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Relevant bibliographies by topics / Misogynist

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Academic literature on the topic 'Misogynist'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Misogynist"

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Zucker, David J., and Moshe Reiss. "Ezekiel as Misogynist." Biblical Theology Bulletin: Journal of Bible and Culture 46, no. 4 (October 26, 2016): 186–90. http://dx.doi.org/10.1177/0146107916664053.

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Callan, Guy. "A Misogynist Ideology." Art Book 6, no. 4 (September 1999): 5–7. http://dx.doi.org/10.1111/1467-8357.00159.

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Braund, Susanna H. "Juvenal—Misogynist or Misogamist?" Journal of Roman Studies 82 (November 1992): 71–86. http://dx.doi.org/10.2307/301285.

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Juvenal is charged with misogyny. The evidence brought against him isSatire6. A secondary charge is that of unstructured composition. This paper will attempt to show that the case is unfounded. My contention is that the poem is shaped by contemporary discourses about marriage, in particular the treatment of marriage in rhetoric. The understanding of the poem's ideological grounding thus gained will provide a basis for exploring the complex interrelationship of author, speaker, addressee, and audience in the poem.

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Wang, Yueming. "Misogyny or Feminism? A Probe into Hawthorne and His The Scarlet Letter." English Language and Literature Studies 7, no. 2 (May 30, 2017): 139. http://dx.doi.org/10.5539/ells.v7n2p139.

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Nathaniel Hawthorne’s The Scarlet Letter has been focused onby critics from different aspects due to his ambiguity used in the novel. Hawthorne himself has been doubted as to whether he is a misogynist or a feminist when describing the female character, Hester Prynne. This article supports the idea that Hawthorne holds the idea offeminism in his work The Scarlet Letter. A writer who mirrors Hester’s life as his own cannot be a misogynist; a writer who honors a woman’s rebelling against patriarchy cannot be a misogynist; a writer who has a beloved wife and mother cannot be a misogynist. Harmonic family relationships, sympathetic character descriptions, and mild demonstrations against patriarchy all prove that Hawthorne is not a misogynist, but a feminist. Hawthorne depicts through four aspects on Hester’s life, Hester’s rebel, Hawthorne’s own family relationship to advocate feminism in his novel.

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Modleski, Tania. "Misogynist Films: Teaching Top Gun." Cinema Journal 47, no. 1 (2007): 101–5. http://dx.doi.org/10.1353/cj.2007.0056.

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Whittier, Gayle. "The Lottery” as misogynist parable." Women's Studies 18, no. 4 (January 1991): 353–66. http://dx.doi.org/10.1080/00497878.1991.9978842.

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Gordon, Joan, and Lucie Armitt. "Fighting Misogynist SF in Another Dimension." Contemporary Literature 34, no. 4 (1993): 791. http://dx.doi.org/10.2307/1208812.

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Finlay, Barbara. "Was Tertullian a Misogynist? A Reconsideration." Journal of The Historical Society 3, no. 3-4 (June 2003): 503–25. http://dx.doi.org/10.1111/j.1529-921x.2003.00079.x.

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Hoffnung, Michele. "Rejecting Misogynist Myths of Why Girls Fight." Psychology of Women Quarterly 29, no. 1 (March 2005): 111–12. http://dx.doi.org/10.1111/j.1471-6402.2005.173_3.x.

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Youngtak Kwon. "Philip larkin: A Misogynist or an Aesthetic Priest?" Jungang Journal of English Language and Literature 49, no. 4 (December 2007): 17–34. http://dx.doi.org/10.18853/jjell.2007.49.4.002.

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Dissertations / Theses on the topic "Misogynist"

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Daniels, Craig W. "Martial, misogynist?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57278.pdf.

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Sydeman, Melissa. "Misogynist politics : film theory, feminism and Brian De Palma." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386520.

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Machado, Elsa Cascais Silva Andrade. "Masculinity, melancholia and misogyny in the films of Sam Peckinpah." Doctoral thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/22904.

