Log in

Relevant bibliographies by topics / Mixed choir / Journal articles

To see the other types of publications on this topic, follow the link: Mixed choir.

Journal articles on the topic 'Mixed choir'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Mixed choir.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Moss, Hilary, and Jessica O’Donoghue. "An evaluation of workplace choir singing amongst Health Service staff in Ireland." Health Promotion International 35, no. 3 (2019): 527–34. http://dx.doi.org/10.1093/heapro/daz044.

Full text

Abstract:

Abstract This paper explores the well-being [‘well-being’ and ‘wellbeing’ are used interchangeably in the literature. Well-being is used in this paper (except in the reference list where exact wording is maintained)] benefits of participation in a workplace choir for health service staff. A mixed method study, this project combines quantitative measures of work engagement, perceived stress, resilience levels and work absences with qualitative interviews with choir participants. It is the first study of workplace choirs in Ireland and one of very few studies internationally that research health

APA, Harvard, Vancouver, ISO, and other styles

2

Dodik, Sanda. "The Review of the Collection "Mešoviti Horovi II" by Josip Slavenski." English version, no. 10 (October 20, 2018): 54–67. http://dx.doi.org/10.51515/issn.2744-1261.2018.10.54.

Full text

Abstract:

This paper presents and gives analytical review of some of the posthumously discovered choir compositions by Josip Slavenski. An important role in their discovery, the following editorship, and also partial reconstructing of newly discovered, unfinished choirs, was played by professor Mirjana Živković, a composer and a theoretician who has studied music of Josip Slavenski from different angles, throughout many years. Out of close to 40 newly discovered choirs, there are 19 mixed a cappella choir compositions which were prepared for printing, which lead to publishing of Horsko stvaralaštvo; Meš

APA, Harvard, Vancouver, ISO, and other styles

3

Hedden, Debra G., and Ashley D. Allen. "Conductors’ literature selection practices for community children’s choirs in North America." International Journal of Music Education 37, no. 1 (2018): 3–21. http://dx.doi.org/10.1177/0255761418787539.

Full text

Abstract:

This study utilized a mixed methods approach to investigate the particular factors integral to literature selection and the resources conductors utilized to find repertoire for their children’s choirs. Interviews were conducted with successful community children’s choir directors ( n = 6); results were analyzed inductively and coded in order to report findings. Results from the qualitative strand demonstrated four themes regarding literature selection: musical elements, preferences, appropriateness, and finding literature; these themes served as the basis for survey questions with provided gro

APA, Harvard, Vancouver, ISO, and other styles

4

Мевсим, Хюсеин. "Музикално-педагогическата дейност на учителя Димо Бойчев в Истанбул (1923–1935)". Lyuboslovie 23 (10 грудня 2023): 235–59. http://dx.doi.org/10.46687/yrab3455.

Full text

Abstract:

Dimo Boychev (1878–1966) was a choir conductor and music pedagogue, considered the progenitor of children's musical bands and popularizer of children's choral singing and children's operetta in Bulgaria. From 1923 to 1935 he was a singing teacher at the Bulgarian primary school „Josif 1“ in Istanbul, at the same time leading the Exarchate Mixed Choir and the Children's Musical Band „Macedonka“. In the present text, based on materials from the Bulgarian archives, memories and publications in periodicals, we make an attempt to provide a more comprehensive presentation of his musical and pedagogi

APA, Harvard, Vancouver, ISO, and other styles

5

Daugherty, James F. "The effects of choir spacing and choir formation on the tuning accuracy and intonation tendencies of a mixed choir." Journal of the Acoustical Society of America 118, no. 3 (2005): 2008. http://dx.doi.org/10.1121/1.4785699.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Lupu, Anamaria. "The Influence of Luther's View of Music on the Emergence of the Concepts of Musica poetica and Musical Rhetoric." Musicology Papers 35, no. 1 (2020): 41–51. http://dx.doi.org/10.47809/mp.2020.35.01.03.

Full text

Abstract:

La casa di peste drum [At the House across the Road] is, perhaps, Tudor Jarda`s most emblematic choral work, being the first composition of the 10 carols for mixed choir included in the volume Coruri [Choral Works] (1981). Dedicated to Maestro Dorin Pop and the Cappella Transylvanica choir, this work has been part of the ensemble`s repertoire since the publication of the collection, being also found in the repertoire of the most important Cluj and Transylvanian choirs. This paper aims to detail aspects of musical grammar in the choral work La casa di peste drum, highlighting the close connecti

APA, Harvard, Vancouver, ISO, and other styles

7

Allison, Theresa A., Julene K. Johnson, Anita L. Stewart, et al. "Facilitators and barriers to sustainment of a community choir programme to promote health among diverse older adults: A multi-site study." International Journal of Community Music 18, no. 1 (2025): 9–30. https://doi.org/10.1386/ijcm_00116_1.

