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Journal articles on the topic 'Misogyny and violence'

Author: Grafiati

Published: 8 September 2021

Last updated: 5 February 2022

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1

Jeffress, Jean. "Three’s company too: A midrash on everyday misogyny, Leah, Rachel, Jacob, and the comedy of errors of this Hebrew Bible dysfunctional family." Review & Expositor 115, no. 4 (2018): 572–76. http://dx.doi.org/10.1177/0034637318795430.

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Misogyny, like other forms of hatred/oppression, is patently unspectacular, mediocre, and relies completely upon unearned, systemic, and patriarchal privilege. In this piece, I attempt to weave together disparate narratives connected together by what I call “everyday misogyny.” Common in each of these narratives is that two or more women swarm around one man, who then becomes the center. The contextualization of misogyny, whether in Genesis 29 and 30, the story of Leah, Rachel, Zilpah, Bilhah, and Jacob (five’s company), or in the utter banality of the American 1970s sitcom Three’s Company, is

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Hale, Sadie E., and Tomás Ojeda. "Acceptable femininity? Gay male misogyny and the policing of queer femininities." European Journal of Women's Studies 25, no. 3 (2018): 310–24. http://dx.doi.org/10.1177/1350506818764762.

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While it represents a common form of gender-based violence, misogyny is an often-overlooked concept within academia and the queer community. Drawing on queer and feminist scholarship on gay male misogyny, this article presents a theoretical challenge to the myth that the oppressed cannot oppress, arguing that specific forms of gay male subjectivities can be proponents of misogyny in ways that are unrecognised because of their sexually marginalised status. The authors’ interest in the doing of misogyny, and its effects on specific bodies and subjectivities, leads them to discuss the extent to w

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Mkhize, Jabulani. "‘Pushing the envelope’: The Representation of Jazz, Sex and Violence in Fred Khumalo’s Bitches’ Brew." English in Africa 47, no. 1 (2020): 69–95. http://dx.doi.org/10.4314/eia.v47i1.4.

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This paper, primarily, explores the extent to which Fred Khumalo’s novel, Bitches’ Brew, can be considered a jazz novel by looking at both its subject matter and form. It argues that the transgressive power of Khumalo’s novel lies in its use of epistolary form as a narrative strategy that is akin to a jazz solo, marked as it is by a dialogical narrative that is similar to the call and response pattern that bears an affinity to a jazz performance. In terms of the subject matter, the central thrust of the argument is that the over-arching predominance of sex and violence in the text threatens to

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Kavanagh, Emma, Chelsea Litchfield, and Jaquelyn Osborne. "Sporting Women and Social Media: Sexualization, Misogyny, and Gender-Based Violence in Online Spaces." International Journal of Sport Communication 12, no. 4 (2019): 552–72. http://dx.doi.org/10.1123/ijsc.2019-0079.

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This study investigated gender-based violence targeting high-profile women in virtual environments through the case of women’s tennis. Using a netnographic approach and the lens of third-wave feminism, 2 popular social media platforms (Facebook and Twitter) were analyzed to examine social commentary and fan interaction surrounding the top-5-seeded female tennis players during the Wimbledon Tennis Championships. Athletes were exposed to violent interactions in a number of ways. Four themes were identified through data analysis: threats of physical violence, sexualization that focused on the fem

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Van Brunt, Brian, and W. Scott Lewis. "Costuming, Misogyny, and Objectification as Risk Factors in Targeted Violence." Journal of Campus Behavioral Intervention 2 (November 1, 2014): 99–110. http://dx.doi.org/10.17732/jbit2014/9.

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Van Brunt, Brian, and W. Scott Lewis. "Costuming, Misogyny, and Objectification as Risk Factors in Targeted Violence." Violence and Gender 1, no. 1 (2014): 25–35. http://dx.doi.org/10.1089/vio.2014.0003.

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Bellour, Leila. "Myth, Violence and Misogyny in T. S. Eliot’s (Sweeney Erect)." الأثر, no. 21 (December 2014): 11–20. http://dx.doi.org/10.12816/0039634.

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Matsuzaka, Sara, and David E. Koch. "Trans Feminine Sexual Violence Experiences: The Intersection of Transphobia and Misogyny." Affilia 34, no. 1 (2018): 28–47. http://dx.doi.org/10.1177/0886109918790929.

