possibles s'ouvrent sur la voie du développement
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Beeferman, Leah. "JOURNEYS INTO THE UNKNOWN: A SERIES OF SCIENCE ARCHITECTURE TASKS AND EVENTS, SPACE-BOUND EXPLORATIONS AND FAR-TRAVELS, DISCOVERIES AND MISSES (NEAR AND FAR), IMAGINATIVE SPACE-GAZING AND RELATED INVESTIGATIONS, OBSERVATIONS, ORBITS, AND OTHER REPETITIOUS MONITORING TASKS." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2164.

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This thesis expansively and inclusively puts forth the imaginings, research, processes and experiences behind my two thesis exhibitions, "Journeys into the unknown: a series of science architecture tasks and events, space-bound explorations and far-travels, discoveries and misses (near and far), imaginative space-gazing and related investigations, observations, orbits, and other repetitious monitoring tasks" and "Timed travel: asystematic accounts of regular and geometrical timekeeping, orbital flight, repetitive rotations and other journeys into actual time and slow space." It begins with an
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Books on the topic "Misers – Fiction"

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Carleton, William. Fardorougha, the miser, or, The convicts of Lisnamona. Appletree Press, 1992.

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Alger, Horatio. Number 91, or, The adventures of a New York telegraph boy. Polyglot Press, 2005.

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Galdós, Benito Pérez. Torquemada en la hoguera. Alianza, 1996.

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Dickens, Charles. A Christmas carol and other Christmas books. Oxford University Press, 2008.

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Alger, Horatio. Charlie Codman's cruise: A story for boys. Polyglot Press, 2005.

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illustrator, Pedler Caroline, and Dickens Charles 1812-1870, eds. A Christmas carol. Parragon, 2007.

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King, Stephen. Misery. Chivers, 1988.

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King, Stephen. Misery. Viking, 1987.

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King, Stephen. Misery. Simon & Schuster Libros en Español, 2002.

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King, Stephen. Misery. Debols!llo, 2003.

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Book chapters on the topic "Misers – Fiction"

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Lieber, Marlon. "Spaces of Communal Misery: The Weird Post-Capitalism of Beasts of the Southern Wild." In Spaces and Fictions of the Weird and the Fantastic. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28116-8_12.

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Fisher, Barbara. "3. Rescue." In Trix. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0377.03.

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After an absence of six years, Alice returned to Lorne Lodge to rescue her children from their misery. She immediately whisked the children away to a country farm, where, joined by their cousin Stanley Baldwin, they generally ran wild. Later she took her children to London, settling across from the old Kensington Museum, where Trix and Rudyard happily roamed through the exhibits of natural wonders and art objects. Before returning to India, Mrs. Kipling enrolled Rudyard at a proper school and sent Trix, aged nine, to attend the Notting Hill School for Girls, where she was found to be poorly ed
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Hutchings, William. "14. An Epistle to Sir Richard Temple, Lord Cobham." In ‘Wit’s Wild Dancing Light’. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0372.15.

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Chapter 14. An Epistle to Sir Richard Temple, Lord Cobham is a poem caught in a conceptual paradox. On the one hand, it describes human minds as ‘Quick whirls, and shifting eddies’, whose constant movement defies any attempt to define a ‘principle of action’. As soon as you think you have located such a principle, it has gone. ‘Like following life through creatures you dissect, / You lose it in the moment you detect.’ On the other hand, Pope proposes as a solution the idea that each of us, within the mêlée of apparent contradiction, has a single ‘ruling passion’, which is the ‘clue’ to all th
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"POLYGAMY ACCORDING TO FICTION AND PRESCRIPTIVE MODELS." In Misers, Shrews, and Polygamists. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv1198x1t.6.

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"Polygamy According to Fiction and Prescriptive Models." In Misers, Shrews, and Polygamists. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397298-002.

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"2. Polygamy According to Fiction and Prescriptive Models." In Misers, Shrews, and Polygamists. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397298-004.

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"SHREWS AND JEALOUSY IN SEVENTEENTH-AND EIGHTEENTH-CENTURY VERNACULAR FICTION." In Misers, Shrews, and Polygamists. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv1198x1t.7.

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"Shrews and Jealousy in Seventeenth- and Eighteenth-Century Vernacular Fiction." In Misers, Shrews, and Polygamists. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397298-003.

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"3. Shrews and Jealousy in Seventeenth- and Eighteenth-Century Vernacular Fiction." In Misers, Shrews, and Polygamists. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397298-005.

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Prideaux, Desirée. "Introduction." In Sleuthing Miss Marple. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854642.003.0001.

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The Introduction uncovers a recurrent peculiarity in crime fiction scholarship: Marple is often noted as an ‘obvious exception’ in the masculine world of golden age crime fiction; yet, this observation usually precedes a movement away from consideration of the character. Analysis is informed by the recognition of three striking aspects of the texts. The first is the range and scope of women characters and the gentle subversion of masculine-centred crime fiction which is evident from the earliest stories. The second is Christie’s quite remarkable experimentation with genre. It is widely acknowl
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Conference papers on the topic "Misers – Fiction"

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Iehl, Yves. "Adaptation littéraire et mise en image du monologue intérieur — Mademoiselle Else, roman graphique de Manuele Fior d’après la nouvelle d’Arthur Schnitzler." In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5232.

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Kokkinos, Nikolaos, and Athanassios Mitropoulos. "The Contribution of Virtual Reality in Awareness and Preparedness of Oil and Gas Professionals." In International Petroleum Technology Conference. IPTC, 2022. http://dx.doi.org/10.2523/iptc-22121-ea.

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Abstract Human factor played a dominant role in the majority of the past technological accidents. Ignorance, carelessness or even worse negligence by operators were only some reasons of those accidents. Chemical industry keens on new techniques for optimizing human and environmental safety. The main scope of this study is to examine the contribution of virtual reality in awareness and preparedness of oil and gas industry professionals in emergencies. The methodology based on an in-situ threefold assessment process of the chemical industry staff on virtual reality high tech facilities at the De
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Jianqiang, Chen, Sun Zhe, Yang Guojun, Liu Xingnan, and Shi Zhengang. "Research on Rolling-Sliding Integrated Auxiliary Bearing and its Application in High Temperature Reactor." In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-67544.

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The active magnetic bearings (AMB), with the advantages of no friction, no abrasion, no lubrication and active control, is used in the primary helium circulator for high-temperature gas-cooled reactor (HTR). But the magnetic bearing is a complex system, which contains sensor, controller, power amplifier circuit and actuators. Any part of failure is likely to make high-speed rotor off balanced position and fell in the inner ring of the bearing, causing huge impact and fiction heat that may damage the magnetic bearing. Therefore, it is necessary to bring the auxiliary bearing in the magnetic bea
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