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Relevant bibliographies by topics / Misogyny in literature

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Academic literature on the topic 'Misogyny in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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Journal articles on the topic "Misogyny in literature"

1

Dodsworth, Martin. "Donne Rethinks Misogyny." Essays in Criticism 69, no. 3 (July 1, 2019): 259–81. http://dx.doi.org/10.1093/escrit/cgz016.

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Brouillette, Sarah. "Misogyny and Melodrama." Contemporary Literature 55, no. 3 (2014): 600–609. http://dx.doi.org/10.1353/cli.2014.0031.

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Macdonald, Elizabeth Drayson, and Michael Solomon. "The Literature of Misogyny in Medieval Spain." Modern Language Review 94, no. 4 (October 1999): 1123. http://dx.doi.org/10.2307/3737289.

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Agustin, Sherly Dwi. "WACANA MISOGINIS DALAM DISKURSUS TAFSIR AKADEMIS (KAJIAN EPISTEMOLOGIS ATAS JURNAL TAHUN 2010-2019)." MUṢḤAF: Jurnal Tafsir Berwawasan Keindonesiaan 1, no. 1 (December 3, 2020): 25–52. http://dx.doi.org/10.33650/mushaf.v1i1.1320.

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This study aims to examine misogynic interpretation issues in journals published in 2010-2019. Based on the assumption of journal stagnation in Indonesia on women studies, this study examined 32 journals published that year. Through an epithemological study, using literature review research methods and a philosophical approach, this study tries to examine bibliographically the articles that discuss the interpretation of misogyny verses. This study was conducted to analyze the tendency of writing on misogyny issues in journals. With Ignaz Goldziher's theory of the history of ideas, studies have succeeded in revealing that articles in journals tend to be based on interpretations of the formative era with quasi-critical reasoning dominated by modern feminist ideas from both the theme and methodological aspects. The implication of this study is the formation of a typology of misogynistic studies in journals, which can be used as a reference for the development of further studies, especially the development of the epistemology of al-Qur'an studies

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Majetic, Senka. "The Interdisciplinarity of Misogyny, Misandry and Misanthropy Gender Variations Corpus Analysis of Orwell’s 1984." Eximia 12 (September 29, 2023): 133–44. http://dx.doi.org/10.47577/eximia.v12i1.351.

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The article "Misogyny, Misandry and Misanthropy Gender Variations Corpus Analysis in Orwell’s 1984" explores the problem immensely present in Society. Corpus analysis is a confirmation of the hypothesized problem. The article is a marker of systematic Misogyny, Misandry and Misanthropy. The need for personal freedom protection is identified and discussed. The problem presented in Orwell’s 1984 is the hypothesis of the current state of society and motivation for a "current society" case study, the need for a "gender revisitation". Gender Variations are shown as Misogyny, Misandry and Misanthropy. Gender Variations, interdisciplinary studies trend is the corpus itself presenting Misogyny, Misandry and Misanthropy diversification, not as male, female and humankind unity. Multidisciplinarity is achieved through chosen interdisciplinarity of Language, Gender and Literature via Corpus Linguistics and Statistics. A corpus test sample has been used.

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Zhou, Yuxi. "The Connection between Mishima Yukio’s Depiction of Homosexuality and Misogyny." BCP Social Sciences & Humanities 16 (March 26, 2022): 568–75. http://dx.doi.org/10.54691/bcpssh.v16i.515.

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This paper aims to study Mishima Yukio’s description of homosexuality and misogyny. It will review discourses about Mishima, his performance, works and sexuality. It points out Mishima’s views on love, why the female characters in his books are always similar, and his attitude towards women. In conclusion, this paper will use the characters in Mishima’s novels as examples, analyzing his motives by explaining the intrinsic relationship between homosexuality and misogyny found in his literature.

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Juhnke, Anna K. "Remnants of Misogyny in Paradise Lost." Milton Quarterly 22, no. 2 (May 1988): 50–58. http://dx.doi.org/10.1111/j.1094-348x.1988.tb00745.x.

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Weitzer, Ronald, and Charis E. Kubrin. "Misogyny in Rap Music." Men and Masculinities 12, no. 1 (February 19, 2009): 3–29. http://dx.doi.org/10.1177/1097184x08327696.

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9

Arsawati, Ni Nyoman Juwita, and Dewi Bunga. "Misogyy As Violence In Gender Perspective." International Journal of Business, Economics, and Social Development 3, no. 1 (February 5, 2022): 19–27. http://dx.doi.org/10.46336/ijbesd.v3i1.207.

