Relevant bibliographies by topics / Mitchell, David Mitchell, David

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mitchell, David Mitchell, David'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Mitchell, David Mitchell, David"

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Watts, W. A., and R. G. West. "George Francis Mitchell. 15 October 1912 — 25 November 1997." Biographical Memoirs of Fellows of the Royal Society 45 (January 1999): 315–28. http://dx.doi.org/10.1098/rsbm.1999.0021.

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George Francis Mitchell, Frank to all who knew him, died peacefully at the age of 85 in October 1997 after a short illness. He was the son of David William Mitchell and Frances Elizabeth Mitchell ( née Kirby ), and had led an extraordinarily distinguished, productive and varied life. The Mitchells were a family of Scottish origin who came to Dublin in the mid-nineteenth century. They were in a variety of businesses, from upholstery for railway carriages to fine fabrics, from furniture and hardware to laboratory suppliers of glassware and chemicals. Frank and his brother David, a consultant phy
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Alberti, Peter W. "Dr. David Peter Mitchell." International Journal of Pediatric Otorhinolaryngology 37, no. 1 (1996): 91–92. http://dx.doi.org/10.1016/0165-5876(96)01390-0.

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Naimon, David, and David Mitchell. "A Conversation with David Mitchell." Missouri Review 38, no. 2 (2015): 46–60. http://dx.doi.org/10.1353/mis.2015.0023.

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O’Rourke, Meghan. "Ian McEwan & David Mitchell." Yale Review 90, no. 3 (2008): 159–69. http://dx.doi.org/10.1111/0044-0124.00643.

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Goulston, Stanley. "David Mitchell Ross MB BS, FRACP." Medical Journal of Australia 154, no. 2 (1991): 125. http://dx.doi.org/10.5694/j.1326-5377.1991.tb120999.x.

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Ball, Andrew. "It Follows by David Robert Mitchell." Middle West Review 4, no. 1 (2017): 201–4. http://dx.doi.org/10.1353/mwr.2017.0082.

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Atallah Khalifa Ali, Sabah. "ETEROGLOSSIA IN GHOSTWRITTEN BY DAVID MITCHELL." Route Educational and Social Science Journal 8, no. 63 (2021): 16–30. http://dx.doi.org/10.17121/ressjournal.3009.

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Purcell, Stuart J. "Time Is/Time Was/Time Is Not: David Mitchell and the Resonant Interval." Philosophies 4, no. 3 (2019): 46. http://dx.doi.org/10.3390/philosophies4030046.

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Seven weeks before the release of his novel, Slade House (2015), David Mitchell began tweeting as a character, “Bombadil”, from the forthcoming text. The tweets appeared on an account, @I_Bombadil (2015), set up by Mitchell, with the platform affording the author the opportunity to extend the character’s narrative arc beyond the pages of the print-published novel and into Twitter’s digital environs. For Mitchell, the boundaries separating literary works are never absolute and the process of repeatedly returning to and referencing prior works, methodically expanding and stretching his corpus by
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Kõrgesaar, Jaan. "Isikustatud õpe arvestab erinevusi: kas mõõdukalt tempereeritud utoopia?" Eesti Haridusteaduste Ajakiri. Estonian Journal of Education 5, no. 2 (2017): 263–69. http://dx.doi.org/10.12697/eha.2017.5.2.12.

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David Mitchell on kujunenud kaasava õppe kvalifitseeritud eestkõnelejaks kaugelt laiemalt kui kodusel Uus-Meremaal. Ajakirjanumbris arvustatakse 2017. aastal ilmunud teost "Diversities in education: Effective ways to reach all learners", milles on Mitchelli temaatiline haare laienenud viiele omadusele, mille järgi saab inimesi eristada. Need on bioloogiline ja sotsiaalne sugupool, klassikuuluvus koos sotsiaal-majandusliku staatusega, rass ja rahvus koos kultuuriga, veendumused ja religioon, lõpuks võimekus ja puue. Autori läbiv vaade on stereotüüpe lõhkuv ja mõõdukalt optimistlik. Toimetulek k
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Harris, P. A., and P. A. Harris. "David Mitchell in the Labyrinth of Time." SubStance 44, no. 1 (2015): 3–7. http://dx.doi.org/10.3368/ss.44.1.3.

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Dissertations / Theses on the topic "Mitchell, David Mitchell, David"

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Souza, Davi Silistino de. "A subalternidade em Cloud Atlas, de David Mitchell." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152855.

