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Relevant bibliographies by topics / Misogyny

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Academic literature on the topic 'Misogyny'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Misogyny"

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Yang, Natalie. "Self Hatred East Asian Woman Females Misogyny Breeds from Father-Daughter and Mother-Daughter Relationships in Japan and China." Lecture Notes in Education Psychology and Public Media 2, no. 1 (March 1, 2023): 373–79. http://dx.doi.org/10.54254/2753-7048/2/2022291.

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Misogyny, which refers to the misrepresentation and degrading of women as reflected in an aversion to femininity, feminism, and things associated with women, is an important maintenance of the patriarchy society. Misogyny is described as a disease in Chinese, however, granted that the translation describes it as something needed to be correct, East Asia cultural circle as a whole oftentimes neglect the importance of it since women get so used to being treat in a misogynistic manner by both men and women even though it could be the main source of threat to womens right in the workplace and homestead. The fact that women are also susceptible to misogyny making it unnoticeable is worth to research as this type of misogyny between women is the advance version of the reproductive competition driven by natural desire, however, circumventing is type of same-sex loath is possible, and beneficial to gender equality. To this end, searching for the manifestation of misogyny existing in the same-sex relationship is one of the biggest targets of this paper as well. Inspired by the motive of Tomohiro Kato for executing the Akihabara Massacre, this paper was written in attempt to answer serval questions of why both men and women are susceptible to misogyny; why misogyny is so entrenching; how does misogony pass on from parents to daughters; what are the manifestation of misogyny in literatures; how to get rid of misogyny or make it less susceptible.

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Bloch, R. Howard. "Medieval Misogyny." Representations 20, no. 1 (October 1987): 1–24. http://dx.doi.org/10.1525/rep.1987.20.1.99p0179v.

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Brogaard, Berit. "Female Misogyny." Philosophers' Magazine, no. 91 (2020): 53–59. http://dx.doi.org/10.5840/tpm20209193.

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Bloch, R. Howard. "Medieval Misogyny." Representations 20 (1987): 1–24. http://dx.doi.org/10.2307/2928500.

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Clark, Maudemarie. "Nietzsche’s Misogyny." International Studies in Philosophy 26, no. 3 (1994): 3–12. http://dx.doi.org/10.5840/intstudphil19942632.

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Hale, Sadie E., and Tomás Ojeda. "Acceptable femininity? Gay male misogyny and the policing of queer femininities." European Journal of Women's Studies 25, no. 3 (March 28, 2018): 310–24. http://dx.doi.org/10.1177/1350506818764762.

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While it represents a common form of gender-based violence, misogyny is an often-overlooked concept within academia and the queer community. Drawing on queer and feminist scholarship on gay male misogyny, this article presents a theoretical challenge to the myth that the oppressed cannot oppress, arguing that specific forms of gay male subjectivities can be proponents of misogyny in ways that are unrecognised because of their sexually marginalised status. The authors’ interest in the doing of misogyny, and its effects on specific bodies and subjectivities, leads them to discuss the extent to which white gay male misogyny can function to reinforce a particular gender and racial hierarchy that continually confines queer femininities to the status of the abject other, for failing to exhibit their feminine credentials and for making gender trouble. The study also addresses how specific markers of femininity are depoliticised through the workings of this misogyny, exploring what femininity does when it is conceptualised outside a heteronormative framework. To address these ideas, the authors firstly propose a theoretical account of misogyny in order to understand its analytical status as a cultural mechanism within the psychic economy of patriarchy. Secondly, they use queer approaches to effeminacy and subject formation for making the case for gay male misogyny and its connections to femininity within white gay cultures, asking how misogyny might become an essential component of the performance of hegemonic masculinity. The article concludes with a discussion of the ways in which gay male misogyny reinforces white male dominance over women and queer femininities specifically, advocating for resistance to the reproduction of such patriarchal arrangements.

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Hunter, Kyleanne, and Emma Jouenne. "All Women Belong in the Kitchen, and Other Dangerous Tropes: Online Misogyny as a National Security Threat." Journal of Advanced Military Studies 12, no. 1 (April 30, 2021): 57–85. http://dx.doi.org/10.21140/mcuj.20211201003.

