Journal articles: 'Misogyny in literature'

1

Dodsworth, Martin. "Donne Rethinks Misogyny." Essays in Criticism 69, no. 3 (July 1, 2019): 259–81. http://dx.doi.org/10.1093/escrit/cgz016.

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Brouillette, Sarah. "Misogyny and Melodrama." Contemporary Literature 55, no. 3 (2014): 600–609. http://dx.doi.org/10.1353/cli.2014.0031.

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Macdonald, Elizabeth Drayson, and Michael Solomon. "The Literature of Misogyny in Medieval Spain." Modern Language Review 94, no. 4 (October 1999): 1123. http://dx.doi.org/10.2307/3737289.

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Agustin, Sherly Dwi. "WACANA MISOGINIS DALAM DISKURSUS TAFSIR AKADEMIS (KAJIAN EPISTEMOLOGIS ATAS JURNAL TAHUN 2010-2019)." MUṢḤAF: Jurnal Tafsir Berwawasan Keindonesiaan 1, no. 1 (December 3, 2020): 25–52. http://dx.doi.org/10.33650/mushaf.v1i1.1320.

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This study aims to examine misogynic interpretation issues in journals published in 2010-2019. Based on the assumption of journal stagnation in Indonesia on women studies, this study examined 32 journals published that year. Through an epithemological study, using literature review research methods and a philosophical approach, this study tries to examine bibliographically the articles that discuss the interpretation of misogyny verses. This study was conducted to analyze the tendency of writing on misogyny issues in journals. With Ignaz Goldziher's theory of the history of ideas, studies have succeeded in revealing that articles in journals tend to be based on interpretations of the formative era with quasi-critical reasoning dominated by modern feminist ideas from both the theme and methodological aspects. The implication of this study is the formation of a typology of misogynistic studies in journals, which can be used as a reference for the development of further studies, especially the development of the epistemology of al-Qur'an studies

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Majetic, Senka. "The Interdisciplinarity of Misogyny, Misandry and Misanthropy Gender Variations Corpus Analysis of Orwell’s 1984." Eximia 12 (September 29, 2023): 133–44. http://dx.doi.org/10.47577/eximia.v12i1.351.

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The article "Misogyny, Misandry and Misanthropy Gender Variations Corpus Analysis in Orwell’s 1984" explores the problem immensely present in Society. Corpus analysis is a confirmation of the hypothesized problem. The article is a marker of systematic Misogyny, Misandry and Misanthropy. The need for personal freedom protection is identified and discussed. The problem presented in Orwell’s 1984 is the hypothesis of the current state of society and motivation for a "current society" case study, the need for a "gender revisitation". Gender Variations are shown as Misogyny, Misandry and Misanthropy. Gender Variations, interdisciplinary studies trend is the corpus itself presenting Misogyny, Misandry and Misanthropy diversification, not as male, female and humankind unity. Multidisciplinarity is achieved through chosen interdisciplinarity of Language, Gender and Literature via Corpus Linguistics and Statistics. A corpus test sample has been used.

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Zhou, Yuxi. "The Connection between Mishima Yukio’s Depiction of Homosexuality and Misogyny." BCP Social Sciences & Humanities 16 (March 26, 2022): 568–75. http://dx.doi.org/10.54691/bcpssh.v16i.515.

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This paper aims to study Mishima Yukio’s description of homosexuality and misogyny. It will review discourses about Mishima, his performance, works and sexuality. It points out Mishima’s views on love, why the female characters in his books are always similar, and his attitude towards women. In conclusion, this paper will use the characters in Mishima’s novels as examples, analyzing his motives by explaining the intrinsic relationship between homosexuality and misogyny found in his literature.

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Juhnke, Anna K. "Remnants of Misogyny in Paradise Lost." Milton Quarterly 22, no. 2 (May 1988): 50–58. http://dx.doi.org/10.1111/j.1094-348x.1988.tb00745.x.

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Weitzer, Ronald, and Charis E. Kubrin. "Misogyny in Rap Music." Men and Masculinities 12, no. 1 (February 19, 2009): 3–29. http://dx.doi.org/10.1177/1097184x08327696.

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Arsawati, Ni Nyoman Juwita, and Dewi Bunga. "Misogyy As Violence In Gender Perspective." International Journal of Business, Economics, and Social Development 3, no. 1 (February 5, 2022): 19–27. http://dx.doi.org/10.46336/ijbesd.v3i1.207.