Full text

Abstract:

This article reports on the successful sustainment of community choirs for diverse older adults following completion of a cluster randomized trial of choir participation on health and well-being. Trial participants showed decreased loneliness and increased interest in life after six months. Following trial completion, we examined the facilitators of, and barriers to, choir sustainment at intrapersonal, interpersonal and structural/organizational levels. We conducted focus groups with trial participants who continued during the sustainment period. We also interviewed the music professionals and

APA, Harvard, Vancouver, ISO, and other styles

8

Moss, Hilary, Julie Lynch, and Jessica O’Donoghue. "Exploring the perceived health benefits of singing in a choir: an international cross-sectional mixed-methods study." Perspectives in Public Health 138, no. 3 (2017): 160–68. http://dx.doi.org/10.1177/1757913917739652.

Full text

Abstract:

Aim: This mixed-methods exploratory study investigates the perceived health benefits of singing in a choir from an international sample of choristers. Method: An online questionnaire including demographic information, 28 quantitative statements and two qualitative questions relating to the perceived health benefits of singing in a choir was distributed via email and social media over a period of 4 months to a sample of 1,779 choristers. Basic descriptives and comparisons between subgroups of the sample are presented along with thematic analysis of qualitative comments. Results: Basic descripti

APA, Harvard, Vancouver, ISO, and other styles

9

Parker, Elizabeth Cassidy. "The Process of Social Identity Development in Adolescent High School Choral Singers." Journal of Research in Music Education 62, no. 1 (2014): 18–32. http://dx.doi.org/10.1177/0022429413520009.

Full text

Abstract:

The purpose of this grounded theory study was to describe the process of adolescent choral singers’ social identity development within three midsized, midwestern high school mixed choirs. Forty-nine interviews were conducted with 36 different participants. Secondary data sources included memoing, observations, and interviews with the choir teachers. The data analysis revealed an eight-stage process beginning with the student’s choice to audition and remain involved to the final stage, a desire to give back to the community. The central phenomenon of social identity was identified as team. Cont

APA, Harvard, Vancouver, ISO, and other styles

10

Radu-Țaga, Consuela. "13. Transfigurations and Interferences of the Ballad Master Builder Manole with the Opera Genre. Choral Polychromies." Review of Artistic Education 21, no. 1 (2021): 105–12. http://dx.doi.org/10.2478/rae-2021-0013.

Full text

Abstract:

Abstract One of the fundamental myths of the Romanian literature, Master Builder Manole had various approaches in the opera genre. On individual stylistic paths as musical language and show formula, Alfred Mendelssohn, Gheorghe Dumitrescu, and Sigismund Toduță reinterpreted the myth of the human sacrifice, in an extremely nuanced approach of the transfiguration of the ancient folklore. The choral inserts are polychromatic, having different forms and formulas: men choir, female choir, mixed choir, choral conglomerations. The three composers wrote a romantic music, in terms of content, and a cla

APA, Harvard, Vancouver, ISO, and other styles

11

RADU-ȚAGA, Consuela. "About the Romanian opera for children and the choral moments." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (2020): 163–72. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.18.

Full text

Abstract:

"The stories of the little ones were the starting point of some operasʼ creation. In the Romanian musical context the first operas for children appear in the first half of the 20th century. The composers opt for the connection with the folkloric treasure, connection made both at the level of literary language, and the musical one. The horizons, the accomplishments, and the conceptual maturations are the three creative stages in the evolution of this musical subgenre. The colorful world of the children calls for choral moments that fill the stage with characters, the choral landscape bringing i

APA, Harvard, Vancouver, ISO, and other styles

12

Marley, John, Bernadette Matthias, Linda Worrall, Maya Guest, and Christopher Allan. "From Soundwaves to BrainWaves: The effects of choral singing on recovery from stroke and aphasia." British Journal of General Practice 68, suppl 1 (2018): bjgp18X696821. http://dx.doi.org/10.3399/bjgp18x696821.

Full text

Abstract:

BackgroundStroke is a leading cause of death and disability. Recovery is frequently compromised by reduced well-being, mood, socialisation and quality of life. Music and singing are recognised as enhancing well-being and benefit people with chronic illness. Evidence suggested that choir singing may improve the fluency of people with aphasia. Choirs existed for people with brain impairment; no studies had robust design and outcome measurement.AimTo conduct a pilot study in Newcastle, Australia in a collaboration between Hunter New England Health and the University of Newcastle. To explore the e

APA, Harvard, Vancouver, ISO, and other styles

13

Davidjants, Brigitta, and Marju Raju. "Identity and Mental Well-being: A Case Study of the Estonian Vikerlased LGBTQ+ Mixed Choir." Journal of Ethnology and Folkloristics 19, no. 1 (2025): 189–206. https://doi.org/10.2478/jef-2025-0009.

