Relevant bibliographies by topics / Misty poetry

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Misty poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Misty poetry"

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Semenist, Ivan. "“Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century)." Synopsis: Text Context Media 26, no. 4 (2020): 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.

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The subject of the study is the formation of “Misty Poetry” trend in Chinese literature of the late 20th century. The study aims at the disclosure of the dynamics of “Misty Poetry” within modernist paradigm against the backdrop of Chinese literature of the “New Period”. The method is grounded in identification of key modernist poetics categories, perceived and transformed in the versification practice of Misty Poetry. Sociocultural contextualization method is employed to locate Misty Poetry in the post Cultural Revolution aesthetic and ideological context of China. The study results cover the
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Nguyen Thị Mai, Chanh. "The trend of “the misty poetry” in the Chinese literature in the second half of the 20th century." Journal of Science Social Science 65, no. 8 (2020): 3–9. http://dx.doi.org/10.18173/2354-1067.2020-0043.

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After 10 years of the chaotic Great Cultural Revolution, Chinese literature transited to a “new age”, which was characterized by tremendous efforts into seeking an artistic breakthrough. The Misty Poetry is not randomly regarded as “the trumpet blast” of the new-age literature. The Misty Poetry did not only disrupt conservative literary principles and express novel perspectives on the social history through individual compositions but also offered a comprehensive reflection of contemporary people’ spirits. However, evaluations on “the Misty Poetry” have varied for years. This paper will help t
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Hul, Oleksandra. "DISSIDENCE AND IMMIGRATION THROUGH THE WORLDVIEW OF “MISTY POET” BEI DAO." Polish Studies of Kyiv, no. 35 (2019): 444–51. http://dx.doi.org/10.17721/psk.2019.35.444-451.

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The key focus of the Article is based on the new trend in Chinese poetry named “Misty poetry”, which appeared in China in the 20 century as a rebellion and notice of appeal in the literary circles of young generation. Under the political and social pressure of the totalitarian regime in China, and in the conditions of total control over the literary process, there appeared a new style of expressing own thoughts and believes among youth, called “Misty poetry” or revolutionary poetry. This Article is revealing the aim, preconditions and key tasks of Misty poets. Being a leader of the Misty poets
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Wang, Yong, and Olga V. Vinogradova. "Contemporary Chinese poetry and Russian modernist and postmodernist poetry: influence and analogy." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 704–12. http://dx.doi.org/10.22363/2312-9220-2019-24-4-704-712.

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For the last thirty years, Chinese poetry mostly has been well-known for three schools, namely: “Misty Poetry”, “Intellectual Writing”, and “Folk Writing”. Russian poets of diff erent periods were among those who had a notable impact on the works of Chinese poets. Russian lyric poets praising freedom, love, and relationships with nature became the main source of inspiration for “misty” poets. “Intellectual” poets felt their being close to the Russian Silver Age poets: A. Akhmatova, A. Blok, B. Pasternak, M. Tsvetaeva. Their poems include examples of direct addressing to them. “Folk” poets crea
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Pulungsari, Rahadjeng. "MENGLONGSHI 朦胧诗DAN REVOLUSI KEBUDAYAAN CINA". Paradigma, Jurnal Kajian Budaya 8, № 1 (2018): 84. http://dx.doi.org/10.17510/paradigma.v8i1.188.

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<p>Misty poetry or 朦胧诗 <em>menglongshi</em> is a poem that appeared in the era of the 70s during the Cultural Revolution (1966-1976). The emergence of a new kind of poetry that is different from the previous poem marks a new way of writing poetry in China. Its uniqueness is in wordplay, metaphor, synesthesia, and symbols that are not open to its meaning. This new type of Misty poem also received attention from the Chinese government, because behind the symbols and sequence of sentences contain thoughts that are considered not in accordance with the government. Among these Mis
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Tang, Xiaobing. "The Ocular Turn, Misty Poetry, and a Postrevolutionary Imagination." Prism 16, no. 1 (2019): 62–84. http://dx.doi.org/10.1215/25783491-7480333.

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Abstract “The Answer,” a poem by Bei Dao first published in 1978, marks the emergence of a defiant voice in contemporary Chinese poetry and asserts skepticism as the political stance of a young generation in post–Cultural Revolution China. It also heralds a historic transition from an era of sonic agitation to an aesthetics based on visual perception and contemplation. This rereading of Bei Dao's canonical poem and other related texts goes back to the late 1970s, when the political implications of the human senses were firmly grasped and heatedly debated. The author shows that an ocular turn o
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Lavrač, Maja. "China’s New Poetry or Into the Mist." Asian Studies, no. 3 (December 1, 2010): 29–40. http://dx.doi.org/10.4312/as.2010.14.3.29-40.