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Doutoramento em Estudos Culturais
With this thesis I have attempted to analyse three salient features in Sam Peckinpah’s films: masculinity, melancholia and misogyny. Having made only fourteen films, Peckinpah distinguished himself as an important director in the history of American cinema not only because of his innovative techniques but also because his work was so much in tune with the zeitgeist of the turbulent times in which he lived. The analysis of these three main themes aims to cast some light on the work of a director whose temperamental traits and difficult relation with the film industry tend to obfuscate an un-romanticized view of his oeuvre. Peckinpah’s best work was within the generic traits of the Western but he also made forays into other genres, never forsaking the main worries and worldview that give his films a sense of thematic coherence. While American cinema is inclined to foreground a strong patriarchal hegemonic model, Peckinpah’s films, although centered on masculinity, unwittingly undermine this model by disclosing flaws and weaknesses in his protagonists, rendering them more vulnerable and prone to suffering. This singularity allowed me to bring into relief the elegiac mood of his films, a characteristic which entwines with the perception of a fading West and with the obsolescence of his male characters. Peckinpah became notorious in his association with misogyny not only because of his impromptu comments in the interviews he gave but also because he displayed a problematic relationship with women in real life, giving them a dismissive treatment in his films. This thesis attempts to deal with this unsavoury feature which many critics disavow or simple ascribe to inflamed feminist criticism. I hope in this work I have managed to address the richness of Peckinpah’s films and to reveal how he left a legacy which surpasses the technical artistry for which he became known and the violence which he stylised with the details of his obsessive directorial flair. This legacy lies in the melancholy mood that suffuses his work, resulting from disenchantment and loss.
Com esta tese procurei abordar três aspectos que se salientam na obra de Sam Peckinpah: masculinidade, melancolia e misoginia. Tendo realizado apenas catorze filmes, Peckinpah distinguiu-se na história do cinema Americano não apenas pelos elementos técnicos inovadores mas também pelo facto de os seus filmes estarem em sintonia com o zeitgeist dos tempos turbulentos em que viveu. A partir da análise destes três aspectos, pretendi realçar o trabalho de um realizador cuja personalidade temperamental e a difícil relação com os estúdios tendem a obfuscar uma exploração menos romanticizada do seu trabalho. Apesar de se ter distinguido no Western, Peckinpah aventurou-se por outros géneros, nunca abandonando as principais preocupações e mundividência que conferem ao seu trabalho uma coerência temática. Enquanto o cinema Americano promove um modelo fortemente patriarcal e hegemónico, os filmes de Peckinpah, apesar de se centrarem na masculinidade, tendem a subverter este modelo ao colocarem em evidência as falhas e fraquezas dos seus protagonistas, que se revelam vulneráveis e mais suscetíveis ao sofrimento. Esta singularidade permitiu-me sublinhar a disposição elegíaca dos seus filmes e a sua relação com melancolia, uma característica que se associa à perceção de um Oeste em declínio e ao anacronismo dos seus protagonistas. Peckinpah ficou marcado pela sua postura misógina não apenas através dos seus comentários precipitados e irrefletidos, presentes nas várias entrevistas que concedeu, mas também porque manifestou uma relação problemática com as mulheres, algo que se refletiu na forma como as tratou e representou no ecrã. Esta tese procura assim abordar uma vertente menos agradável da sua obra que muitos críticos minimizam ou percecionam como resultado de uma crítica feminista inflamatória. Espero assim que, com este trabalho, tenha conseguido explorar a riqueza do cinema de Sam Peckinpah, demonstrando que a herança que este nos deixou ultrapassa em muito a técnica artística dos seus filmes ou a violência que ele explorou exaustivamente com a sua entrega à realização. Esta herança reside na melancolia que atravessa o seu trabalho, resultante de desencanto e perda.

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Le, Vu Phung Nhi. "The Influences of Misogynist Online Harassment on German Female Journalists and their Personal and Professional Lives." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1594828390923411.

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Cooper, Donna Marie. "Was Tertullian a misogynist? : a re-examination of this charge based on a rhetorical analysis of Tertullian's work." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/10124.

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Feminist scholars have long assumed that Tertullian, a second-century Church Father, was a misogynist. This assumption is based almost exclusively on the infamous “Devil’s gateway” passage in the opening chapter of De cultu feminarum. However, feminist scholars have read this passage in isolation without reference to its wider context in De cultu feminarum and without considering other passages from Tertullian’s treatises. Furthermore, they have failed to recognize the influence which ancient rhetoric had on Tertullian’s work. By reading the “Devil’s gateway” passage in a wider context, and by engaging in a detailed analysis of Tertullian’s use of rhetoric, it becomes evident that Tertullian’s comments in that passage are not based on misogynistic view of women. Rather, they serve a specific rhetorical purpose in one particular treatise. Furthermore, by looking beyond the “Devil’s gateway” passage to other passages in which Tertullian makes reference to women, it is clear that his comments in the “Devil’s gateway” passage are not representative of his view of women. An examination of themes such as Mary, the anthropology of woman and woman’s role in the social order reveals a more nuanced picture of Tertullian’s view of women, than the one offered by some feminist scholars. By bringing together two areas - Tertullian’s use of rhetoric and feminist critique of Tertullian and of the Fathers in general - I will challenge the assumption that Tertullian was a misogynist and show that in some areas Tertullian can make a positive contribution to the feminist question.