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Online misogyny is an under-studied form of information warfare. Often dismissed as “boys will be boys,” online misogyny has been allowed to percolate and create communities that have far-reaching impacts. The impacts of online misogyny are not confined to the internet. In this article, the authors show how the ubiquitous nature of online misogyny poses a national security threat. We explore three diverse case studies: the United States military, the incel movement, and ISIS to demonstrate the far-reaching nature of the security threat. Though the nature of the security threats is different, the intervening cause—unchecked online misogyny—is the same.

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Hennequin, M. Wendy. "Managing Medieval Misogyny." Medieval Feminist Forum 36 (September 2003): 49–51. http://dx.doi.org/10.17077/1536-8742.1209.

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Kaye, Erica C. "Misogyny in Medicine." New England Journal of Medicine 384, no. 24 (June 17, 2021): 2267–69. http://dx.doi.org/10.1056/nejmp2103616.

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Sawer, Marian. "Misogyny and misrepresentation." Political Science 65, no. 1 (June 2013): 105–17. http://dx.doi.org/10.1177/0032318713488316.

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Dissertations / Theses on the topic "Misogyny"

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Chan, Lai-tak, and 陳勵德. "Louis Cha's misogyny complex." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44622508.

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Tucker, John W. Carroll Anne. "Misogyny in Cormac McCarthy's Suttree." Diss., A link to full text of this thesis in SOAR, 2007. http://soar.wichita.edu/dspace/handle/10057/1180.

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Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English.
"May 2007." Title from PDF title page (viewed on Dec. 29, 2007). Thesis adviser: Anne Carroll. Includes bibliographic references (leaves 36-38).

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Berkland, Darren Gary. "Androcentrism and misogyny in late twentieth century rock music." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/d1021199.

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Judith Butler’s writings on gender ostensibly changed the way gender is considered with regard to an individual’s subjectivity. Her writings expressed a discursive parameter that changed the theoretical standpoint of gender from that of performance, to that of performativity. In short, the notion of gender became understood as a power mechanism operating within society that compels individuals along the heteronormal binary tracts of male or female, man or woman. Within the strata of popular culture, this binarism is seemingly ritualized and repeated, incessantly. This treatise examines how rock music, as a popular and widespread mode of popular music, exemplifies gender binarism through a notable ndrocentrism. The research will examine how gender performativity operates within the taxonomy of rock music, and how the message communicated by rock music becomes translated into a listener’s subjectivity.

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Patrick, Tegan Rae. "Legitimising Misogyny: Representations of Women in Three Shakespeare Films." Thesis, University of Canterbury. Humanities, 2014. http://hdl.handle.net/10092/10015.

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The plays of William Shakespeare have long been considered a source of cultural and educational interest by both academics and filmmakers, and the practice of adapting Shakespeare’s works to film has existed for almost as long as film itself. The name “Shakespeare” evokes ideals of cultural legitimacy and importance, and Shakespeare film as a genre is always caught up in questions of fidelity and legitimacy. In adapting Shakespeare to the screen, filmmakers also adapt, whether deliberately or not, the various cultural beliefs that his work is steeped in. Early modern ideas about gender, race and class are reproduced in modern film through the adaptation of Shakespeare, often excused or unexamined in the name of fidelity. This thesis discusses Shakespeare’s three plays Hamlet, Richard III and The Taming of the Shrew, all of which deal in some way with gender roles and the place and power of women, whether that power is sexual, political or verbal. I also examine three film adaptations of the plays: Kenneth Branagh’s Hamlet, Ian McKellen and Richard Loncraine’s Richard III, and Gil Junger’s 10 Things I Hate About You. All three films serve as examples of the way the misogyny present in Shakespeare’s works is reproduced and sometimes magnified through adaptation to the screen. The reproduction of early modern gender hierarchies is naturalised in a number of ways across the three films, including the use of star power, the invocation of Shakespeare as a cultural authority, and specific filmic techniques such as flashback and the cutting and editing of film and screenplay. I argue that in all three films, the faithful adaptation of Shakespearean ideas of gender comes at the expense of both the women characters and those women who make up the films’ audience.