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Trans feminine individuals are at a higher risk of sexual victimization than any other subset of the U.S. population. This New York City (NYC)-based study employed an intersectional framework with a phenomenological interview format to explore the experiences of trans feminine adult study participants with sexual victimization. A total of 10 in-depth interviews with a diverse sample of trans feminine individuals were conducted. Analysis revealed themes specific to (1) the diversity of experiences within sexual victimization, (2) transmisogynistic sexual victimization, (3) internalized transmis

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Hawkins, Michael C. "Masculinity reborn: Chivalry, misogyny, potency and violence in the Philippines’ Muslim South, 1899–1913." Journal of Southeast Asian Studies 44, no. 2 (2013): 250–65. http://dx.doi.org/10.1017/s0022463413000064.

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This article offers an examination of the gendering of the Philippines' Muslim South under American military rule (1899–1913) through discourses of violence against women. It explores the exposition and discussion of cases involving abuse, murder, enslavement, and violence in both official and unofficial reports, which revealed a critical discourse of gender construction for both coloniser and colonised in Moro Province.

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Blake, Khandis R., Siobhan M. O’Dean, James Lian, and Thomas F. Denson. "Misogynistic Tweets Correlate With Violence Against Women." Psychological Science 32, no. 3 (2021): 315–25. http://dx.doi.org/10.1177/0956797620968529.

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How online social behavior covaries with real-world outcomes remains poorly understood. We examined the relationship between the frequency of misogynistic attitudes expressed on Twitter and incidents of domestic and family violence that were reported to the Federal Bureau of Investigation. We tracked misogynistic tweets in more than 400 areas across 47 American states from 2013 to 2014. Correlation and regression analyses found that misogynistic tweets were related to domestic- and family-violence incidents in those areas. A cross-lagged model showed that misogynistic tweets positively predict

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Kanyemba, Roselyn, and Maheshvari Naidu. "Nature and Perception of Sexist Humor at Great Zimbabwe University." Oriental Anthropologist: A Bi-annual International Journal of the Science of Man 19, no. 2 (2019): 173–89. http://dx.doi.org/10.1177/0972558x19862403.

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For the majority of women, university represents a time of hopefulness and opportunities such that gendered incidences questioning their academic merit poses a serious setback. Sexist humor is one such incident which communicates a message that females are irrelevant and insignificant. This article discusses the nature and perceptions of sexist humor on University campuses. The views on how students on campus perceive sexist humor are crucial for understanding students’ response and offer a clear understanding of what justifies and normalizes sexist humor. The paper analyzes how the use of lan

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12

Panguni Malar, R. "The Theme of Misogyny: A Study of the Select Plays of Vijay Tendulkar." Shanlax International Journal of English 9, S1-i2-Dec (2020): 40–46. http://dx.doi.org/10.34293/english.v9is1-i2-dec.3692.

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This study is an investigation of the theme of misogyny as represented by the female characters in the select plays of Vijay Tendulkar. The study argues that the Indian cultural context leaves space for man to be superior and woman to be inferior. The term misogyny denotes hatred, dislike, or mistrust of women, manifested in various forms such as physical intimidation and abuse, sexual harassment and rape, social shunning and ostracism, etc. In most of the plays of Vijay Tendulkar women stand to be the objects of subjugation in the hands of their male counterparts with whom they happen to conn

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Pavicevic, Olivera, Hajdana Glomazic, and Ljeposava Ilijic. "The femicide as a part of the culture of violence." Temida 19, no. 3-4 (2016): 453–76. http://dx.doi.org/10.2298/tem1604453p.

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In the paper femicide is analyzed as a gender-based violence whose origin is in feminicide. Feminicide is a term which designates social, cultural and ideological construction which survives in the continuity of institutional weakness. Gender-based violence appears as a mixture of institutionalized misogyny, patriarchate and abolition of women`s rights as human rights. The paper starts from the assumption that the basis of feminicide is in the continuity of the culture of violence and ideological matrices which promote adversarial discourse toward women, where amplified social and cultural ten

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Hill, Rosemary Lucy, and Heather Savigny. "Sexual violence and free speech in popular music." Popular Music 38, no. 2 (2019): 237–51. http://dx.doi.org/10.1017/s0261143019000096.

