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Books on the topic 'Mitchell's (Firm)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

1931-, Mohsin Syed Mohammad, ed. The story of Mitchell's. 2nd ed. Printshop, 2012.

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2

F, Schmertz Mildred, ed. Mitchell/Giurgola Architects. Images Pub. Group, 2008.

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3

Mitchell Library (Glasgow, Scotland). Arts, Music and Recreation Department. Film and show recordings in the Mitchell Library. [Mitchell Library], 1993.

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4

Foundation, Atlanta-Fulton Public Library, ed. Margaret Mitchell: The book, the film, the woman. Atlanta-Fulton Public Library Foundation, 1996.

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5

Hager, Jean. The fire carrier. Mysterious Press, 1996.

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6

Hager, Jean. The fire carrier. The Mysterious Press, 1997.

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7

Stephen, Dobney, ed. Mitchell/Giurgola, architects: Selected and current works. Images Pub. Group, 1996.

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8

Toulmin, Vanessa. An early crime film rediscovered: Mitchell and Kenyon's Arrest of Goudie (1901). John Libbey, 2004.

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9

1958-, Wiley John, ed. Margaret Mitchell's Gone with the wind: A bestseller's odyssey from Atlanta to Hollywood. Taylor Trade Pub., 2011.

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10

Gold, Mitchell. Who we are. Mitchell Gold + Bob Williams, 2014.

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11

Shavin, Norman. The million dollar legends: Margaret Mitchell and "Gone with the wind". Capricorn Corp., 1986.

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12

Board, United States National Transportation Safety. Aircraft accident report: Midwest Express Airlines, Inc., DC-9-14, N100ME, General Billy Mitchell Field, Milwaukee, Wisconsin, September 6, 1985. The Board, 1987.

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13

Patricia, Rozema, Mamet David 1947-, Mitchell Katie, et al., eds. Beckett on film: Happy days [director: Patricia Rozema]; Catastrophe [director: David Mamet]; Rough for theatre 2 [director: director: Katie Mitchell]; Breath [director: Damien Hirst]; That time [director: Charles Garrad]. RTE, 2001.

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14

Bridges, Herb. Gone with the wind: The three-day premiere in Atlanta. Mercer University Press, 1999.

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15

C, Boodman Terryl, ed. Gone with the wind: The definitive illustrated history of the book, the movie, and the legend. Simon & Schuster, 1989.

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16

Mitchell, Charles P. The Complete H. P. Lovecraft Filmography. Greenwood, 2001. http://dx.doi.org/10.5040/9798400629785.

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The influence of science fiction writer H. P. Lovecraft is widely felt in modern literature; authors from Robert E. Howard to Stephen King can claim him as their ancestor. But cinema too has seen Lovecraft's impact, and author Charles Mitchell offers here a comprehensive guide to the dozens of films that are representative of this influence. Mitchell studies the films in detail, analyzing the major Lovecraft elements and examining the fidelity of the films to the original works. Amateur films as well as television productions and foreign cinema, are included in Mitchell's scrutiny, revealing t

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17

Grimm, Joshua. It Follows. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325581.001.0001.

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Amid a recent resurgence in horror films, David Robert Mitchell's It Follows stands out as a particularly bold entry, a horror fan's dream come true that sparked a renewed creativity. Pulling a robust 97 percent on Rotten Tomatoes, It Follows was hailed as a “teen movie you've never seen before”, a “creepy, mesmerizing exercise in minimalist horror”, “the best horror film in years”, and simply, “so damn good.” Mitchell uses a variety of approaches to reinvent genre bromides while simultaneously embracing and challenging tropes that audiences and filmmakers rely on a little too heavily. It Foll

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18

McFarlane, Brian. Fire in the North: The Mitchell Brothers Series (The Mitchell Brothers). Key Porter Books, 2007.

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19

French, Karl. Art by Film Directors (Mitchell Beazley Art & Design). Mitchell Beazley, 2004.

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20

Wiley, John. Scarlett Letters: The Making of the Film Gone with the Wind. Taylor Trade Publishing, 2014.

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21

Taylor, Gardner C., Ella Pearson Mitchell, Jacqueline B. Glass, and Henry H. Mitchell. Fire in the Well: Sermons by Ella and Henry Mitchell. Judson Press, 2003.