Full text

Abstract:

Abstract The act of making music together serves to connect people, creating a sense of belonging and unity while being a powerful tool to facilitate mental well-being. This case study concentrates on member motivation and how this is related to their participation in the Estonian LGBTQ+ mixed choir Vikerlased, with research questions being focused on the political and psychological identity aspects of group singing. Data collection was carried out by means of participatory observation, a questionnaire, and in-depth and focus group interviews. The findings suggest that singing in an LGBTQ+ cho

APA, Harvard, Vancouver, ISO, and other styles

14

Maria Domingues da Rocha Reis, Célia, and Marco Donisete de Campos. "Entre o poema e a partitura." Per Musi, no. 15 (January 1, 2007): 55–66. https://doi.org/10.35699/2317-6377.2007.55172.

Full text

Abstract:

This article presents a study about some of the relationships between music and poetry, focusing on the lyrical poem A Valsa, by Casimiro de Abreu, and its setting for mixed choir a cappella composed by Mário Ferraro.

APA, Harvard, Vancouver, ISO, and other styles

15

Bailey, Helen. "Angels in the Archive." Samuel Beckett Today / Aujourd’hui 31, no. 1 (2019): 7–20. http://dx.doi.org/10.1163/18757405-03101002.

Full text

Abstract:

Abstract Beckett’s treatment of the “mixed choir of angels” in Watt complicates the relationship between archive and text. While references to this musical source were largely excised by the author, traces left behind in the published text(s) raise questions about whether it should be discounted as detritus. This paper explores how Beckett’s consignment of celestial music to the archive enacts a form of Heideggerian vermeiden, where the ‘spiritual’ potential of music is revealed only by avoiding its expression. From outside the published work, the choir haunts the text, anticipated though neve

APA, Harvard, Vancouver, ISO, and other styles

16

Péter, Éva. "János Jagamas’ Folk Song Arrangements." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (2020): 307–20. http://dx.doi.org/10.24193/subbmusica.2020.2.20.

Full text

Abstract:

"The aim of the following study is to present János Jagamas’ vocal folk song arrangements by analyzing the melodies and the compositional methods used within the works. During his scientific work at the Folklore Institute of Cluj-Napoca, the outstanding folk music researcher uncovered and recorded reliable data by collecting, recording, analyzing, and classifying not only Hungarian but also Romanian and Bulgarian melodies. He processed some of the melodies he gathered using a variety of compositional procedures. The works are recommended for children, youth, and amateur choirs, so it is import

APA, Harvard, Vancouver, ISO, and other styles

17

Bogdanova, E. D. "Mieczysław Weinberg’s Requiem. In a Dialogue with the Canon of the Genre." Art of Music, no. 1 (June 2024): 332–79. http://dx.doi.org/10.51678/2307-5015-2024-30-332-379.

Full text

Abstract:

Mieczysław (Moisei) Weinberg’s Requiem opus 96 for soprano solo, boys’ choir, mixed choir and orchestra, based on poems by Dmitry Kedrin, Federico García Lorca, Sara Teasdale, Munetoshi Fukagawa and Mikhail Dudin, is a large-scale composition close to both cantata and oratorio in terms of its genre. It represents some essential features of the composer’s vocal and symphonic style. The work was not performed in the composer’s lifetime and has never become a subject of musicological research. The author analyzes the work’s structure and thematic material, its system of leitmotifs and semantics i

APA, Harvard, Vancouver, ISO, and other styles

18

Ito, Nobuhiro. "Bartók’s Slovak folksong arrangements and their relationship to Stravinsky’s Les noces." Studia Musicologica 53, no. 1-3 (2012): 311–22. http://dx.doi.org/10.1556/smus.53.2012.1-3.21.

Full text

Abstract:

Bartók left behind over 300 folksong arrangements. In the field of vocal music, three series are based on Slovak folksongs: Five Slovak Folksongs for male choir (1917, BB 77), Four Slovak Folksongs for mixed choir and piano (1917, BB 78) and Village Scenes (1924, 1926, BB 87). The series are strongly connected among themselves in terms of textual content, formal concept, and treatment of folk melodies. In Village Scenes, Stravinsky’s influence is unmistakable. Not only was Bartók “influenced” by Stravinsky but he also imitated and even “quoted” Les Noces (1923). The article examines the relati

APA, Harvard, Vancouver, ISO, and other styles

19

Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

Full text

Abstract:

Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari

APA, Harvard, Vancouver, ISO, and other styles

20

Polozova, Irina, and Juliya Tyuryakova. "Concerts of spritial music in the russian province in the early 20th century (with towns of the Middle and Lower Volga region)." St.Tikhons' University Review. Series V. Christian Art 45 (March 31, 2022): 112–25. http://dx.doi.org/10.15382/sturv202245.112-125.