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Misogyny is the behavior of someone hating women, both from men and fellow women. This behavior often places and views women as the cause of blame in a problem, even for something that is not really a problem. Misogyny causes a person tends to hate, look down on, blame, label and discriminate against women. This behavior is often associated with male privilege, patriarchal customs, and gender discrimination. In practice, this behavior will place men in a superior position, while women in an inferior position. In certain cases, misogynism can even increase the risk of physical, psychological and sexual harassment of women. There are two problems discussed in this study: 1) misogyny in the perspective of gender-based violence and 2) the relationship between misogyny and violence against women. This research is normative juridical research supported by empirical data on gender-based violence against women. Primary and secondary legal materials were collected through literature study. The research approach used is the statutory regulation, the legal concept, and the legal argumentation approach. Analysis of the collected data was carried out qualitatively.

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Permatasari, Riana, and Destary Praptawati. "Manifestation of Persona Dealing with Misogyny as Reflected in Qahera the Superhero." Jurnal Lingua Idea 13, no. 1 (June 30, 2022): 25. http://dx.doi.org/10.20884/1.jli.2022.13.1.5351.

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Nowadays, there are a growing number of Muslim woman superheroes in literature; one of them is a webcomic entitled Qahera the Superhero. Qahera is portrayed as a veiled Eqyptian woman superhero dealing with misogyny throughout the story. This study is a qualitative study aimed at finding the manifestation of persona as reflected in Qahera and its relation to misogyny. In collecting the data, there were three steps taken, including reading the webcomic, identifying the data, and classifying the data in a table consisting of the data, the page/part of the comics, the references supported the data, and the analysis. The collected data were analyzed using the theory about persona by Carl Jung as the underlying theory in this study. Based on the research, there are two points concluded. First, the outward manifestation of persona in Qahera is a woman superhero wearing a hijab who is strong and brave. Second, her persona is built to fulfill society's expectations on how a woman should wear and protect women from misogyny in her community. She fights against misogyny by challenging the negative stereotypes about Muslim women, combating sexual harassment, and not supporting misogyny in various forms, including in arts. In short, Qahera built her persona to protect Muslim women and showed the persona manifestation of how a woman superhero can challenge the negative stereotypes of Muslim women without neglecting Islamic values inside her.

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Youngah Lee. "Literature and culture history of 'Misogyny'(II) in 1898 ～ 1910." Journal of Seokdang Academy ll, no. 67 (March 2017): 151–85. http://dx.doi.org/10.17842/jsa.2017..67.151.

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Weed, David M. "Sentimental Misogyny and Medicine in Humphry Clinker." Studies in English Literature, 1500-1900 37, no. 3 (1997): 615. http://dx.doi.org/10.2307/451052.

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Casey, Máiréad. "‘A Walking Study in Demonology’: Postfeminism and Popular Misogyny in Jennifer’s Body (2009)." Gothic Studies 25, no. 2 (July 2023): 160–78. http://dx.doi.org/10.3366/gothic.2023.0162.

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This article analyses the 2009 horror-comedy directed by Karyn Kusama, Jennifer’s Body. I describe how this female-centred horror film critiques the postfeminist or neoliberal feminine subject from an angle that aligns most comfortably with antifeminist sentiments and arguments from the centre-right and right. I discuss how a gendered neoliberal discourse of individualism, and the idea that the individual must be ultimately bear responsibility for their own biography, renders the titular character as an illegible subject of sexualised violence. I argue that the film naturalises threats of sexual violence, attributes blame to the violated female body, and renders her illegible as a victim or as person worthy of sympathy and support. I demonstrate how the film is prescient of secular forms of exclusion, specifically popular misogyny and conforms to some of popular misogyny’s circulated myths and philosophies regarding female sexuality.

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Neill, Michael. "Bastardy, Counterfeiting, and Misogyny in The Revenger's Tragedy." Studies in English Literature, 1500-1900 36, no. 2 (1996): 397. http://dx.doi.org/10.2307/450955.

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15

Klemp, Paul J. "Gallagher's Milton, the Bible, and Misogyny?and Bauman." Milton Quarterly 25, no. 4 (December 1991): 149–51. http://dx.doi.org/10.1111/j.1094-348x.1991.tb00456.x.

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Erwany, Lela, Rosliani Rosliani, and Dardanila Dardanila. "Sindrom Misogini Dalam Cerpen “Wah Wah Wah’ Karya Tsi Taura: Analisis Psikologi Sastra." Journal of Education, Humaniora and Social Sciences (JEHSS) 4, no. 4 (May 1, 2022): 2361–68. http://dx.doi.org/10.34007/jehss.v4i4.1078.

