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Journal articles on the topic 'Misty poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Semenist, Ivan. "“Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century)." Synopsis: Text Context Media 26, no. 4 (2020): 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.

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The subject of the study is the formation of “Misty Poetry” trend in Chinese literature of the late 20th century. The study aims at the disclosure of the dynamics of “Misty Poetry” within modernist paradigm against the backdrop of Chinese literature of the “New Period”. The method is grounded in identification of key modernist poetics categories, perceived and transformed in the versification practice of Misty Poetry. Sociocultural contextualization method is employed to locate Misty Poetry in the post Cultural Revolution aesthetic and ideological context of China. The study results cover the

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Nguyen Thị Mai, Chanh. "The trend of “the misty poetry” in the Chinese literature in the second half of the 20th century." Journal of Science Social Science 65, no. 8 (2020): 3–9. http://dx.doi.org/10.18173/2354-1067.2020-0043.

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After 10 years of the chaotic Great Cultural Revolution, Chinese literature transited to a “new age”, which was characterized by tremendous efforts into seeking an artistic breakthrough. The Misty Poetry is not randomly regarded as “the trumpet blast” of the new-age literature. The Misty Poetry did not only disrupt conservative literary principles and express novel perspectives on the social history through individual compositions but also offered a comprehensive reflection of contemporary people’ spirits. However, evaluations on “the Misty Poetry” have varied for years. This paper will help t

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Hul, Oleksandra. "DISSIDENCE AND IMMIGRATION THROUGH THE WORLDVIEW OF “MISTY POET” BEI DAO." Polish Studies of Kyiv, no. 35 (2019): 444–51. http://dx.doi.org/10.17721/psk.2019.35.444-451.

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The key focus of the Article is based on the new trend in Chinese poetry named “Misty poetry”, which appeared in China in the 20 century as a rebellion and notice of appeal in the literary circles of young generation. Under the political and social pressure of the totalitarian regime in China, and in the conditions of total control over the literary process, there appeared a new style of expressing own thoughts and believes among youth, called “Misty poetry” or revolutionary poetry. This Article is revealing the aim, preconditions and key tasks of Misty poets. Being a leader of the Misty poets

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Wang, Yong, and Olga V. Vinogradova. "Contemporary Chinese poetry and Russian modernist and postmodernist poetry: influence and analogy." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 704–12. http://dx.doi.org/10.22363/2312-9220-2019-24-4-704-712.

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For the last thirty years, Chinese poetry mostly has been well-known for three schools, namely: “Misty Poetry”, “Intellectual Writing”, and “Folk Writing”. Russian poets of diff erent periods were among those who had a notable impact on the works of Chinese poets. Russian lyric poets praising freedom, love, and relationships with nature became the main source of inspiration for “misty” poets. “Intellectual” poets felt their being close to the Russian Silver Age poets: A. Akhmatova, A. Blok, B. Pasternak, M. Tsvetaeva. Their poems include examples of direct addressing to them. “Folk” poets crea

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Pulungsari, Rahadjeng. "MENGLONGSHI 朦胧诗DAN REVOLUSI KEBUDAYAAN CINA". Paradigma, Jurnal Kajian Budaya 8, № 1 (2018): 84. http://dx.doi.org/10.17510/paradigma.v8i1.188.

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<p>Misty poetry or 朦胧诗 <em>menglongshi</em> is a poem that appeared in the era of the 70s during the Cultural Revolution (1966-1976). The emergence of a new kind of poetry that is different from the previous poem marks a new way of writing poetry in China. Its uniqueness is in wordplay, metaphor, synesthesia, and symbols that are not open to its meaning. This new type of Misty poem also received attention from the Chinese government, because behind the symbols and sequence of sentences contain thoughts that are considered not in accordance with the government. Among these Mis

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Tang, Xiaobing. "The Ocular Turn, Misty Poetry, and a Postrevolutionary Imagination." Prism 16, no. 1 (2019): 62–84. http://dx.doi.org/10.1215/25783491-7480333.