Full text

Abstract:

The article examines some aspects of the musical and educational activities carried out at the turn of the XIX-XX centuries. provincial church-singing communities of various Christian denominations. As an example, the cities of Saratov, Samara, Simbirsk and Syzran are covered - the largest economic and cultural centers of the Middle and Lower Volga regions. The authors analyze the concert activity of the represented provinces in several directions: concerts of pra-glorious liturgical chants, spiritual concerts with mixed programs, concerts of sacred music in Catholic and Protestant churches, a

APA, Harvard, Vancouver, ISO, and other styles

21

Gronquist, Robert, William Albright, Bo Holten, Leo Smit, and Fred Hoyle. "Pax in Terra; Mixed Choir a cappella with Soprano and Tenor Solos." Notes 43, no. 4 (1987): 933. http://dx.doi.org/10.2307/898190.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

MacGregor, Elizabeth H., and Stephanie E. Pitts. "‘I don’t care who joins my choir’: Investigating attitudes to diversity and inclusivity in lower- and upper-voice choirs in the United Kingdom." International Journal of Community Music 18, no. 1 (2025): 69–91. https://doi.org/10.1386/ijcm_00119_1.

Full text

Abstract:

Recreational choral singing has long been a mainstay of amateur and community music-making in the United Kingdom, and there is much existing evidence for the potential social, physical and psychological benefits of participation. However, involvement in lower- and upper-voice choirs is declining due to low recruitment rates, the ageing of members and the lasting impact of the COVID-19 pandemic. In this article, we draw on the findings of a recent online survey of 907 participants in mixed-, lower- and upper-voice choirs to examine the factors underlying these issues. Using descriptive statisti

APA, Harvard, Vancouver, ISO, and other styles

23

Rancāne, Anna. "CONTRIBUTION OF CHOIR CONDUCTORS TERĒZE BROKA AND STANISLAVS BROKS TO THE DEVELOPMENT OF LATGALIAN CULTURE IN DAUGAVPILS IN THE 60s OF THE 20TH CENTURY." Via Latgalica, no. 10 (November 30, 2017): 141. http://dx.doi.org/10.17770/latg2017.10.2774.

Full text

Abstract:

Latgalian culture of the 60s and 70s of the 20th century is still insufficiently studied and evaluated. Although this time in Latvia is marked by the dominance of the Soviet ideology in all spheres of social life, russification, and ban of Latgalian print, there were people who managed to develop Latgalian identity and culture. Terēze Broka (1925) and Stanislavs Broks (1926–1977), the two outstanding choir conductors, are among such people. After graduation from Latvia State Conservatory they were appointed to work in Daugavpils. In this city, characterized by Russian spirit and with no choirs

APA, Harvard, Vancouver, ISO, and other styles

24

Stankutė, Judita. "IN THE WORTEX OF NON - FORMAL ART EDUCATION." ŠVIETIMAS: POLITIKA, VADYBA, KOKYBĖ / EDUCATION POLICY, MANAGEMENT AND QUALITY 1, no. 3 (2009): 39–42. http://dx.doi.org/10.48127/spvk-epmq/09.1.39b.

Full text

Abstract:

Judita Stankutė, a member of the journal's editorial board, talks to Rita Urniežiene, the director of the Rietavas Art School and the leader of the Rietavas mixed choir Jūrava. The current Rietavas Art School started operating as a branch of the Plungė Children's Music School in 1967. In 1970 the Rietavas Children's Music School, which was still operating in the time of Duke Bogdan Oginskis, was restored.

APA, Harvard, Vancouver, ISO, and other styles

25

Daugherty, James F. "Spacing, Formation, and Choral Sound: Preferences and Perceptions of Auditors and Choristers." Journal of Research in Music Education 47, no. 3 (1999): 224–38. http://dx.doi.org/10.2307/3345781.

Full text

Abstract:

The purpose of this study was to assess preferences of auditors ( N = 160) and choristers ( N = 46) relative to choral sound of an SATB high school choir in two choral formations (block sectional and mixed) and three spacings (close, lateral, and circumambient). Six conditions of a 30-second homophonic choral excerpt were sung and recorded digitally. Auditors listened to 10 pairs of randomly ordered excerpts, expressing preference for most pleasing choral sound. Choristers completed the Singer Evaluation Form. Auditor results indicated consistently significant preference for excerpts sung with

APA, Harvard, Vancouver, ISO, and other styles

26

Mäkilä, Sasha. "Arkihuolesi kaikki heitä?" Trio 11, no. 1-2 (2022): 61–82. http://dx.doi.org/10.37453/tj.121533.