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Misogyny is the behavior of someone hating women, both from men and fellow women. This behavior often places and views women as the cause of blame in a problem, even for something that is not really a problem. Misogyny causes a person tends to hate, look down on, blame, label and discriminate against women. This behavior is often associated with male privilege, patriarchal customs, and gender discrimination. In practice, this behavior will place men in a superior position, while women in an inferior position. In certain cases, misogynism can even increase the risk of physical, psychological and sexual harassment of women. There are two problems discussed in this study: 1) misogyny in the perspective of gender-based violence and 2) the relationship between misogyny and violence against women. This research is normative juridical research supported by empirical data on gender-based violence against women. Primary and secondary legal materials were collected through literature study. The research approach used is the statutory regulation, the legal concept, and the legal argumentation approach. Analysis of the collected data was carried out qualitatively.

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10

Permatasari, Riana, and Destary Praptawati. "Manifestation of Persona Dealing with Misogyny as Reflected in Qahera the Superhero." Jurnal Lingua Idea 13, no. 1 (June 30, 2022): 25. http://dx.doi.org/10.20884/1.jli.2022.13.1.5351.

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Nowadays, there are a growing number of Muslim woman superheroes in literature; one of them is a webcomic entitled Qahera the Superhero. Qahera is portrayed as a veiled Eqyptian woman superhero dealing with misogyny throughout the story. This study is a qualitative study aimed at finding the manifestation of persona as reflected in Qahera and its relation to misogyny. In collecting the data, there were three steps taken, including reading the webcomic, identifying the data, and classifying the data in a table consisting of the data, the page/part of the comics, the references supported the data, and the analysis. The collected data were analyzed using the theory about persona by Carl Jung as the underlying theory in this study. Based on the research, there are two points concluded. First, the outward manifestation of persona in Qahera is a woman superhero wearing a hijab who is strong and brave. Second, her persona is built to fulfill society's expectations on how a woman should wear and protect women from misogyny in her community. She fights against misogyny by challenging the negative stereotypes about Muslim women, combating sexual harassment, and not supporting misogyny in various forms, including in arts. In short, Qahera built her persona to protect Muslim women and showed the persona manifestation of how a woman superhero can challenge the negative stereotypes of Muslim women without neglecting Islamic values inside her.

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Dissertations / Theses on the topic "Misogyny in literature"

1

Horn, Jessica. "Maternal Misogyny: Absent Mothers in Eighteenth- and Nineteenth-Century Literature." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0327101-132957/restricted/horn0412.pdf.

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Stone, Mitzi R. "Beyond misogyny : Penelope and Clytaemnestra as paradigms for society." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/305.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Humanities

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3

Hester, Vicki M. (Vicki Martin). "D. H. Lawrence: Misogyny as Ideology in His Later Works of Fiction and Nonfiction." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500651/.

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Critics continue to debate Lawrence's attitude toward women: Some say Lawrence is a misogynist, some say he is an egalitarian, and others say he is ambivalent toward women. If Lawrence's works are divided into two chronological periods, before and after 1918, these differences of opinions begin to dissolve. Lawrence is fair in his treatment of women in the earlier works; however, in his later works Lawrence restricts women to what he calls the sensual realm, the realm of feelings and emotions. In addition, Lawrence denounces all women who assert individuality and self-responsibility. In the later works, Lawrence's ideology restricts the role of women and presents male supremacy as the natural and necessary order for human existence.

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4

Calero, Fernández Ángeles. "La imagen de la mujer a través de la tradición paremiológica española lengua y cultura /." Online version, 1990. http://bibpurl.oclc.org/web/23721.

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5

Jackson, Gregory Richard. "La Misogynie à visage féminin: Hircan's Role as Marguerite's Anti-Feminist Voice in the Heptaméron (VII & XLIX)." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2067.

