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Dissertations / Theses on the topic 'Misogyni'

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1

Berger, Linnea, and Maria Sundberg. "Online-våld; en grogrund till kvinnors våldsutsatthet? : En netnografisk studie av misogyni på internetforumet Flashback." Thesis, Linnéuniversitetet, Institutionen för socialt arbete (SA), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105219.

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Mehmeti, Denis, and Devin Radianu. "Kvinnoförtrycket i virtuella spelvärlden : “Vi är som slagpåsar” - En kvalitativ intervjustudie om kvinnors upplevelser av spelvärlden." Thesis, Högskolan i Halmstad, Akademin för hälsa och välfärd, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-42411.

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This essay is based on a study that presents the result of interviews directed at women who are integrated in the gaming community. The purpose is to get clarification on the topic about how women experience gaming and if they are treated differently than men in the community. With the question “How do women experience the male dominated gaming world and how does it affect them?”, subordination, misogyny, male dominance and gender are keywords that can be identified within the targeted area. The theoretical framework has been based on Sylvia Walby's theoretical interpretation of patriarchy, Ju
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Wretman, Josefine. "Inte alla män - men : En diskursanalys om incels som fenomen." Thesis, Malmö universitet, Institutionen för socialt arbete (SA), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-44224.

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Studiens syfte är att granska och utforska incels som fenomen genom att analysera dominerande diskurser och centrala komponenter på hemsidan incels.is. Studiens frågeställningar har uppkommit genom de främst dominerande och centrala diskurserna som upprätthålls på incels.is, vilka är: samhället, kön och feminism samt våld. Studiens teoretiska ramverk har utgått från en socialkonstruktivistisk diskursanalys med inspiration från den Foucauldianska diskursanalysen. Michél Foucaults begrepp makt, språk och kunskap har vidare använts för att undersöka maktaspekten och maktlöshe
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Johansson, Elise, and Alexander Hansson. "I näthatarnas tanke : Hur ideologier och normer främjas i näthat." Thesis, Jönköping University, HLK, Medie- och kommunikationsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-51823.

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Näthat är idag en förväntad nackdel av att använda internet och sociala medier. Även när hatet är riktat mot en individ blir det oftast en attack mot en kollektiv identitet. Syftet med studien var att analysera vilka normer och ideologier som främjas i hatkommentarer och hur de samspelar med varandra baserat på mottagarens kön, ålder, hudfärg och sexualitet. Totalt analyserades kommentarer från åtta videoklipp publicerade på Youtube, fyra vardera spel- respektive sminkbranschen. Genom att använda ett Python script och Googles’ Perspective API, kunde kommentarer med en viss nivå av toxicitet vä
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Chamberland, Alexander Alvina. ""You don't always like your sisters, but you always love them" : Trans feminine accounts of misogyny, sisterhood and difference in New York City." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28093.

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This thesis examines six trans feminine informants in New York City's experiences of oppression, trans-misogyny, femi-negativity, racism, and classism, as well as their experiences of community support, conflicts and resistance practices through the lens of the term sisterhood and the practice of sisterhooding. Focus has also been placed on the informant's views on allyship and coalition, and their relationship to other communities, such as the trans masculine community. The research has been conducted through in-depth, semi-structured, qualitative interviews with six trans feminine activists
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Hamad, Hussein. "Läroboks-muslimer : En postkolonial diskursanalys av gymnasieskolansläroböcker." Thesis, Högskolan Dalarna, Pedagogiskt arbete, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-25521.

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Uppsatsen Läroboks-muslimer behandlar postkoloniala föreställningar och stereotyper i läromedel avsedda för den svenska gymnasieskolan. Studiens syfte har varit att kartlägga och analysera hur islam och muslimer framställs i fyra av gymnasieskolans läroböcker; tillvägagångssättet studien använt sig av har varit att genom diskursanalysen som metod och med avstamp i den kritiska postkoloniala teoribildningen, kartlägga och analysera postkoloniala typifieringar av islam och muslimer med avgränsning på om och i sådana fall hur, läromedelsförfattarna skildrar: 1. Jihad, och 2. Islams kvinnosyn. Res
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Quitschal, Patricia Maia. "Os Diários de Vampira: a sexualidade livre e dominadora das vampiras e o tratamento dado pela mídia." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-05062014-154818/.