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Stone, Mitzi R. "Beyond misogyny : Penelope and Clytaemnestra as paradigms for society." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/305.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Humanities

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Jones, Jennifer A. "Myth, misogyny and the old woman in early modern France /." Title page, contents and introduction only, 1988. http://web4.library.adelaide.edu.au/theses/09AR/09arj77.pdf.

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Arrowsmith, Anna. "Rethinking misogyny : men's perceptions of female power in dating relationships." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/50801/.

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My PhD research explores the role of men's subjective accounts of interactions with the women they date, especially with reference to whether they experience women to have power in dating relationships. It comprises a qualitative analysis of the responses gained from semi-structured interviews conducted with 20 British men and 10 Pick Up Artists (men who attended classes to learn how to increase their confidence when dating women) all aged 21-40. Current debates around gendered power are largely focused on female subjectivities, and are core to political and theoretical differences between second and third-wave/post-feminisms. I argue that in order to understand the workings of (heterosexual) gendered power relations, we must pay attention not only to issues of structural power but also to men's perceptions of the lived experiences of such relationships. At a time of increased uncertainty about gendered identity and increased pressure to see the ‘self' as a project, such perceptions may be both very varied and at variance with accepted structural analyses of gendered power. Following three introductory chapters in which I trace the debates around masculinity and a contemporary social order focused on risk and individuality, I analyse the interviewees' responses in order to explore how the men position themselves within the gender and dating discourses that are available to them. The effects of what Ulrich Beck described as ‘individualism' and the use of ‘constructed certitude' are explored, as is how the men deal with conflicting ideas borne out of living in an age when ideals from both hegemonic and inclusive masculinities co-exist. Whether men acknowledge their own insecurities or whether they focus on perceived external triggers, such as female culpability, and whether men respond to insecurities by focusing on an active process of overcoming them (thus remaining inside hegemonic ideas), is also a focus. Subject areas explored include the role of homosocial behaviour in dating, the gendered dating process, the power of female beauty, men's bodily anxieties, media representations of dating, men's body image, unwanted pregnancies and female aggression. I conclude that we cannot dismiss men's perceptions of female power in dating as mistaken, as has been argued. If men's realities include such perceptions, then their un/willingness to relinquish 'more' power needs to be understood if equality between the sexes is to be increased.

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Machado, Elsa Cascais Silva Andrade. "Masculinity, melancholia and misogyny in the films of Sam Peckinpah." Doctoral thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/22904.