Full text

Abstract:

The melody of the well-known Christmas song Joululaulu op. 20b n:o 5 “Arkihuolesi kaikki heitä” (1916) by Leevi Madetoja has rarely been questioned, even though there are two later autographic variants, one from Suvivesper (1924) and the other from the composer’s own arrangement of the song for mixed choir (1944). The editor of Leevi Madetoja’s Solo Songs and Duets (Fennica Gehrman, 2013), Kimmo Tammivaara, made the controversial decision to alter the melody in bar 14 of Joululaulu to make it correspond with the later versions. Which one of the variants is “right”? Is it even possible to find

APA, Harvard, Vancouver, ISO, and other styles

27

Kobryn, Nataliia. "The activity of the singing society «Lutna» (based on the publications of the daily «Dilo» in the 1880s)." Proceedings of Research and Scientific Institute for Periodicals, no. 9(27) (2019): 181–97. http://dx.doi.org/10.37222/2524-0331-2019-9(27)-10.

Full text

Abstract:

The paper seeks to develop new avenues for the study of the singing society «Lutna» (based in Lviv, late 19th century). There were several music associations with differing objectives in musical activities in the 80s of the 19th century in Lviv. Specifically, they were the Galician Musical Society, the Association «Harmony» and the Choir «Lutna». None of them was specifically the Ukrainian institution, but many Ukrainians were the members of the «Lutna». Therefore, the «Lutna» had the repertoire of the Ukrainian musical works and took part in the nationwide musical life of Ukrainians (specific

APA, Harvard, Vancouver, ISO, and other styles

28

Péter, Éva. "Theological, Literary, and Musical Knowledge, All in the Service of Sacred Music. The Psalm Arrangements Of Kálmán Csomasz Tóth." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 213–27. http://dx.doi.org/10.24193/subbmusica.2022.1.14.

Full text

Abstract:

"The present study aims to present the work of Kálmán Csomasz Tóth in the field of sacred music. Having had a theological education, and literary and musical studies, following an in-depth and extensive research process, he edited the Reformed hymnal published in Hungary in 1948. In addition to this important work, he has published numerous books, articles, studies in the field of musicology, literary translations, and a few poems in various ecclesiastical and professional journals in Hungary and abroad. The example of Kodály as a composer and the choral singing movement of the 1930s also capt

APA, Harvard, Vancouver, ISO, and other styles

29

Mirea, Ruxandra. "Mirroring the Authorʼs Personality in Composer Carmen Petra-Basacopolʼs Sacred Music". Artes. Journal of Musicology 21, № 1 (2020): 169–92. http://dx.doi.org/10.2478/ajm-2020-0010.

Full text

Abstract:

AbstractFor centuries, the study of personality has been a need for understanding human nature, but it also has become a scientific endeavour, starting with the first half of the twentieth century. Research in this matter has materialised through papers by important psychologists, who considered the unitary study of human beings, the understanding of their motivation, as well as the understanding of the psychological differences that make us unique. Thus, personality is a dynamic concept which reveals the behaviour of a person that allows the possibility of adapting to the environment. While h

APA, Harvard, Vancouver, ISO, and other styles

30

Volovchuk, Yuliia. "Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 126 (November 28, 2019): 80–92. http://dx.doi.org/10.31318/2522-4190.2019.126.197975.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Koshkareva, Natalya Vladimirovna. "Compositions for a cappella choir by S. Balasanyan: features of polyphonic writing." Человек и культура, no. 6 (June 2024): 224–37. https://doi.org/10.25136/2409-8744.2024.6.72500.

Full text

Abstract:

The subject of the study is polyphony, considered as a way of organizing polyphony in compositions for unaccompanied choir by the outstanding Russian composer S. Balasanyan. The purpose of this article is to study the stylistic features of polyphony in compositions for a cappella choir by S. Balasanyan. The object of the research is the few completed opuses of S. Balasanyan's choral heritage: "Symphony for Unaccompanied Mixed Choir" (1968), "Polyphonic Triptych on themes of Armenian folk songs" (1971), "Polyphonic Concerto for a cappella Choir" (1980). The author examines in detail such aspect

APA, Harvard, Vancouver, ISO, and other styles

32

Marinković, Sonja. "The Symphony Orchestra and Choir of the Faculty of Music in Belgrade." New Sound, no. 49 (2017): 52–68. http://dx.doi.org/10.5937/newso1749052m.