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AbstractThis article re-examines the use of arguments in favour of free speech when faced with difficult subjects in music, such as sexual violence against women. We present a new perspective on the 1985 US Senate Hearing on Record Labeling and challenge the orthodoxy that the Hearing was only a matter of free speech. Using critical discourse analysis we argue that the sexist environment of the Hearing, the misogyny of the musicians, plus homosocial bonding resulted in the PMRC's arguments being unaddressed as attention turned to censorship. Subsequent academic work has continued to focus on c

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Vilic, Vida. "Revenge porn as a form of cyber misogyny." Temida 22, no. 1 (2019): 59–77. http://dx.doi.org/10.2298/tem1901059v.

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Among many forms of abuse of privacy in the cyberspace and social media networks, particular attention is given to the so-called cyber misogyny. It refers to the existence of deeply rooted prejudices against women and encompasses various forms of gender- based hatred, harassment and violence against women that occur in a virtual (cyber) space. The subject of this paper is an analysis of emerging forms of cyber misogyny, particularly focusing on one of its most widespread forms: revenge porn. Through revenge porn in the cyberspace, misogyny can be manifested through publishing someone?s intimat

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Roberts, Steven, and Karla Elliott. "Challenging Dominant Representations of Marginalized Boys and Men in Critical Studies on Men and Masculinities." Boyhood Studies 13, no. 2 (2020): 87–104. http://dx.doi.org/10.3167/bhs.2020.130207.

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Raewyn Connell famously theorized hegemonic masculinity, explaining its dominance over femininity and “subordinated” and “marginalized” masculinities. Attending to representations of the latter, we argue that “men in the margin” are commonly wrongly and/or simplistically depicted as regressive and violent in response to their marginalization. Focusing on representations of working-class boys and men, we illustrate the stereotypical treatment of “men in the margin” more broadly, making clear that this goes against Connell’s treatment of such men. Conversely, privileged boys and men are commonly

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Bitzer, Johannes. "The pandemic of violence against women – the latest chapter in the history of misogyny." European Journal of Contraception & Reproductive Health Care 20, no. 1 (2015): 1–3. http://dx.doi.org/10.3109/13625187.2015.1005445.

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Ahmad, Lida, and Priscyll Anctil Avoine. "Misogyny in ‘post-war’ Afghanistan: the changing frames of sexual and gender-based violence." Journal of Gender Studies 27, no. 1 (2016): 86–101. http://dx.doi.org/10.1080/09589236.2016.1210002.

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Wattis, Louise. "Revisiting the Yorkshire Ripper Murders." Feminist Criminology 12, no. 1 (2016): 3–21. http://dx.doi.org/10.1177/1557085115602960.

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Between 1975 and 1980, 13 women, 7 of whom were sex workers, were murdered in the North of England. Aside from the femicide itself, the case was infamous for police failings, misogyny, and victim blaming. The article begins with a discussion of the serial murder of women as a gendered structural phenomenon within the wider context of violence, gender, and arbitrary justice. In support of this, the article revisits the above case to interrogate police reform in England and Wales in the wake of the murders, arguing that despite procedural reform, gendered cultural practices continue to shape jus

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Collingwood, Sharon. "Sagesse and Misogyny in the fabliau La dame escoillee." Florilegium 18, no. 1 (2001): 51–63. http://dx.doi.org/10.3138/flor.18.005.

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The fabliau La dame escoillee is often cited as a disturbing example of the medieval attitude toward women. Although violence is often presented as comic in the genre as a whole, the physical abuse suffered by women in this poem is so brutal that most scholars find it offensive, and feminist scholars in particular find it distressing that it was a relatively popular tale, preserved in six manuscripts.' Norris Lacy has, somewhat apologetically, praised this fabliau for its narrative complexity and skilled construction, and has called for a reading of the poem that takes into account factors oth

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Bailey, Moya. "Misogynoir in Medical Media: On Caster Semenya and R. Kelly." Catalyst: Feminism, Theory, Technoscience 2, no. 2 (2016): 1–31. http://dx.doi.org/10.28968/cftt.v2i2.28800.