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Doutoramento em Estudos Culturais
With this thesis I have attempted to analyse three salient features in Sam Peckinpah’s films: masculinity, melancholia and misogyny. Having made only fourteen films, Peckinpah distinguished himself as an important director in the history of American cinema not only because of his innovative techniques but also because his work was so much in tune with the zeitgeist of the turbulent times in which he lived. The analysis of these three main themes aims to cast some light on the work of a director whose temperamental traits and difficult relation with the film industry tend to obfuscate an un-romanticized view of his oeuvre. Peckinpah’s best work was within the generic traits of the Western but he also made forays into other genres, never forsaking the main worries and worldview that give his films a sense of thematic coherence. While American cinema is inclined to foreground a strong patriarchal hegemonic model, Peckinpah’s films, although centered on masculinity, unwittingly undermine this model by disclosing flaws and weaknesses in his protagonists, rendering them more vulnerable and prone to suffering. This singularity allowed me to bring into relief the elegiac mood of his films, a characteristic which entwines with the perception of a fading West and with the obsolescence of his male characters. Peckinpah became notorious in his association with misogyny not only because of his impromptu comments in the interviews he gave but also because he displayed a problematic relationship with women in real life, giving them a dismissive treatment in his films. This thesis attempts to deal with this unsavoury feature which many critics disavow or simple ascribe to inflamed feminist criticism. I hope in this work I have managed to address the richness of Peckinpah’s films and to reveal how he left a legacy which surpasses the technical artistry for which he became known and the violence which he stylised with the details of his obsessive directorial flair. This legacy lies in the melancholy mood that suffuses his work, resulting from disenchantment and loss.
Com esta tese procurei abordar três aspectos que se salientam na obra de Sam Peckinpah: masculinidade, melancolia e misoginia. Tendo realizado apenas catorze filmes, Peckinpah distinguiu-se na história do cinema Americano não apenas pelos elementos técnicos inovadores mas também pelo facto de os seus filmes estarem em sintonia com o zeitgeist dos tempos turbulentos em que viveu. A partir da análise destes três aspectos, pretendi realçar o trabalho de um realizador cuja personalidade temperamental e a difícil relação com os estúdios tendem a obfuscar uma exploração menos romanticizada do seu trabalho. Apesar de se ter distinguido no Western, Peckinpah aventurou-se por outros géneros, nunca abandonando as principais preocupações e mundividência que conferem ao seu trabalho uma coerência temática. Enquanto o cinema Americano promove um modelo fortemente patriarcal e hegemónico, os filmes de Peckinpah, apesar de se centrarem na masculinidade, tendem a subverter este modelo ao colocarem em evidência as falhas e fraquezas dos seus protagonistas, que se revelam vulneráveis e mais suscetíveis ao sofrimento. Esta singularidade permitiu-me sublinhar a disposição elegíaca dos seus filmes e a sua relação com melancolia, uma característica que se associa à perceção de um Oeste em declínio e ao anacronismo dos seus protagonistas. Peckinpah ficou marcado pela sua postura misógina não apenas através dos seus comentários precipitados e irrefletidos, presentes nas várias entrevistas que concedeu, mas também porque manifestou uma relação problemática com as mulheres, algo que se refletiu na forma como as tratou e representou no ecrã. Esta tese procura assim abordar uma vertente menos agradável da sua obra que muitos críticos minimizam ou percecionam como resultado de uma crítica feminista inflamatória. Espero assim que, com este trabalho, tenha conseguido explorar a riqueza do cinema de Sam Peckinpah, demonstrando que a herança que este nos deixou ultrapassa em muito a técnica artística dos seus filmes ou a violência que ele explorou exaustivamente com a sua entrega à realização. Esta herança reside na melancolia que atravessa o seu trabalho, resultante de desencanto e perda.

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Horn, Jessica. "Maternal Misogyny: Absent Mothers in Eighteenth- and Nineteenth-Century Literature." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0327101-132957/restricted/horn0412.pdf.

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Kane, Maureen Kay. "The Restoration of Venus : the Nude, Beauty and Modernist Misogyny." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/367838.

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The title of this project is intended to convey the main thrust of my studio research, in which I articulate a series of female nudes in an Australian landscape. It is also, however, a response to Wendy Steiner’s book, The Exile of Venus: The Rejection of Beauty in 20th-Century Art, which argues that, in many respects, the history of elite art in the twentieth century is one of resistance to the female subject as the symbol of beauty. Steiner traces this resistance to Kant’s theory of the sublime in art, whose effect was to identify feminine beauty with impurity, an identification taken to extremes by avant-garde modernists whose art, in the words of abstract expressionist Barnett Newman, sought “to destroy beauty.” The result was art that, in Steiner’s words, turned the female subject from paragon into “a monster, an animal, an exotic, a prostitute … in the name of purity and civilized values.” I argue that modernism’s quest for purity was actually a quest for truth which took art in two broad directions: a) toward increasing abstraction and minimalism that sought the unadorned pure forms that underpin all art, giving it value; and b) toward the deliberate portrayal of abject ugliness on the assumption that reality was, after all, not beautiful and that truthfulness therefore demanded that we represent it as it was. The first path is not (necessarily) inimical to beauty, but the rejection of beauty by the latter caused not just a rejection of the female form as symbol, but, as Steiner claims, a misogynistic denigration of woman that led to a century of pornography, shock and alienation in work that often provoked anger and outrage. Although I had commenced my nudes-in-the-landscape project some years before reading Steiner’s work, her analysis offered me an explanation for my own alienation from much of the modern art world, with what seemed to me its repeated and deliberate perversions. It also helped confirm and support my persistent interest, not only in pursuing traditional modes of art practice, but in creating works intended to be beautiful. If the twentieth century proved that art need not be beautiful to be art, it nevertheless did not succeed in expunging the human desire for and responsiveness to beauty, certainly not in the female form which became more blatantly deployed, often in debased form, in popular culture. The challenge for an artist now concerned with beauty and the female nude is to inquire how and whether the undeniable but problematic power of female beauty can any longer be used for artistic purposes. My research also inevitably raised the question of the place of theory in art. Against the theory-dominated practice of much modern art, I felt the need to defend an older idea (which I felt verified in my personal history) that theory may grow significantly out of the practice as much as the other way around. The five panels completed for this DVA project are my response to these challenges using the most traditional symbol of beauty, the female nude drawn from life. Indeed the paintings try to make an emphatic point by using multiple nudes integrated into a Queensland rainforest landscape and painted on such a scale as to envelop the viewer. This exegesis expounds this work by explaining first the artist and her artistic trajectory, with both her persistent and developing concerns, and second the means and methods she employed to try to achieve the strong but implicit structure of composition that must support any work that aspires to beauty.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
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Books on the topic "Misogyny"