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The following document is a meta-commentary on the article, "La misogynie à visage féminin: Hircan's Role as Marguerite's Anti-feminist Voice in the Heptaméron (VII & XLIX)," co-authored by Dr. Robert J. Hudson and myself, which will shortly be submitted for publication. It contains an annotated bibliography of all our primary and secondary sources and an account of writing the article. Our article examines what Marguerite de Navarre, the sixteenth-century French Renaissance author of the Heptaméron (a collection 72 nouvelles, all supposedly true stories being told by a group of ten devisants to one another), intended by her inclusion of the misogynist, Hircan. As we demonstrate, current scholarships views Marguerite as one of the first authors to create a space for women in literature, and further, that the Heptaméron was meant to serve the didactic purpose of forming young ladies' perspectives and behavior. Given this, Hircan, whose debasing views on women are shared in each of his stories and interlocutory commentaries, seems an odd devsiant for Marguerite to create; and so, we ask, why did she include him? We conclude that Hircan serves as Marguerite's straw man for the worst aspects of sixteenth-century French society, allowing her to subvert him and demonstrate how Hircan (and by extension, French society's) views towards women ought to be considered inappropriate. To support our reading, we start by explaining the historical context, demonstrating that the attitudes Hircan represents did indeed exist and were prevalent. We then show how Marguerite undermines Hircan: first, by making him so grotesque that the reader finds his views repugnant, and second, in allowing other devisants—especially Parlamente and Oisille—to use superior arguments to overturn his perspectives. Finally, we demonstrate how Marguerite uses Hircan's own tales against him, by having his fellow devisants interpret his stories completely differently from his womanizing and debasing purposes—instead find praise for women in them.

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Caton, Hannah Noelle. "A Rhetorical Analysis of Modern Day Retro-Sexism: Misogyny Masked by Glamour in Mad Men." University of Findlay / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1439993165.

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Thompson, Christopher P. "Discreet Feminism: Neil Gaiman’s Subversion of the Patriarchal Society in American Gods." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2026.

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Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its overall presence, brings attention to the issues within a hyper-masculine society and it is through this unique, feminist approach that Gaiman is able to present his strong argument for change.

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8

Walls, Abby. "Libro de las claras e virtuosas mugeres: A Critical Edition and Study of Alvaro de Luna's 15th Century Castilian Manuscripts." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/187515.

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Spanish
Ph.D.
The purpose of this dissertation is to produce a critical edition of Álvaro de Luna's 15th century manuscript, Libro de las claras e virtuosas mugeres. This Castilian text is a compilation of biographies of good and virtuous women similar to that of the widely studied De claris mulieribus by Giovanni Boccaccio. Scholars however, have neglected Luna's version for various reasons that are discussed within this dissertation. Libro de las claras e virtuosas mugeres is a significant work because it complements other texts within the genre of defense literature and provides a good argument against the misogynistic texts in the debate on women in the Middle Ages. Within this dissertation, the Introduction serves to orient the reader through the debate on women in 15th century Castile and to contextualize the Libro de las claras e virtuosas mugeres within it. Through the discussion of the debate on women in medieval Iberia, we will show how Luna's work is a necessary, but forgotten element. Also pertinent is the notorious past of don Álvaro, and how this has negatively impacted the reception of his work. This dissertation also compiles all critical studies and editions currently in print and discusses their merits. Finally in the Introduction, we explain how we took into account Bernard Cerquiglini's concept of variance and John Dagenais' theory that in order to come close to the medieval reading of the text, it is necessary to replicate the manuscripts, not to modernize them. Thus, we produced transcriptions that were as close to the original texts as possible, rather than attempting to correct or modernize them. In order to produce the critical edition necessary for a proper study of the Libro de las claras e virtuosas mugeres, this dissertation contains two transcriptions of the two oldest extant manuscripts: ms. B (2654) and ms. S (207). Within ms. B we also provide a critical apparatus, which shows the lexical and orthographical differences between the two. Additionally for the benefit of the reader, we provide four Appendices: the missing chapter of the Queen of Sheba (not included in ms. B), a list of all the women Luna included in his work, and facsimilar samples of both manuscripts. It is our desire to promote a renewed interest in this forgotten, yet extremely important 15th century Castilian manuscript.
Temple University--Theses

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9

Lahti, Davidsson Elisabeth. "Batikhäxan – ett kvinnligt supermonster : En kritisk diskursanalys av tre politiska pamfletter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86034.

