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Journal articles on the topic 'Mitchell's (Firm)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Sy, Lloyd Alimboyao. "The Leftovers of Conspiracy: The Deformed Gazes of Under the Silver Lake." Camera Obscura 40, no. 1 (2025): 118–45. https://doi.org/10.1215/02705346-11606596.

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Abstract This article examines how David Robert Mitchell's 2018 neo-noir film Under the Silver Lake (US) displays the myopia of conspiracy theories, particularly insofar as they ignore gender-based violence and oppression. The article contends that the film's male characters become so engrossed in uncovering grand systemic plots that they overlook the immediate, tangible exploitation of women. Mitchell ridicules this obsessive focus on the abstract conspiracy by making it incarnate in ludicrous objects and ironizing his characters’ motives. But this article argues that women, constantly relega

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Keturakis, Saulius. "THE PHOTOS BY “THE MOLE”, OR IN SEARCH OF THE WAY TO THE OTHER / FOTOGRAFUOJANTIS „KURMIS“, ARBA KELIO LINK KITO PAIEŠKOSE." CREATIVITY STUDIES 5, no. 1 (2012): 22–31. http://dx.doi.org/10.3846/20297475.2011.645890.

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The title of the paper is not associated with the exotic show of a circus with the trained, capable of making the photos mole, but with the movie by Dalia Survilaitė The Mole, which is narrating the story of the poet, musician and blind from the birth photographer Remigijus Audiejaitis, who was tragically killed in the fire. The paper discusses the seemingly oxymoronic phenomena – the intention of the blind to express his experience by media, which he could experience himself only by using the ekphrasis device – by retelling the visual by words – or by using more complicated techniques of figu

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Ameti, Lirije. "THE PORTRAIT OF THE AMERICAN WOMAN IN MARGARET MITCHELL'S NOVEL "GONE WITH THE WIND"." KNOWLEDGE INTERNATIONAL JOURNAL 31, no. 6 (2019): 1749–53. http://dx.doi.org/10.35120/kij31061749a.

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This theme, The Portrait of the American Woman in Margaret Mitchell's Novel " Gone With The Wind " is broad, challenging, interesting and among many contradictory to one another's point of view, at different social grounds , periods of time simply or merely of the fact that a female writer of this tremendous saga read mostly by women represents multi dimensional themes. It is an interweave of tradition, history , war, social classes, Reconstruction, transition and more. All these and many other themes written with a masterful disciplined imagination put in the longest novel in history. A maste

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Sanader, Daniella. "Alexis Kyle Mitchell: The Treasury of Human Inheritance (2024)." Public 35, no. 70 (2024): 176–78. https://doi.org/10.1386/public_00226_4.

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In this review of Alexis Kyle Mitchell’s recent feature-length film, The Treasury of Human Inheritance (2024), screened alongside the second Museum of Contemporary Art Toronto triennial, I consider the artist’s experimental engagements with sound, analogue film processing, and the human voice to narrate her family’s experiences with grief and disability. I also connect these inter-personal dynamics to broader urgencies, positing that the film asks us to be mindful of how we hold responsibility for one another, amidst interconnected global crises.

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Laine, Tarja. "Traumatic Horror Beyond the Edge: It Follows and Get Out." Film-Philosophy 23, no. 3 (2019): 282–302. http://dx.doi.org/10.3366/film.2019.0117.

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Within cinematic horror, trauma as a concept has often been used as an allegorical strategy to work through collective anxieties. This article on It Follows (David Robert Mitchell, 2014) and Get Out (Jordan Peele, 2017) strikes another note. It argues that, by their aesthetic qualities, both films are rendered traumatic in their affective orientation, both toward the cinematic world and toward the spectator. It analyses the two films through trauma as an affective-aesthetic strategy that puts emphasis on the edge of the frame as well as on the offscreen space. This strategy evokes a sinister m

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Burke, Michael. "Haunted by the Other: Levinas, Derrida and the Persecutory Phantom." Film-Philosophy 25, no. 3 (2021): 362–85. http://dx.doi.org/10.3366/film.2021.0180.