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Misogynoir describes the co-constitutive, anti-Black, and misogynistic racism directed at Black women, particularly in visual and digital culture (Bailey, 2010). The term is a combination of misogyny, the hatred of women, and noir, which means black but also carries film and media connotations. It is the particular amalgamation of anti-Black racism and misogyny in popular media and culture that targets Black trans and cis women. Representational images contribute to negative societal perceptions about Black women, which can precipitate racist gendered violence that harms health and can even re

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Lydon, Jane. "Pity, Love or Justice? Seeing 1830s Australian Colonial Violence." Emotions: History, Culture, Society 1, no. 2 (2017): 109–30. http://dx.doi.org/10.1163/2208522x-00102007.

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During the 1830s, humanitarian concern for the plight of the British Empire’s Indigenous peoples reached its height, coinciding with colonists’ rapid encroachment upon Indigenous land in New South Wales. Increasing frontier violence culminated in the shocking Myall Creek Massacre of June 1838, prompting heated debates regarding the treatment of Australian Aboriginal people. Humanitarians and colonists deployed intensely emotive strategies seeking to direct compassion towards their very different objects via newspapers, the pulpit, prose, poetry and imagery. The landmark sermon delivered in lat

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Ulfah, Raisya Maharani, and AG Eka Wenats Wuryanta. "No More Equal: Critical Discourse of Symbolic Violence to Woman in the Television." E3S Web of Conferences 73 (2018): 14011. http://dx.doi.org/10.1051/e3sconf/20187314011.

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This research will explain the forms of symbolic violence against women contained in the framing of television news. This study took the case of victims of sexual crimes news named Dedeuh Alfisahrin in the period April 2015 on 4 (four) news show on TV One. The purpose of this study is to explain the ideological contestation and the dynamics of constructing news of victims of sexual crimes, symbolic forms of violence contained in the construction of news and the factors influencing the news construction process. This study uses critical discourse analysis developed by Mitchel Lazar. This study

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Kronja, Ivana. ""Social horror": A critical analysis of ideological and poetic function of the motive of victim in the contemporary Serbian film." Temida 19, no. 2 (2016): 309–29. http://dx.doi.org/10.2298/tem1602309k.

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This paper analyses achievements of Serbian cinematography after 2000, which narrative strategies and visual aesthetics are focused on the issues of violence and victims in the context of social despair, post-communist transition and ongoing global value crisis. Films made by Mladen Djordjevic Life and Death of a Porn Gang (2009), Srdjan Spasojevic A Serbian Movie (2010), and Marko Novakovic Menagerie (2012) integrate these complex characteristics of disintegration of Serbian community and dysfunctional state system into their cinematic poetics. These films present examples of radical film aes

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Purewal, Navtej. "Sex Selective Abortion, Neoliberal Patriarchy and Structural Violence in India." Feminist Review 119, no. 1 (2018): 20–38. http://dx.doi.org/10.1057/s41305-018-0122-y.

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This article explores sex selective abortion (SSA) as a form of structural violence within the broader notion of women's ‘protection’ in contemporary India. While SSA tends to be framed more generally within ethical and choice-based frameworks around abortion access and reproductive ‘rights’, and specifically in India around preference for sons as a discriminatory, cultural, technological misogyny, this article argues that sex selective abortion in India needs to be understood as an outcome of broader systemic economic, political and social processes. The deepening of neoliberal values through

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Osman, Sharifah Aishah. "Addressing Rape Culture through Folktale Adaptation in Malaysian Young Adult Literature." Girlhood Studies 14, no. 1 (2021): 117–33. http://dx.doi.org/10.3167/ghs.2021.140110.

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Rape culture is a provocative topic in Malaysia; the public discourse on it is plagued by gender stereotyping, sexism, misogyny, and rape myths. Recent literary works aimed at Malaysian adolescent girls have interrogated rape culture more pointedly as a means of addressing gender-based violence through activism and education. In this article, I discuss two short stories, “The Girl on the Mountain” and “Gamble” as retellings of Malaysian legends and feminist responses to the normalization and perpetuation of rape culture in this society. Through the emphasis on female agency, consent, and gende

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NOGUEIRA, SANDRA VIDAL, and OSMAR VERONESE. "APORTES CONCEITUAIS SOBRE O FENÔMENO DO FEMINICÍDIO." Outros Tempos: Pesquisa em Foco - História 17, no. 29 (2020): 221–39. http://dx.doi.org/10.18817/ot.v17i29.753.