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The late 1970s and early 1980s represent a period of important innovation in the development of contemporary Chinese poetry. As this was highly personal and experimental, it soon became characterized as being “misty” or “obscure”. A new generation of young poets questioned the Chinese cultural tradition and expressed the need for its re-evaluation. They tried to re-examine the meaning of literature, and while doing so, they based the foundation for their poetry on the tradition and the spirit of personal freedom and democracy of the May 4th Movement (1919), having been at the same time strongl
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Hul, Ołeksandra. "Chinese avant-garde poetry in times of mind, mayhem and money through the interpretation of Maghiel van Crevel." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 45, no. 4 (2019): 409–22. http://dx.doi.org/10.36770/bp.236.

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The article is written in the form of a book review. It tells about the Chinese avant-garde poetry as a tendency in the literature of the turn of the 20th and the 21st centuries. We are acquainted with the contemporary poetry through the eyes of Maghiel van Crevel, who, being a famous professor-sinologist, describes the lyrical vanguard with all its peculiarities. In his book he shows the real background of the exile poetry. The reader can not only see the positive sides of the modern poetry, but can also understand the controversial nature of the “Misty poetry” in its entirety. The article gi
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Barrett, Nick. "Misty Transcendence and the Irony of (Dis)belief." Journal of Reformed Theology 13, no. 2 (2019): 135–48. http://dx.doi.org/10.1163/15697312-01302017.

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AbstractIn the late 1970s and ’80s, a new generation of Chinese poets emerged with a powerful critique of the state’s aggressive political reforms. After the 1976 Tiananmen Square incident, the Bejing poet Zaho Zhenkai (known as Bei Dao) wrote a startling poem titled “The Answer” about his refusal to believe in the unquestioned ultimacy of China’s worldview. Bei Dao’s unique style of poetry helped readers make new associations that were otherwise inaccessible to them. This article examines Bei Dao’s use of metaphor in “The Answer” through the lens of the aesthetic philosopher Lambert Zuidervaa
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Yeh, Michelle. "The “Cult of Poetry” in Contemporary China." Journal of Asian Studies 55, no. 1 (1996): 51–80. http://dx.doi.org/10.2307/2943636.

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A renaissance in literature and art took place in the People's Republic of China from the late 1970s through the 1980s. In poetry, the outburst of vitality first showed itself in 1978–80 in the underground Today (Jintian) group, which included cofounders and editors Bei Dao (b. 1949) and Mang Ke (b. 1951), and such contributors as Jiang He (b. 1949), Shu Ting (b. 1952), Gu Cheng (1956–93), and Yang Lian (b. 1955), to name only a few of the best-known in the West. Today lent momentum to the flourish of Menglongshi, commonly translated as “Obscure Poetry” or “Misty Poetry,” in the early 1980s an
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Dissertations / Theses on the topic "Misty poetry"

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Pinto, Rodrigo Gomes de Oliveira. "Doutrina do misto e anatomia do monstro: usos da retórica de Hermógenes entre os séculos XVI e XVIII." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-28032016-114718/.

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A presença preceptiva da doutrina retórica das ideai de estilo tal como reguladas pelo retor grego Hermógenes registra-se em terras italianas, portuguesas e espanholas, entre os séculos XVI e XVIII. Ora, increve-se nos debates que opõem detratores e defensores do gênero de poema misto. Entre os autores presentes nestes debates está Manuel de Galhegos, cujo prólogo epidítico à Ulyssea, ou Lisboa Edificada elogia a elocução do poema heroico de Gabriel Pereira de Castro com base no Peri iden e permite que se discutam os diferentes usos de Hermógenes entre tradutores, comentadores e glosadores des
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Fernández, García Oriol. "Giacomo Leopardi, poeta-filòsof. Modernitat i hermenèutica cap a un ultrahumanisme." Doctoral thesis, Universitat Ramon Llull, 2019. http://hdl.handle.net/10803/667065.

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A partir d’una visió crítica emmarcada dins de l’hermenèutica d’arrel pareysoniana, hom aplica les consideracions heideggerianes al voltant de Hölderlin a la figura de Leopardi i es planteja, com a pressupòsit inicial, que aquest autor també forma part dels anomenats poetes-filòsofs: Giacomo Leopardi medita mentre canta. No es tracta, doncs, d’una investigació històrico-filosòfica o històrico-filològica, sinó d’una tesi de tipus documental amb una finalitat palesament exploratòria en què se subratlla la importància de l’activitat interpretativa a l’hora de constituir i transformar l’ésser. El
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Krechloková, Patricie. "Básnické miniatury jako způsob hledání nového začátku v čínské poezii 20. století." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-311285.

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This thesis deals with miniature poems, which appeared at the beginning of the May fourth movement, as a genre of modern chinese poetry and was redoscovered by the misty poets after the Cultural revolution. Part of a brief introduction to the literary- historical contexts of both periods are short biographies of two representative poets of this genre, Bing Xin and Gu Cheng. Eventually the form and themes of miniature poems are introduced. The main part of this thesis is a comparative study of Bing Xin's and Gu Cheng's miniature poems. The thesis concludes, that Gu Cheng refines and eleborates
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Chuang, Chia-i., and 莊家怡. "Poetic Space: Mist in the Air." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50153614651213304022.