Full text

Abstract:

The article sheds light on the work of the Mixed Choir and Symphony Orchestra of the Faculty of Music in Belgrade, two representative ensembles that have made, over a number of decades, an invaluable contribution to the Faculty's standing in the city, nationally, as well as abroad, always taking an active part on the music scene. The aim is to show that their activities have combined pedagogical and artistic work and that they are, in an essential way, an indicator of the institution's achievements.

APA, Harvard, Vancouver, ISO, and other styles

33

Hananto, Paulus Dwi, and Pande Made Sukerta. "Mixed Choir and Instruments in the Composition of the Worship Music of the Stations of the Cross." Harmonia: Journal of Arts Research and Education 20, no. 2 (2020): 231–41. http://dx.doi.org/10.15294/harmonia.v20i2.24843.

Full text

Abstract:

The station of the cross is an event of the Passion story of Jesus Christ carrying the cross from the Pilate’s palace to the hill of Golgotha. On that journey, Jesus endured torture and humiliation, both from Roman soldiers and Jews. Based on this story, the objective of the research is to describe the process of developing a new compositional composition based on the story of the journey in the format of a choir and a musical ensemble. The research method used in this research is descriptive qualitative. Data collection was carried out through observation, interviews, and documents. After all

APA, Harvard, Vancouver, ISO, and other styles

34

Panas, Agnieszka. "Śpiewnik Śpiewajmy. Utwory na trzygłosowy chór mieszany z komentarzami wykonawczymi dla dyrygentów jako przykład wzorcowej odpowiedzi na zapotrzebowanie repertuarowe chórów młodzieżowych." Parezja. Czasopismo Forum Młodych Pedagogów przy Komitecie Nauk Pedagogicznych PAN, no. 2(20) (2023): 133–41. http://dx.doi.org/10.15290/parezja.2023.20.11.

Full text

Abstract:

The text is a comprehensive review of the songbook Śpiewajmy. Utwory na trzygłosowy chór mieszany z komentarzami wykonawczymi dla dyrygentów. The author draws attention to the characteristics of conducting youth choirs and the difficulty of finding appropriate choral repertoire which takes into account the peculiarities of the forming young male voice and the unequal proportions in ensembles. The publication of the Narodowe Forum Muzyki, edited by Kseniya Miśkiewicz and Agnieszka Franków-Żelazny, is a response to the very important need for compositions that meets the expectations of a demandi

APA, Harvard, Vancouver, ISO, and other styles

35

Kovalev, Andrey B. "The “Theotokos Chants” Spiritual Concert by Andrei Mikita, Its Genre and Composition." Observatory of Culture, no. 6 (December 28, 2014): 42–47. http://dx.doi.org/10.25281/2072-3156-2014-0-6-42-47.

Full text

Abstract:

Analyses multipartite spiritual (religious) concert by Andrey Mikita, one of the prominent Moscow composers. The “Theotokos Chants” concert was written for mixed choir a cappella on liturgical texts of the Theotokos feasts: Nativity of the Theotokos, Annunciation, Assumption, Protection of the Theotokos. The genre and composition particularities of this concerto are related to the elements of liturgical singing tradition on the one hand and composer’s personal musical representation of religious texts on the other. All this determined the nonliturgical genre of this choral.

APA, Harvard, Vancouver, ISO, and other styles

36

Manternach, Jeremy N., Amy Kotsonis, and Lesley Maxwell Mann. "Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period." International Journal of Music Education 40, no. 2 (2022): 177–89. http://dx.doi.org/10.1177/02557614211073145.

Full text

Abstract:

A single session of vocalizing through a straw (straw phonation) has been associated with consistent or increased acoustic output and chorister-reported improved choral sound and vocal efficiency. Some choristers, however, report discomfort from the intense pressure of vocalizing through a stirring straw (2.5–3.0 mm opening). It is unclear whether participants acclimate to this pressure over time. Two mixed and two treble choirs sang a unison melody, participated in a straw protocol, and sang the melody again. Choristers used the protocol during warmups in four subsequent rehearsals and repeat

APA, Harvard, Vancouver, ISO, and other styles

37

Hughes, Ed. "TWO HATS OR ONE: THE CO-DEPENDENT WORLDS OF JONATHAN HARVEY'S CHURCH AND CONCERT MUSIC." Tempo 77, no. 303 (2023): 58–76. http://dx.doi.org/10.1017/s004029822200081x.