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O fenômeno da violência extrema contra mulheres mostra-se tão antigo quanto à própria humanidade, ou seja, as mulheres sempre foram tratadas como objeto, ao qual o homem podia usar, gozar e dispor. O que há de recente na História da América Latina (e do Brasil!) é a preocupação com a violência sexista e mais novo ainda é a sua judicialização, na tipificação dos crimes, como sendo feminicídios. O entendimento das causas desse fenômeno torna-se, assim, central nas questões de segurança pública, na problemática das redes de saúde e dos processos de escolarização. Nesse sentido, o presente artigo

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Meyers, Sarah. "Is There a Gap in Canada’s Hate Crime Laws? The Identification Of Soft Violence as a Tool for Current Right-Wing Extremist." Journal of Intelligence, Conflict, and Warfare 2, no. 2 (2019): 13. http://dx.doi.org/10.21810/jicw.v2i2.1060.

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   Since the beginning of Donald Trump’s campaign for the United States’ presidency, the international community has arguably seen a significant uptick in hate-motivated right-wing extremist (RWE) violence. While this is not the first time that sentiments such as racism, anti- Semitism, and misogyny have gained widespread popularity, it could be argued that the means through which these ideas are being communicated and the ways in which they are being expressed have transformed. One aspect that has not changed is the presence of hate crime in the locations where RWE actors or

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Baker, Andrea, and Katrina Williams. "Building on #MeToo and #MeNoMore: Devising a framework to examine sexual violence in Australian music journalism." Australian Journalism Review 41, no. 1 (2019): 103–16. http://dx.doi.org/10.1386/ajr.41.1.103_1.

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Allegations against film producer Harvey Weinstein, co-owner of US entertainment company Miramax Films, which led to the revitalized #MeToo movement of October 2017, gave global recognition to the sexual violence (sexism, misogyny, sexual harassment, assault and rape) that women experience in the creative industries. As a spin-off, the #MeNoMore campaign in December 2017 resulted in more than 400 women working in the Australian music industry speaking out against similar behavior. Despite having a reputation for sexual violence, the local music press played a minor role in this hashtag develop

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Rebollo-Gil, Guillermo, and Amanda Moras. "Black Women and Black Men in Hip Hop Music: Misogyny, Violence and the Negotiation of (White-Owned) Space." Journal of Popular Culture 45, no. 1 (2012): 118–32. http://dx.doi.org/10.1111/j.1540-5931.2011.00898.x.

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Sæmundsdóttir, Þórhildur, and Þorgerður J. Einarsdóttir. "„Hún reyndi ekki að kalla á hjálp...“." Ritið 18, no. 3 (2018): 67–96. http://dx.doi.org/10.33112/ritid.18.3.4.

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The paper analyzes the rulings of the Supreme Court of iceland in rape cases after changes in the penal code in 1992 and 2007. The study employs discourse analysis in which legitimizing principles are identified. The aim of the paper is to explore whether victim blaming, misogyny or other such attitudes are reflected in the rulings. The paper concludes that the rulings’ focus is mainly on physical abuse and violence although less emphasis is put on that after the changes in the penal code. Mental harm caused by rape is often given little attention or even completely ignored. One main conclus

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Galindo Núñez, Miguel Ángel. "Inocencia quebrantada. El uso de lo grotesco en Pelea de Gallos de María Fernanda Ampuero." Sincronía XXV, no. 79 (2021): 334–44. http://dx.doi.org/10.32870/sincronia.axxv.n79.18a21.

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Few years ago, María Fernanda Ampuero came suddenly to the literary world, standing out in Latin America and even in the United States with her anthology of stories Pelea de gallos. This paper starts with the concept of “dispositio”: the order of ideas in a rhetorical discourse, which has —also— been used by literary studies to refer to the sequence in narrative, or the specific accommodation that exists in an anthology. In this way, Ampuero’s book has a discourse of maturity, violence and aging. In the same way, the grotesque is an element that resonates strongly in these texts, so that, we c

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Atkinson, Kym, and Kay E. Standing. "Changing the Culture? A Feminist Academic Activist Critique." Violence Against Women 25, no. 11 (2019): 1331–51. http://dx.doi.org/10.1177/1077801219844609.