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碩士<br>台南科技大學<br>美術研究所<br>98<br>What is space? It is real and imaginary. It exists as time and in memories. It dwells within human consciousness or the metaphysical world. It can remain pure in its most natural form, or be subjectively refined through my self-expression. Space is relative: if one believes it exists, then it does. However, it ceases to exist should one not believe. To define space, I first consolidated its fragments and then classified each one bit by bit. From within these boundaries, I searched for the connection between the self and creation, and in doing so, it a
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Mncube, Gedion Juba George. "Weather symbolism in DBZ Ntuli's literature." Thesis, 2006. http://hdl.handle.net/10500/2349.

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This study deals with weather symbolism in DBZ Ntuli's literature. Chapter one describes the aim, biography of DBZ Ntuli, definition of important literary concepts, the scope and the methodology. Chapter two considers the symbolic use of mist, fog, overcast weather and clouds. Each of these aspects is defined and is studied under each genre, i.e. in terms of its use by Ntuli in prose, drama and poetry. Chapter three explores the symbolic usage of rain, thunder and the rainbow in all the genres in which Ntuli writes. Chapter four deals with the imagery of the sun. The sun is shown
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Books on the topic "Misty poetry"

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Soroquère, Gilbert. Misty mirrors. [s.n.], 2011.

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Meng long shi yi hou: 1986-2007 Zhongguo shi tan di tu = The obscure misty poetry ear [sic]. Kunlun chu ban she, 2008.

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McOwan, Rennie. Mists and scree: Poetry of theScottish hills. Clackmannan District Libraries, 1992.

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Mist and musings: A story in poetry. Shree Gopal Jew Trust, 2012.

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Frank, Adams. Shadows, mist & fog: Poems. First Tier Press, 2013.

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The mists of Eden: Nature's last paradise. Landmark Editions, 1998.

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Joan, Murray. Queen of the mist. Beacon Press, 1999.

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8

Semeno, Volodymyr. Mistu leva--sali͡u︡t!: Parodiï, ironichna poezii͡a︡. Vyd-vo "Poltava", 1993.

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Kolomii͡et͡sʹ, Tamara. Vesele misto alfavit: Virshi : dli͡a doshkilʹnoho viku. "Veselka", 1991.

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Ryōkan. Between the floating mist: Poems of Ryokan. Springhouse Editions, 1992.

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Book chapters on the topic "Misty poetry"

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"37. Misty Poetry." In The Columbia Companion to Modern Chinese Literature. Columbia University Press, 2016. http://dx.doi.org/10.7312/dent17008-038.

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"SuShi and Wang Shen: ‘Misty River, Layered Peaks’." In Poetry and Painting in Song China. BRILL, 2000. http://dx.doi.org/10.1163/9781684170333_008.

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Huang, Hong. "v. The New Poetry—A Turning Point? (A Misty Manifesto)." In Global Modernists on Modernism. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781474242356.ch-053.

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"Out of the mist." In The Poetry of Radio. Routledge, 2013. http://dx.doi.org/10.4324/9780203143483-6.

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"8 Poetry, Painting, Song, Dream, Mist, and." In The Three-Inch Golden Lotus. University of Hawaii Press, 1994. http://dx.doi.org/10.1515/9780824843021-009.

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Otis, Laura. "Detached and Circling." In Banned Emotions. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190698904.003.0006.

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Psychological studies of human attachment describe relationships metaphorically, but the attachment metaphor excludes some aspects of emotional bonds. It suggests that detachment is a simple, mechanical process, and it rules out the intermeshing that many people experience in loving relationships. Some male poets, fiction writers, and filmmakers who depict women resisting rejection have characterized them with metaphors of circling, constriction, and violent cutting. Virgil’s Aeneid, Charles Dickens’s Great Expectations, Rudyard Kipling’s “The Phantom Rickshaw,” Clint Eastwood’s Play Misty for Me, and Adrian Lyne’s Fatal Attraction portray rejected women with images of darkness and destruction. Novelist Siri Hustvedt and director Andrea Arnold use different metaphors of shattering, dancing, riding piggyback, and flying free. Metaphoric descriptions of rejected people matter because they can shame people into suppressing emotions that they need to consider cognitively.
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Keymer, Thomas. "1730–1780 The Trade of Libelling: Fielding, Johnson." In Poetics of the Pillory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198744498.003.0003.

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Eighteenth-century cases from Nathaniel Mist and Edmund Curll to John Shebbeare and a printer of Wilkes’s North Briton gave rise to a new satirical trope, frequently found in the 1730–80 period, in which the pillory becomes a tool of self-promotion. The marketability of seditious libel is further illustrated by the aftermath of the Stage Licensing Act (1737), which muted opposition drama but in so doing also boosted opposition print. The Champion, Henry Fielding’s first political journal, is a peculiarly powerful instance of this phenomenon, and highlights the ingenuity of Fielding’s play with codes, disguises, and interpretative cues throughout his literary career. Samuel Johnson, another writer who cut his teeth in the satirical campaign against Walpole after the Stage Licensing Act, was still reflecting, as late as the Lives of the Poets (1779–81), on questions arising from that campaign about censorship, authorship, and the book trade.
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