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Objetivo: Verificar a atribuição de um teor de negatividade para a liberação sexual feminina em produtos culturais, focando no caso do seriado estadunidense The Vampire Diaries, levando em consideração a concepção de feminino predominante na cultura ocidental e os significados que a figura da vampira adquirem dentro dela. Metodologia: Analisar a cultura de violência contra a mulher, os preconceitos que a justificam e como isso aparece de forma ideológica em produtos culturais; comparar a vampira Katherine Pierce e seu duplo, a humana Elena Gilbert, ambas do seriado The Vampire Diaries, utiliza
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Assis, Anne Caroline Moraes de. "A misoginia medieval como resÃduo na literatura de cordel." Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=5204.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>A ideia da inferiorizaÃÃo da mulher tem sido disseminada nas civilizaÃÃes orientais e ocidentais. Tal concepÃÃo atingiu o seu Ãpice na Idade MÃdia, sobretudo, durante os sÃculos XIII e XIV, quando a Igreja CatÃlica controlava com severidade a vida social e religiosa dos cristÃos â em especial da mulher â respaldada nos dogmas religiosos atravÃs da InquisiÃÃo. Essa mentalidade misÃgina ganhou forÃa e adeptos e perdurou pelos sÃculos subsequentes, sendo residual na literatura de cordel contemporÃnea e perceptÃvel atravÃs da vivÃncia,
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Chan, Lai-tak, and 陳勵德. "Louis Cha's misogyny complex." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44622508.

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Tucker, John W. Carroll Anne. "Misogyny in Cormac McCarthy's Suttree." Diss., A link to full text of this thesis in SOAR, 2007. http://soar.wichita.edu/dspace/handle/10057/1180.

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Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English.<br>"May 2007." Title from PDF title page (viewed on Dec. 29, 2007). Thesis adviser: Anne Carroll. Includes bibliographic references (leaves 36-38).
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Daniels, Craig W. "Martial, misogynist?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57278.pdf.

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Agnolon, Alexandre. "Uns epigramas, certas mulheres: a misoginia nos \"Epigrammata\" de Marcial (40 d.C - 104 d.C)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-10012008-112116/.

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O presente trabalho tem por objetivos: em primeiro lugar, arrolar, traduzir e analisar epigramas de Marcial em que a mulher é objeto de invectiva; em segundo lugar, visa a rastrear, na tradição anterior ao poeta, o tema da misoginia, desde Hesíodo, no célebre episódio de Pandora (Teogonia, vv. 570- 612), passando pelos poetas iâmbicos arcaicos (Arquíloco, Hipônax e Semônides), até o uso que poetas latinos, como Catulo, Horácio e Juvenal, fizeram do tema, entendido agora como tópos. Em terceiro lugar, o presente trabalho pretende observar de que maneira o epigrama, ou melhor, sua possibilidade
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Lima, Leonila Maria Murinelly. "O Amadis de Gaula entre as fendas de dois códigos: o da cavalaria (O Livro da Ordem de Cavalaria de Ramon Llull) e o do amor cortês (Tratado do Amor Cortês de André Capelão)." Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4249.

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A partir dos pressupostos teóricos dos pesquisadores da Nova História e dos estudos literários do comparativismo, este trabalho analisa o Amadis de Gaula entre os dois códigos: o da cavalaria de Ramon Llull expressão do ideal cristão do cavaleiro virtuoso e perfeito , e o do amor cortês, de André Capelão, que expressa os ensinamentos do refinado amor cortesão, dentro de uma ética feudo-vassálica. Entre os interstícios desses códigos e numa Península Ibérica marcada por uma ascese cristã, erige uma história de amor que se constitui num paradigma da expressão do desejo carnal e da busca do re(e
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Fabião, Danielle Virgínia Grisi Pinheiro. "O santo inquérito: misoginia, poder e intolerância religiosa na obra de Dias Gomes." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/4194.

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Made available in DSpace on 2015-04-17T15:01:55Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 436183 bytes, checksum: e844f6aecd4060fd3bb5b9b328dfe352 (MD5) Previous issue date: 2011-12-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The statements, texts, stories, are always telling the human existence, life is understood as "real" life or "invented." But those linguistic structures say a lot more than what we see on the surface. The words contain information beyond its linguistic constitution. Thus, because we know that there is information that we intend to a
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von, Seth Oscar. "Psykopaten i garderoben : En queer läsning av Bret Easton Ellis American Psycho." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-21456.