Full text

Abstract:

AbstractThis article scrutinises the composer Jonathan Harvey's remark that ‘most of my colleagues see me as wearing two hats: one a church music composer's, the other an avant-garde instrumental/electronic composer's. I wish I could say it was one hat. I think of all my music as sacred in a sense.’ The article considers Harvey's church and concert works as linked worlds in order to propose a more holistic appreciation of his stylistic and technical innovations and that, far from being occasional pieces, his music for the church played an active role in the development of the composer's langua

APA, Harvard, Vancouver, ISO, and other styles

38

Hom, Kathryn S. "The effect of two different rooms on acoustical and perceptual measures of mixed choir sound." Journal of the Acoustical Society of America 134, no. 5 (2013): 3969. http://dx.doi.org/10.1121/1.4830457.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Stochniol, Magdalena. "Pieśni bólu i rozpaczy. O "Pieśniach północnych" (1973) Andrzeja Krzanowskiego." Res Facta Nova. Teksty o muzyce współczesnej, no. 22 (31) (December 15, 2021): 71–78. http://dx.doi.org/10.14746/rfn.2021.22.6.

Full text

Abstract:

Andrzej Krzanowski’s compositions, particularly those written at the beginning of his creative journey, are still sidelined by researchers and performers. The article describes his Pieśni północne [Northern songs] (1973) for eight-voice mixed choir a cappella, to words by Kazimierz Ratoń, composed while he was a student in the class of Henryk Mikołaj Górecki. The axis of interpretation is provided by two strands: the meaning of the text and its relationship with the musical means of expression, as well as selected musical aspects such as scales, form and references to other compositions.

APA, Harvard, Vancouver, ISO, and other styles

40

Végh, Mónika. "The Role of Zoltán Kodály’s Male Choruses in the Genre’s History, Possibilities of Their Application in the Repertoire of Amateur Ensembles." Studia Universitatis Babeş-Bolyai Musica 68, no. 1 (2023): 203–19. http://dx.doi.org/10.24193/subbmusica.2023.1.12.

Full text

Abstract:

"Zoltán Kodály’s publication titled Férfikarok (Male Choruses) is a truly diverse collection: in addition to the composer’s works in the genre, one can find folk song arrangements, religious pieces, compositions inspired by historical events and even transcriptions, of various lengths and levels of difficulty. It is common knowledge that Kodály was not fond of exclusively male ensembles, being rather uninterested by male voice choirs and indeed his opinion was that these choral societies should be converted into mixed choirs. However, after travelling extensively in the country – thus gaining

APA, Harvard, Vancouver, ISO, and other styles

41

Thompson, Brian C. "Opera Production and Civic Musical Life in 1870s Montreal." Nineteenth-Century Music Review 11, no. 2 (2014): 219–38. http://dx.doi.org/10.1017/s1479409814000354.

Full text

Abstract:

This article explores the origins and productions of the Société Canadienne d'Opérette et d'Opéra de Montréal, a short-lived opera company active in the late 1870s. Headed by Calixa Lavallée and Frantz Jehin Prume, the Société was established in part as a result of a decree that forbade the use mixed choirs throughout the archdiocese, and consequently made obsolete Lavallée's choir at Saint-Jacques Church. Following the success of their first production, Lavallée and Prume realized that the company might be used as a stepping-stone to the creation of a government-funded music school, modelled

APA, Harvard, Vancouver, ISO, and other styles

42

Bielik-Zolotariova, N. A. "Choral dramaturgy of the opera «The Way of Taras» by O. Rudianskyi: symbolism of chronotope." Aspects of Historical Musicology 18, no. 18 (2019): 25–39. http://dx.doi.org/10.34064/khnum2-18.02.

Full text

Abstract:

Background. The last quarter of the 20th century – the beginning of the 21st century, marked in Ukraine by significant social changes, actualized the necessity to turn to eternal spiritual values of national culture, among which Taras Shevchenko’s creativity takes leading positions. During this time, a number of works appeared in Ukrainian musical and stage art that supplemented the domestic “Shevchenkiana” (a total of the works devoted to Shevchenko): the operas by O. Zlotnik, V. Gubarenko, H. Maiboroda, L. Kolodub). The tradition of embodying the image of T. Shevchenko was creatively develop

APA, Harvard, Vancouver, ISO, and other styles

43

Berehova, Olena, and Elena Yermakova. "INTERPRETATION OF GENRE OF THE MARIAN ANTIPHONS IN CONTEMPORARY UKRAINIAN MUSIC (on the example of the cycle «Mariologia» by A. Retynsky)." Музикознавча думка Дніпропетровщини, no. 19 (December 30, 2020): 104–13. http://dx.doi.org/10.33287/222038.