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Abstract “The Answer,” a poem by Bei Dao first published in 1978, marks the emergence of a defiant voice in contemporary Chinese poetry and asserts skepticism as the political stance of a young generation in post–Cultural Revolution China. It also heralds a historic transition from an era of sonic agitation to an aesthetics based on visual perception and contemplation. This rereading of Bei Dao's canonical poem and other related texts goes back to the late 1970s, when the political implications of the human senses were firmly grasped and heatedly debated. The author shows that an ocular turn o

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Lavrač, Maja. "China’s New Poetry or Into the Mist." Asian Studies, no. 3 (December 1, 2010): 29–40. http://dx.doi.org/10.4312/as.2010.14.3.29-40.

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The late 1970s and early 1980s represent a period of important innovation in the development of contemporary Chinese poetry. As this was highly personal and experimental, it soon became characterized as being “misty” or “obscure”. A new generation of young poets questioned the Chinese cultural tradition and expressed the need for its re-evaluation. They tried to re-examine the meaning of literature, and while doing so, they based the foundation for their poetry on the tradition and the spirit of personal freedom and democracy of the May 4th Movement (1919), having been at the same time strongl

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Hul, Ołeksandra. "Chinese avant-garde poetry in times of mind, mayhem and money through the interpretation of Maghiel van Crevel." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 45, no. 4 (2019): 409–22. http://dx.doi.org/10.36770/bp.236.

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The article is written in the form of a book review. It tells about the Chinese avant-garde poetry as a tendency in the literature of the turn of the 20th and the 21st centuries. We are acquainted with the contemporary poetry through the eyes of Maghiel van Crevel, who, being a famous professor-sinologist, describes the lyrical vanguard with all its peculiarities. In his book he shows the real background of the exile poetry. The reader can not only see the positive sides of the modern poetry, but can also understand the controversial nature of the “Misty poetry” in its entirety. The article gi

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Barrett, Nick. "Misty Transcendence and the Irony of (Dis)belief." Journal of Reformed Theology 13, no. 2 (2019): 135–48. http://dx.doi.org/10.1163/15697312-01302017.

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AbstractIn the late 1970s and ’80s, a new generation of Chinese poets emerged with a powerful critique of the state’s aggressive political reforms. After the 1976 Tiananmen Square incident, the Bejing poet Zaho Zhenkai (known as Bei Dao) wrote a startling poem titled “The Answer” about his refusal to believe in the unquestioned ultimacy of China’s worldview. Bei Dao’s unique style of poetry helped readers make new associations that were otherwise inaccessible to them. This article examines Bei Dao’s use of metaphor in “The Answer” through the lens of the aesthetic philosopher Lambert Zuidervaa

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Yeh, Michelle. "The “Cult of Poetry” in Contemporary China." Journal of Asian Studies 55, no. 1 (1996): 51–80. http://dx.doi.org/10.2307/2943636.

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A renaissance in literature and art took place in the People's Republic of China from the late 1970s through the 1980s. In poetry, the outburst of vitality first showed itself in 1978–80 in the underground Today (Jintian) group, which included cofounders and editors Bei Dao (b. 1949) and Mang Ke (b. 1951), and such contributors as Jiang He (b. 1949), Shu Ting (b. 1952), Gu Cheng (1956–93), and Yang Lian (b. 1955), to name only a few of the best-known in the West. Today lent momentum to the flourish of Menglongshi, commonly translated as “Obscure Poetry” or “Misty Poetry,” in the early 1980s an

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Giri, Bed Prasad. "The Literature of the Indian Diaspora: Between Theory and Archive." Diaspora: A Journal of Transnational Studies 16, no. 1-2 (2012): 243–53. http://dx.doi.org/10.3138/diaspora.16.1-2.243.

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The literature of the Indian diaspora constitutes an important part of the burgeoning field of anglophone postcolonial literature. Some of the better-known authors in this archive include V.S. Naipaul, Salman Rushdie, Rohinton Mistry, Bharati Mukherjee, Amitav Ghosh, Jhumpa Lahiri, Anita Desai, M.G. Vassanji, Shyam Selvadurai, and Kiran Desai. The growing international visibility of these authors has gone hand in hand with the popularity of postcolonial criticism and theory in academe. Vijay Mishra’s scholarly work on Bollywood cinema, Indian devotional poetry, Indian diasporic literature, and

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Diedrick, James. "“THE HECTIC BEAUTY OF DECAY”: POSITIVIST DECADENCE IN MATHILDE BLIND'S LATE POETRY." Victorian Literature and Culture 34, no. 2 (2006): 631–48. http://dx.doi.org/10.1017/s1060150306051357.