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This thesis shows how misogynous and stereotypical images of women, which historically have been used to transform them into witches and monsters, are now reused in the construction of the term “batikhäxa” (“tie-dye witch”). Feminist and discourse theory form the framework of this study which includes the analysis of three opinion pieces, or political pamphlets, that were published between 2010 – 2018: "Batikhäxorna och makten" by the pseudonym Julia Caesar, "Refugee 'Children" & The Women Who Sexually Exploit Them" by the pseudonym Angry Foreigner and "De ansvariga för Sveriges kaos behöver en intervention för att ställas till svars " by Katerina Janouch. I use critical discourse analysis to study how discursive strategies are applied in these political pamphlets to delegitimate women, making them the scapegoats of society by use of the concept of the tie-dye witch. My thesis argues that the use of the tie-dye witch discourse reproduces patriarchal power relations by denying women the right to have and express their opinions, decide over their own bodies and exercise power in society. The tie-dye witch can therefore also be understood as an anti-feminist counterimage to the feminist witch who was established as a female role model in the 1960s. The study also uncovers the psychological function of the tie-dye witch as a female super monster who demarks the borders of nation, culture, religion, body and gender. In the studied texts, the tie-dye witch is constructed to separate "us" from "the others", and in doing so she also acts as a unifying figure in and of anti-feminist, islamophobic, xenophobic, nationalist and apocalyptic discourses.

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Assis, Anne Caroline Moraes de. "A misoginia medieval como resíduo na literatura de cordel." http://www.teses.ufc.br, 2010. http://www.repositorio.ufc.br/handle/riufc/2807.

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ASSIS, Anne Caroline Moraes. A misoginia medieval como resíduo na literatura de cordel. 2010. 145 f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2010.
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The inferiority´s idea of women has been widespread in eastern and western civilizations. This design reached its apex in the Middle Ages, especially during the thirteenth and fourteenth centuries, when the Catholic Church severally controlled the social and religious life of Christians - especially women - backed by the religious tenets trough the Inquisition. That mentality misogynist supporters and gained strength and continued by subsequent centuries, being in the residual pulp fiction and contemporary perceptible through the experience, vocabulary and expressions used by cordelistas to describe and portray women. The popular character of literary discourse also denotes a relationship of power veiled in which the woman is labeled as inferior and sinful. Crystallized over the centuries, this thought came to the events taking place in contemporary literature. The Brazil´s northeast is largely patriarchal and sexist in its cultural roots, which are observed in the production of popular literature in verse, when the cordelistas construct their narratives from the social, cultural and religious, which back, usually at the thought of the Middle Ages. The aim of this work was to identify, from the reading and analysis of cordage, misogynist morality and the construction of the female characters such as waste mentality inherited from the Middle Ages, found in popular narratives. Therefore, the Teoria da Residualidade, and its related concepts, namely: Residual, Cristalização, Mentalidade and Hibridação Cultural is the basis of this analysis. After analyzing the cordéis, it was clear that the terms and expressions, as well as religious morality, referring to the feminine reinforce and confirm the thinking of medieval clerics that the origin of evil lies with the woman, in essence. In this context, the line appears as an instrument for maintaining social order and the preservation of morals and morality, according to the Christian mentality.
A ideia da inferiorização da mulher tem sido disseminada nas civilizações orientais e ocidentais. Tal concepção atingiu o seu ápice na Idade Média, sobretudo, durante os séculos XIII e XIV, quando a Igreja Católica controlava com severidade a vida social e religiosa dos cristãos – em especial da mulher – respaldada nos dogmas religiosos através da Inquisição. Essa mentalidade misógina ganhou força e adeptos e perdurou pelos séculos subsequentes, sendo residual na literatura de cordel contemporânea e perceptível através da vivência, do vocabulário e das expressões usadas pelos cordelistas para descrever e retratar a mulher. O discurso literário de caráter popular também denota uma relação de poder velada, na qual a mulher é rotulada de inferior e de pecadora. Cristalizado ao longo dos séculos, este pensamento chegou à contemporaneidade ocorrendo nas manifestações literárias. Como a sociedade nordestina é, em grande parte, patriarcal e machista em suas raízes culturais, os quais são refletidos e percebidos na produção da literatura popular em verso, quando os cordelistas constroem suas narrativas a partir de elementos sociais, culturais e religiosos, os quais remontam, geralmente, ao pensamento da Idade Média. Pretende-se com este trabalho identificar, a partir da leitura e da análise de cordéis, a moral misógina e a construção das personagens femininas como resíduos dessa mentalidade herdada do medievo, presentes nas narrativas populares. Para tanto, a Teoria da Residualidade, bem como os seus conceitos correlatos, a saber: Residualidade, Cristalização, Mentalidade e Hibridismo Cultural, é a base condutora dessas análises. Após a análise dos cordéis, ficou claro que os termos e as expressões, bem como a moral religiosa, referentes ao universo feminino reforçam e confirmam o pensamento dos clérigos medievais de que a origem do mal está na mulher, na sua essência. Nesse contexto, o cordel configura-se como um instrumento de manutenção da ordem social e da preservação da moral e dos bons costumes, segundo a mentalidade cristã.

