Dissertations / Theses on the topic 'Misogyny in rap music'
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RAY, OLIVIA SUNDIATA. "SEXUAL VIOLENCE IN POPULAR RAP MUSIC AND OTHER MEDIA." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/618766.
Full textSingson, Brian A. "They Said What About Women!?: An Ethnographic Content Analysis of Mainstream Rap and R&B Lyrics, 2002–2005." Cincinnati, Ohio University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1178296739.
Full textTitle from electronic thesis title page (viewed July 18, 2007). Includes abstract. Keywords: Rap; Hip hop; Misogyny; Lyrics; Content Analysis Includes bibliographical references.
Lindsay, Melanie Marie. "WHO YOU CALLIN' A BITCH? A CONTENT ANALYSIS OF THE IMAGES USED TO PORTRAY AFRICAN AMERICAN WOMEN IN RAP MUSIC." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/336.
Full textBrown, DeAngelo K. "The Relationship between Mainstream Radio Music, Vulgar Lyrics, and Race and the Impact on the Criminal Black Male Stereotype." Diss., NSUWorks, 2017. https://nsuworks.nova.edu/cahss_jhs_etd/18.
Full textMorgan, Andrea Scott. "Deconstructing myths about rap music /." View online, 1996. http://repository.eiu.edu/theses/docs/32211998826162.pdf.
Full textBerkland, Darren Gary. "Androcentrism and misogyny in late twentieth century rock music." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/d1021199.
Full textZavortink, Matthew. "Analysis of Rhythm in Rap Music." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20418.
Full textLüdtke, Solveig. "Globalisierung und Lokalisierung von Rapmusik am Beispiel amerikanischer und deutscher Raptexte." Berlin ; Münster : Lit, 2007. http://books.google.com/books?id=4J-fAAAAMAAJ.
Full textMorrison, Karen Y. "Anne Bradstreet's rap : the music in her poetry /." View abstract, 2001. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1658.
Full textThesis advisor: Gilbert L. Gigliotti. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English Literature." Includes bibliographical references (leaves 62-64). Also available via the World Wide Web.
Love, Bettina L. "Don't judge a book by Its cover an ethnography about achievement, rap music, sexuality & race /." Atlanta, Ga. : Georgia State University, 2008. http://digitalarchive.gsu.edu/eps_diss/28/.
Full textTitle from title page (Digital Archive@GSU, viewed June 10, 2010) Jennifer Esposito, committee chair; Jonathan Gayles, Richard Lakes, Carlos R. McCray, committee members. Includes bibliographical references (p. 201-228).
Gautier, Alba. "Producing a popular music : the emergence and development of rap as an industry." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79768.
Full textMiyakawa, Felicia M. "Five percenter rap : God Hop's music, message, and black muslim mission /." Bloomington : Indiana university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40037113d.
Full textZemke-White, Kirsten. "Rap Music in Aotearoa: A Sociological and Musicological Analysis." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/97.
Full textWhole document restricted, but available by request, use the feedback form to request access.
Jordan, Augustus III. "A study of language and ideology in Rap Music." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1998. http://digitalcommons.auctr.edu/dissertations/3334.
Full textMohammed-Akinyela, Ife J. "Conscious Rap Music: Movement Music Revisited A Qualitative Study of Conscious Rappers and Activism." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/14.
Full textSweet, Eli. "Bullet on the charts beef, the media industry and rap music in America /." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/1123.
Full textWhite, Annika Yvette. "A content analysis of popular themes and sexuality in rap and reggae music." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Summer2010/A_White_051810.pdf.
Full textTitle from PDF title page (viewed on July 29, 2010). "Department of Sociology." Includes bibliographical references (p. 78-80).
Condit-Schultz, Nathaniel. "MCFlow: A Digital Corpus of Rap Flow." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461250949.
Full textSissum, Melina. "A longitudinal content analysis of violence, sex, and drugs in rap music." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3208.
Full textNichols, Jason Anthony. "The realest nigga constructions of Black masculinity within rap music /." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3921.