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Wan mists enwrap the still-born day;The harebell withers on the heath,And all the moorland seems to breatheThe hectic beauty of decay.—Mathilde Blind, “The Evening of the Year,”Songs and SonnetsTo again invoke the organic metaphor at the root of decadence, what is crucial about the notion of decay is not so much the change from a greater to a lesser state, but the changing itself.—David Weir,Decadence and the Making of Modernism[T]he aim of decadence, whether in science or art, is to challenge the limits that mark some forms of knowledge as permissible and others as forbidden, regardless of th

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Czapska, Eliza. "Rozmowa Władysława Broniewskiego z Historią. Mity i role artysty w symbolicznym imaginarium Polski." Acta Universitatis Lodziensis. Folia Sociologica, no. 66 (September 30, 2018): 111–27. http://dx.doi.org/10.18778/0208-600x.66.07.

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Artykuł dotyczy życia i twórczości Władysława Broniewskiego, poety, którego głos silnie zaznaczył się w historii Polski okresu międzywojennego i czasów PRL. Ukazuje rolę artysty i różne funkcje jego poezji w dwudziestoleciu międzywojennym oraz w następnych latach – podczas II wojny światowej oraz w nowym krajobrazie społecznym PRL, aż po współczesność. Powikłana droga twórcza i życiowa Broniewskiego omówiona została w szerokim kontekście mitów artystycznych.

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Kowalow, Siergiej. "WIESZCZ – BŁAZEN – LEGENDA: TRAJEKTORIA AUTORSKA ANATOLA SYSA." Porównania 23, no. 2 (2019): 107–26. http://dx.doi.org/10.14746/p.2018.23.18700.

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Аrtykuł jest poświęcony złożonej trajektorii autorskiej Anatola Sysa (1959-2005), którego niezwyczajny los intryguje czytelnika nie mniej niż jego utwory poetyckie i wymusza na badaczach poszukiwanie wciąż nowych sposobów interpretacji jego artystycznych i życiowych metamorfoz. Ze wspomnień przyjaciół, artykułów naukowych i utworów artystycznych wyłania się sprzeczny wizerunek pisarza: głos pokolenia, przeciwnik ideologii komunistycznej, prorok odrodzenia narodowego, Geniusz, poeta obrzydliwy, błazen, alkoholik, wyrodek, cham. Owa różnorodność i odmienność interpretacji w ocenie osobowości Ana

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Abdul Karim Khan. "Parallelism of Words and their Socio-cultural Implications in Hamid Khan’s Velvet of Loss." sjesr 3, no. 3 (2020): 169–75. http://dx.doi.org/10.36902/sjesr-vol3-iss3-2020(169-175).

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This paper analyses the parallel words that occur in various poems of Hamid Khan in the collection, “Velvet of Loss”. These words are: night, bird, dream, dawn, life, mist, dusk, and hope. The analysis of the words is based on foregrounding that is subcategorized as deviation and parallelism. Here, for the sake of brevity and restrictions of the space, only parallelism is taken into consideration and that too is delimited to the frequency of the above mentioned words in various poems of the entire collection, “Velvet of Loss”. These words are tabulated with the page numbers of the book and fre

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Simon-Schuhmacher, Lioba. "The Night-Death Binomial as a Poetic Ploy - A Cross-Cultural Look from the Graveyard Poets to Expressionism." Aletria: Revista de Estudos de Literatura 25, no. 1 (2015): 129–44. http://dx.doi.org/10.17851/2317-2096.25.1.129-144.

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The essay describes the use of the Night-Death binomial and tracks its evolution from the eighteenth century to Expressionism across Great Britain, Germany, Spain, and Austria, at the hand of poems such as Edward Young’s Night Thoughts (1745), Novalis’s Hymnen an die Nacht, (1800), José Blanco White’s sonnet “Night and Death” (1828), and Georg Trakl’s “Verwandlung des Bösen” (1914). Romanticism brought along a preference for the nocturnal: night, moonlight, shades and shadows, mist and mystery, somber mood, morbidity, and death, as opposed to the Enlightenment’s predilection for day, light, cl

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Soler, Abel. "El català i altres llengües en concurrència a la cort i a la cancelleria napolitanes d’Alfons el Magnànim." Caplletra. Revista Internacional de Filologia, no. 65 (September 28, 2018): 43. http://dx.doi.org/10.7203/caplletra.65.12611.