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The novel American Psycho was first published in 1991. It recieved harsh criticism and was viewed as a work of heterosexism, misogyny and pointless violence. Despite the criticism, the protagonist, a wealthy serial killer yuppie namned Patrick Bateman, fascinated the readers. He hides his monstrosity behind a façade of heteronormativity, but this essay shows that the norms in American Psycho are fragile. Batemans relationships are shallow, his identity is constructed out of traditional masculinitynorms and even though he’s homophobic there’s a homoerotic undertone in the text, as well as gothi
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Jackson, Gregory Richard. "La Misogynie à visage féminin: Hircan's Role as Marguerite's Anti-Feminist Voice in the Heptaméron (VII & XLIX)." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2067.

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The following document is a meta-commentary on the article, "La misogynie à visage féminin: Hircan's Role as Marguerite's Anti-feminist Voice in the Heptaméron (VII & XLIX)," co-authored by Dr. Robert J. Hudson and myself, which will shortly be submitted for publication. It contains an annotated bibliography of all our primary and secondary sources and an account of writing the article. Our article examines what Marguerite de Navarre, the sixteenth-century French Renaissance author of the Heptaméron (a collection 72 nouvelles, all supposedly true stories being told by a group of ten devisants
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Machado, Elsa Cascais Silva Andrade. "Masculinity, melancholia and misogyny in the films of Sam Peckinpah." Doctoral thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/22904.

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Doutoramento em Estudos Culturais<br>With this thesis I have attempted to analyse three salient features in Sam Peckinpah’s films: masculinity, melancholia and misogyny. Having made only fourteen films, Peckinpah distinguished himself as an important director in the history of American cinema not only because of his innovative techniques but also because his work was so much in tune with the zeitgeist of the turbulent times in which he lived. The analysis of these three main themes aims to cast some light on the work of a director whose temperamental traits and difficult relation with the film
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Bezerra, Luis Antônio Alves. "DA ESPIRAL DE VIOLÊNCIA EM DESPROVEITO DA MULHER: SUBMISSÃO BÍBLICA, RELIGIOSA, SOCIAL E JURÍDICA." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/4073.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2018-11-08T19:35:23Z No. of bitstreams: 1 LUÍS ANTÔNIO ALVES BEZERRA.pdf: 1963847 bytes, checksum: 24d18810a9a331d81b4323dd6db7b735 (MD5)<br>Made available in DSpace on 2018-11-08T19:35:23Z (GMT). No. of bitstreams: 1 LUÍS ANTÔNIO ALVES BEZERRA.pdf: 1963847 bytes, checksum: 24d18810a9a331d81b4323dd6db7b735 (MD5) Previous issue date: 2018-08-22<br>This thesis aims at assessing violence to the detriment of women in the Old Testament, which served as a religious amalgam for her elimination in the social environment of male domination, but not
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Assis, Anne Caroline Moraes de. "A misoginia medieval como resíduo na literatura de cordel." http://www.teses.ufc.br, 2010. http://www.repositorio.ufc.br/handle/riufc/2807.

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ASSIS, Anne Caroline Moraes. A misoginia medieval como resíduo na literatura de cordel. 2010. 145 f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-21T14:41:09Z No. of bitstreams: 1 2010_DIS_ACMASSIS.pdf: 1166857 bytes, checksum: 93ab9291094f79cab74efd13e97ca4c5 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-06-21T15:08:38Z (GMT) No. of bitstreams: 1 2010_DIS_ACMASSIS.pdf:
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Patrick, Tegan Rae. "Legitimising Misogyny: Representations of Women in Three Shakespeare Films." Thesis, University of Canterbury. Humanities, 2014. http://hdl.handle.net/10092/10015.

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The plays of William Shakespeare have long been considered a source of cultural and educational interest by both academics and filmmakers, and the practice of adapting Shakespeare’s works to film has existed for almost as long as film itself. The name “Shakespeare” evokes ideals of cultural legitimacy and importance, and Shakespeare film as a genre is always caught up in questions of fidelity and legitimacy. In adapting Shakespeare to the screen, filmmakers also adapt, whether deliberately or not, the various cultural beliefs that his work is steeped in. Early modern ideas about gender, race a
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Stone, Mitzi R. "Beyond misogyny : Penelope and Clytaemnestra as paradigms for society." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/305.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Humanities
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Berkland, Darren Gary. "Androcentrism and misogyny in late twentieth century rock music." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/d1021199.