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Books on the topic "Misogyny in literature"

1

Anne, Ackley Katherine, ed. Misogyny in literature: An essay collection. New York: Garland, 1992.

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Endicott, James Roger. Aspects of misogyny in ancient Greek literature. Birmingham: University of Birmingham, 1998.

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Highsmith, Patricia. Little tales of misogyny. New York: Penzler Books, 1986.

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Highsmith, Patricia. Little tales of misogyny. New York: Mysterious Press, 1987.

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A, Watson Patricia. Ancient stepmothers: Myth, misogyny, and reality. Leiden: E.J. Brill, 1995.

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Gallagher, Philip J. Milton, the Bible, and misogyny. Columbia: University of Missouri Press, 1990.

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Battisti, Daniela Grazia. La retorica della misoginia: La satira sesta di Giovenale. Venosa: Osanna, 1996.

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Spranzi, Aldo. La Locandiera di Carlo Goldoni: Una magnifica denigrazione della femminilità. Milano: UNICOPLI, 2010.

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Makolkin, Anna. Semiotics of misogyny through the humor of Chekhov and Maugham. Lewiston: E. Mellen Press, 1992.

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Rancour-Laferriere, Daniel. Tolstoy on the couch: Misogyny, masochism, and the absent mother. Basingstoke, Hampshire: Macmillan, 1998.

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Book chapters on the topic "Misogyny in literature"

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Krueger, Roberta L. "Misogyny, Manipulation, and the Female Reader in Hue de Rotelande’sIpomedon." In Courtly Literature, 395. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/upal.25.31kru.

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Takolander, Maria. "Monstrous Women: Gothic Misogyny in Monster House." In Contemporary Children’s Literature and Film, 79–93. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34530-0_5.

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Magennis, Caroline. "‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall." In The Body in Pain in Irish Literature and Culture, 217–34. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31388-7_13.

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Rasmussen, Ann Marie. "Problematizing Medieval Misogyny. Aristotle and Phyllis in the German Tradition." In Verstellung und Betrug im Mittelalter und in der mittelalterlichen Literatur, 195–220. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737097895.195.

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Belzer-Kielhorn, Sigrid. "Sind Hexen wirklich alte Frauen?" In Alter(n)skulturen, 237–46. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459928-012.

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Sigrid Belzer-Kielhorn widmet sich in ihrem Beitrag der Frage, ob die Hexenfiguren in den Märchen der Brüder Grimm als alt und weiblich definiert werden können. Um diese Frage zu beantworten, beschreibt sie zunächst einige Merkmale weiblicher Altersdarstellungen in der Literatur, wie beispielsweise die Bedeutung von Erinnerungen, die Diskrepanzen von Eigen- und Fremdwahrnehmung und die Spiegelungen durch nachfolgende Frauengenerationen. Danach analysiert sie die Hexendarstellungen in einer Reihe von Grimms Märchen und kommt zu dem Schluss, dass die Attribuierungen alt/weiblich weitgehend leere Schablonen sind, die als Zufallsprodukt einer möglichen Metamorphose betrachtet werden können und nicht als Resultat des gelebten Lebens einer literarischen Figur. Als einen Grund dieser willkürlichen Zuschreibungen nennt die Verfasserin misogyne patriarchalische Überlieferungstraditionen, die dem weiblichen Alter einen Negativstempel aufdrücken.

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Nisbet, Hugh Barr. "5. Lessing and Misogyny." In On the Literature and Thought of the German Classical Era, 109–27. Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0180.05.

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Hoffmann, Alexandra. "Cats and Dogs, Manliness, and Misogyny: On the Sindbad-nameh as World Literature." In Persian Literature as World Literature. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501354236.ch-8.

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Dawson, Lesel. "Menstruation, Misogyny, and the Cure for Love." In Lovesickness and Gender in Early Modern English Literature, 191–211. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199266128.003.0007.

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"Misogyny on Trial: Shakespeare and Honour Killing loraine fletcher." In Form and Feeling in Modern Literature, 136–45. Routledge, 2017. http://dx.doi.org/10.4324/9781351192439-23.

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"Misogyny, Muscles and Machines: Cars and Masculinity in Australian Literature." In Contemporary Issues in Australian Literature, 101–17. Routledge, 2014. http://dx.doi.org/10.4324/9781315040073-10.

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