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El trasllat de la cort del rei Alfons V d'Aragó de València (1416-1430) a Itàlia (1432) i la seua instal·lació a Nàpols (1443-1458) comportaren l’emigració d’un nombrós col·lectiu humà, percebut dualment per la població napolitana (catalani et hispani: catalanoparlants i castellanoparlants), i d’una administració reial on el català era la llengua preferida de govern i d’estat, per bé que el rei s’expressara normalment en castellà. El nombrós col·lectiu cortesà, sesquilingüe en molts casos, participava —d'una manera o altra— d’una pluralitat d’expressions lingüístiques, orals i escrites: buròcr

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18

Feijó, Camila de Aquino, Ana Cristina Antunes Martin, Marcelo Pustiglione, and Simone Alves dos Santos. "Pneumoconioses: estudo descritivo de aspectos epidemiológicos nas notificações registradas no Sistema de Informação de Agravos de Notificação (SINAN), no Estado de São Paulo, no período 2017-2019." Saúde Ética & Justiça 26, no. 1 (2021): 36–45. http://dx.doi.org/10.11606/issn.2317-2770.v26i1p36-45.

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Introdução: As pneumoconioses correspondem a um grupo de doenças causadas pela inalação e acúmulo de poeira nos pulmões relacionado ao ambiente de trabalho. No âmbito mundial, o número de casos desta patologia aumentou em 66,0% de 1990 a 2017. Objetivo: Descrever dados epidemiológicos notificados e relacionados ao acometimento dos trabalhadores por pneumoconioses, no período de 2017 a 2019, no estado de São Paulo. Métodos: Trata-se de um estudo descritivo que aborda informações sociodemográficas e profissionais dos casos de pneumoconioses notificados no estado entre 2017 a 2019. Os dados foram

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Lara Atkin. "‘The South African “Children of the Mist”’: The Bushman, the Highlander and the Making of Colonial Identities in Thomas Pringle's South African Poetry, 1825–1834." Yearbook of English Studies 48 (2018): 199. http://dx.doi.org/10.5699/yearenglstud.48.2018.0199.

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Pite, Ralph. "Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien / Modernity's Mist: British Romanticism and the Poetics of Anticipation." European Romantic Review 28, no. 1 (2017): 115–21. http://dx.doi.org/10.1080/10509585.2016.1272871.

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Shinebourne, Pnina. "‘I was Going Around with this Mist in Front of My Eyes’: Poetic Representation of the Experience of Addiction and Recovery." International Journal of Mental Health and Addiction 10, no. 2 (2011): 174–84. http://dx.doi.org/10.1007/s11469-011-9313-x.

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Lido, Alessandro Vito, Satoshi Kitamura, José Inácio Oliveira, Sérgio Roberto de Lucca, Valmir Antonio Zulian de Azevedo, and Ericson Bagatin. "Exposição ocupacional e ocorrência de pneumoconioses na região de Campinas (SP) Brasil, 1978-2003." Jornal Brasileiro de Pneumologia 34, no. 6 (2008): 367–72. http://dx.doi.org/10.1590/s1806-37132008000600006.

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OBJETIVO: Desenvolver e consolidar uma ampla base de dados acerca da ocorrência das pneumoconioses numa região industrializada do Brasil, com especial referência às atividades mais freqüentemente relacionadas a essas doenças. MÉTODOS: Numa avaliação retrospectiva observacional, coletaram-se dados referentes à casuística ambulatorial das pneumoconioses no Hospital das Clínicas da Universidade Estadual de Campinas, entre o período de 1978 e 2003. Incluíram-se os indivíduos com diagnóstico de pneumoconiose, com base no histórico ocupacional e no radiograma do tórax, segundo recomendações da Organ

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23

Borja Sanz, Joan. "Aportacions i referències etnopoètiques en l’obra literària de Carmelina Sánchez-Cutillas." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 17 (May 31, 2021): 561. http://dx.doi.org/10.7203/scripta.17.20924.