Full textThesis research directed by: Dept. of American Studies. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Murray, Dufferin A. "From the word up, the poetic message of rap music." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30813.pdf.
Full textPeterson, Sean. "Something Real: Rap, Resistance, and the Music of the Soulquarians." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23759.
Full textDares, Jasmine. ""Poetry out of poison" : exploring rap music as critical pedagogy." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44966.
Full textBaya, Dina. "'We Rising Up' : Rap Music as a Tool of Resistance." Thesis, Malmö universitet, Malmö högskola, Institutionen för globala politiska studier (GPS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-18499.
Full textSilva, Edna Alencar da. "O rap ecoa na literatura infantil." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-03102012-124340/.
Full textIn our survey entitled The Rap Echoes in Children\'s Literature, we show the children\'s as well as youth\'s literature dialogues - in whose genesis there is a child picture- with other forms of communication and arts, movement that is happening with intensity and that contributes to changes in this literary universe, as well as the image of the speaker. We prepared a brief study through paths followed by some historical texts for children, we passed through a contextualization of the music, and the elements that make up the Hip-Hop Culture and one of its pillars - the rap in which the object of study selected for the work was A Boy Called Rorbeto, from the rapper Gabriel Contino - O Pensador (The Thinker). We show literary codes and shared literary manifestations of hip-hop culture, negotiations between the social discourse, the complaint - characteristic of rap - and the institutional power strongly represented in the work; from that point, we seek possible tangent child and childhood images that are present in the present.
Glover, Maria A. "Ethos as street credibility : defining the street artist as a hero persona in the hip-hop lyrics of Nas /." Read thesis online, 2010. http://library.uco.edu/UCOthesis/GloverMA2010.pdf.
Full textChennault, Schyler. ""Je vis, donc je vois, donc je dis" : banlieue violence in french rap /." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1787.pdf.
Full textWhite, Russell Christopher. "Constructions of identity and community in hip-hop nationalism with specific reference to Public Enemy and Wu-Tang Clan." Thesis, University of Winchester, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274442.
Full textWilliams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.
Full textGomes, Renan Lelis 1984. "Território usado e movimento hip-hop : cada canto um rap, cada rap um canto." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286930.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Geociências
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Resumo: Este texto apresenta algumas reflexões que objetivam discutir o hip-hop como uma manifestação territorial que assume particularidades regionais e que tem no rap uma das suas formas de existir. Este tipo de música, mesmo possuindo uma linguagem universal, assume características regionais distintas, utilizando-se cada vez mais dessa diversidade regional para criar sinergias capazes de projetar e de fazer ouvir suas reclamações. Assim, apropriando-se das técnicas do período atual, em um processo que vai da produção à distribuição das músicas, surgem rap's regionais criados a partir de elementos genuinamente brasileiros. O hip-hop, que abrange uma grande quantidade de jovens e tem profundas ligações com os lugares, torna-se ferramenta de solidariedade orgânica, haja vista que essa manifestação assumiu uma posição bastante relevante frente a questões urgentes relacionadas a segmentos sociais desfavorecidos e fez, também, com que membros de um movimento não-institucional passassem a participar da política formal, concorrendo a cargos públicos, participando de editais e da criação de leis
Abstract: This essay presents some reflections that aim to discuss the hip-hop as a territorial manifestation that assumes regional particularities which has in rap its forms of existence. This kind of music, even containing a universal language assumes distinct regional characteristics, using more and more this diversity to create regional synergies able to design and to give voice to their complaints. Thus, assuming the techniques of the current period, in a process that goes from the production to the distribution of music, regional raps arise created from genuine Brazilian elements. The hip-hop, that covers a big quantity of young people and has deep connection to the places, becomes a tool of organic solidarity, considering that this manifestation took a very relevant room in face of urgent issues related to disadvantaged social groups and also made members of a non-institutional movement start to participate in formal politics, including competing for public career, taking part in the creation of edicts and laws
Mestrado
Análise Ambiental e Dinâmica Territorial
Mestre em Geografia
Harris, Christopher S. "Gods, God, & Soul Food: Young Black Spirituality in Rap Music." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/448.