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Submitted by Davi Silistino de Souza (dvssouza@hotmail.com) on 2018-02-27T18:37:49Z No. of bitstreams: 1 Dissertação - Davi.pdf: 1308006 bytes, checksum: 3dbf8e602397954ecbcacf60eed1b2b6 (MD5)<br>Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-02-28T14:52:18Z (GMT) No. of bitstreams: 1 souza_ds_me_sjrp.pdf: 1308006 bytes, checksum: 3dbf8e602397954ecbcacf60eed1b2b6 (MD5)<br>Made available in DSpace on 2018-02-28T14:52:18Z (GMT). No. of bitstreams: 1 souza_ds_me_sjrp.pdf: 1308006 bytes, checksum: 3dbf8e602397954ecbcacf60eed1b2b6 (MD5) Previous i
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McDonald, Trent A. "Between Artifice and Actuality: The Aesthetic and Ethical Metafiction of Vladimir Nabokov and David Mitchell." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1400014295.

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Green, James Benedict. "Flows, routes and networks : the global dynamics of Lawrence Norfolk, Hari Kunzru and David Mitchell." Thesis, University of Gloucestershire, 2007. http://eprints.glos.ac.uk/3167/.

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The notion that we have entered a global age of human relations has been the driving force behind many of the most persuasive cultural inquiries published over the last few decades, including fictional ones, into the conditions of contemporary existence, perhaps the most prominent of these being Michael Hardt and Antonio Negri's Empire (2000). In the era of mass migrations, proliferating media technologies and the deterritorialised movements of labour and capital, it has become increasingly necessary to speak of identity and citizenship in terms of 'flows', 'routes' and 'networks' that cut acr
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Harris-Birtill, Rosemary. "Mitchell's mandalas : mapping David Mitchell's textual universe." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12255.

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This study uses the Tibetan mandala, a Buddhist meditation aid and sacred artform, as a secular critical model by which to analyse the complete fictions of author David Mitchell. Discussing his novels, short stories and libretti, this study maps the author's fictions as an interconnected world-system whose re-evaluation of secular belief in galvanising compassionate ethical action is revealed by a critical comparison with the mandala's methods of world-building. Using the mandala as an interpretive tool to critique the author's Buddhist influences, this thesis reads the mandala as a metaphysic
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Miller, Beth Katherine. "Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell’s Cloud Atlas." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2524.

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A cosmodern reading of David Mitchell’s Cloud Atlas creates a positive vision of the future for readers through various techniques of fragmentation including fragmentation of voice, language, and time. By fragmentation, I have in mind the consistent interruption of the novel’s voice, language, and time that requires an active and aware readership. The reader’s interaction with the text makes the novel re-constructive. In fact, the global nature of Mitchell’s novel, its hopeful ending, and its exploration of the effects of globalization can be considered as a means of exploring the dynamic rela
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Magrath, Andrew Whiteley. "Carnap Visits Canberra: Updating the Logical Positivist Criteria of Cognitive Significance." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1333760010.

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Moraru, Viorel-Dragos. "Histopias : narration, narrativization, and interpretation of history in Julian Barnes's A History of the world in 10½ chapters and David Mitchell's Cloud atlas." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25259.

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Comme beaucoup d’autres romans historiques postmodernes, Une histoire du monde en 10 chapitres et ½ de Julian Barnes et Cartographie des nuages de David Mitchell misent en fiction une vision personnelle sur l’histoire et examinent la relation entre les narrations historiques et les fictions. Outre ces projets metahistoriques et metafictionnels, les deux romans proposent un récit historique original de la vie humaine sur la terre. Les narrations de Barnes et de Mitchell s’étendent sur des milliers d’années et sont caractérisées, à tour de role, par la continuité et par la discontinuité. Celle-c
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Johnson, Kinley. "Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703402/.

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"It Follows" (2014), written and directed by David Robert Mitchell, premiered at the Cannes Film Festival in 2014. It chronicles the story of Jay, a college student who contracts a curse through sexual intercourse. The curse manifests itself as a human whom only the infected persons can see, always following at a walking pace, and determined to kill if it catches up. This thesis demonstrates the score's crucial role in establishing affect, setting, and character in a film with sparse dialogue and a silent monster. Moreover, the score creates a sense of the uncanny by complicating the binary be
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Arrhénborg, Ludvig. "Pyramid och mosaik : En jämförande adaptionsanalys av den narrativa strukturen mellan romanen Cloud Atlas och dess filmatisering." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-296708.

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En adaptionsanalys som utforskar relationen mellan romanen Cloud Atlas av David Mitchell och dess filmatisering (2012) av Tom Tykwer och syskonen Wachowski. Fokuset ligger på skillnader och likheter i narrativ och vilka visuella möjligheter som kunnat tillföras när romanens handlingen gjordes om till filmformat.
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Leblond, Diane. "Optiques de la fiction. Pour une analyse des dispositifs visuels de quatre romans britanniques contemporains : Time's arrow de Martin Amis, Gut Symmetries de Jeanette Winterson, Cloud Atlas de David Mitchell, Clear de Nicola Barker." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC251/document.

