Academic literature on the topic 'Miss Sara Sampson (Lessing)'

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Journal articles on the topic "Miss Sara Sampson (Lessing)"

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Süwolto, Leonie. "Lessing, Thomson und die Renaissance der frühneuzeitlichen Tragödie." Artes 4, no. 1 (2025): 99–114. https://doi.org/10.30965/27727629-20250005.

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Abstract To the extent that the domestic tragedy (bürgerliches Trauerspiel) is understood as the antithesis of classicist tragedy, Lessing, as the main representative of this genre, is seen as an overcomer of heroic-political traditions. Lessing’s Vorrede zu des Herrn Jakob Thomson Sämtliche Trauerspiele (1756), little noticed so far, suggests to revise these arguments. In particular, Lessing’s reading of Thomson’s tragedy Sophonisbe (1730) allows us to recognise those poetological reflections that are developed in Miss Sara Sampson (1755) and further explicated in the Briefwechsel über das Tr
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Lemke, Anja. "»Medea fiam« — Affekterzeugung zwischen Rhetorik und Ästhetik in Lessings Miss Sara Sampson." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 86, no. 2 (2012): 206–23. http://dx.doi.org/10.1007/bf03374741.

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Baldyga, Natalya. "Corporeal Eloquence and Sensate Cognition: G. E. Lessing, Acting Theory, and Properly Feeling Bodies in Eighteenth-Century Germany." Theatre Survey 58, no. 2 (2017): 162–85. http://dx.doi.org/10.1017/s0040557417000059.

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Most know Gotthold Ephraim Lessing (1729–81) for his dramatic theory, specifically that which is found in his periodical the Hamburg Dramaturgy (1767–69), a collection of 101 essays that has since earned Lessing the moniker of “the first dramaturg.” Many are also familiar with Lessing's major plays, Miss Sara Sampson (1755), Minna von Barnhelm (1767), Emilia Galotti (1772), and Nathan the Wise (1779). Fewer, however, may be familiar with his acting theory and his long association with actors, an association that began in his college years and which so disturbed Lessing's father that the respec
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Valentin, Jean-Marie. "Le triomphe du pathétique. Lessing, Miß Sara Sampson (1755) et le Journal étranger (décembre 1761)." Études Germaniques 300, no. 4 (2021): 617–52. http://dx.doi.org/10.3917/eger.300.0617.

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Dissertations / Theses on the topic "Miss Sara Sampson (Lessing)"

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Kleine, Karsten D. "Comparing moral values in Gotthold Ephraim Lessing's Miss Sara Sampson and Nathaniel Hawthorne's The scarlet letter." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=1137.

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Books on the topic "Miss Sara Sampson (Lessing)"

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C, Richel Veronica, ed. Gotthold Ephraim Lessing, Miss Sara Sampson. Reclam, 2003.

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C, Richel Veronica, ed. Gotthold Ephraim Lessing, Miss Sara Sampson. Reclam, 1985.

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Nolting, Winfried. Die Dialektik der Empfindung: Lessings Trauerspiele "Miss Sara Sampson" und "Emilia Galotti" : mit einer Einleitung "Gemischte Gefühle. Zur Problematik eines explikativen Verstehens der Empfindung". F. Steiner Verlag Wiesbaden, 1986.

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Wentzlaff-Mauderer, Isabelle. Wenn statt des Mundes Augen reden: Sprachlosigkeit und nonverbale Kommunikation in Miss Sara Sampson (1755), Düval und Charmille (1787), Kabale und Liebe (1784) und Penthesilea (1808). Iudicium, 2001.

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Miss Sara Sampson. Suhrkamp Verlag, 2005.

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Die Figurenkonstellation Im Trauerspiel 'Miss Sara Sampson' Von G. E. Lessing. GRIN Verlag GmbH, 2013.

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Doulas, Nina. Lessings Poetik des Mitleids in Miss Sara Sampson. GRIN Verlag GmbH, 2018.

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Kalmaz, Sinem. Die Weibliche Adoleszenz in Lessings Miss Sara Sampson. GRIN Verlag GmbH, 2018.

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Frauenfiguren in Lessings 'Miss Sara Sampson' - Sara und Marwood - Zwei völlige Gegensätze? GRIN Verlag GmbH, 2007.

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Dolle, Elisabeth. Die Anfange des Burgerlichen Trauerspiels Am Beispiel Miss Sara Sampson Von Gotthold Ephraim Lessing. GRIN Verlag GmbH, 2015.

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Book chapters on the topic "Miss Sara Sampson (Lessing)"

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Ter-Nedden, Gisbert. "Miss Sara Sampson." In Lessings Trauerspiele. J.B. Metzler, 1986. http://dx.doi.org/10.1007/978-3-476-03215-7_2.

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Wittkowski, Wolfgang. "The Fallibility of Reason in the Age of Reason: Lessing’s Miss Sara Sampson." In Manifestations of Reason: Life, Historicity, Culture Reason, Life, Culture Part II. Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-1677-0_17.

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Fick, Monika. "Miß Sara Sampson." In Lessing-Handbuch. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05399-2_11.

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Fick, Monika. "Miß Sara Sampson." In Lessing-Handbuch. J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-03784-8_12.

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Fick, Monika. "Miß Sara Sampson." In Lessing-Handbuch. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-03785-5_12.

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Fick, Monika. "Miß Sara Sampson." In Lessing-Handbuch. J.B. Metzler, 2010. http://dx.doi.org/10.1007/978-3-476-00330-0_11.

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Vellusig, Robert. "Ein „bürgerliches Trauerspiel“: Miß Sara Sampson." In Lessing und die Folgen. J.B. Metzler, 2023. http://dx.doi.org/10.1007/978-3-476-05784-6_8.

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Grimm, Gunter E. "Lessing, Gotthold Ephraim: Miß Sara Sampson." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12380-1.

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Guthke, Karl S. "»Miss Sara Sampson« und die Folgen." In Das deutsche bürgerliche Trauerspiel. J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-04144-9_3.

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Forst, Sophie. "The Right to One’s Own Voice: The Formation of Female Autonomy in G. E. Lessing’s Miss Sara Sampson, Emilia Galotti and Marianne Ehrmann’s Leichtsinn und gutes Herz oder die Folgen der Erziehung." In Die Feministische Aufklärung in Europa | The Feminist Enlightenment in Europe | Les Lumières européennes au féminin. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-69417-6_12.

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