Full textTummons, Jonathan P. "Cultural assimilation, appropriation and commercialization : authenticity in rap music, 1997-2004 /." Morgantown, W. Va. : [West Virginia University Libraries], 2008. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5611.
Full textTitle from document title page. Document formatted into pages; contains xvi, 195 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 183-195).
Quinn, Eithne. "Representing and affronting : the politics and poetics of gangsta rap music." Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311723.
Full textGrandstrand, Rachel. "The Performance and Perception of Social Identities in Country-Rap Music." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1375280445.
Full textGimeno, Patricia Curi. "Poetica versão : a construção da periferia no rap." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281717.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O objetivo desta dissertação foi o de apresentar alguns aspectos fundamentais para a compreensão do processo de construção da relação entre o rap, os rappers e a periferia. Tal relação é entendida como o resultado de um processo bastante abrangente de diálogo e, por vezes, de conflito, entre alguns rappers paulistanos e outros sujeitos e instituições no tocante à própria conceituação da periferia, à ocupação de territórios da cidade de São Paulo, às visões mais comuns sobre a violência e à criminalidade e, por fim, ao papel desempenhado por estes artistas na cena pública. Tomando como base as trajetórias e as letras de músicas dos integrantes dos grupos Racionais MC's, RZO e dos rappers Rappin Hood, Xis e Sabotage, procurou-se mostrar que, ao defenderem a legitimidade do olhar construído a partir do interior da periferia, assim como de seus papéis públicos de representantes autorizados dos moradores, os artistas tornaram-se mediadores entre esse mesmo território e o restante da sociedade. E, mais importante, transformaram o rap em um veículo de expressão e de formulação de demandas sociais e políticas de uma parcela bastante significa de jovens pobres e negros que, assim como eles, nasceram e cresceram nas periferias da cidade de São Paulo a partir dos anos 1970
Abstract: The purpose of this dissertation was to present some fundamental aspects for comprehending the upbuilding process of the relations between Rap, rappers and peripheral neighborhoods. Such relations are understood as the result of a quite broad dialogical process, and sometimes a conflictual one, between rappers from São Paulo and other institutions and individuals concerning the very conceptualization of the peripheral neighborhood, the occupation of some of the city's territories, the most common points of view about violence and crime and, lastly, concerning the role played by these artists in the public scenario. Taking as a start their life histories and lyrics by members of the groups Racionais MCs, RZO, and the rappers Rappin Hood, Xis and Sabotage, efforts were made towards the purpose of demonstrating that by defending the legitimacy of this look developed within the peripheral neighbourhood as well as the legitimacy of their roles as public representatives as authorised by the community, artists became mediators between these very territories and the rest of the society. More importantly, these artists have turned rapping into a medium of expression and formulation of social and political demands for a significant share of poor and black young ones who, just like them, were born and raised in the peripheral areas of the city of São Paulo from the 70's onwards
Mestrado
Antropologia Urbana
Mestre em Antropologia Social
Grönevik, Klara. "The Depiction of Women in Rap and Pop Lyrics." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-29947.
Full textWoods, Alyssa. "Violence and the negotiation of musical meaning in rock, pop, and rap cover songs." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26810.
Full textMagnusson, Madeleine. ""Not Perfect Grammar, Always Perfect Timing" : African American Vernacular English in Black and White Rap Lyrics." Thesis, Karlstad University, Faculty of Arts and Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1749.
Full textAfrican American Vernacular English, AAVE, is a variant of English spoken mostly by lower-class black citizens in the US. Since the most popular music genre among African Americans today is rap, this paper will describe what characterizes AAVE and rap music, and explore the use of AAVE in rap lyrics of both black and white rappers.