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In this article, I explore what I call the persecutory trope – which underscores the alterity of the phantom and its relentless haunting and spectral oppression of the protagonists – in recent American ghost films, connecting it to the ethical thought of the continental philosophers, Emmanuel Levinas and Jacques Derrida. Films like The Ring (Gore Verbinski, 2002), The Grudge (Takashi Shimizu, 2004), It Follows (Robert Mitchell, 2014), and Sinister (Scott Derrickson, 2012) depict terrifying spectral antagonists whose relentless persecution of the protagonists often defies comprehension and narr

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7

O'Loughlin, Ciara. "Fighting Fire with Fire." Conflict and Society 2, no. 1 (2016): 125–41. http://dx.doi.org/10.3167/arcs.2016.020112.

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Recent decades have seen an explosion of interest in transitional justice. Although much attention has been directed toward measuring the effects of transitional justice mechanisms, discussion of the motivations for and manifestations of resistance to transitional justice processes has been limited. Th is article contributes to this underexamined area through an analysis of the nature of resistance to transitional justice in Bahrain following the February 2011 uprisings. It identifies existing explanations for resistance to and engagement with transitional justice before considering whether Mi

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Ni Kadek Debi Puspita Manggalita, Desak Putu Eka Pratiwi, and Putu Nur Ayomi. "Flouting of Grice’s Maxims in The Mitchells vs. The Machines Film." RETORIKA: Jurnal Ilmu Bahasa 8, no. 2 (2022): 151–59. http://dx.doi.org/10.55637/jr.8.2.4707.151-159.

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Obeying the cooperative principle is an important rule that must be done to attain a good and relevant conversation, which can be divided into four categories of maxims, such as maxim of quality, maxim of quantity, maxim of manner, and maxim of relation. However, in everyday life, there are still many people who flout these maxims which causes their conversation to be ineffective. This study aims to determine the types of flouting maxim found in The Mitchells vs. The Machines film is based on the Cooperative Principle theory of Grice (1975). This study also aims to analyze the reasons of flout

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Mitchell, William J. T. "Wojny graniczne: translacja i konwergencja w polityce i mediach." Artium Quaestiones, no. 35 (December 31, 2024): 149–65. https://doi.org/10.14746/aq.2024.35.7.

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The text is a translation of W. J. T. Mitchell’s essay included in his book Image Science. Iconology, Visual Culture, and Media Aesthetics (2015). It is an extensive, cultural reflection on the notion of borders and boundaries in terms of their diverse meanings, functions and interactions that take place across borders. Borders are treated as bot physical boundaries and virtual or imaginary divisions, addressed here in the sphere of geopolitics and media. The axis of his discussions are notions of translations and convergence as dynamic, productive and destructive, war or war-like interactions

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10

Toulmin, Vanessa, Patrick Russell, and Tim Neal. "The Mitchell and Kenyon Collection: Rewriting Film History." Moving Image 3, no. 2 (2003): x, 1–18. http://dx.doi.org/10.1353/mov.2003.0035.

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11

Schlitz, Marilyn Jean. ": Magical Curing . ; The Bamboo Fire . William E. Mitchell." American Anthropologist 92, no. 3 (1990): 848–49. http://dx.doi.org/10.1525/aa.1990.92.3.02a01220.

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12

LEAVITT, STEPHEN C. "The Bamboo Fire: Field Work with the New Guinea Wape. 2nd ed. WILLIAM E. MITCHELL.: Magical Curing (Video cassette film). Filmed and narrated by WILLIAM E. MITCHELL." American Ethnologist 21, no. 3 (1994): 638–39. http://dx.doi.org/10.1525/ae.1994.21.3.02a00200.

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13

Lippit, Akira Mizuta, Noëël Burch, Chon Noriega, et al. "Round Table: Showgirls." Film Quarterly 56, no. 3 (2003): 32–46. http://dx.doi.org/10.1525/fq.2003.56.3.32.