Full text

Abstract:

The purpose of this scientific article is to learning Marian antiphons as a fundamentally important musical attribute of church liturgical spiritual practice and as an essentially specific genre of composition into the contemporary Ukrainian music on the example of the artistic work of a well-known Ukrainian composer Oleksiy Retynsky. There are methods of this signified research. The research of Marian antiphons is carried out using the methodology of historical musicology, holistic musicological analysis and musical hermeneutics. The scientific novelty of this represented investigative work i

APA, Harvard, Vancouver, ISO, and other styles

44

Marushchak, Marichka. "“The Chants of the Divine Liturgy” by Porfiriy Demutskiy for the mixed choir: genre and style features." Path of Science 4, no. 8 (2018): 4001–8. http://dx.doi.org/10.22178/pos.37-7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Caplow, Susan. "Are We Preaching to the Same Choir? A Mixed-Methods Comparison of Audiences at Animal-Themed Interpretive Facilities." Journal of Interpretation Research 23, no. 2 (2018): 5–29. http://dx.doi.org/10.1177/109258721802300202.

Full text

Abstract:

Interpretive programs can encourage the development of pro-environmental behavior, but visitors do not arrive as blank slates. Instead, their previous experiences interact with new programs to produce iterative change over time. Animal ambassadors can help facilitate these changes, but animal specialty organizations have largely been excluded from research exploring audiences and programs in free-choice learning settings. This study fills that gap by exploring differences between audiences at organizations with different types of missions. Using survey and interview data and value-belief-norm

APA, Harvard, Vancouver, ISO, and other styles

46

YAKYMCHUK, Olena. "THE PERFORMING POTENTIAL OF OLEKSANDR YAKOVCHUK’S CHOIR WORKS (ON THE EXAMPLE OF “SHCHEDRIVKA” FOR A MIXED CHORUS A CAPPELLA)." Humanities science current issues 4, no. 60 (2023): 92–96. http://dx.doi.org/10.24919/2308-4863/60-4-14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Bartholomew, Theodore T., Eileen E. Joy, Ellice Kang, and Jill Brown. "A choir or cacophony? Sample sizes and quality of conveying participants’ voices in phenomenological research." Methodological Innovations 14, no. 2 (2021): 205979912110400. http://dx.doi.org/10.1177/20597991211040063.

Full text

Abstract:

Misunderstandings about qualitative methods, whether phenomenological or otherwise, are prevalent in social science research. Such misunderstandings leave researchers, reviewers, and editors less equipped to conduct or evaluate this method. Evaluation of phenomenology is especially complicated given the different variants that exist and the need for flexibility within these studies. Methodologists have created guides for conducting specific variants of phenomenology; however, these do not provide clear guidance as to what is an adequate sample in phenomenology. The purpose of this systematic r

APA, Harvard, Vancouver, ISO, and other styles

48

Silvey, Philip E. "Learning to Perform Benjamin Britten's Rejoice in the Lamb." Journal of Research in Music Education 53, no. 2 (2005): 102–19. http://dx.doi.org/10.1177/002242940505300202.

Full text

Abstract:

The purpose of this research was to examine the way three high school students perceived and experienced a choral composition they were learning to perform. This case study, conducted over a period of five months, chronicled the experiences and perceptions of three students from a large midwestern high school mixed choir as they learned to perform the extended choral composition Rejoice in the Lamb by Benjamin Britten. Three categories of experience (found to correlate with three philosophical forms of knowledge) emerged through data analysis: (1) impression (prepositional knowledge), (2) cons

APA, Harvard, Vancouver, ISO, and other styles

49

ZHOU, ZHOU. "Wang Chao's "Journey": towards the problem of the "Ecological" trend in the contemporary choral work of Chinese composers." Культура и искусство, no. 10 (October 2024): 136–47. http://dx.doi.org/10.7256/2454-0625.2024.10.72097.

Full text

Abstract:

The subject of this study is the "ecological direction" as one of the most relevant in modern choral music by Chinese composers. The object of the study is to consider the stylistic features of the work "Journey" by Wang Chao. The purpose of this article is to study current trends in the development of choral creativity of Chinese composers. The author examines in detail such aspects of the topic as the "ecological" trend in the music of Chinese composers and the stylistic features of Wang Chao's choral writing. Special attention is paid to the a cappella choir as the most natural "ecological"

APA, Harvard, Vancouver, ISO, and other styles

50

Bast, Jürgen. "The Constitutional Treaty as a Reflexive Constitution." German Law Journal 6, no. 11 (2005): 1433–52. http://dx.doi.org/10.1017/s2071832200014425.

Full text

Abstract:

The “Treaty establishing a Constitution for Europe” elicits divergent scholarly responses. An apologetic view holds that it is the best of all possible constitutions, given the current constellations of political forces. Such a viewpoint is countered by a mixed choir of critics for whom the document is simply another treaty, a “nostalgic project,” or a merely “semantic constitution.” Some even believe that the recourse to constitutional rhetoric endangers the rational substance of the European status quo; others fear that this very conceptuality could be damaged. The present chapter endeavors

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!