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Short stories as part of literature are the universe of reality in which there are events experienced by the actors. In the short story Wah Wah Wah, it can be seen the presence of a psychological phenomenon experienced by the main character. The psychological phenomenon was studied using a literary psychology approach and misogyny. The method used is a qualitative method with a hermeneutic approach. This approach is considered capable of maintaining the authenticity of the text. The results of this study indicate that the misogyny contained in the Wah Wah Wah short story is caused by trauma or the treatment of his wife, children, and daughter-in-law to the character Si Aku. Before marriage he did not hate women. This can be seen from his attitude towards his dead mother. He didn't hate his mother. Due to chronic misogyny, eventually gradually turned into a permanent mental disorder. This is because there is no treatment from a psychologist and family support. He experiences stress and his soul is disturbed or crazy.

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Fowler, Elizabeth. "Misogyny and Economic Person in Skelton, Langland, and Chaucer." Spenser Studies 10 (January 1, 1989): 245–73. http://dx.doi.org/10.1086/spsv10p245.

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Henze, Catherine A. "Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque." SEL Studies in English Literature 1500-1900 44, no. 2 (2004): 379–404. http://dx.doi.org/10.1353/sel.2004.0016.

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Sankaran, Chitra. "Misogyny in Raja Rao's the Chessmaster and his Moves." Journal of Commonwealth Literature 30, no. 1 (March 1995): 87–95. http://dx.doi.org/10.1177/002198949503000109.

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Chambers, Ross. "Misogyny and Cultural Denial (Balzac’s Autre étude de femme)." L'Esprit Créateur 31, no. 3 (1991): 5–14. http://dx.doi.org/10.1353/esp.1991.0059.

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Suárez Lafuente, M. S. "Flawed arguments, structural misogyny and rape culture: court cases in contemporary literature." European Journal of English Studies 26, no. 2 (May 4, 2022): 282–91. http://dx.doi.org/10.1080/13825577.2022.2091320.

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22

Mattessich, Stefan. "Imperium, Misogyny, and Postmodern Parody in Thomas Pynchon's V." ELH 65, no. 2 (1998): 503–21. http://dx.doi.org/10.1353/elh.1998.0018.

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23

Greene, Donald. "The Myth of Johnson's Misogyny: Some Addenda." South Central Review 9, no. 4 (1992): 6. http://dx.doi.org/10.2307/3189477.

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24

Richetti, J. "Women Novelists and the Canon: Ingrained Misogyny?" Eighteenth-Century Life 34, no. 3 (September 27, 2010): 1–5. http://dx.doi.org/10.1215/00982601-2010-001.

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Handwerk, Gary. "Mapping Misogyny: Godwin's "Fleetwood" and the Staging of Rousseauvian Education." Studies in Romanticism 41, no. 3 (2002): 375. http://dx.doi.org/10.2307/25601570.

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Wu, Fatima, and Lu Tonglin. "Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction." World Literature Today 69, no. 4 (1995): 869. http://dx.doi.org/10.2307/40151810.

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Hilton, Leon J., and Jasmine Johnson. "An Introduction." TDR: The Drama Review 67, no. 3 (September 2023): 8–14. http://dx.doi.org/10.1017/s1054204323000229.

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Performances and performative instantiations respond to the urgencies of “pressure” and its effects. What is the work of performance when wrung by such pressures as financial constraint, racial subordination, misogyny, and sexism?

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28

Hostetler, Margaret. "The characterized reader in Hali Meiðhad and the resisting reader of feminist discourse on medieval devotional texts." Journal of Historical Pragmatics 6, no. 1 (February 22, 2005): 87–111. http://dx.doi.org/10.1075/jhp.6.1.05hos.

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What has emerged from much recent feminist analysis of medieval devotional literature is a model of reading based on a theorized resistance by the female reader to the misogyny of the medieval text. Yet this model of reading limits opportunities for positive communication between text and reader. This article offers an analysis of readers characterized in Hali Meiðhad through the use of parenthetical honorifics and direct address to argue that features encoded to entice reader participation or cue certain reader responses are more complex than has been noted and move beyond any unproblematic notion of avoidable misogyny. The description of narrative shifts in this discussion relies on Deictic Shift Theory to illustrate how the author of Hali Meiðhad explicitly shifts his readers from identification with one reader-character to another over the course of the epistle, enabling his readers to position themselves self-consciously in relation to various Christian identities.