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Vickery, Jacqueline Ryan, and Tracy Everbach, eds. Mediating Misogyny. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6.

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Giles, Samantha. Witchcraft and Misogyny. Nottingham, United Kingdom: Paupers' Press, 1997.

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Zempi, Irene, and Jo Smith. Misogyny as Hate Crime. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003023722.

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Howard, Bloch R., and Ferguson Frances 1947-, eds. Misogyny, misandry, and misanthropy. Berkeley: University of California Press, 1989.

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Highsmith, Patricia. Little tales of misogyny. New York: Penzler Books, 1986.

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Sue, Harris. Bertrand Blier and misogyny. Stirling: Stirling French Publications, 1996.

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Highsmith, Patricia. Little tales of misogyny. New York: Mysterious Press, 1987.

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Highsmith, Patricia. Little tales of misogyny. New York: W.W. Norton, 2002.

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Gallagher, Philip J. Milton, the Bible, and misogyny. Columbia: University of Missouri Press, 1990.

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Trades, London College of Printing and Distributive. BA Photography dissertation 1991: Misogyny. London: LCPDT, 1991.

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Book chapters on the topic "Misogyny"

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Rouillard, Linda Marie. "Medieval Marriage, Misogamy, Misogyny." In Medieval Considerations of Incest, Marriage, and Penance, 107–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35602-6_4.

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Barker, Kim, and Olga Jurasz. "Misogyny." In Online Misogyny as a Hate Crime, 1–19. New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9780429956805-1.

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Barker, Kim, and Olga Jurasz. "Online misogyny." In Online Misogyny as a Hate Crime, 20–37. New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9780429956805-2.

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DiBranco, Alex. "Mobilizing Misogyny." In Male Supremacism in the United States, 3–20. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164722-2.

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Figlio, Karl. "Social Misogyny." In Rethinking the Psychoanalysis of Masculinity, 179–98. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003455790-15.

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Vickery, Jacqueline Ryan, and Tracy Everbach. "The Persistence of Misogyny: From the Streets, to Our Screens, to the White House." In Mediating Misogyny, 1–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6_1.

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Harp, Dustin. "Misogyny in the 2016 U.S. Presidential Election." In Mediating Misogyny, 189–207. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6_10.

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Brown, Megan Lindsay, Lauren A. Reed, and Jill Theresa Messing. "Technology-Based Abuse: Intimate Partner Violence and the Use of Information Communication Technologies." In Mediating Misogyny, 209–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6_11.

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Mabry-Flynn, Amanda, and Sara Champlin. "Leave a Comment: Consumer Responses to Advertising Featuring “Real” Women." In Mediating Misogyny, 229–45. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6_12.

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Jenkins, Joy, and J. David Wolfgang. "A Space for Women: Online Commenting Forums as Indicators of Civility and Feminist Community-Building." In Mediating Misogyny, 247–68. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72917-6_13.

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Conference papers on the topic "Misogyny"

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Álvarez Crespo, Lucía María, and Laura M. Castro. "Unveiling the Dark Side of Social Media: Developing the First Galician Corpus for Misogyny Detection on Twitter and Mastodon." In Congreso XoveTIC: impulsando el talento científico (6º. 2023. A Coruña). Servizo de Publicacions. Universidade da Coruña, 2023. http://dx.doi.org/10.17979/spudc.000024.14.