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The Universities UK (UUK) Taskforce report, Changing the Culture, has been seen as a turning point in U.K. universities’ responses to gender-based violence (GBV). Institutional changes have occurred as a response to grassroots feminist activism and resistance to GBV, focusing on sexual violence, harassment, and “lad culture” in universities. This article will argue that the neoliberal marketization of higher education, concurrent with the persistence of misogyny and patriarchy, creates an environment where GBV is normalized, and feminist voices are marginalized and silenced. Interviews with ac

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Dreier, Jenna. "From Apprentice to Master: Casting Men to Play Shakespeare’s Women in Prison." Humanities 8, no. 3 (2019): 123. http://dx.doi.org/10.3390/h8030123.

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My research investigates the growing phenomenon of Prison Shakespeare—a rapidly expanding community of prison arts programs in which ensembles of men or women who are incarcerated work with outside facilitators to stage performances of Shakespeare. This article is drawn from my first-hand research on Jonathan Shailor’s Shakespeare Prison Project, a program for men who are currently incarcerated at Racine Correctional Institution in Wisconsin. This article is based on my observations of two Shakespeare Prison Project (SPP) rehearsals, their 2017 performance of The Merchant of Venice, and focus

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Boyer, Holly. "The Alert Collector: Hip Hop in the United States." Reference & User Services Quarterly 55, no. 3 (2016): 215. http://dx.doi.org/10.5860/rusq.55n3.215.

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Hip hop is a ubiquitous part of American society in 2015—from Kanye West announcing his future presidential bid to discussions of feminism surrounding Nikki Minaj’s anatomy, to Kendrick Lamar’s concert with the National Symphony Orchestra, to Questlove leading the Tonight Show Band, hip hop has exerted its influence on American culture in every way and form.Hip hop’s origin in the early 1970s in the South Bronx of New York City is most often attributed to DJ Kool Herc and his desire to entertain at a party. In the 1980s, hip hop continued to gain popularity and speak about social issues faced

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Bhatt, Chetan. "White Extinction: Metaphysical Elements of Contemporary Western Fascism." Theory, Culture & Society 38, no. 1 (2020): 27–52. http://dx.doi.org/10.1177/0263276420925523.

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The Euro-American far-right represents a highly diverse political movement comprising numerous ideological tendencies. It includes the European New Right, the US ‘alt-right’ and ‘alt-lite’, far-right accelerationism, traditionalism, and new forms of political misogyny. Despite the diversity in ideas and activities, this article argues that an overarching theme of the ‘fear of white extinction’ travels across and animates each major contemporary far-right tendency. The article explores a variety of older and contemporary metaphysical themes that are deployed in contemporary fascism. These inclu

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Jones, Callum, Verity Trott, and Scott Wright. "Sluts and soyboys: MGTOW and the production of misogynistic online harassment." New Media & Society 22, no. 10 (2019): 1903–21. http://dx.doi.org/10.1177/1461444819887141.

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Men Going Their Own Way (MGTOW) are a separatist Manosphere group (digital manifestation of the Men’s Liberation Movement) who focus on individualistic, self-empowering actions as opposed to traditional collective actions typical of Men’s Rights Activists and Incels. This study investigates how the ideology and rhetoric of MGTOW propagates and normalises misogynistic beliefs through online harassment, using a multi-phased content and thematic analysis of 10,280 tweets from three of the most active MGTOW users on Twitter. The findings document a link between the MGTOW ideology and toxic masculi

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Zaman, Md Sayeed Al. "Islamic vigilantism and women in social media." Informasi 51, no. 1 (2021): 65–92. http://dx.doi.org/10.21831/informasi.v51i1.38170.

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In Bangladesh, the number of cyber-citizens has been skyrocketing since the 2010s. Violence against women is also proliferating along with the presence of Islam in public spheres and discourses. Using thematic analysis, this study analyzes the discourse data collected from Facebook, the dominant social media of Bangladesh. The key aim of the research is to find out the bedrock of Islamic vigilantism and verbal aggressiveness against women in social media. Subsequently, three interlinked themes have been explored: women’s religiosity, women’s attire, and women’s virtue. The findings have shown

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Dolan, C. V., and Nicole E. Conroy. "Centering Transgender Survivors' Experiences of Intimate Partner Violence Victimization: A Critique of Dominant Approaches to Research and Service Provision." Violence and Victims 36, no. 4 (2021): 493–508. http://dx.doi.org/10.1891/vv-d-20-00077.