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Greer, Rebecca Joy. "The Misogynistic Culture of Heian Japan." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579251.

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The Heian era of Japan is a period characterized by a court society enamored with all things beautiful and poetic. Within that society, court men and women produced many great, long-lasting works of art, not the least of which were works of poetry and literature. Some of the most famous of these literary and poetic pieces were authored by women of the court, such as The Tale of Genji by Murasaki Shikibu and The Pillow Book by Sei Shōnagon. Considering the great accomplishments of these women, one might be lead to believe that these women enjoyed lives of respect and opportunity, however; this could not be further from the truth. Women of the Heian era lived their lives from a position of inferiority with no chance at achievements at the level of men. In my paper, I argue that, through the writings of court men and women of the Heian era, an intrinsic misogyny within the culture is revealed.

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Szuhaj, Katalin. "Le portrait satirique baroque. L'oeuvre de Charles-Timoleon de Sigogne dans le reflet d'une analyse comparée de l'art du dessin et de la peinture." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00966490.

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Cette thèse est le fruit d'une étude comparative de la peinture et de la poésie des XVIe et XVIIe siècles. Dans ce document, la poésie et la peinture se répondent, s'entrecroisent, s'éclairent à tour de rôle, grâce à une analyse comparée des similitudes et différences qu'elles expriment sur le même thème, qui est le portrait satirique baroque. Notre étude est ancrée dans une approche esthétique de l'univers visuel baroque, et met l'accent sur la réception des œuvres d'art par le spectateur. Quant à la poésie, nous nous éloignerons du modèle classique de la satire, pour pénétrer la littérature satirique, riche d'une langue imagée, et bien souvent obscène. Notre thèse est composée de cinq chapitres. Nous donnerons tout d'abord une définition du portrait en poésie et en peinture. Dans un deuxième temps, nous montrerons qu'en représentant un individu, l'artiste dévoile également son âme, et que, dans cette époque tourmentée, l'âme apparaît à travers laideur et difformité dans les portraits sociaux et misogynes. Le troisième chapitre sera consacré à la notion d'esthétique paradoxale, qui montre l'homme et l'univers de façon renversée, comme un écho au monde bouleversé du tournant de XVIème siècle, avec les conséquences que cela implique sur le récepteur de l'œuvre d'art. Nous analyserons ensuite plus particulièrement la poésie misogyne de Sigogne, avant de conclure notre travail sur l'étude du monde fantastique et surnaturel qui s'empare de sa poésie, et de la poésie baroque de manière générale.

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Peeler, Nicole D. "Beyond a misogynist's aesthetic : rereading the fiction of Philip Roth and Martin Amis." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/29318.

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This dissertation offers re-readings of works by two of the most controversial and influential living writers: Martin Amis and Philip Roth. These writers are often accused of amorality, or even immorality, and this thesis deals with the controversies these authors have incited with specific focus on their alleged misogyny. Chapter 1 defines exactly why Amis and Roth are genuine problems for readers. However, I argue that simply condemning these writers also disables a reader’s ability to see just how invested they are in issues of pressing importance to contemporary society. Chapter 2, 3 and 4 examine specific novels by these authors in the light of theories significant both to their work as well as popular and academic culture. I propose that the overarching theme that links these three specific topics, the novels, and their authors is how the gendered subject emerges through time. Chapter 2 looks at how both Amis and Roth explore their separate theories about ideology, and especially the idea of ‘goodness’, in Other People: A Mystery Story, and When She Was Good. Chapter 3 takes as its subject trauma, history, and narrative, illustrating how they relate to Time’s Arrow, and Sabbath’s Theater. Finally, Chapter 4 engages with masculinity theory, demonstrating Roth’s and Amis’ interest in the subject as exemplified in Portnoy’s Complaint and London Fields. This thesis seeks to illustrate that Amis’ and Roth’s intellectual engagement with the issues underlying these current theories defies those critics who argue that they are amoral, immoral, or engaged entirely with their own solipsistic philosophies.