AAVE is different from Standard English in several respects; grammatically, phonologically and lexically. Examples of grammatical features in AAVE are invariant be, double negations and the differing use of possessive pronouns.
The hip hop industry has been, and still is, largely dominated by black performers, and white artists make up only a minority of rappers in the line of business today. Rappers being part of a larger culture, the hip hop nation, they have a language in common, and that language is AAVE. In this paper, a number of lyrics performed both by black and white rap artists have been compared and analyzed, in search of linguistic features of AAVE. This study provides evidence that AAVE is indeed used in rap lyrics, although the use of its features is often inconsistent. It is also shown that AAVE-presence in white rappers’ lyrics exists, but is sparser than in the works of their black equivalents.
Cortez, Marcia Felix da Silva. "Hibridação, performance e utopia nas canções de rap." Universidade Federal de Alagoas, 2010. http://www.repositorio.ufal.br/handle/riufal/1449.
Full textFundação de Amparo a Pesquisa do Estado de Alagoas
O presente trabalho tem por objeto de investigação a compreensão das canções de rap como expressões voco-musicais híbridas que, no nordeste, trazem o diálogo entre as fontes orais afro-americanas e a cantoria nordestina. O resultado deste encontro é construído pelas análises das dezoito canções, oriundas de grupos nordestinos, e compreendidas a partir da concepção de poeta da voz zumthoriana. O mapeamento identitário do/a MC e do/a ouvinte de rap tornou possível aprofundar olhares que foram conduzidos pelas considerações sobre hibridação, performance e utopia e, por sua vez, subsidiaram uma abordagem ampla sobre a complexidade textual das canções de rap.
Singles, Daniel Christopher. "Words are weapons boast and anti-boast in the poetic feuds of "Beowulf", Alexander Pope, and twenty-first century battle rap /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1691485651&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.
Full textRadford, Crystal Joesell. "In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306255326.
Full textSchweig, Meredith Lynne. "The Song Readers: Rap Music and the Politics of Storytelling in Taiwan." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10942.
Full textMusic
Brunner, Jonas. "Rap Music: Differences in Derogatory Word Use Between Mainstream and LGBTQ Artists." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-19539.
Full textTinajero, Roberto Jose. "Hip hop rhetoric relandscaping the rhetorical tradition /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Full textSantos, Sandra Mara Pereira dos [UNESP]. "Rap florido: reconhecimento artístico, amor e relações de gênero." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136006.
Full textEsta pesquisa tem como objetivo analisar a maneira como produtores de rap relacionam feminilidades e rap florido. Rap é um gênero musical elaborado principalmente por jovens das periferias do Brasil e rap florido é um termo utilizado nesta tese para se referir às músicas que abordam relações amorosas entre homens e mulheres. Para a reflexão acerca dessa associação realizada pelos cantores e cantoras entre mulher e amor heterossexual, analisa-se as canções de amor e as de protesto. Essas duas modalidades de rap contém em suas letras dimensões diferentes da realidade, pois enquanto o rap florido trata de relacionamentos amorosos, o rap de protesto divulga conteúdos que têm como objetivo educar ou conscientizar os jovens das periferias. Entende-se que, as emoções são regradas por gênero e relações de poder, desta forma, assim como o rap de protesto o florido também revela aspectos que dizem respeito a diferenças e a desigualdades sociais que marcam as relações de gênero no rap. Durante a pesquisa entrevistei quinze rappers do Estado de São Paulo, selecionei quatro deles e acompanhei suas publicações sobre o rap, no Facebook. Além disso, levei em consideração conversas informais com esses artistas feitas on-line por meio desta rede social. O foco da investigação foram as representações de feminilidades e masculinidades produzidas pelas letras do rap que abordam o tema de práticas amorosas. Uma vez que o amor conjugal e as feminilidades parecem estar indissociáveis nesse gênero musical, refletimos que no rap existe um reconhecimento social secundário para o rap florido em relação ao de protesto. Essa legitimidade secundária para a imagem de mulher e o amor explicita uma reprodução da desvalorização das feminilidades nas atuações educadoras desse estilo musical. No entanto, também, existem no rap estratégias contra a inferiorização das mulheres; interpretamos que há também formas de...