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Transgender (trans) survivors are infrequently included in the intimate partner violence (IPV) literature, and they are rarely the central subjects of IPV research. Similarly, trans survivors are rarely at the center of IPV service provision. In this article we articulate the importance of centering trans survivors in IPV research and practice through developing a nuanced understanding of the unique manifestations of abuse for trans individuals. Using intersectionality (Collins, 2019; Crenshaw, 1989, 1991) as our theoretical framework, we discuss the manifestations of dominance in trans IPV re

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Thobani, Sunera. "The Secularity of Empire, the Violence of Critique: Muslims, Race, and Sexuality in the Politics of Knowledge‐Production." Hypatia 32, no. 3 (2017): 715–30. http://dx.doi.org/10.1111/hypa.12346.

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In the volatile conflicts that inaugurated the twenty‐first century, secularism, democracy, and freedom were identified by Western nation‐states as symbolizing their civilizational values, in contrast to the fanaticism, misogyny, and homophobia they attributed to “Islam.” The figure of the Muslim was thus transformed into an existential threat. This paper analyzes an exchange among scholars—Is Critique Secular? Blasphemy, Injury, and Free Speech—that engages these highly contested issues. As such, the text provides a rare opportunity to study how particular significations of the West, its epis

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Moon, Jina. "‘Was Ever Treason so Unnatural?’: Phallic Mothers and Propaganda in Two Plays by William Hatchett." New Theatre Quarterly 34, no. 4 (2018): 383–94. http://dx.doi.org/10.1017/s0266464x18000441.

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By examining William Hatchett's The Chinese Orphan alongside The Fall of Mortimer, in this article Jina Moon aims to expand our critical awareness of Hatchett's oeuvre and to deepen our understanding of the shifting contours of misogyny as an integral component of eighteenth-century political discourse. The Fall of Mortimer differs from other sources of anti-Walpole propaganda, offering pointedly acrimonious treatment not only of Walpole, but of Queen Caroline. The Chinese Orphan was published in February 1741, two months before the election of that year dealt the final blow to Walpole's caree

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SantAna Honorato, Eduardo Jorge, Larissa Gabriela Lins Neves, Sônia Maria Lemos, Tirza Almeida Da Silva, and Daniel Cerdeira De Souza. "Digital Observation: An Analysis of Patriarchal Comments in the Web." International Journal for Innovation Education and Research 7, no. 10 (2019): 234–49. http://dx.doi.org/10.31686/ijier.vol7.iss10.1766.

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Through the journey of the plurality of feminisms, we find ourselves today in the fourth wave, in which cyberactivism predominates, with feminist articulations going through the street/network axis. Thus, we sought to consolidate the arguments in defense of feminism from the analysis of the opposite reactions found online. The locus was the cyberspace itself, where comments were found in web news posts that contained controversial contents linked to themes worked out by feminism in their plurality. The qualitative approach was defined based on non-participant systematic observation and content

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Pande, Amrita. "Mobile Masculinities: Migrant Bangladeshi Men in South Africa." Gender & Society 31, no. 3 (2017): 383–406. http://dx.doi.org/10.1177/0891243217702825.

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In this ethnography of Bangladeshi men living and working in South Africa, I draw on the intersection of three sets of literatures—masculinities studies, mobility studies, and the emerging body of work on migrant masculinities— to argue that migrant mobility shapes and is shaped by relational performances of racialized masculinities. I analyze three particular moments of such “mobile masculinities.” The first is in the home country wherein migration is seen as a mandatory rite of passage into manhood. The second moment is in transit, where the relational masculinity of migrant men and “traffic

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Taylor, Anthea. "‘Steve is twice the Aussie icon you will ever be’: Germaine Greer, the Crocodile Hunter’s death, and nationalistic misogyny." European Journal of Cultural Studies 22, no. 5-6 (2019): 630–45. http://dx.doi.org/10.1177/1367549418821840.

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In September 2006, Australia’s most iconic feminist, Germaine Greer, wrote a controversial article in response to the death of celebrity wildlife presenter Steve Irwin. In the Guardian piece, entitled ‘That sort of self-delusion is what it takes to be a real Aussie larrikin’, Greer concluded, ‘The animal world has finally taken its revenge on Irwin’. For hundreds of Australian readers, Greer’s public response to the untimely demise of a purported national ‘hero’ represented a symbolic assault not just on the ’Crocodile Hunter’s’ grieving family but on the nation itself. Following the article’s

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Putcha, Rumya S. "The Modern Courtesan: Gender, Religion and Dance in Transnational India." Feminist Review 126, no. 1 (2020): 54–73. http://dx.doi.org/10.1177/0141778920944530.