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This work aims to develop the first Galician corpus for the detection of misogyny on Twitter and Mastodon. We collect and analyze linguistic data in Galician on these social media platforms, identifying manifestations of misogyny in digital communication. The process involves data collection, text selection, and normalization, followed by thorough cleaning. We apply machine learning techniques to train accurate models for classifying the presence of misogyny. The resulting corpus facilitates analysis and study by research teams interested in misogyny in Galician. This scientific advancement contributes to the understanding and prevention of misogyny in the Galician-speaking community, promoting equality and respect in digital communication in Galician

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Zeinert, Philine, Nanna Inie, and Leon Derczynski. "Annotating Online Misogyny." In Proceedings of the 59th Annual Meeting of the Association for Computational Linguistics and the 11th International Joint Conference on Natural Language Processing (Volume 1: Long Papers). Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.acl-long.247.

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Nozza, Debora, Claudia Volpetti, and Elisabetta Fersini. "Unintended Bias in Misogyny Detection." In WI '19: IEEE/WIC/ACM International Conference on Web Intelligence. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3350546.3352512.

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Muti, Arianna, and Alberto Barrón-Cedeño. "A Checkpoint on Multilingual Misogyny Identification." In Proceedings of the 60th Annual Meeting of the Association for Computational Linguistics: Student Research Workshop. Stroudsburg, PA, USA: Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.acl-srw.37.

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Farrell, Tracie, Miriam Fernandez, Jakub Novotny, and Harith Alani. "Exploring Misogyny across the Manosphere in Reddit." In the 10th ACM Conference. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3292522.3326045.

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Singh, Vandana, and William Brandon. "Discrimination, misogyny and harassment: Examples from OSS." In ICSE '22: 44th International Conference on Software Engineering. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3524501.3527602.

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Coria, Juan Manuel, Sahar Ghannay, Sophie Rosset, and Hervé Bredin. "A Metric Learning Approach to Misogyny Categorization." In Proceedings of the 5th Workshop on Representation Learning for NLP. Stroudsburg, PA, USA: Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.repl4nlp-1.12.

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Fersini, Elisabetta, Francesca Gasparini, Giulia Rizzi, Aurora Saibene, Berta Chulvi, Paolo Rosso, Alyssa Lees, and Jeffrey Sorensen. "SemEval-2022 Task 5: Multimedia Automatic Misogyny Identification." In Proceedings of the 16th International Workshop on Semantic Evaluation (SemEval-2022). Stroudsburg, PA, USA: Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.semeval-1.74.

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Arnob, Shafakat Sowroar, M. A. Ahad Shikder, Tashfiq Alam Ovey, Ehsanur Rahman Rhythm, and Annajiat Alim Rasel. "Bengali Misogyny Identification with Deep Learning and LIME." In 2023 IEEE International Conference on Communication, Networks and Satellite (COMNETSAT). IEEE, 2023. http://dx.doi.org/10.1109/comnetsat59769.2023.10420536.

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Sultana, Sayma. "Identifying Sexism and Misogyny in Pull Request Comments." In ASE '22: 37th IEEE/ACM International Conference on Automated Software Engineering. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3551349.3559515.

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Reports on the topic "Misogyny"

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Edstrom, Jerker, Ayesha Khan, Alan Greig, and Chloe Skinner. Grasping Patriarchal Backlash: A Brief for Smarter Countermoves. Institute of Development Studies, January 2023. http://dx.doi.org/10.19088/backlash.2023.002.

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Abstract:

Nearly three decades ago the UN World Conference on Women at Beijing appeared to be uniting the international community around the most progressive platform for women’s rights in history. Instead of steady advancement, we have seen uneven progress, backsliding, co-option, and a recent rising tide of patriarchal backlash. The global phenomenon of ‘backlash’ is characterised by resurgent misogyny, homo/transphobia, and attacks on sexual and reproductive rights. It is articulated through new forms of patriarchal politics associated with racialised hyper-nationalist agendas, traditionalism, authoritarianism, and alterations to civic space that have become all too familiar both in the global North and South. A wide range of actors and articulations are involved and influenced by underlying drivers and dynamics. A clearer view of the patriarchal nature of current backlash is a prerequisite for building a cohesive movement to counter it, strategically engaging researchers, activists, policymakers and donors in development.

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