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Kathryn Schwarz. "Will in Overplus: Recasting Misogyny in Shakespeare’s Sonnets." ELH 75, no. 3 (2008): 737–66. http://dx.doi.org/10.1353/elh.0.0018.

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Li, Shihui, Xiyu Liu, Xincan Wang, and Yinshen Zhao. "Emotional Labour and Misogyny: a general look at gender differences among teachers in Chinese high schools." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 1417–23. http://dx.doi.org/10.54097/ehss.v8i.4496.

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Emotional labour and misogyny have been studied in the gender field for decades. Numerous studies focused on the association of the two subjects and education industry in the western world respectively, while little research of such topics has been done in the eastern world context. This study took a step to examine the gender differences of high school teachers’ emotional labour in mainland China by reviewing previous literature and conducting interviews with teachers and students at a school located southeast China. The result found that misogyny is an essential factor causing different emotional labour contents between genders. Yet the consequences of this difference can be both positive and negative due to the varying types of emotional labour, and the detailed impacts are discussed. This study results also suggested that improvements of gender equality in classrooms, especially regarding teachers’ emotional labour, are crucial and urgent to be made for both teachers’ well-beings and students’ learning quality.

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Price, Richard M. "‘God is more weary of woman than of man’: Reflections on a Text in the Golden Legend." Studies in Church History 34 (1998): 119–27. http://dx.doi.org/10.1017/s0424208400013619.

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The presence of a malodorous taint of misogyny in Christian literature, both ancient and medieval, is a familiar fact that feminist writers, more than male chauvinists, have been keen to push under our noses. What is its explanation? The inferiority of women is a standard theme in male-dominated cultures. Christian literature, for so long the virtual preserve of male celibates, inevitably reflected their anxieties and their need for reassurance. But was there also a genuine theological component, however misconceived, arising from basic Christian convictions about human nature and the moral law?

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Ghanbarian, Parisa, Mona Hoorvash, and Mahsa Hashemi. "Elven chora : feminine space and power in Tolkien's The Lord of the Rings." Brno studies in English, no. 1 (2023): 129–45. http://dx.doi.org/10.5817/bse2023-1-7.

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The Lord of the Rings has earned Tolkien high praise as well as a reputation for misogyny due to its scarce and marginal female characters. A rather neglected aspect of Tolkien's trilogy which challenges this notion is the femininity embedded within the story and its significance in the value system of the novel. Despite depicting fewer female human characters, Tolkien has created a race which is dominantly characterized by feminine attributes: the race of the Elves. Questioning the accusations of misogyny through a feminist psychoanalytic reading, this study uses Kristeva's chora to recognize the Elven lands as feminine space dominated by the semiotic rather than the symbolic, and Irigaray's notion of puissance to unearth the celebration of feminine power in the novels' depiction of the Elves. The careful consideration of the Elves, their society and their lands demonstrate the preference for the feminine which is in contrast with the phallic.

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Osman, Sharifah Aishah. "Addressing Rape Culture through Folktale Adaptation in Malaysian Young Adult Literature." Girlhood Studies 14, no. 1 (March 1, 2021): 117–33. http://dx.doi.org/10.3167/ghs.2021.140110.

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Rape culture is a provocative topic in Malaysia; the public discourse on it is plagued by gender stereotyping, sexism, misogyny, and rape myths. Recent literary works aimed at Malaysian adolescent girls have interrogated rape culture more pointedly as a means of addressing gender-based violence through activism and education. In this article, I discuss two short stories, “The Girl on the Mountain” and “Gamble” as retellings of Malaysian legends and feminist responses to the normalization and perpetuation of rape culture in this society. Through the emphasis on female agency, consent, and gender equality, these two stories reflect the subversive power of Malaysian young adult literature in dismantling rape culture, while affirming the significance of the folktale as an empowering tool for community engagement and feminist activism.

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Dangler, Jean, and Michael Solomon. "The Literature of Misogyny in Medieval Spain: The Arcipreste de Talavera and the Spill." Hispanic Review 69, no. 2 (2001): 245. http://dx.doi.org/10.2307/3247043.

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WOOD. "OF WEREWOLVES AND WICKED WOMEN: "MELION"'S MISOGYNY RECONSIDERED." Medium Ævum 84, no. 1 (2015): 60. http://dx.doi.org/10.2307/45275372.

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36

Robillard, Amy E. "Misogyny and the Norm of Recognition in Graduate English Programs." College Composition & Communication 74, no. 1 (September 1, 2022): 4–30. http://dx.doi.org/10.58680/ccc202232118.