This research aims to analyze the way rap producers relate femininity and flowery rap. Rap is an elaborate musical genre mainly young people from the peripheries of Brazil and flowery rap is a term used in this thesis to refer to songs that address romantic relationships between men and women. To reflect on this association performed by singers among women and heterosexual love, we analyzed the songs of love and protest. These two modes of rap in his lyrics contains different dimensions of reality, because while the flowered rap comes to romantic relationships, the protest rap publishes content that aim to educate and raise awareness among young people of the suburbs. We understand that emotions are ruled by gender and power relationships in this way, as well as the flowery protest rap also reveals aspects regarding the differences and social inequalities that characterize gender relations in rap. During the research I interviewed fifteen rappers of São Paulo, I selected four of them and followed his publications on the rap on Facebook. Also, it took into account informal conversations with these artists made online through this social network. The focus of the investigation were the representations of femininity and masculinity produced by the rap lyrics that address the issue of amorous practices. Once married love and femininity appear to be inseparable in this genre, reflected in the rap there is a secondary social recognition for flowery rap against the protest. This secondary legitimacy to the woman image and love spells a reproduction of the devaluation of femininity in educators performances of this musical style. However, also exist in rap strategies against the degradation of women. We interpret that there are also forms of resistance to the hegemonic treatment of gender interactions, which are articulated in conjunction with traditional speeches. We therefore consider that the different ways of dealing with the references...
Santos, Sandra Mara Pereira dos. ""Rap florido" : reconhecimento artístico, amor e relações de gênero /." Marília, 2015. http://hdl.handle.net/11449/136006.
Full textBanca: Nashieli Cecilia Rangel Loera
Banca: Celso Vianna Bezerra de Menezes
Banca: Larissa Maués Pelúcio Silva
Banca: Christina de Rezende Rubim
Resumo: Esta pesquisa tem como objetivo analisar a maneira como produtores de rap relacionam feminilidades e "rap florido". Rap é um gênero musical elaborado principalmente por jovens das periferias do Brasil e "rap florido" é um termo utilizado nesta tese para se referir às músicas que abordam relações amorosas entre homens e mulheres. Para a reflexão acerca dessa associação realizada pelos cantores e cantoras entre mulher e amor heterossexual, analisa-se as canções de amor e as de protesto. Essas duas modalidades de rap contém em suas letras dimensões diferentes da realidade, pois enquanto o rap florido trata de relacionamentos amorosos, o rap de protesto divulga conteúdos que têm como objetivo educar ou conscientizar os jovens das periferias. Entende-se que, as emoções são regradas por gênero e relações de poder, desta forma, assim como o rap de protesto o florido também revela aspectos que dizem respeito a diferenças e a desigualdades sociais que marcam as relações de gênero no rap. Durante a pesquisa entrevistei quinze rappers do Estado de São Paulo, selecionei quatro deles e acompanhei suas publicações sobre o rap, no Facebook. Além disso, levei em consideração conversas informais com esses artistas feitas on-line por meio desta rede social. O foco da investigação foram as representações de feminilidades e masculinidades produzidas pelas letras do rap que abordam o tema de práticas amorosas. Uma vez que o amor conjugal e as feminilidades parecem estar indissociáveis nesse gênero musical, refletimos que no rap existe um reconhecimento social secundário para o rap florido em relação ao de protesto. Essa legitimidade secundária para a imagem de mulher e o amor explicita uma reprodução da desvalorização das feminilidades nas atuações educadoras desse estilo musical. No entanto, também, existem no rap estratégias contra a inferiorização das mulheres; interpretamos que há também formas de...