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Hayward, Rebecca. "'Now I am a wedow' : chaste images and misogynistic stereotypes of widows in medieval literature." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442520.

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Habasque, Pierre. "Oh my God, like, totally, you know? Le stéréotype Valley Girl, catalyseur de misogynie linguistique ?" Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30004.

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Cette thèse se propose d’étudier de quelle façon la misogynie peut prendre pour cible des pratiques linguistiques pouvant être perçues comme féminines et prend l’exemple du stéréotype sexiste de la « Valley Girl. » Ce terme, popularisé dans les années 1980 par le titre éponyme de Frank Zappa, a d’abord fait référence à des adolescentes, prétendument futiles et décérébrées, appartenant à la classe moyenne californienne. Bien que ces dernières aient été ridiculisées dans la chanson, cette exposition médiatique a paradoxalement eu pour effet de lancer un effet mode dont l’une des manifestations était linguistique : le Valspeak. Ce dialecte comprend entre autres des marqueurs phonétiques (le California Vowel Shift), prosodiques (l’utilisation d’un contour intonatif montant), lexicaux (fer sure, gag me with a spoon) ou de discours (LIKE). Bien que certains de ces marqueurs n’aient pas été (uniquement) popularisés par les Valley Girls, ils peuvent néanmoins être perçus comme tels, et y avoir recours peut exposer un locuteur à une perception négative de sa personne. Ce travail cherche à interroger les liens pouvant exister entre la stigmatisation des marqueurs du Valspeak et la misogynie, phénomène que nous appelons la « misogynie linguistique » du Valspeak. Dans quelle mesure la potentielle stigmatisation de ces marqueurs peut-elle être due au genre féminin des locutrices prototypiques de ce dialecte ? Trois éléments de réponse à cette question sont proposés. Tout d’abord, une étude de perception dialectale quantitative portant sur trois marqueurs du Valspeak (le California Vowel Shift, le contour intonatif montant et LIKE) est menée auprès de locuteurs de l’anglais américain. Deuxièmement, des entretiens qualitatifs ont pour but d’évaluer quelles idéologies sont associées aux marqueurs linguistiques du Valspeak et à la persona Valley Girl. Enfin, l’analyse porte sur trois représentations télévisuelles humoristiques de personnages féminins dans Parks and Recreation, Les Griffin et Ew! (un sketch dans The Tonight Show Starring Jimmy Fallon). Il est montré que des marqueurs du Valspeak sont utilisés afin d’orchestrer la stigmatisation de personnages féminins sans faire explicitement appel au stéréotype Valley Girl
This dissertation explores how misogyny may target language uses which may be perceived as feminine and centers on the "Valley Girl" stereotype. This term was popularized in the 1980s by Frank Zappa’s eponymous single and originally referred to supposedly vain and unintelligent female teenagers who belonged to the Californian middle class. Though Valley Girls were ridiculed in the song, the impact it had launched a craze that manifested linguistically in Valspeak. This dialect comprises markers which are mainly phonetic (the California Vowel Shift), prosodic (the High Rising Terminal contour), lexical ("fer sure," "gag me with a spoon"), or that can be found at the discourse level (LIKE). Though some of these markers were not (solely) popularized by Valley Girls, they may nevertheless be perceived as such, and a speaker using them may trigger negative social evaluations. This research explores how the potential stigmatizing perception of Valspeak may be linked to misogyny, which is a phenomenon we refer to as the "linguistic misogyny" of Valspeak. To what extent may linguistic stigma be induced by the gender of the prototypical speakers of this dialect? Three main analyses are provided. First, a quantitative perceptual dialectology study of three Valspeak markers (the California Vowel Shift, the High Rising Terminal contour, and LIKE) is conducted with native American English speakers. Then, qualitative interviews are carried out in order to determine what ideologies are associated with Valspeak markers and the Valley Girl persona. The third part of the analysis focuses on three humorous representations of female characters in television programs: Parks and Recreation, Family Guy, and Ew! (a segment on The Tonight Show Starring Jimmy Fallon). It is suggested that Valspeak markers may be recruited in order to portray intellectually-challenged female characters without explicitly referring to the Valley Girl stereotype

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Books on the topic "Misogynist"

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Read, Piers Paul. The misogynist. London: Bloomsbury, 2010.