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Drawing on interviews with ten female-identifying graduate students, this article theorizes a norm of recognition and argues that recognition, conceptualized as a masculine-coded good, circulates away from female graduate students toward faculty and from faculty back to male graduate students. Female graduate students instead experience misogyny, understood as a punishment for straying from patriarchal gender roles in which they are required to be givers.

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Berleth, Richard J. "Fraile Woman, Foolish Gerle: Misogyny in Spenser's "Mutabilitie Cantos"." Modern Philology 93, no. 1 (August 1995): 37–53. http://dx.doi.org/10.1086/392284.

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38

Halchuk, O. "Woman-character and woman-author in ancient Greek and Roman literature: an attempt at the typology." Science and Education a New Dimension IX(253), no. 45 (June 25, 2021): 20–24. http://dx.doi.org/10.31174/send-hs2021-253ix45-05.

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The article proposes a typology of female characters of ancient literature. The typology is based on the dominant categories of «moral» (expressed by the dichotomy of «moral – immoral»), «heroic» («achievement – offence») and «aesthetic» («beautiful – ugly»). Through the prism of mythology, the semantics of the figurative gallery «woman-character» and «woman-author» reflects the specifics of the position of women in the ancient world. Misogyny is typical for the male world of antiquity. This determined the emphasis in the interpretation of women's masks, which were mainly given the role of the object of erotic posing. This, however, does not diminish the reception potential of female images of ancient origin in the subsequent world literary discourse.

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Adayeva, Yermek. "GENDER ASPECTS OF STUDYING KAZAKH LITERATURE." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 85–101. http://dx.doi.org/10.55808/1999-4214.2023-3.06.

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This article considered that the image of a woman in Kazakh literature was interconnected with historical changes in society and reflected the peculiarities of Kazakh culture. From the historical and social point of view, the main prerequisites for raising the image of a woman to a new level in modern Kazakhstan are shown. At the same time, the expression of gender stereotypes in Kazakh literature is analyzed. This work also examines the factors such as the historical situation, national worldview, culture, and traditions, which have influenced the establishment and spread of centuries-long stereotypes of the Kazakh woman as beautiful, family core, submissive, subservient, victimized, etc. "Bakytsiz Jamal", "Kamar Sulu", "Akbilek" and other voluminous works describing the suffering lives of women who are victims of traditions and Kazakh mentality are analyzed. In this regard, we conclude that the works published at the beginning of the 20th century are full of gender stereotypes that harm women's rights to a certain extent. We can easily find issues of misogyny and gender inequality, which are often discussed currently, in the literature of that time. The research also discusses the stories by female writers and the writing characteristics of women writers in modern Kazakh literature.

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Ibrahim Ismael, Zaid I., and Asmaa Mehdi Saleh. "No Man’s Land: John Steinbeck’s "East of Eden" and the Question of Misogyny." International Journal of Literary Humanities 19, no. 1 (2021): 51–59. http://dx.doi.org/10.18848/2327-7912/cgp/v19i01/51-59.

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Townsend, Chris. "What Rhymes with Misogyny? Rossetti, Dickinson, and Plath at Rhyme's Limit." Poetics Today 44, no. 3 (September 1, 2023): 347–78. http://dx.doi.org/10.1215/03335372-10578471.

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Abstract Historical poetics often seeks to read “from the inside out,” to understand form's history by starting with the features of form themselves. In that sense, it is uniquely placed to understand the intersections of poetics and politics, and to uncover the places where rhythmic features intersect with issues of power. This essay shows that one particular feature of form—terminal rhyme—has had a peculiar and troubling closeness to strains of critical misogyny: on the one hand, rhyme is sometimes deemed “unmanly” or unserious, yet there is also a history of maligning women poets for being bad rhymers, and not feminine enough. Beginning with what may seem like the opposite school to historical poetics—the contextless “Practical Criticism” exercises of New Criticism—it makes the case for a close attention to rhyme types and rhyme practices within politically aware critical reading and explores unorthodox approaches to rhyme in three exemplary poets: Christina Rossetti, Emily Dickinson, and Sylvia Plath.

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Price, Steven, Katherine H. Burkmann, and Judith Roof. "Staging the Rage: The Web of Misogyny in Modern Drama." Modern Language Review 95, no. 2 (April 2000): 489. http://dx.doi.org/10.2307/3736168.