Abstract: This research aims to analyze the way rap producers relate femininity and "flowery rap." Rap is an elaborate musical genre mainly young people from the peripheries of Brazil and "flowery rap" is a term used in this thesis to refer to songs that address romantic relationships between men and women. To reflect on this association performed by singers among women and heterosexual love, we analyzed the songs of love and protest. These two modes of rap in his lyrics contains different dimensions of reality, because while the flowered rap comes to romantic relationships, the protest rap publishes content that aim to educate and raise awareness among young people of the suburbs. We understand that emotions are ruled by gender and power relationships in this way, as well as the flowery protest rap also reveals aspects regarding the differences and social inequalities that characterize gender relations in rap. During the research I interviewed fifteen rappers of São Paulo, I selected four of them and followed his publications on the rap on Facebook. Also, it took into account informal conversations with these artists made online through this social network. The focus of the investigation were the representations of femininity and masculinity produced by the rap lyrics that address the issue of amorous practices. Once married love and femininity appear to be inseparable in this genre, reflected in the rap there is a secondary social recognition for flowery rap against the protest. This secondary legitimacy to the woman image and love spells a reproduction of the devaluation of femininity in educators performances of this musical style. However, also exist in rap strategies against the degradation of women. We interpret that there are also forms of resistance to the hegemonic treatment of gender interactions, which are articulated in conjunction with traditional speeches. We therefore consider that the different ways of dealing with the references...
Doutor
Stephens, Torrance T. "An examination of the effect of using rap music as an adjunct to music therapy in group counseling." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1992. http://digitalcommons.auctr.edu/dissertations/1998.
Full textCzegledi, Alexandra. "Kuduro, rap and resistance: Politics of music and activism in ‘new’ hegemonic Angola." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30499.
Full textMazer, Dulce Helena. "Racionalidades do consumo musical: práticas culturais juvenis na cena rap porto-alegrense." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/173295.
Full textThe main objective of this research is to investigate the rationalities of consumption crossing the juvenile practices of listening and producing RAP music scene in Porto Alegre, Brazil, among the (new) forms of music circulation. The research problem is materialized in the following question: in face of the current scenario of musical production and emerging forms of media circulation of music, what are the juvenile practices of RAP production and listening in Porto Alegre? The research explores empirically a music scene to understand juvenile practices for the consumption of rap in a subculture, the hip-hop. The field of study is the Metropolitan Region of Porto Alegre (RMPA), which is organized as an important space for cultural development. The research identifies and describes the audience of the scene, wich interlocutors are mostly youth. It is linked to Cultural Studies, based on Latin American studies of cultural reception and consumption. From this framework, the theoretical approach is developed from the sociocultural bias of consumption. Therefore, we identify how the rationalities of cultural consumption (GARCÍA CANCLINI, 1991a) are intertwined and are related as a proposal of analysis of the cultural practices of listening to RAP. As strategies, we carried out a study of cultural and media consumption of RAP using ethnography and cartography as methods. The cartographic method showed us the city's cultural characteristics and helped us to reveal the music scene. Ethnography on the internet complemented the actions in the city, with direct observations in the social networks, collection of information and survey of the profiles of the collaborators. As a result, we offer a horizontal analysis of the RAP music consumption. We describe and analyze the music scene, as well its social and geographic belonging relation between youth and the city. The work, of a qualitative nature, points out how DIY logic (Do it yourself) is present in youth practices for listening and producing RAP in the area. The expressions "metropolitan rap scene", " porto-alegrense rap scene ", or, simply, "scene" are used as synonyms of the practices studied here. From the discussion about the concepts of culture, urban culture, scenes and styles, we highlight the premises for the study of music consumption. In response to the fragmentation of the construct, we systematize the concept of musical consumption. The media consumption is an specificity of cultural consumption. From this understanding, we propose the concept of expanded consumption as a process that integrates cultural production, an advance in the systemic relation between production and consumption and for the practices that involve these two scopes for the consumption of music.
Ko, Wing-shum, and 高穎森. "The Asian American voice: a Critical Discourse Analysis (CDA) approach to rap lyrics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46960235.
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Applied English Studies
Master
Master of Arts in Applied Linguistics