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As recently as December, 2002, the New York Times' Elvis Mitchell referred to the "wreckage"of Showgirls (1995). Yet the Film Quarterly editorial board had just been galvanized by a discussion of the same film. Apparently there exists a number of secret and not-so-secret devotees of the film. Showgirls has, perhaps unexpectedly, served to stimulate scholarly thought around issues of camp, satire, class, gender, the fallen woman, showgirl musicals, trash cinema,sexploitation films, hedonistic criticism, and reading and teaching the film. Noëël Burch, Akira Mizuta Lippit, Chon Noriega, Ara Oster

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White, Jerry. "The Revisability of Film History." Canadian Journal of Film Studies 32, no. 1 (2023): 140–50. http://dx.doi.org/10.3138/cjfs-2022-0049.

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Résumé : Dans cette brève analyse suscitée par la publication récente de l’ouvrage de Caroline Zéau Le Cinéma direct : un art de la mise en scène, je soutiens que les généralistes qui abordent la naissance de l’histoire du cinéma, spécialement dans un contexte éducatif, ont beaucoup à gagner d’une approche « parallèle » de concepts comme « les débuts du cinéma ». Comme Zéau nous permet de le comprendre, on pourrait dire la même chose, en partie, de l’évolution du cinéma direct, ou cinéma-vérité. Les œuvres de Mitchell et Kenyon et les séquences ethnographiques filmées par Zora Neale Hurston il

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Mason, Derritt. "Resurrecting ParaNorman: Ghosts and gays in the New Queer Cartoon." Queer Studies in Media & Popular Culture 6, no. 3 (2021): 285–303. http://dx.doi.org/10.1386/qsmpc_00062_1.

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When the Oscar-nominated, stop-motion animated film ParaNorman was released in August 2012, critics made much ado about the supporting character named Mitch: a dopey, beefy jock perceived to be the first openly gay character in a mainstream American children’s animated movie. As queer representation in children’s animated media continues to expand ‐ as seen, for example, in Netflix’s 2021 film The Mitchells vs. the Machines, which features an openly queer protagonist ‐ this article argues that Mitch’s now decade-old legacy is worth revisiting. Drawing on Noreen Giffney’s concept of the ‘New Qu

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Mitchell, Will, and Kulwant Singh. "Spillback Effects of Expansion When Product-Types and Firm-Types Differ." Journal of Management 21, no. 1 (1995): 81–100. http://dx.doi.org/10.1177/014920639502100105.

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Contrary to perspectives that credit firms with only limited abilities to undertake significant change successfully, recent research has demonstrated that firms often improve their performance after undertaking major expansion to their operations. In this paper, we build on a study by Mitchell and Singh (1993) to test for differences in expansion effects, depending on whether the new goods substitute for old products and whether the firm is a generalist or specialist participant in the industry. The analysis helps us understand when a business can undertake major change successfully. The resul

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Khurram, Shahzad, and Florent Pestre. "Rethinking the salience of not-for-profit and for-profit stakeholders of a firm." Society and Business Review 12, no. 2 (2017): 136–51. http://dx.doi.org/10.1108/sbr-09-2016-0051.

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Purpose Although Mitchell et al. (1997) recognize salience attributes as variables, the salience framework based on a dichotomous representation of salience attributes does not explain why, in some instances, a latent stakeholder is assigned more salience than a definitive stakeholder. This paper explains this riddle by bringing the debate to the organizational population level and suggests a new perspective for understanding the process of stakeholder identification and prioritization. Design/methodology/approach The authors compare two organizational populations, i.e. “for-profit and not-for

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Mew, Geoff, and Adrian Humphris. "The 102-foot Australian Invasion of Central Wellington in the 1920s." Architectural History Aotearoa 8 (January 1, 2011): 30–35. http://dx.doi.org/10.26686/aha.v8i.7098.