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Potter, Troy. "(Re)constructing Masculinity: Representations of Men and Masculinity in Australian Young Adult Literature." Papers: Explorations into Children's Literature 17, no. 1 (May 1, 2007): 28–35. http://dx.doi.org/10.21153/pecl2007vol17no1art1203.

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In this essay, I analyse how the representation of masculine discourses, and the dialogic processes at work between those present (or absent) function to support, to undermine or to challenge the current hegemonic masculinity in two Australian Young Adult realist texts, David Metzenthen's Boys of Blood and Bone (2004) and Scot Gardner's Burning Eddy (2003). While various and viable masculine schemata, and the dialectical relations between them, may exist in society and be represented within a text, I argue that the masculine constructions which are represented and privileged in the chosen two texts ultimately perpetuate and support normative hegemonic masculinity, that is, masculinity which can be characterised by heterosexuality, a desire for mateship, a sense of responsibility or duty, actual or implicit misogyny, and an inability or unwillingness to express emotion and taciturnity (Romøren and Stephens 2002, p.220).

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Hartman, Asher. "Female Hallucinations, Folk Horses, and Gaunt Motherfuckers." TDR: The Drama Review 66, no. 2 (June 2022): 2–3. http://dx.doi.org/10.1017/s1054204322000053.

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This autobiographical-fantastical work-in-progress animation is about a girl who eats people. Kay Whale, a lovable force composed of many beings, is growing malevolent. Absurdist and depraved, Female Hallucinations is as much about possession as it is about the ways our unexamined traumas can turn into weapons against the world. It is a personal examination of the effects of misogyny, racist privilege, multiplicity, violence, and loss.

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Quintero, María Cristina. "The Rhetoric of Desire and Misogyny in "Jardín de Venus"." Calíope 2, no. 2 (January 1, 1996): 51–69. http://dx.doi.org/10.2307/44799277.

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46

Valderrama, Mara. "Esperpento y cuerpo violento: Angélica Liddell entre misoginia y feminismo." Acotaciones. Revista de Investigación y Creación Teatral 1, no. 50 (June 28, 2023): 99–122. http://dx.doi.org/10.32621/acotaciones.2023.50.04.

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This essay studies the seeming contradiction between An-gelica Liddell’s feminism in some of her plays and the misogynistic turn in her more recent works, especially The Scarlet Letter (2018). The theo-retical framework includes Paul B. Preciado’s concept of «auto-guinea pig» and Rebecca Schneider’s “explicit body” to analyze the ways in which physical violence is central to Liddell’s work. The essay then lo-cates Liddell in a lineage of Spanish theatrical traditions: the 19th cen-tury genre astracán and the esperpento, conceptualized by playwright Valle-Inclán in 1920. In this light, Liddell’s violent and provocative per-formative language becomes part of a consolidated tradition rather than an irreverent provocation. This article analyzes case studies such as Yo no soy bonita (2005), La casa de la fuerza (2009) y The Scarlet Letter (2018)

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Preston, Carrie J. "Hissing, Bidding, and Lynching: Participation in Brandon Jacobs-Jenkins’s An Octoroon and the Melodramatics of American Racism." TDR/The Drama Review 62, no. 4 (December 2018): 64–80. http://dx.doi.org/10.1162/dram_a_00793.

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Branden Jacobs-Jenkins’s 2016 An Octoroon encouraged Boston theatregoers to hiss and cheer like the audiences for Boucicault’s 1859 The Octoroon, then encouraged them to bid for slaves and scream for a lynching. For some, participation may have encouraged a self-satisfied post-racial bliss; for others, it may have bolstered psychic investments in racism and misogyny. Many, however, were confused: What is an appropriate response to the melodramatic extremes of American race relations?

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48

Rhodes, Elizabeth. "The Literature of Misogyny in Medieval Spain: The "Arcipreste de Talavera" and the "Spill".Michael Solomon." Speculum 75, no. 1 (January 2000): 247–49. http://dx.doi.org/10.2307/2887482.

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49

Auerbach, Nina, and Joseph A. Kestner. "Mythology and Misogyny: The Social Discourse of Nineteenth-Century British Classical-Subject Painting." Tulsa Studies in Women's Literature 8, no. 2 (1989): 313. http://dx.doi.org/10.2307/463741.

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50

Johnson, Ian. "Xpmbn: The Gendered Ciphers of theBook of Bromeand the Limits of Misogyny." Women: A Cultural Review 18, no. 2 (August 2007): 145–61. http://dx.doi.org/10.1080/09574040701400205.

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Journal articles on the topic 'Misogyny in literature'

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