Journal articles: 'Miyazaki'

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MAEDA, NOBUHIRO. "Miyazaki Prefectural Miyazaki Marine High School." NIPPON SUISAN GAKKAISHI 77, no. 3 (2011): 424–26. http://dx.doi.org/10.2331/suisan.77.424.

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Gajdos, Noémi. "The Linguistic Representation of Women in Hayao Miyazaki's Movies." Humán Innovációs Szemle 14, no. 2 (2023): 85–102. http://dx.doi.org/10.61177/hisz.2023.14.2.6.

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In this paper, I will explore the concept of 'yakuwarigo' in Japanese language and present text analysis of three female characters, Eboshi, Rin and Yubaba from two anime movies of Hayao Miyazaki (Princess Mononoke, Spirited Away). My aim is to demonstrate how the well-known director employs role language, particularly masculine language, to empower his female characters to take on prominent roles in a society where men traditionally hold dominance. In terms of film analysis, Miyazaki places his female characters in the public sphere, making them active participants in the storyline while consistently defying traditional Japanese feminine conventions. This study is closely tied to the field of gender linguistics and linguistic ideology from an analytical perspective, aiming to illustrate how Miyazaki's female characters diverge from linguistic norms in their dialogues.

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Su, Wenjia. "Miyazaki Hayao: Influences on the Asian Animation Industry." Communications in Humanities Research 3, no. 1 (2023): 333–39. http://dx.doi.org/10.54254/2753-7064/3/20220321.

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Miyazaki Hayao is one of Japan's most influential animation directors, or maybe also worldwide. However, limited research was done to analyze his concepts and techniques and his contributions to the foundation of the Asian Animation Industry. This work is about the recent study in Asian Animation Industry, exploring the specific examples of Miyazaki's influence. Through this process, we could further and more clearly understand the foundation of today's animation industry and its popular trend or concepts.

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E Silva, Raphael Parreira, and Conrado Moreira Mendes. "Hayao Miyazaki:." Tríade - Revista de Comunicação, Cultura e Mídia 7, no. 15 (2019): 137–57. http://dx.doi.org/10.22484/2318-5694.2019v7n15p137-157.

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Com o intuito de depreender o estilo autoral do japonês Hayao Miyazaki, são analisados, neste trabalho, seus seguintes filmes: Porco Rosso (1992), A Viagem de Chihiro (2001) e Vidas ao Vento (2013). Tais obras são examinadas à luz do conceito de estilo, conforme propõe Discini (2014), articulando-se tal concepção à teoria do autor de Stam (2003), além de debater os alicerces em torno da caracterização de personagens centrais de acordo com Brait (2005) e Brecht (2002). Por meio das análises realizadas, pôde-se concluir que o estilo autoral de Miyazaki se constrói a partir de recorrências observadas tanto no plano do conteúdo, quanto no plano da expressão.

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Law, Jo. "The Kraft of Labour, Labour as Craft: Hayao Miyazaki’s Images of Work." Animation 17, no. 2 (2022): 195–208. http://dx.doi.org/10.1177/17468477221092357.

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The animated films of Hayao Miyazaki are populated by women, children and men at work. This article argues that the rendering of physical labour has the capacity to (re)connect the body to its broader social collective experience. The late philosopher, Bernard Stiegler, identifies the loss of savoir-faire (know-how) and savoir-vivre (life skills) as a critical deficit to how we live and work today. Miyazaki’s animated films provide a platform for potentially regaining savoir-faire and savoir-vivre in their reflexive portrayals of human labour. Every story told by Miyazaki involves scenes where bodies work with tools, with each other, and with machines to perform tasks. The rhythms of the working body speak to the ideals of labour as craft – not as exceptionally skilled expertise, but as an everyday practice – that presents ‘an opportunity to “think otherwise”’ as proposed by Glenn Adamson in The Crafter Reader (2010: 136). This article examines the performance of manual tasks in three contexts: the physical act of labour, labouring with machines and the animator’s labour. The author concludes by making the case that the animator’s labour extends to the craft of storytelling and, specifically, that Miyazaki’s animations are what Walter Benjamin called Kraftwerk – a ‘power work’ that re-models the ‘folkloric relations of space’ (see Esther Leslie’s, ‘Walter Benjamin, Traces of Craft’, 1998: 47) that keeps the human spirit alive.

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Karatay, Ali. "CINEMA OF MIYAZAKI AND AUTEUR THEORY." Idil Journal of Art and Language 4, no. 18 (2015): 111–22. http://dx.doi.org/10.7816/idil-04-18-06.

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Grajdian, M. M. "Connecting Fantasy Worlds and Nostalgia: Miyazaki Gorō’s Animation Movies." Russian Japanology Review 5, no. 1 (2022): 111–33. http://dx.doi.org/10.55105/2658-6444-2022-1-111-133.