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Judith Butler’s writings on gender ostensibly changed the way gender is considered with regard to an individual’s subjectivity. Her writings expressed a discursive parameter that changed the theoretical standpoint of gender from that of performance, to that of performativity. In short, the notion of gender became understood as a power mechanism operating within society that compels individuals along the heteronormal binary tracts of male or female, man or woman. Within the strata of popular culture, this binarism is seemingly ritualized and repeated, incessantly. This treatise examines how roc
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Pernoud, Hermeline. "Féeries pour une autre fois : réécritures et renouvellement des paradigmes des contes de fées (1808-1920)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA011.

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Cette thèse, qui recense plus de mille contes de fées composés entre 1808 et 1920, s’intéresse au renouveau du merveilleux, un registre vieillissant faisant face au désenchantement. Ce travail montre comment le conte, en juxtaposant la modernité et l’imaginaire, bascule dans le comique (parodie des auteurs du Grand Siècle, désacralisation des héros, sapement des valeurs chevaleresques). En même temps, les figures masculines chutent de leur piédestal en engendrant une modification des représentations du féminin.Dans la première moitié du XIXe siècle, les fées et les princesses sont réduites aux
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Monteiro, Ana Claudia de Lemos. "Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=962.

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Este trabalho realiza uma leitura comparativa entre as peças Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues. A hipótese que se investiga é a de o casamento ser um cenário profícuo para a precipitação da tragédia, na medida em que o relacionamento conjugal pode se constituir em lugar de choque entre o discurso de auto-definição do indivíduo e discursos outros, circulantes no social, veiculadores de preconceitos patriarcais, sobretudo a misoginia, incorporados pelo próprio indivíduo como verdades. Reproduz-se, assim, no casamento, o conflito definidor por excelência da
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Jones, Jennifer A. "Myth, misogyny and the old woman in early modern France /." Title page, contents and introduction only, 1988. http://web4.library.adelaide.edu.au/theses/09AR/09arj77.pdf.

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Horn, Jessica. "Maternal Misogyny: Absent Mothers in Eighteenth- and Nineteenth-Century Literature." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0327101-132957/restricted/horn0412.pdf.

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Arrowsmith, Anna. "Rethinking misogyny : men's perceptions of female power in dating relationships." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/50801/.

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My PhD research explores the role of men's subjective accounts of interactions with the women they date, especially with reference to whether they experience women to have power in dating relationships. It comprises a qualitative analysis of the responses gained from semi-structured interviews conducted with 20 British men and 10 Pick Up Artists (men who attended classes to learn how to increase their confidence when dating women) all aged 21-40. Current debates around gendered power are largely focused on female subjectivities, and are core to political and theoretical differences between sec
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Le, Vu Phung Nhi. "The Influences of Misogynist Online Harassment on German Female Journalists and their Personal and Professional Lives." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1594828390923411.

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Scaptura, Maria N. "Masculinity Threat, Misogyny, and the Celebration of Violence in White Men." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/93239.

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This study aims to understand the relationship between masculinity and the endorsement of attitudes towards guns and violence and aggressive fantasies. I examine threatened masculinity and masculine gender role stress in addition to a newly developed measure, which assesses traits associated with incels, who believe that social liberalism, feminism, and more sexually active men (“Chads”) are to blame for their lack of sex with women. Incels are largely a disorganized group of men interacting online, but a few self-identifying members have been associated with a number of mass violence events i
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Lahti, Davidsson Elisabeth. "Batikhäxan – ett kvinnligt supermonster : En kritisk diskursanalys av tre politiska pamfletter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86034.

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This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" &amp; The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöv
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Kirtland, Debra Dee. "Early familial misogyny: Its impact on attachment security and later caregiving behaviors." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3301.

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The purpose of this study was to look at the impact of early misogynistic treatment of females on subsequent attachment security and the quality of the later caregiving of their own children. A Misogyny Scale was created for use in this study.
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Wiklund, Maria. "The misogyny within the manosphere. A discourse analysis in a Swedish context." Thesis, Malmö universitet, Fakulteten för hälsa och samhälle (HS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24615.

