Academic literature on the topic 'Mistress of Spices'

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Journal articles on the topic "Mistress of Spices"

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Merlin, Lara, and Chitra Banerjee Divakaruni. "The Mistress of Spices." World Literature Today 72, no. 1 (1998): 207. http://dx.doi.org/10.2307/40153724.

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Rajan, Gita. "Chitra Divakaruni's The Mistress of Spices." Meridians 2, no. 2 (2002): 215–36. http://dx.doi.org/10.1215/15366936-2.2.215.

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Jona, P. Helan, and Dr Cheryl Davis. "Magical Role of Spices in Chitra Banerjee Divakaruni's The Mistress of Spices." Think India 22, no. 3 (2019): 410–16. http://dx.doi.org/10.26643/think-india.v22i3.8271.

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Spices are treated as characters by the Chitra Banerjee Divakaruni in The Mistress of Spices. Divakaruni has dealt metaphysically to the Indian Spices to touch the knowledge beyond science. She has also depicted myths, magi and history related to spices. The spices have their tangible, perceptible and manifesting relationship with Tilo, the protagonist. It also explores the importance of spices in socio-cultural perspectives of the novel and psychological perspective in Tilo's life.
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Jona, Ms P. Helan, and Dr Cheryl Davis. "Invention and Re-invention of Self in Chitra Banerjee Divakaruni's The Mistress of Spices." History Research Journal 5, no. 4 (2019): 128–33. http://dx.doi.org/10.26643/hrj.v5i4.7138.

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This paper aims to highlight the theme of self-identity, identity crisis, isolation, dislocation of women, the quest for treasure, search for a home, loneliness, nostalgic experience, marital dissonance assimilation, search for respectable life and alienation. In the globalization, everyone wants to move out of his or her native soil for a better living. In travel, they often undertake a journey to discover themselves. In Chitra Banerjee Divakaruni's The Mistress of Spices, Tilo, the protagonist of this novel, leaves her homeland in the hope of integrity and a better life. In the host land, sh
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Goswami, Gutimali. "The “Magic” of Masala: An Analysis of Indian Spices as a Psychological Healer based on Chitra Banerjee Divakaruni’s The Mistress of Spices." New Literaria 2, no. 2 (2021): 8–15. http://dx.doi.org/10.48189/nl.2021.v02i2.002.

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ZUPANČIČ, Metka. "Ethics of Wisdom and Compassion in the Novels by Chitra Banerjee Divakaruni." Asian Studies 1, no. 1 (2013): 105–11. http://dx.doi.org/10.4312/as.2013.1.1.105-11.

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In a variety of her writings, Indian-born Chitra Banerjee Divakaruni who currently resides in Houston, Texas, provides new perspectives to contemporary women’s literature in the United States. Positioned at the interface of various cultures, Divakaruni draws from her Bengali heritage to combine history, myth and magic, together with the respect for diversity that underscores ethics as the foundation of human interactions. Among Divakaruni’s novels, The Mistress of Spices, The Palace of Illusions, The Brotherhood of the Conch trilogy and One Amazing Thing all propose new paradigms of wisdom and
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Alexandru, Maria-Sabina Draga. "Urban and Rural Narratives of Female Relocation in Chitra Banerjee Divakaruni’s Novels Queen of Dreams and The Mistress of Spices." American, British and Canadian Studies Journal 19, no. - (2012): 77–86. http://dx.doi.org/10.2478/abcsj-2013-0005.

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Abstract In today’s global world, the urban/ rural opposition is increasingly becoming a more relevant marker of the acculturation of foreigners whose adoption of national values is reflected by the spaces they inhabit. As they bring with them traditions related to the healing and balancing forces of the earth, immigrants prompt a reconsideration of the urban/ rural dichotomy in the metropolitan spaces they come to inhabit. Rural landscape in American culture has a long tradition of acting as a source of an alternative symbolic imaginary, responsible for boosting people’s feelings of patriotic
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FILIPCZAK, Iwona. "Marginalization of South Asians Based on Race and Skin Color in Bharati Mukherjee’s “Jasmine” and Chitra B. Divakaruni’s “The Mistress of Spices”." Respectus Philologicus 29(34) (April 25, 2016): 9–19. http://dx.doi.org/10.15388/respectus.2016.29.34.05.

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Fedtke, Jana. "“No Strangers to Adjusting, We Old Women”: On the Representation of Indian Elderly in Chitra Banerjee Divakaruni's The Mistress of Spices and “Mrs. Dutta Writes a Letter”." South Asian Review 23, no. 2 (2002): 13–14. http://dx.doi.org/10.1080/02759527.2002.11932255.

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Huen Lim, P. Pui. "Mak Wok, Spice Mistress." Southeast Asian Review of English 57, no. 2 (2020): 98–103. http://dx.doi.org/10.22452/sare.vol57no2.10.

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Dissertations / Theses on the topic "Mistress of Spices"

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Wells, Kimberly Ann. "Screaming, flying, and laughing: magical feminism's witches in contemporary film, television, and novels." Texas A&M University, 2002. http://hdl.handle.net/1969.1/6007.