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In the particular context of post-Cold War Japanese animation, the name of Miyazaki Gorō 宮崎吾朗 (born 1967) is mostly related to the name of his illustrious father, Miyazaki Hayao 宮崎駿 (born 1942). Professionally speaking, Miyazaki Gorō is a landscaper (construction consultant in the planning and designing of parks and gardens) as well as an animation director of two animation movies and one TV animation series. This paper focuses on the two animation movies released by Studio Ghibli under Miyazaki Gorō’s direction: Tales from the Earthsea (ゲド戦記 Gedo senki, 2006) and From Up On Poppy Hill (コクリコ坂から Kokuriko-zaka kara, 2011). Miyazaki Gorō’s two animation movies are described and analyzed, both as ideological manifestos continuing and, from a certain point onward, transcending what might be called the “Ghibli paradigm” and as aesthetical masterworks combining the “Ghibli paradigm” with fresh visions of employing animation as a medium, exploring, absorbing and integrating influences from beyond geographical boundaries and striving to break the “Japanese” limitations of the artistic language utilized in his approach to animated expressive modes.

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Ujihara, Atsushi. "Pteropods (Mollusca, Gastropoda) from the Pliocene Miyazaki Group, Miyazaki Prefecture, Japan." Journal of Paleontology 70, no. 5 (1996): 771–88. http://dx.doi.org/10.1017/s0022336000023817.

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Twenty-four species of pteropods are described from the Pliocene Miyazaki Group in the Tsuma-Takanabe district, Miyazaki Prefecture, southwest Japan. Five are new: Clio shibatai new species, Cuvierina miyazakiensis new species, Cavolinia floridana japonica new subspecies, C. itoigawai new species, and C. vendryesiana hyugaensis new subspecies.The pteropod fauna of the two lower members of the Miyazaki Group consists largely of extinct species. Whereas more than one-half of the species of the two upper members are extant.Twelve species, Limacina sp., Clio hataii (Noda, 1972), C. shibatai new species, Cuvierina miyazakiensis new species, Bowdenatheca? sp., Diacria digitata subsp. indet., Cavolinia floridana japonica new subspecies, C. cf. C. gypsorum (Bellardi, 1873), C. itoigawai new species, C. mexicana (Collins, 1934), C. rattonei Simonelli, 1896, and C. vendryesiana hyugaensis new subspecies seem to serve as good index fossils for the Pliocene.

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Tsuruda, Toshihiro, Takaaki Hamahata, George J. Endo, Yuki Tsuruda, and Koichi Kaikita. "Bystander-witnessed cardiopulmonary resuscitation by nonfamily is associated with neurologically favorable survival after out-of-hospital cardiac arrest in Miyazaki City District." PLOS ONE 17, no. 10 (2022): e0276574. http://dx.doi.org/10.1371/journal.pone.0276574.

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Background Bystander intervention in cases of out-of-hospital cardiac arrest (OHCA) is a key factor in bridging the gap between the event and the arrival of emergency health services at the site. This study investigated the implementation rate of bystander cardiopulmonary resuscitation (CPR) and automated external defibrillator (AED) and 1-month survival after OHCA in Miyazaki prefecture and Miyazaki city district as well as compared them with those of eight prefectures in the Kyushu-Okinawa region in Japan. In addition, we analyzed prehospital factors associated with survival outcomes in Miyazaki city district. Methods We used data from an annual report released by the Fire and Disaster Management Agency of Japan (n = 627,982) and the Utstein reporting database in Miyazaki city district (n = 1,686) from 2015 to 2019. Result Despite having the highest rate of bystander CPR (20.8%), the 1-month survival rate (15.7%) of witnessed OHCA cases of cardiac causes in Miyazaki city district was comparable with that in the eight prefectures between 2015 and 2019. However, rates of survival (10.7%) in Miyazaki prefecture were lower than those in other prefectures. In 1,686 patients with OHCA (74 ± 18 years old, 59% male) from the Utstein reporting database identical to the 5-year study period in Miyazaki city district, binary logistic regression analysis demonstrated that age of the recipient [odds ratio (OR) 0.979, 95% confidential interval (CI) 0.964–0.993, p = 0.004)], witness of the arrest event (OR 7.501, 95% CI 3.229–17.428, p < 0.001), AED implementation (OR 14.852, 95% CI 4.226–52.201, p < 0.001), and return of spontaneous circulation (ROSC) before transport (OR 31.070, 95% CI 16.585–58.208, p < 0.001) predicted the 1-month survival with favorable neurological outcomes. In addition, chest compression at a public place (p < 0.001) and by nonfamily members (p < 0.001) were associated with favorable outcomes (p = 0.015). Conclusions We found differences in 1-month survival rates after OHCA in the Kyushu-Okinawa region of Japan. Our results suggest that on-field ROSC with defibrillation performed by nonfamily bystanders who witnessed the event determines 1-month neurological outcomes after OHCA in Miyazaki city district. Continued education of citizens on CPR techniques and better access to AED devices may improve outcomes.