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Existing research about the manosphere and the subculture of Incels is primarily focused on the discourse on the American online discussion forums. After several high-profile attacks performed by Incels, resulting in severe casualties, the phenomenon of Incels has reached the mainstream media as well as public interest in the forums where members of the manosphere communicate. The discourse displays a highly misogynistic worldview, where the belief in a hegemonic patriarchy is oozing with toxic masculinity. The shared misogyny has also led to discursive interactions between Incels and the alt-
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Stein, Sharon. "Images of women in André Gide's Les Faux-Monnayeurs : misogyny or feminism?" Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28546.

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This study consists of an analysis of the major female characters in Andre Gide's Les Faux-Monnayeurs. The theme of insubordination, as exemplified in the personal growth of the novel's hero, Bernard, provides an important contrast to the author's portrayal of women. Bernard's refusal of subordination drives him toward disponibilite and authenticity. In Gidian terminology, to be disponible is to be receptive to the plenitude of life, to dare all. It is only after experimenting with life's excesses that Bernard arrives at a personal regie de vie that respects both his natural impulses and conv
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Silva, Daniel Eduardo da. "O alegórico e as vozes antimisóginas como estratégia narrativa em Christine de Pizan: a cidade das damas." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9177.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2017-07-31T12:56:34Z No. of bitstreams: 1 arquivototal.pdf: 909104 bytes, checksum: a6f5f32002082ce9c1085f717e5f3fa0 (MD5)<br>Made available in DSpace on 2017-07-31T12:56:34Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 909104 bytes, checksum: a6f5f32002082ce9c1085f717e5f3fa0 (MD5) Previous issue date: 2016-09-14<br>Cette recherche vise à analyser La Cité des Dames (1405) de Christine Pizan (1364- 1430) comme une oeuvre allégorique par excellence au Moyen Age. Nous avons l'intention de montrer que les allégories largement utilisées par l
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Easterling, Michael H. "U.N.I.T.Y. Addressing Misogyny and Transcending the Sista-Ho Dichotomy in Hip Hop Culture." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5939.

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In this thesis I investigate the portrayal of women in Hip Hop as either a sista' or a ho, a dichotomy that mirrors the Freudian Madonna-whore complex prevalent in Western Society. Belittled and disparaged by the sexism implied by this dichotomy, women have become victims of various forms of misogynistic abuse. Queen Latifah stands up against this misogyny, using Hip Hop in the very way it was designed to be used “as a voice for the disenfranchised“ speaking out against the sexism in Hip Hop in the same way African American males use Hip Hop against White mainstream society. She thus challenge
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McKenzie, Richard M. "The misogyny of the Trümmerfilm : space and gender in Post-War German film." Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/69832/.

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Scholarly reviews of the Trümmerfilm1 have hitherto concentrated on the its redemptive qualities. In these readings of the films, the defeated German soldiers, Landser, or émigrés return to Germany and into the arms of their beautiful and faithful wives. The wives provide the safe space that the returned men need in order to be restored, reconciled and re-integrated into the new Germany. In this role, Germany’s women are responsible for ‘setting their men on course’ to rebuild the new nation and bring it out of its defeat. Robert Shandley has suggested2 that it is possible to view the original
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Gränglid, Olivia Signe Afrodite. "Misogyny in the Marshlands : female Characterization in Seamus Heaney’s “Bog Queen” and “Punishment”." Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-22122.

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This essay argues that the depiction of women in Seamus Heaney’s poems “Bog Queen” and “Punishment” results from the male gaze in three ways: the narrative viewpoint, stereotypical characterization, and the objectification of the female body. The following essay analyses the poems through an ecofeminist perspective that enables examination of the female characters as personifications of nature – “Bog Queen” as Mother Earth and the victim of “Punishment” as Nerthus, the fertility goddess. The analysis explores three areas; historical context, ‘The Feminine Principle,’ and Nussbaum’s list of ‘Fe
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Bullock, Katherine Mary. "The Reproduction of Hypermasculinity, Misogyny and Rape Culture in Online Video Game Interactions." Thesis, North Dakota State University, 2017. https://hdl.handle.net/10365/28667.

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Playing video games is a popular past time for many, and the introduction of online gaming allows people of various backgrounds to interact with one another. Yet, it is clear in the wake of incidences such as Gamergate which saw threats directed towards women, that gaming is still considered a male space that is hostile towards women. Through content analysis of online spaces, this research sought to understand how violence towards femininity manifests in gaming. Through Louis Althusser?s (1972) concept of Ideological State Apparatuses (ISAs) I explore how hypermasculine and misogynistic ideol
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Wiatrowski, Michael Jr. "A Man's Gotta Do: Myth, Misogyny and Otherness in Post-9/11 America." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1340022877.