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A significant change to the building bylaws by the Wellington City Council in the early 1920s allowed for the design and erection of much taller buildings in the central city than had previously been permitted. Coupled with the use of steel frames and concrete floors, buildings started to reach eight or nine storeys; not tall by American standards, but regarded as skyscrapers in a city where three- and four-storey buildings were still the norm. The fact that several of the most prominent of these new buildings were designed mainly by Australian architects, both in the 1920s and the early 1930s

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Roscoe, P. B. ": The Bamboo Fire: Fieldwork with the New Guinea Wape . William E. Mitchell. ; Magical Curing . William E. Mitchell." Medical Anthropology Quarterly 4, no. 4 (1990): 459–61. http://dx.doi.org/10.1525/maq.1990.4.4.02a00090.

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Mulham, WE. "Vegetation changes after fire on two land systems in arid North-west New South Wales." Rangeland Journal 7, no. 2 (1985): 80. http://dx.doi.org/10.1071/rj9850080.

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Following a sequence of favourable years in which pasture growth over much of the arid zone of Australia reached very high ievels, controlled burns were carried out on two contrasting vegetation types in the extreme north-west of New South Wales. A wheei-point apparatus was used to measure subse- quent changes in botanical composition and foliage cover over a four year period. On a pasture periodically dominated by Mitchell grass (Astrebla spp.) burning while growing conditions were favourable resulted in only a small long- term decrease in the cover of Mitchell grass. In the short-term all ch

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21

Jacobson, Brian R. "Ex Machina in the Garden." Film Quarterly 69, no. 4 (2016): 23–34. http://dx.doi.org/10.1525/fq.2016.69.4.23.

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Alex Garland's Ex Machina (2015) explores both long-standing discourses about artificial intelligence and more recent concerns about automation, surveillance, and big data. It does so by associating AI creation not solely with science, technology, and religion but also with the history of art and, more reflexively, with film itself. In this way, the film becomes an allegory for its own production, a story about representation and the creation of artificial film worlds by new technological means. This reflexivity underscores cinema's important role in popular discourses about technological chan

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Laoli, Iman Purnama Sari, Riana Riana, Noibe Halawa, and Lestari Waruwu. "ANALISIS TINDAK TUTUR LOKUSI ILOKUSI DAN PERLOKUSI DALAM DIALOG FILM ANIMASI ”MERAIH MIMPI” KARYA PHIL MITCHELL." Jurnal Kata : Bahasa, Sastra, dan Pembelajarannya 13, no. 1 (2025): 265–72. https://doi.org/10.23960/kata.v13i1.411.

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This research uses a qualitative descriptive approach with a qualitative research type. Data collection techniques use observing, listening and note-taking techniques. Furthermore, the techniques for analyzing data in this research are data reduction, data presentation and conclusions. Based on the results of research on the analysis of Locutionary, Illocutionary and Perlocutionary Speech Acts in the Dialogue of the Animated Film Achieving a Dream by Phil Mitchell, it is concluded that the research has been realized and in the dialogue of the animated film Achieving a Dream there are Locutiona

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Toulmin, Vanessa. "An early crime film rediscovered: Mitchell and Kenyon'sArrest of Goudie(1901)." Film History: An International Journal 16, no. 1 (2004): 37–53. http://dx.doi.org/10.2979/fil.2004.16.1.37.

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Sanmartin, José, and Jose Alfredo Peris. "Personalismo integral y personalismo fílmico: una filosofía cinemática para el análisis antropológico del cine." Quién. Revista de filosofía personalista, no. 12 (September 10, 2024): 177–98. http://dx.doi.org/10.69873/aep.i12.104.

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The integral personalism developed by Karol Wojtyla and Juan Manuel Burgos can be recognized in the film medium, through what can be designated as film personalism. Directors such as John Ford, Frank Capra, Leo McCarey, Mitchell Leisen or Gregory La Cava incorporated a personalist perspective into their film language that was present in the choice and film treatment of the narratives they directed. However, this did not always appear on the surface of what was presented on the screen, so a deeper investigation of what is shown is necessary. This reading is benefited by the dialogue with philos

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Gemintang, Prettyka Putri. "Personality Brand Approach Us Navy dalam Karakter Pete “Maverick” Mitchell pada Film Top Gun: Maverick (2022)." JIMU:Jurnal Ilmiah Multidisipliner 3, no. 03 (2025): 1995–2003. https://doi.org/10.70294/jimu.v3i03.979.