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This article exposes the role of expressive culture in the rise and spread of late twentieth-century Hindu identity politics. I examine how Hindu nationalism is fuelled by an affective attachment to the Indian classical dancer. I analyse the affective logics that have crystallised around the now iconic Indian classical dancer and have situated her gendered and athletic body as a transnational, globally circulating emblem of an authentic Hindu and Indian national identity. This embodied identity is represented by the historical South Indian temple dancer and has, in the postcolonial era, been r

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Graham, Rebecca Dolinsky, and Amanda Konradi. "Contextualizing the 1990 campus security act and campus sexual assault in intersectional and historical terms." Journal of Aggression, Conflict and Peace Research 10, no. 2 (2018): 93–102. http://dx.doi.org/10.1108/jacpr-05-2017-0284.

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Purpose Residential college campuses remain dangerous – especially for women students who face a persistent threat of sexual violence, despite passage of the 1990 Campus Security Act and its multiple amendments. Campuses have developed new programming, yet recent research confirms one in five women will experience some form of sexual assault before graduating. Research on campus crime legislation does not describe in detail the context in which it developed. The purpose of this paper is to draw attention to the effects of early rhetorical frames on the ineffective policy. Design/methodology/ap

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Lee, Na-Young. "Sin' or Systematic Violence based on Misogyny? : Feminist Reconsidering Prostitution with the Recent Ruling by the Constitutional Court on Korea's Current Anti-prostitution Law." Issues in Feminism 16, no. 2 (2016): 397. http://dx.doi.org/10.21287/iif.2016.10.16.2.397.

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Ostalska, Katarzyna. "“Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry." Text Matters, no. 8 (October 24, 2018): 84–106. http://dx.doi.org/10.1515/texmat-2018-0006.

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This paper examines the literary representation of the beginnings of the Northern Irish Troubles with regard to a gender variable (women’s roles and functions ascribed to them, mostly punitively, by men ), in the selected poems by Heaney, Durcan, Boland, Meehan and Morrissey. The reading of Heaney’s “Punishment” will attempt to focus not solely on the poem’s repeatedly criticized misogyny but on analyzing it in a broader, historical context of the North’s conflict. In Durcan’s case, his prominent nationalist descent or his declared contempt for any form of paramilitary terrorism (including the

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Rodrigues, Alexsandro, Castiel Vitorino Brasileiro, Jésio Zamboni, Marcelo Santana Ferreira, and Steferson Zanoni Roseiro. "deslocamentos crianceiros, conversas transviadas: coisas da educação e de afirmação de uma vida que importa." childhood & philosophy 14, no. 30 (2018): 407–26. http://dx.doi.org/10.12957/childphilo.2018.33631.

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From the premise that the child is a dangerous other and that so must be controlled, this essay proposes to accompany – and, someway, to invent – the errant, devious and fag childhood as a possibility field to affirm the life that differs from itself. Understanding with René Schérer, Guy Hocquenghem and Michel Foucault that the childhoods are relegated to an order of institutions that kidnaps them in nonstop, it is, an order of institutions that strongly haunt the childhoods to reap the possibility fields, this text tries to ally with the children and their tricks. Therefore, this writing aims

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León Torres, María Soledad de. "“Supuestamente hechizada”: acerca de mujeres, violencia de género y sutilezas de la nota roja en México = “Supposedly spellbound”: About women, gender violence and Mexican Tabloid News." FEMERIS: Revista Multidisciplinar de Estudios de Género 3, no. 1 (2018): 126. http://dx.doi.org/10.20318/femeris.2018.4078.

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Resumen. La función y las características de la nota roja han sido un problema examinado en el campo de los estudios de la comunicación. Apoyándose en el análisis del discurso y también empleando aspectos teóricos críticos estos especialistas han señalado los rasgos más destacados de la sección policiaca de los diarios, tratando de determinar sus alcances y limitaciones en tanto “género periodístico”.En este trabajo proponemos examinar un grupo de notas periodísticas que refieren al abuso sexual cometido en contra de niñas y mujeres; particularmente se trata de notas que sugieren una relación

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