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Sydeman, Melissa. "Misogynist politics : film theory, feminism and Brian De Palma." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386520.

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Griswold, Lisa. "Minnewater." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/631.

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Anderson, Kathryn B. "Cognitive and personality predictors of male-on-female aggression : an integration of theoretical perspectives /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9737907.

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Delano, Cristina L. "Misogyny and (mis)representation the female subject in the poetry of jos ̌de espronceda /." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001043.

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Grimwood, Thomas David. "Ironology and the Interpretation of Misogyny in the Philosophy of Schopenhauer, Kierkegaard and Nietzsche." Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504168.

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Hester, Vicki M. (Vicki Martin). "D. H. Lawrence: Misogyny as Ideology in His Later Works of Fiction and Nonfiction." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500651/.

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Critics continue to debate Lawrence's attitude toward women: Some say Lawrence is a misogynist, some say he is an egalitarian, and others say he is ambivalent toward women. If Lawrence's works are divided into two chronological periods, before and after 1918, these differences of opinions begin to dissolve. Lawrence is fair in his treatment of women in the earlier works; however, in his later works Lawrence restricts women to what he calls the sensual realm, the realm of feelings and emotions. In addition, Lawrence denounces all women who assert individuality and self-responsibility. In the l
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COLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.

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Il presente studio mira a constatare lo stretto collegamento tra la figura femminile e il cinema thriller e horror italiano, qui denominato genericamente “fantastico” in un’ accezione estensiva, a evidenziarne caratteristiche comuni relative a entrambi i generi. La periodizzazione della ricerca va dagli anni sessanta agli anni ottanta ed il primo obiettivo è stato quello di valutare secondo un approccio culturalista l’interdipendenza donna-horror, spesso sfociata in un approccio misogino al genere. I risultati sono stati spesso discordanti rispetto alle premesse di partenza: le donne sono r
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Graso, Jana. "The “Reality” of Misogyny in Online Gaming Communities : A Qualitative Study on Female Minecraft Players." Thesis, Stockholms universitet, JMK, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-133643.

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This study explores the implications of misogyny in the virtual and physical worlds. The 2014 GamerGate scandal shed light on the immense violence to which female gamers and gaming entertainment consumers are so frequently exposed to. Minecraft is the most played mass online multiplayer game in the world with over 100 million copies sold. The open gameplay mode of Minecraft and the non-linearity of the objective of the game has grown into a lush ground for violence, as there are seldom physical or virtual repercussions for verbal violence online. Gendertrolling has become a pastime within the
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Habasque, Pierre. "Oh my God, like, totally, you know? Le stéréotype Valley Girl, catalyseur de misogynie linguistique ?" Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30004.

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Cette thèse se propose d’étudier de quelle façon la misogynie peut prendre pour cible des pratiques linguistiques pouvant être perçues comme féminines et prend l’exemple du stéréotype sexiste de la « Valley Girl. » Ce terme, popularisé dans les années 1980 par le titre éponyme de Frank Zappa, a d’abord fait référence à des adolescentes, prétendument futiles et décérébrées, appartenant à la classe moyenne californienne. Bien que ces dernières aient été ridiculisées dans la chanson, cette exposition médiatique a paradoxalement eu pour effet de lancer un effet mode dont l’une des manifestations é
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Caton, Hannah Noelle. "A Rhetorical Analysis of Modern Day Retro-Sexism: Misogyny Masked by Glamour in Mad Men." University of Findlay / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1439993165.

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Carlsson, Anneli. ""¡Cáncer es una mujer pegada como una sanguijuela sesenta años succionándole el alma!" : Un examen de los rasgos misóginos en la novela El desbarrancadero de Fernando Vallejo." Thesis, Högskolan Dalarna, Spanska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-13623.

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El desbarrancadero, published in 2001 by Colombian author Fernando Vallejo is foremost a moving story about brotherly love, but it is also a highly critical novel that lashes out on a number of phenomena such as the catholic church, the Pope and the very idea of religion. It also addresses the poverty of Colombia, its corrupt politicians, the drug trade, viral diseases and animal abuse to mention a few more subjects. This essay however, does not aim to explore any of the above mentioned matters but rather examine how women are portrayed in this novel. The objective of this investigation, based
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