Academic literature on the topic 'Misheard lyrics'

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Dissertations / Theses on the topic "Misheard lyrics"

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Hirjee, Hussein. "Rhyme, Rhythm, and Rhubarb: Using Probabilistic Methods to Analyze Hip Hop, Poetry, and Misheard Lyrics." Thesis, 2010. http://hdl.handle.net/10012/5419.

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While text Information Retrieval applications often focus on extracting semantic features to identify the topic of a document, and Music Information Research tends to deal with melodic, timbral or meta-tagged data of songs, useful information can be gained from surface-level features of musical texts as well. This is especially true for texts such as song lyrics and poetry, in which the sound and structure of the words is important. These types of lyrical verse usually contain regular and repetitive patterns, like the rhymes in rap lyrics or the meter in metrical poetry. The existence of such patterns is not always categorical, as there may be a degree to which they appear or apply in any sample of text. For example, rhymes in hip hop are often imperfect and vary in the degree to which their constituent parts differ. Although a definitive decision as to the existence of any such feature cannot always be made, large corpora of known examples can be used to train probabilistic models enumerating the likelihood of their appearance. In this thesis, we apply likelihood-based methods to identify and characterize patterns in lyrical verse. We use a probabilistic model of mishearing in music to resolve misheard lyric search queries. We then apply a probabilistic model of rhyme to detect imperfect and internal rhymes in rap lyrics and quantitatively characterize rappers' styles in their use. Finally, we compute likelihoods of prosodic stress in words to perform automated scansion of poetry and compare poets' usage of and adherence to meter. In these applications, we find that likelihood-based methods outperform simpler, rule-based models at finding and quantifying lyrical features in text.
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Books on the topic "Misheard lyrics"

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Edwards, Gavin. Deck the halls with Buddy Holly: And other misheard Christmas lyrics. New York: HarperPerennial, 1998.

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Edwards, Gavin. 'Scuse me while I kiss this guy, and other misheard lyrics. New York, N.Y: Fireside, 1995.

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When a man loves a walnut: And even more misheard lyrics. New York: Simon & Schuster, 1997.

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Charles, Grosvenor. Hit me with your pet shark: Misheard lyrics of the 1980s. Seattle: Sasquatch Books, 2008.

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'Scuse me while I kiss this guy, and other misheard lyrics. New York, N.Y: Fireside, 1995.

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Edwards, Gavin. When a man loves a walnut: And even more misheard lyrics. New York: Simon & Schuster, 1997.

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Edwards, Gavin. Deck the halls with Buddy Holly: And other misheard Christmas lyrics. New York: HarperPerennial, 1998.

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He's got the whole world in his pants: And more misheard lyrics. New York, NY: Simon & Schuster, 1996.

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The ants are my friends: Misheard lyrics, malapropisms, eggcorns and other linguistic gaffes. London: Portico, 2009.

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Edwards, Gavin. Unt Misheard Love Song Lyrics. HarperCollins Publishers, 2000.

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Book chapters on the topic "Misheard lyrics"

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Ring, Nicholas, and Alexandra L. Uitdenbogerd. "Finding ‘Lucy in Disguise’: The Misheard Lyric Matching Problem." In Information Retrieval Technology, 157–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-04769-5_14.

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Dick, Alexandra, and Larissa-Diana Fuhrmann. "Contested Chants: The Nashīd Ṣalīl Al-Ṣawārim and its Appropriations." In Jihadi Audiovisuality and its Entanglements, 294–319. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467513.003.0013.

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In this chapter, we present an in-depth analysis of the well-known IS nashīdṢalīl al-Ṣawārim as well as a range of audiovisual appropriations, including a tutorial-like piano cover, an inverted (MIDIFLIP) version, a hardcore remix, an animated gamification version, a re-enactment of an IS beheading and a Misheard Lyrics version. All of these examples of audiovisual appropriation form a continuum of sonic and visual appropriation, wherein one form is dominant with regard to the complexity of the produced sounds or visuals. Central to this analysis is Al-Rawi’s (2016) concept of Anti-ISIS Humor, according to which these appropriations represent instruments to contest and renegotiate prevailing structures of power. The authors thus frame appropriations of IS anāshīd in the context of cultural resistance, showing how these practices challenge not only IS anāshīd but also IS as a whole, with its Salafi-Wahhabi-inspired doctrine and interpretation of Islam.
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Conference papers on the topic "Misheard lyrics"

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Ye, Hongliang, Wanning Zhu, Yue Yu, and Lei Hong. "A Cross-language Music Retrieval Method by Using Misheard Lyrics." In 2020 IEEE 9th Joint International Information Technology and Artificial Intelligence Conference (ITAIC). IEEE, 2020. http://dx.doi.org/10.1109/itaic49862.2020.9339157.

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