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Film Top Gun: Maverick (2022) menampilkan karakter Pete “Maverick” Mitchell sebagai representasi fiksi dari nilai-nilai institusional United States Navy (US Navy). Penelitian ini bertujuan untuk menganalisis bagaimana karakter Maverick merepresentasikan lima dimensi brand personality menurut Jennifer Aaker, yaitu sincerity, excitement, competence, sophistication, dan ruggedness. Metode yang digunakan adalah analisis isi kualitatif terhadap adegan-adegan kunci dalam film yang mencerminkan nilai-nilai tersebut secara simbolik dan naratif. Hasil penelitian menunjukkan bahwa karakter Maverick seca

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Fazan, Katarzyna. "Czego chce film na scenie? Analiza trzech przypadków." Kwartalnik Filmowy, no. 87-88 (December 31, 2014): 114–26. http://dx.doi.org/10.36744/kf.2386.

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Ekspansja obrazów filmowych w teatrze prowokuje do zadawania pytań o sens ich obecności, o różne relacje między żywym a zarejestrowanym planem inscenizacji. Artykuł jest okazją do poszukiwania adekwatnych teorii, które pozwolą analizować złożone techniki scenicznego obrazowania, idącego od powtórzenia, iluzji, gry z percepcją do utrwalenia i rozproszenia scenicznej cielesności. Interpretacja wybranych przykładów zmierza do odpowiedzi na pytanie, czego chcą (wedle formuły W. J. T. Mitchella) obrazy filmowe na scenie. Odwołując się do trzech autorskich teatrów Krystiana Lupy, Krzysztofa Warlikow

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Sack, Daniel. "The Malady of Film in the Theatre: Katie Mitchell Stages Marguerite Duras." PAJ: A Journal of Performance and Art 41, no. 3 (2019): 52–61. http://dx.doi.org/10.1162/pajj_a_00486.

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Mayhall, Laura E. Nym. "The Lost World of Mitchell & Kenyon: Edwardian Britain on Film (review)." Victorian Studies 48, no. 3 (2006): 560–62. http://dx.doi.org/10.1353/vic.2006.0129.

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Mattli, Alan. "Lee Clark Mitchell, Noir Fiction and Film: Diversions and Misdirections." Crime Fiction Studies 4, no. 1 (2023): 136–39. http://dx.doi.org/10.3366/cfs.2023.0090.

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Pekovic, Sanja, and Sylvie Rolland. "Customer orientation and firm’s business performance." European Journal of Marketing 50, no. 12 (2016): 2162–91. http://dx.doi.org/10.1108/ejm-08-2015-0584.

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Purpose The purpose of this study is to develop a better theoretical and empirical understanding of the causal and contextual mechanisms explaining the relationship between customer orientation and business performance. Design/methodology/approach A three-stage least squares model was used on a sample of 3,720 French firms with 20 or more employees. Findings By using a moderated mediation approach, it was found that the mediating effect of environmental customer innovation on the relationship between customer orientation and business performance under different contextual factors (market envir

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Küçük, Serdar. "Queer Film Settings as Sites of Resistance." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 2 (2020): 95–123. http://dx.doi.org/10.1215/02705346-8359530.

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The following article investigates the origins and functions of particular settings in queer films by examining four examples from different national contexts: Shortbus (dir. John Cameron Mitchell, US, 2006), Weekend (dir. Andrew Haigh, UK, 2011), Stranger by the Lake (L’inconnu du lac, dir. Alain Guiraudie, France, 2013), and Tropical Malady (Sud pralad, dir. Apichatpong Weerasethakul, Thailand, 2004). The textual analyses highlight a range of prevalent queer film settings, such as the road and nature, in which queer characters take refuge. The study aims to identify a transnational countercu

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Francis, Terri. "Cosmologies of Black Cultural Production: A Conversation with Afrosurrealist Filmmaker Christopher Harris." Film Quarterly 69, no. 4 (2016): 47–56. http://dx.doi.org/10.1525/fq.2016.69.4.47.