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22

(Editor), Vanessa Toulmin, Simon Popple (Editor), and Patrick Russell (Editor), eds. The Lost World of Mitchell and Kenyon: Edwardian Britain on Film. British Film Institute, 2005.

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23

(Editor), Vanessa Toulmin, Simon Popple (Editor), and Patrick Russell (Editor), eds. The Lost World of Mitchell and Kenyon: Edwardian Britain on Film. British Film Institute, 2005.

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24

Prophets of Zoom. Merrell, 2007.

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25

Tulloch, John, and Belinda Middleweek. “Desperate for Intimacy”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0008.

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Chapter 6 shifts focus from French to North American real sex films, beginning with film reviewers’ positive response to the film Shortbus because it contains an optimistic humor absent from European-made films. Addressing these industry critiques of European “doomed, furtive or violent” real sex as in Intimacy, the chapter asks: Does this represent a different worldview? It draws on Kelley Conway’s interest in seeking out different authorship/generic configurations within a historical “malaise” by exploring the layers of narrative history conveyed by comedy and political subtext in John Camer

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26

Shartar, Martin, and Norman Shavin. Million Dollar Legends Margaret Mitchell and Gone With the Wind: Margaret Mitchell and "Gone With the Wind. Capricorn Corp, 1985.

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27

Hanaway-Oakley, Cleo. James Joyce and the Phenomenology of Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768913.001.0001.

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James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce’s writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the ‘inherence of the self in the world’. Instead of portraying an objective, neutral world, bereft

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28

The Scarlett Letters: The Making of the Film Gone With the Wind. Lyons Press, 2018.

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29

Hanaway-Oakley, Cleo. Tactile Vision and Enworlded Being. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198768913.003.0005.

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Stephen’s musings on the pre-cinematic ‘stereoscope’ are discussed in relation to Bloom’s contemplation of parallax and his mention of the ‘Mutoscope’. The three-dimensionality, tangibility, and tactility of stereoscopic perception is analysed alongside Bloom’s and Gerty’s encounter in ‘Nausicaa’ and the Merleau-Pontian concepts of ‘flesh’ and ‘intercorporeity’. The bodily effects of projected cinema—achieved through virtual film worlds, virtual film bodies, and the intercorporeity of film and spectator—are discussed through reference to panorama, phantom ride, and crash films. The dizzying ef

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30

Platte, Nathan. Gone with the Wind, Part I. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0007.

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This chapter reconstructs the scoring of Selznick’s most famous film. The story interweaves several familiar anecdotes, such as Steiner’s furious discovery that another composer had been primed to replace him, into a more comprehensive, critical review of the full collaboration. Included are Steiner’s adaptation of musical ideas from Margaret Mitchell’s source novel, his divvying of the film’s music among multiple composers (Hugo Freidhofer, Adolph Deutsch, and Heinz Roemheld), Lou Forbes’s delicate negotiations with Selznick, the rejection and rewriting of critical passages of the score, the

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31

editor, Wiley John 1938, ed. The Scarlett letters: The making of the film Gone with the wind. Taylor Trade Publishing, 2014.

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32

Nomination of Ernest Mitchell, Jr: Hearing before the Committee on Homeland Security and Governmental Affairs, United States Senate, One Hundred Twelfth Congress, first session : nomination of Ernest Mitchell, Jr., to be administrator, U.S. Fire Administration, Federal Emergency Management Agency, U.S. Department of Homeland Security, October 6, 2011. U.S. G.P.O., 2012.

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33

Mitchell, Claudia A., and Jacqueline Reid-Walsh, eds. Girl Culture. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798400657207.

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Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, toSeventeenmagazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to hig

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34

Mitchell, Verner D., and Cynthia Davis, eds. Encyclopedia of the Black Arts Movement. Rowman & Littlefield, 2019. https://doi.org/10.5040/9798881821432.

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The Black Arts Movement (BAM) encompassed a group of artists, musicians, novelists, and playwrights whose work combined innovative approaches to literature, film, music, visual arts, and theatre. With a heightened consciousness of black agency and autonomy—along with the radical politics of the civil rights movement, the Black Muslims, and the Black Panthers—these figures represented a collective effort to defy the status quo of American life and culture. Between the late 1950s and the end of the 1970s, the movement produced some of America’s most original and controversial artists and intelle

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35

LeRoy, Mervyn, Dalton Trumbo, and Sam Zimbalist. Thirty seconds over Tokyo. 2007.

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