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Read, Piers Paul. The misogynist. London: Bloomsbury, 2011.

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Cotterill, Colin. The merry misogynist. New York: Soho, 2009.

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Harvey, Kenneth J. The great misogynist. Toronto: Exile Editions, 1996.

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Cotterill, Colin. The merry misogynist. New York: Soho, 2009.

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The merry misogynist. New York: Soho, 2009.

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Cotterill, Colin. The merry misogynist. New York: Soho, 2009.

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Afolabi, 'Bayo. The misogynist: A psychological drama. Ibadan: Penthouse Publications, 2005.

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The female pest: An exposé of misogynist mythology. London: Anthony Wilson, 1985.

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Ford, David Carlton. Misogynist or advocate?: St. John Chrysostom and his views on women. Ann Arbor, Mich: UMI Dissertation Information Service, 1991.

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Book chapters on the topic "Misogynist"

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Filmer, Kath. "Masking the Misogynist in Narnia and Glome." In The Fiction of C. S. Lewis, 104–20. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22535-4_8.

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Musgrave, Megan L. "Gamer Girls: Going Online in the Age of Misogynist Terrorism." In Digital Citizenship in Twenty-First-Century Young Adult Literature, 129–65. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58173-0_4.

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Allen, James Smith. "Papus the Misogynist: Honor, Gender, and the Occult in Fin-de-Siècle France." In Confronting Modernity in Fin-de-Siècle France, 112–29. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246843_6.

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Roberts, Tomi-Ann. "Bleeding in Jail: Objectification, Self-Objectification, and Menstrual Injustice." In The Palgrave Handbook of Critical Menstruation Studies, 53–68. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_6.

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Abstract In this first-person recollection, Roberts describes in frank detail an expert witness in a civil rights case on behalf of former inmates subjected to a strip and body cavity search in a women's jail. As Roberts relates, the procedure was monitored by female deputies and conducted en masse, and those who were menstruating had to remove their soiled tampons or pads in front of the group and, in some cases, bleed down their legs and onto the floor. Deputies are alleged to have verbally abused the inmates during the procedure. This case, Roberts says, has opened her eyes to the ways the shame and disgust that menstruation engenders gets deployed to debase disenfranchised women. Roberts asserts that this is a uniquely misogynist form of punishment, meted out by and against bodies and minds that have been colonized by objectification and self-objectification, becoming a grotesque platform to dehumanize women who land on the wrong side of the law and who live in bodies that menstruate.

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Habermann, Ina. "Hamlets Misogynie?" In Hamlet-Handbuch, 62–66. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-00516-8_14.

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Celli, Carlo. "China’s Confucian, Misogynistic Nationalism." In National Identity in Global Cinema, 11–21. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117174_2.

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Keith, Thomas. "Musical Misogynists: The Beat of Bro Culture." In The Bro Code, 151–77. New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429460524-7.

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Haynes, Amanda, and Jennifer Schweppe. "Should hate crime legislation include misogynistic crimes?" In Perspectives on hate: How it originates, develops, manifests, and spreads., 277–97. Washington: American Psychological Association, 2020. http://dx.doi.org/10.1037/0000180-013.

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Bashar, Md Abul, Richi Nayak, Nicolas Suzor, and Bridget Weir. "Misogynistic Tweet Detection: Modelling CNN with Small Datasets." In Communications in Computer and Information Science, 3–16. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6661-1_1.

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Anzovino, Maria, Elisabetta Fersini, and Paolo Rosso. "Automatic Identification and Classification of Misogynistic Language on Twitter." In Natural Language Processing and Information Systems, 57–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91947-8_6.

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Conference papers on the topic "Misogynist"

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Hewitt, Sarah, T. Tiropanis, and C. Bokhove. "The problem of identifying misogynist language on Twitter (and other online social spaces)." In WebSci '16: ACM Web Science Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2908131.2908183.

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Lynn, Theo, Patricia Takako Endo, Pierangelo Rosati, Ivanovitch Silva, Guto Leoni Santos, and Debbie Ging. "A Comparison of Machine Learning Approaches for Detecting Misogynistic Speech in Urban Dictionary." In 2019 International Conference on Cyber Situational Awareness, Data Analytics And Assessment (Cyber SA). IEEE, 2019. http://dx.doi.org/10.1109/cybersa.2019.8899669.

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