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FQ Contributing Editor Terri Francis interviews filmmaker Christopher Harris, situating Afrosurrealist filmmaking within a constellation of African American artists and writers that includes the painter Kerry James Marshall, novelist Toni Morrison, poet Elizabeth Alexander, and composer Roscoe Mitchell. The discussion revolves around the experimental poetics of African American literature that provide Harris with flares of revelation that light the path for his diverse projects. Harris's oeuvre is in dialogue with the nature of the film medium and with what it means to work, observe, and think

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Molina Correa, Javier Alexander, and Sergio Vargas Velázquez. "El proceso de madurez del conflicto: ¿por qué se firmó un acuerdo de paz con las FARC en Colombia?" Revista Pueblos y fronteras digital 17 (May 18, 2022): 37. http://dx.doi.org/10.22201/cimsur.18704115e.2022.v17.575.

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Se analiza la firma del acuerdo de paz entre las Fuerzas Armadas Revolucionarias de Colombia (FARC) y el gobierno de este país en 2016 sobre la base de la construcción de un entramado analítico que combina los modelos del concepto de madurez del conflicto de Christopher Mitchell y los aspectos favorecedores y obstructores en las negociaciones de paz. Se revisan las negociaciones previas entre la guerrilla y las administraciones anteriores que no lograron la firma de un acuerdo de paz en el siglo XX con el fin de comprender logros, errores y lecciones aprendidas. Además se aborda la administrac

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Magris, Erica. "Entre Dissection et Empathie: le cinéma en direct de Katie Mitchell." Revista Brasileira de Estudos da Presença 6, no. 2 (2016): 186–205. http://dx.doi.org/10.1590/2237-266059369.

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Résumé: L'article étudie deux spectacles réalisés par la metteuse en scène britannique Katie Mitchell à la Schaubühne de Berlin - Fraulein Julie (2010), en collaboration avec le vidéaste Leo Warner, et Die Gelbe Tapete (2013) - qui, comme dans un diptyque, explorent la vie intime de deux femmes souffrantes grâce à un dispositif ciné-théâtral complexe au fonctionnement spécifique. La simultanéité de deux régimes de présence sur scène, le jeu et le tournage, ainsi que de l'action scénique et du film, produit une tension permanente entre effets contradictoires - identification/distanciation, cont

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Murphy, D. "The Religion and Film Reader. Edited by Jolyon Mitchell and S. Brent Plate." Literature and Theology 23, no. 2 (2009): 249–51. http://dx.doi.org/10.1093/litthe/frp012.

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Brenner, Steven N. "Integrating Mitchell, Agle and Wood’s Stakeholder Identification Approach With Brenner and Cochran’s Stakeholder Theory of the Firm." Proceedings of the International Association for Business and Society 10 (1999): 779–90. http://dx.doi.org/10.5840/iabsproc19991070.

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Douglas, James. "Kennedy Miller Mitchell and the relationality of Australian cinema – global film practice in Australia." Studies in Australasian Cinema 15, no. 1-2 (2021): 17–30. http://dx.doi.org/10.1080/17503175.2021.1921405.

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Calbi, Maurizio. "“This England”: Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah’s The Nine Muses (2010)." Multicultural Shakespeare: Translation, Appropriation and Performance 15, no. 30 (2017): 59–75. http://dx.doi.org/10.1515/mstap-2017-0005.

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The paper will offer a reading of John Akomfrah’s The Nine Muses (2010), a 90-minute experimental feature film that has been defined as “one of the most vital and original artistic responses to the subject of immigration that British cinema has ever produced” (Mitchell). It will focus on the multifarious ways in which the film makes the “canonical” literary material that it incorporates, including Shakespeare, interact with rarely seen archival material from the BBC regarding the experience of Caribbean and South Asian immigrants in 1950s and 1960s Britain. It will argue that through this inte

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Hill, Sarah Patricia. "A family affair: the depiction of disability in contemporary mainstream Italian cinema." Modern Italy 19, no. 2 (2014): 169–81. http://dx.doi.org/10.1080/13532944.2014.910505.

