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Books on the topic 'Misogyny in rap music'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Berlatsky, Noah. Rap music. Detroit: Greenhaven Press, 2012.

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2

Rap music. San Diego, Calif: Lucent Books, 2001.

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3

Greenberg, Keith Elliot. Rap. Minneapolis: Lerner Publications Co, 1988.

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4

Noel-Schure, Yvette. Rap! New York, N.Y: Parachute Press, 1990.

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5

Greenberg, Keith Elliot. Rap. Minneapolis: Lerner Publications Co., 1988.

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6

Greenberg, Keith Elliot. Rap. Minneapolis: Lerner Publications Co., 1988.

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7

Wilson, Mike. Carrot rap. London: Hodder & Stoughton, 1999.

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8

Rap global. Rio de Janeiro, RJ: Aeroplano Editora, 2010.

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9

Carr, Aaron. Rap. New York: AV2 by Weigl, 2015.

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10

Lazerine, Cameron. Rap-Up. New York: Grand Central Publishing, 2008.

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11

Stancell, Steven. Rap whoz who: The world of rap music. New York: Schirmer Books, 1996.

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12

Rap whoz who: The world of rap music. New York: Schirmer Books, 1996.

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13

Sacks, Nathan. Rap/hip-hop. Minneapolis: Twenty-First Century Books, 2013.

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14

Rap! Milano: Feltrinelli, 2001.

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15

Arbasino, Alberto. Rap! Milano: Feltrinelli, 2001.

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16

Beste, Peter. Houston rap. Los Angeles: Sinecure Books, 2013.

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17

Reptile rap. New York: Crabtree Pub., 2011.

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18

Fresh, Freddy. The rap records. St. Paul, Minn: Freddy Fresh, 2003.

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19

How to Rap. Chicago: Chicago Review Press, 2009.

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20

James, McClendon Robert Jr. The origin of rap music. Del Rio, Tex. (1801 Avenue F. #163, Del Rio 78840): We the Negro People Film and Non-Commercial Venture, Ect. [sic], 1994.

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21

Gangsta-rap. [Paris]: Flammarion, 2005.

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22

Krulik, Nancy E. Bad Rap. New York: Penguin USA, Inc., 2009.

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23

Krulik, Nancy E. Bad rap. New York: Grosset & Dunlap, 2005.

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24

Lantz, Francess Lin. Rock, rap, and rad: How to be a rock or rap star. New York, N.Y: Avon Books, 1992.

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25

The anthology of rap. New Haven: Yale University Press, 2010.

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26

Zephaniah, Benjamin. Gangsta rap. New York: Bloomsbury, 2004.

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27

Kitwana, Bakari. The rap on gangsta rap: Who run it? : gangsta rap and visions of Black violence. Chicago: Third World Press, 1994.

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28

Rap attack 3: African rap to global hip hop. 3rd ed. London: Serpent's Tail, 2000.

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29

Rap attack 2: African rap to global hip hop. London: Serpent's Tail, 1994.

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30

Toop, David. Rap attack 2: African rap to global hip hop. London: Serpent's Tail, 1991.

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31

Puma, Clyde. Le rap français. [Paris]: Éditions Hors collection, 1997.

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32

Don, Roberts. Rap to live by. Norfolk, VA: Hampton Roads Pub. Co., 1993.

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33

Ferrarotti, Franco. Rock, rap e l'immortalità dell'anima. Napoli: Liguori, 1996.

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34

G, Lee Charles, and Alim H. Samy, eds. Street conscious rap. Philadelphia, Pa: Black History Museum Umum/Loh Pub., 1999.

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35

Knuckles, Jeffrey D. The rap! book: A book. Los Angeles, CA: Holloway House Pub. Co., 1988.

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36

Le dictionnaire du rap. Paris: Scali, 2007.

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37

Bradley, Adam. The anthology of rap. New Haven: Yale University Press, 2010.

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38

Ertl, Franz. Rap, Funk, Soul: Ein Nachschlagewerk. 2nd ed. Koln: W. Herbst, 1993.

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39

Should music lyrics be censored? Detroit: Greenhaven Press, 2011.

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40

Le ragga: [reggae, rap, DJ]. Paris: Hors collection, 2005.

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41

Le rap est né en Jamaïque. Bordeaux: Castor Astral, 2009.

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42

Blum, Bruno. Le rap est né en Jamaïque. Bordeaux: Castor Astral, 2009.

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43

Murda', Misogyny, and Mayhem: Hip-Hop and the Culture of Abnormality in the Urban Community. University Press of America, Incorporated, 2011.

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44

Sharpley-Whiting, T. Denean. Jefferson’s Paradox, or a Very Brief History of Black Women’s Sexuality, Hip-Hop, and American Culture. Edited by Naomi Zack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190236953.013.21.

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Abstract:

American representations of black women’s sexuality extend from the political culture of the eighteenth century to the public and popular culture of the twenty-first. Hip-hop culture may now be at the center of the phenomenon, and antiblack misogyny seems to emanate from gangsta rap music. However, Thomas Jefferson’s racial theses on blacks, and black women in particular, from his Notes on the State of Virginia helped form this perspective. Jefferson’s tradition of flattened-out, uncomplicated, and sexually and racially violent representations and understandings of black women and their sexuality continue in our contemporary moment, as does his biased aesthetic evaluations of them based on ideas of white superiority.

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45

Noël, Merino, ed. Rap music. Farmington Hills, MI: Greenhaven Press, 2008.

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46

Dixon, Travis L. Rap Music and Rap Audiences Revisited. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.24.

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This current paper offers a review of some of the early rap studies and discusses some of the more recent rap investigations that have been dominated by negative effects investigations. It argues that the suspicion of negative effects and stereotyping of African Americans have driven support for censorship of this musical genre. Although psychologists and lay critics have focused on the potential negative effects of rap music, the current chapter provides evidence that the effects are not all negative and that rap music audiences may use their culture and “agency” to empower themselves.

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47

Posthuman rap. Oxford University Press, USA, 2017.

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48

Burton, Justin Adams. Posthuman Rap. Oxford University Press, Incorporated, 2017.

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49

Rap e Educação, Rap é Educação. Selo Negro Edições, 2000.

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50

de, Andrade Elaine Nunes, and Duarte Geni Rosa, eds. Rap e educação, rap é educação. São Paulo, SP: Selo Negro, 1999.

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