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Books on the topic 'Mixed singing'

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1

Somebody always singing you. Jackson, Miss: University Press of Mississippi, 1997.

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2

Popp, Mary Beth. Singing saints songbook: A songbook for youth retreats, servant events, gatherings, workshops, campfires and wherever saints may sing! 4th ed. St. Louis, MO: Department of Youth Ministry, Board for Congregational Services, 1996.

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3

Powers, Richard. The Time of Our Singing. New York: Farrar, Straus and Giroux, 2003.

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4

Powers, Richard. The time of our singing. New York, NY: Farrar, Straus and Giroux, 2002.

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5

The Time of Our Singing. New York: Farrar, Straus, and Giroux, 2003.

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6

He chang yu zhi hui jiao cheng. 3rd ed. Guangzhou: Huanan li gong da xue chu ban she, 2005.

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7

Curry, Jane Louise. The Black Canary. New York: Margaret K. McElderry Books, 2005.

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8

Experiencing Choral Music: Proficient Mixed. Glencoe/Mcgraw-Hill, 2005.

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9

Experiencing Choral Music: Intermediate Mixed Voices. Glencoe/Mcgraw-Hill, 2004.

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10

Jothan. Experiencing Choral Music: Intermediate Mixed Voices. Glencoe/Mcgraw-Hill, 2004.

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11

Education, McGraw-Hill, and AL CROCKER Et. Hal Leonard Voices in Concert, Level 3 Mixed Sight-Singing Book. McGraw-Hill Education, 2015.

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12

Staff, McGraw-Hill Education, and AL CROCKER Et. Hal Leonard Voices in Concert, Level 2 Mixed Sight-Singing Book. McGraw-Hill Education, 2015.

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13

Education, McGraw-Hill, and AL CROCKER Et. Hal Leonard Voices in Concert, Level 4 Mixed Sight-Singing Book. McGraw-Hill Education, 2015.

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14

Snyder, Jean E. Burleigh’s Singing Career. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0009.

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This chapter focuses on Harry T. Burleigh's singing career. When Burleigh auditioned for admission to the Artist's Course at the National Conservatory of Music, his goal was to become a classical concert singer. Like soprano Sissieretta Jones, he wanted to sing arias and art songs in recital. Like other well-known black singers, Burleigh sang for audiences in African American venues throughout the East and Midwest, as well as for mixed audiences, and on many occasions he sang for audiences that were primarily white. As he became known nationwide as “the premiere baritone of the race” and as the leading black composer in the early twentieth century, he was often invited to present full recitals, to represent African Americans as part of a program of American music, or to give a lecture-recital on spirituals. One of Burleigh's favorite accompanists was pianist R. Augustus Lawson. This chapter also examines Burleigh's contribution to the tradition of African American art music, along with his use of the works of American song composers and his collaboration with them.
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15

Powers, Richard. The Time of Our Singing. Picador, 2004.

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16

Curry, Jane Louise. Black Canary. McElderry Books, Margaret K., 2019.

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17

Verrall, John. Carols and Songs for Christmastide: A Collection of Favorite Carols, Hymns and Songs of Many Countries and Ages for Unison Singing or Mixed Voices Accompanied or Unaccompanied. Boston Music Co, 1995.

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18

Lange, Barbara Rose. Ági Szalóki and Multiethnic Femininity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0003.

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Chapter 2 details how female performers with Romani (Gypsy) and Magyar ancestry face constraints of mixed ethnicity and gender, discussing the career of singer Ági Szalóki. The chapter outlines how Magyar female performers singing music of all regional ethnicities contributed to the folk revival in Hungary from the 1970s to the present; the international star Márta Sebestyén gave inspiration to young minority performers such as Szalóki, who then oriented their solo careers toward the liberalized society and the middle class. The chapter details how Szalóki left a Balkan Romani-style band to pursue solo projects that blended folk song and jazz, resisting expectations that Romani and other folk music should sound rustic. The chapter argues that Szalóki’s projects got the best response in feminine spheres such as children’s music, even as her solo work challenged ideas around male leadership. It describes ways in which Szalóki spoke out against far-right nationalism.
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