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Despite a grim history of marginalisation and oppression of people with disabilities, Italy has been praised for its early de-institutionalisation and attempts to adopt a more inclusive educational approach. Do recent Italian films provide evidence that these approaches have made a difference to how disability is made visible on film, or is it still depicted largely as an individual or family affair rather than a societal or political issue? Over the last decades, numerous scholars in disability studies have argued that cinema is an important location for understanding the formation of ideas a

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Weinstock, Jeffrey Andrew. "What is IT? Ambient dread and modern paranoia in It (2017), It Follows (2014) and It Comes at Night (2017)." Horror Studies 11, no. 2 (2020): 205–20. http://dx.doi.org/10.1386/host_00019_1.

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This article finds its impetus in the curious convergence of three twenty-first-century horror films around the ambiguous ‘It’ foregrounded by their titles: Andrés Muschietti’s 2017 adaptation of Stephen King’s 1986 novel It, David Robert Mitchell’s 2014 It Follows and Trey Edward Shults’s 2017 It Comes at Night. In each of these films, the titular ‘it’ is difficult or impossible to pin down; it can assume the form of anyone (or, in the case of Shults’s film, infect anyone) and appear anywhere; it cannot be reasoned with, explained or swayed from its course; and conventional sources of protect

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Fensham, R. J., and R. J. Fairfax. "Preliminary assessment of gidgee (Acacia cambagei) woodland thickening in the Longreach district, Queensland." Rangeland Journal 27, no. 2 (2005): 159. http://dx.doi.org/10.1071/rj05013.

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Gidgee (Acacia cambagei) forms woodlands and forests on moderately fertile clay soils throughout semi-arid areas of north-eastern Australia. Analysis of soil data from Queensland indicates that gidgee’s environmental domain has a broad overlap with treeless Mitchell grassland although a preference for slightly coarser soils with higher phosphorus and lower potassium content. Mapping of woody cover change for an area of central Queensland suggests that gidgee thickening and spread has occurred between 1951 and 1994. However, this increase has been more than offset by loss of gidgee cover by cle

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Hossain, Ashrafee Tanvir. "Dual-class firms and governance: an acquisition perspective." Managerial Finance 41, no. 11 (2015): 1221–35. http://dx.doi.org/10.1108/mf-05-2014-0141.

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Purpose – The purpose of this paper is to examine the impact of governance quality on firms with multiple voting structures. Design/methodology/approach – The sample includes 487 acquisitions undertaken by dual-class firms from 1996 to 2009. The author used event studies (Patell, 1976) for short-term performance analysis around merger announcement dates; Berkovitch and Narayanan (1993) methods to identify the motive behind these transactions; and standard benchmark adjusted return on assets (and return on sales) (Barber and Lyon, 1996) and BHAR (Mitchell and Stafford, 2000) to analyze long-ter

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Wagner, Shannon, Alex Fraess-Phillips, and Kelly Mikkelson. "Recruit firefighters: personality and mental health." International Journal of Emergency Services 5, no. 2 (2016): 199–211. http://dx.doi.org/10.1108/ijes-08-2016-0015.

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Purpose The purpose of this paper is to investigate the predispositional hypothesis related to the “rescue personality” and the mental health of firefighter recruits. Design/methodology/approach This study compared responses to a written set of personality and mental health measures between firefighter recruits and non-rescue comparison participants – individually matched based on age, gender, ethnicity, and marital status. Data analysis involved statistical one-way between subjects analyses of variance complemented with epidemiological paired odds ratio calculations. Findings The results indi

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KA, Kyei, Tshisikhawe TH, and Dube LM. "Different Crime Types in Western Cape Province: Principal Component Analysis." Journal of Economics and Behavioral Studies 8, no. 5(J) (2016): 18–26. http://dx.doi.org/10.22610/jebs.v8i5(j).1428.