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À l’aube du XXIe siècle, la fiction britannique se trouve aux prises avec des représentations conflictuelles du voir. Inscrite dans le contexte du « tournant visuel », elle rend compte de la place prépondérante que les technologies et médias visuels occupent dans l’espace culturel. Dans le même temps, elle entre en dialogue avec un discours anxieux, qui met en avant l’idée d’une crise du visuel. Privilégié pendant des siècles comme le plus intellectuel et le plus noble des sens, le voir semble devenu l’un des lieux où s’orchestrent la manipulation et le contrôle des citoyens, surveillés et exp
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Books on the topic "Mitchell, David Mitchell, David"

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undifferentiated, David Mitchell. Ling hun dai bi: Ghostwritten / David Mitchell. Tian xia yuan jian chu ban gu fen you xian gong si, 2012.

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Martin, Edmond, and Roberts Nigel 1941-, eds. Steal away boy: Selected poems of David Mitchell. Auckland University Press, 2010.

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A temporary future: The fiction of David Mitchell. Bloomsbury Academic, 2015.

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Gossip, James. The Centre, Mitchell. Cornwall: Archaeological assessment : a report for David Cullen Homes Ltd. Cornwall Archaeological Unit, 1999.

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Dudgeon, Genevieve M. The Mitchells from Ireland: The last two hundred years ; the descendants of David Mitchell and Elizabeth Steere and allied families. Genevieve M. Dudgeon, 1987.

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Isbell, Roy. Descendants of David Brydie Mitchell, Governor of the state of Georgia: A genealogical history. Roy Isbell, 2013.

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Davis, Carole. The skull speaks through Carole Davis. Amhrea Pub., 1985.

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Joseph Michael M. L. Lynch. 'Terrible Beauty': The writings and influence of Davis, Mitchel, Hyde and Pearse. The Author], 2003.

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Eve, Martin Paul. Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas. Stanford University Press, 2019.

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David Mitchell Slade House. Random House, 2015.

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Book chapters on the topic "Mitchell, David Mitchell, David"

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Dillon, Sarah. "David Mitchell." In The Routledge Companion to Twenty-First Century Literary Fiction. Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-33.

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Breidenbach, Birgit. "Mitchell, David Stephen." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14338-1.

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Breidenbach, Birgit. "Mitchell, David Stephen: Cloud Atlas." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14339-1.

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Breidenbach, Birgit. "Mitchell, David Stephen: The Bone Clocks." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14340-1.

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Shaw, Kristian. "‘A Multitude of Drops’: The Global Imaginaries of David Mitchell." In Cosmopolitanism in Twenty-First Century Fiction. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52524-2_2.

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Huber, Irmtraud. "Dreaming of Reconstruction: David Mitchell’s number9dream." In Literature after Postmodernism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137429919_7.

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Bayer, Gerd. "David Mitchell’s Slade House and the Non-Place of Transmodernism." In Transmodern Perspectives on Contemporary Literatures in English. Routledge, 2019. http://dx.doi.org/10.4324/9780429243639-8.

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McCulloch, Fiona. "‘Around We Go’: Transpositional Life Cycles in David Mitchell’s Cloud Atlas." In Cosmopolitanism in Contemporary British Fiction. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030016_6.

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Vermeulen, Pieter. "The Novel after Melancholia: On Tom McCarthy’s Remainder and David Mitchell’s Ghostwritten." In The Literature of Melancholia. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230336988_17.

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Hicks, Heather J. "“This Time Round”: David Mitchell’s Cloud Atlas and the Apocalyptic Problem of Historicism." In The Post-Apocalyptic Novel in the Twenty-First Century. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137545848_3.

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Conference papers on the topic "Mitchell, David Mitchell, David"

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Martín, Sergio. "Imágenes en conflicto: el fenómeno iconoclasta como teoría del disenso." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10514.

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Recientes estudios han tratado de profundizar en dos conceptos fundamentales en el estudio histórico de la cultura humana: la imagen y la iconoclasia. Apartados en un principio de los cánones académicos impartidos desde la Historia del Arte, han sido deconstruidos por nuevas corrientes teóricas como los estudios visuales o la ciencia de la imagen. Debido a esta apertura hacia nuevas perspectivas sobre los objetos y prácticas artísticas, se ha comenzado a revisar más de cerca el fenómeno bautizado como la destrucción del arte o, comúnmente conocido, como los fenómenos iconoclastas. Entendidos c
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