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This project argues that there is a previously unnamed canon of literature called Magical Feminism which exists across many current popular (even lowbrow) genres such as science-fiction, fantasy, so-called realistic literature, and contemporary television and film. I define Magical Feminism as a genre quite similar to Magical Realism, but assert that its main political thrust is to model a feminist agency for its readers. To define this genre, I closely-read the image of the female magic user as one of the most important Magical Feminist metaphors. I argue that the female magic user–commo
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Books on the topic "Mistress of Spices"

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Divakaruni, Chitra Banerjee. The mistress of spices. Anchor Books, 1998.

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Divakaruni, Chitra Banerjee. The mistress of spices. Anchor Books, 1997.

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Divakaruni, Chitra Banerjee. The mistress of spices. Black Swan, 1997.

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Spicer, Michael. Cotswold mistress. St. Martin's Press, 1992.

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Peter, O'Donnell. The Silver Mistress. Mysterious Press, 1984.

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Peter, O'Donnell. The Silver Mistress. Tom Doherty Associates, 1986.

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Peter, O'Donnell. Silver Mistress. Archival Press, 1982.

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Mistresses of mayhem: The book of women criminals. Alpha, 2002.

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Hornberger, Francine. Mistresses of mayhem: The book of women criminals. Alpha, 2002.

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Divakaruni, Chitra Banerjee. Mistress/spices. Doubleday, 1997.

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Book chapters on the topic "Mistress of Spices"

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Mohanty, Sulagna, and Santosh Kumar Biswal. "Crossing the Border: A Postcolonial Discourse of Double Consciousness and Multiple Solidarities with Reference to the Texts Brick Lane and The Mistress of Spices." In Cross-Fertilizing Roots and Routes. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7118-3_17.

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Lindenfeld, Laura, and Fabio Parasecoli. "Magical Food, Luscious Bodies." In Feasting Our Eyes. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231172516.003.0004.

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The films explored in this chapter configure the magic qualities of food as an extension of the bodies of the women—often exotic—who prepare food. In fact, these movies often embrace an approach that takes inspiration from the literary style of magic realism, where women metaphorically become food, often thrown away or in need of management because of their unruly nature. This chapter, which includes an analysis of Simply Irresistible (Tarlov, 1999), Woman on Top (Torres, 2000), The Mistress of Spices (Mayeda Berges, 2004) and Chocolat (Hallström, 2000), illustrates how food becomes fetishized, gendered, and racialized in Hollywood films much in the same way that women’s bodies have been treated by mainstream U.S. media. Food is often feminized in mainstream food media, and the configuration of food as magical via the extension of the female – and often non-white - bodies that prepare food into the food itself, underlines the pornographic potential of food imagery.
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"Desexing the Crone: Intentional Invisibility as Postcolonial Retaliation in Ravinder Randhawa’s A Wicked Old Woman and Chitra Banerjee Divakaruni’s The Mistress of Spices." In Postcolonial Gateways and Walls. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004337688_018.

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Gardner, John. "The Church and Peterloo." In Commemorating Peterloo. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474428569.003.0010.

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This Chapter examines the involvement of Clerical Magistrates, William Hay and Charles Wicksted Ethelston, in the Peterloo Massacre. It finds a public consciousness, evidenced in newspapers, squibs, poems and illustrations that members of the Church acted for the Government against political reform. Contemporary texts also show suspicion that religious leaders acted as spies. This chapter provides concrete evidence from the National Archives. Mistrust of church figures increased after Peterloo, leading to publications focussing on church vice, corruption, and hypocrisy on issues like homosexuality with the Archbishop of Clogher scandal. After the post-Peterloo Six Acts, the Church provided a soft underbelly for continuing radicalism against the State.
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Billheimer, John. "North by Northwest (1959)." In Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.003.0032.

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North by Northwest chronicles a cross-country chase in which Cary Grant is mistakenly identified as a spy and pursued by spies and police from the UN building in New York to Mount Rushmore in South Dakota. The Production Code lodged three key objections to the film: the possible homosexuality of the henchman played by Martin Landau; Cary Grant’s status as a twice-divorced man; and any hint that the double agent played by Eva Marie Saint is a ‘woman of loose morals.’ The Code also seriously questioned the advisability of identifying Saint’s character as the mistress of the lead spy, played by James Mason. Hitchcock accommodated many of the Code objections by dubbing in dialogue changes, a few of which are visible on-screen. In the film’s climax, he looped in dialogue in which Grant welcomes Eva Marie Saint as his new wife as he helps her into an upper berth on the Twentieth Century Limited, but undermines this lip service with a final scene of the train going through a tunnel a clear bit of phallic symbolism.
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Eller, Jonathan R. "Forms of Things Unknown." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0025.

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Bradbury advanced his visionary role through his keynote address for NASA’s 1987 Goddard Memorial Dinner. Chapter 24 documents how he established a balance between criticism and motivation in spite of his mistrust of the military industrial establishment represented at the event. The chapter also discusses The Toynbee Convector and the importance of the title story, which offers Toynbee’s “challenge and response” insight as the best illustration of Bradbury’s self-perceived purpose as a writer: to show how humanity can shape the future by believing in it to the point of certainty. The chapter concludes with his summer trip to France and his journey to the grave of his uncle Samuel Bradbury, felled by influenza in the final days of World War I.
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