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South Africa has a very high crime rate compared to most countries. Crime affects the society,Â business and psychology of the people. It compels people to move out or come into a particular area. It isÂ most prevalent in the urban areas where poverty gap is conspicuous. Western Cape and Gauteng ProvincesÂ are the best developed provinces in the country and therefore have higher crime levels. But the question is:Â what types of crime are prevalent in the Western Cape Province? And what are the major causes of theseÂ crimes? The purpose of this paper is to identify the different types of crimes

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Keith, Eric, Jesse Blum, and Sarah Mitchell. "Preliminary vegetational changes in frequently burned and unburned upland pine-hardwood forests at Cook’s Branch Conservancy in Montgomery County, Texas, U.S.A." Journal of the Botanical Research Institute of Texas 17, no. 1 (2023): 339–61. http://dx.doi.org/10.17348/jbrit.v17.i1.1300.

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Vegetational changes over a 6-year period (2012 to 2017) were recorded in upland pine – hardwood forests on Cook’s Branch Conservancy (CBC) in Montgomery County, Texas, using permanent vegetation monitoring plots as a basis for following future vegetational changes. Cook’s Branch Conservancy is a 2,160-hectare preserve purchased by George and Cynthia Mitchell in 1964 and is now part of a conservation program operated by the Cynthia and George Mitchell Foundation. Plots sampled for this study include eight Fire Monitoring Handbook vegetation plots located in upland forests over sandy soils incl

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Hill, Michael J., Stephen H. Roxburgh, John O. Carter, and Gregory M. McKeon. "Vegetation state change and consequent carbon dynamics in savanna woodlands of Australia in response to grazing, drought and fire: a scenario approach using 113 years of synthetic annual fire and grassland growth." Australian Journal of Botany 53, no. 7 (2005): 715. http://dx.doi.org/10.1071/bt04106.

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A spatially explicit state and transition model for assessing the interactive effects of grazing, fire and climate on carbon dynamics in Australian savannas is described. The model runs on a yearly time step. It is based on a sequential treatment of events within each year, involving, in order, growth of biomass, consumption of biomass by livestock and burning of the remaining fuel (growth minus consumption). The major drivers are 113 years of annual rainfall data, annual modelled rangeland growth, synthetic fire incidence and timing data, and data describing stocking rates in dry sheep equiva

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Pattison, George. "Jolyon Mitchell and S. Brent Plate. 2007. The Religion and Film Reader. London: Routledge, pp. 470, Pb, £21.99." Studies in World Christianity 14, no. 1 (2008): 94–95. http://dx.doi.org/10.3366/e1354990108020078.

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Sargeant, Amy. "Vanessa Toulin, Simon Popple, Patrick Russell (eds), The Lost World of Mitchell and Kenyon: Edwardian Britain on Film." Journal of British Cinema and Television 2, no. 2 (2005): 356–57. http://dx.doi.org/10.3366/jbctv.2005.2.2.356.

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Rogers, Jennifer. "Authentic Representation and Author Identity: Exploring Mental Illness in The Hobbit Fanfiction." Canadian Journal of Disability Studies 8, no. 2 (2019): 127–46. http://dx.doi.org/10.15353/cjds.v8i2.494.

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This paper addresses concerns with authenticity claims that surround mental illness and author identity in fanfiction. I will apply the critiques surrounding representation in media (see Mitchell and Snyder, 2001; Couser 2003, 2009) found in disability studies and fandom studies (see Jenkins 2012) to fanfiction. In this paper, I analyze two pieces of fanfiction which focus on Thorin II also known as Thorin Oakenshield, a character from J.R.R Tolkien’s The Hobbit novel and Peter Jackson’s film adaptations. I explore how in these texts the authors portray mental illness through their characteriz

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Nym Mayhall, Laura E. "BOOK REVIEW: Edited by Vanessa Toulmin, Simon Popple, and Patrick Russell.THE LOST WORLD OF MITCHELL & KENYON: EDWARDIAN BRITAIN ON FILM. London: British Film Institute, 2004." Victorian Studies 48, no. 3 (2006): 560–62. http://dx.doi.org/10.2979/vic.2006.48.3.560.

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