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Resum: L’obra literària de Carmelina Sánchez-Cutillas inclou abundants aportacions i referències etnopoètiques que resulten interessants no solament per a l’estudi del folklore, sinó també –i molt especialment– com a elements estratègics en la construcció d’uns discursos memorialístics que adesiara tendeixen a presentar els records objecte de literaturització embolcallats amb una mena de boirina màgica: una espècie de perspectiva difuminada que optimitza la propensió a la meravella de manera que el lector queda contagiat per la presumpta dificultat de la narradora a l’hora de «destriar els fet

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Magalhães, Milena. ""No Sumbe, ou é poeira ou é lama": um inventário de memórias sobre minha experiência de ensino em Angola / "In the Sumbe, it is dust or it is mud": a briefing of memoirs..." Cadernos CIMEAC 9, no. 1 (2019): 238. http://dx.doi.org/10.18554/cimeac.v9i1.3869.

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Neste texto, o uso da primeira pessoa justifica-se logo nas primeiras linhas. Misto de memórias e reflexões, busco traçar um percurso da minha experiência de ensino em Angola nos anos de 2018 e 2019, quando ministrei os Componentes Curriculares Teoria da produção do texto literário e História da arte contemporânea, no Mestrado em Ciências da Educação, no Instituto Superior de Ciências da Educação do Cuanza Sul, da Universidade Katyavala Bwila, no município do Sumbe. O texto existe como uma tentativa de compreender o que significa estar em outro país como professora. Parto do princípio que, mai

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25

Zweiffel, Maciej. "Mity korzenne a mity rdzenne – implikacje moralne." Annales Universitatis Paedagogicae Cracoviensis. Studia Politologica 18, no. 247 (2018). http://dx.doi.org/10.24917/20813333.18.13.

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The text tells about functioning of mythological thinking in novel Drach by Szczepan Twadochand so colled Smolensk poetry, and then shows the manner in which such a thinking isemployed to familiarize the cruel and accidental reality. The article also compares moralattitudes contecting with these both kinds of myths (spice and fundamental).Key words: mythological thinking, moral attitude, homeland (Heimat), monism, manicheism,martyrological cycle, cliche

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"‘False Spectacles’ and ‘Passion’s Mist’: Distorting Tears in the Poetry of John Donne." A Moveable Type, August 2, 2018. http://dx.doi.org/10.14324/111.1755-4527.082.

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Георгиева [Georgieva], Цветана [Tzvetana]. "Иван Грозев. „Новата културна раса“ в естетикорелигиозния проект на българския модернизъм". Slavia Meridionalis 20 (31 грудня 2020). http://dx.doi.org/10.11649/sm.2135.

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Ivan Grozev and the “New Cultural Race” in the Aesthetic Religious Project of Bulgarian ModernismThe aesthetic-religious views of Ivan Grozev, a Bulgarian writer, poet and spiritual awakener, combine various aspects whose unifying center is the mystical ability of man to reach God: the Christian idea of man’s aspiration for God; theosophical and Masonic conceptions; and elements of Hellenistic philosophy and mystery. In his articles and studies that he published in the journal Hyperion, Ivan Grozev promoted ideas about the poet as “a priest and a prophet”, his “worldly sacrifice”, and “the ste

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Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I

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Hopkins, Lekkie. "Articulating Everyday Catastrophes: Reflections on the Research Literacies of Lorri Neilsen." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.602.

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Lorri Neilsen, whose feature article appears in this edition of M/C Journal, is Professor of Education at Mount Saint Vincent University in Halifax, Nova Scotia, Canada. Neilsen has been teaching and researching in literacy studies for more than four decades. She is internationally recognised as a poet and as an arts-based research methodologist specialising in lyric inquiry. In the latter half of this last decade she was appointed for a five year term to be the Poet Laureate for Nova Scotia. As an academic, she has published widely under the name of Lorri Neilsen; as a poet, she uses Lorri Ne

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Wilken, Rowan, and Anthony McCosker. "List." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.581.

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Editoriallist, Liszt, mist, quist (Dialect wood pigeon), wrist, grist, tryst, cyst, cist (box holding ritual objects), schist, whist, twist, xyst (long portico) (Fergusson 270)“Everyone uses lists,” Francis Spufford (2) tells us. Lists are all pervasive; they are part-and-parcel of how we experience and make sense of the world. According to Umberto Eco, the whole history of creative production can be seen as one that is characterised by an “infinity of lists” comprising, to name a few, visual lists (sixteenth century religious paintings, Dutch still life paintings), pragmatic or utilitarian li

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