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Ozawa, Kiyoshi, Takanori Meikari, Ken Motohashi, Masasuke Yoshida, and Hideo Akutsu. "Evidence for the Presence of an F-Type ATP Synthase Involved in Sulfate Respiration in Desulfovibrio vulgaris." Journal of Bacteriology 182, no. 8 (2000): 2200–2206. http://dx.doi.org/10.1128/jb.182.8.2200-2206.2000.

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ABSTRACT Using a library of genomic DNA from Desulfovibrio vulgaris Miyazaki F, a strict anaerobe, and two synthetic deoxyoligonucleotide probes designed for F-type ATPases, the genes for open reading frames (ORFs) 1 to 5 were cloned and sequenced. The predicted protein sequences of the gene products indicate that they are composed of 172, 488, 294, 471, and 134 amino acids, respectively, and that they share considerable identity at the amino acid level with δ, α, γ, β, and ɛ subunits found in other F-type ATPases, respectively. Furthermore, a component carrying ATPase activity was partially purified from the cytoplasmic membrane fraction of theD. vulgaris Miyazaki F cells. The N-terminal amino acid sequences of three major polypeptides separated by sodium dodecyl sulfate–12% polyacrylamide gel electrophoresis were identical to those of the products predicted by the sequences of ORF-2, ORF-3, and ORF-4, suggesting that an F-type ATPase is functioning in the D. vulgaris Miyazaki F cytoplasmic membrane. The amount of the F-type ATPase produced in the D. vulgaris Miyazaki F cells is similar to that in the Escherichia coli cells cultured aerobically. It indicates that the enzyme works as an ATP synthase in the D. vulgaris Miyazaki F cells in connection with sulfate respiration.

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Noviana, Fajria. "Representasi Hero’s Journey Pada Tokoh Chihiro Dalam Anime Spirited Away Karya Miyazaki Hayao." IZUMI 8, no. 1 (2019): 52. http://dx.doi.org/10.14710/izumi.8.1.52-64.

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(Title: Representation of Hero’s Journey on Main Character Chihiro in Hayao Miyazaki’s Spirited Away Anime) This paper is the result of a qualitative descriptive type of literature study. The purpose of this study was to reveal the heroic journey process of main character of Spirited Away anime named Chihiro, based on the Hero’s Journey theory proposed by Vogler. Data about Chihiro's heroic journey are obtained from anime with note taking techniques. The method used in the analysis is the method of content analysis based on the theory of Hero's Journey. From the results of the analysis, it can be seen that the main character Chihiro has undergone a total of the twelve stages of the hero’s journey. Chihiro's adventure has succeeded in changing her personality which was initially timid, spoiled, and whiny to be brave, independent, calm and confident, and full of compassion. Chihiro's heroic journey proves the true definition of a hero according to Vogler, while also proving that to win a fight does not always use physical strength. There are times when thinking intelligence and emotional intelligence are much more needed. In addition, this anime also features a lot of kamisama which was once believed by the Japanese. Miyazaki might want to remind again about the existence of Japanese gods by displaying them in this anime, either those actually found in Japanese mythology or Miyazaki's own creations. Thus, the story of Spirited Away which has a mythical structure as stated by Vogler becomes much more alive and interesting.

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Ozawa, Kiyoshi, Alexandre I. Tsapin, Kenneth H. Nealson, Michael A. Cusanovich, and Hideo Akutsu. "Expression of a Tetraheme Protein,Desulfovibrio vulgaris Miyazaki F Cytochromec3, in Shewanella oneidensisMR-1." Applied and Environmental Microbiology 66, no. 9 (2000): 4168–71. http://dx.doi.org/10.1128/aem.66.9.4168-4171.2000.

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ABSTRACT Cytochrome c 3 from Desulfovibrio vulgaris Miyazaki F was successfully expressed in the facultative aerobe Shewanella oneidensis MR-1 under anaerobic, microaerophilic, and aerobic conditions, with yields of 0.3 to 0.5 mg of cytochrome/g of cells. A derivative of the broad-host-range plasmid pRK415 containing the cytochrome c 3 gene fromD. vulgaris Miyazaki F was used for transformation ofS. oneidensis MR-1, resulting in the production of protein product that was indistinguishable from that produced by D. vulgaris Miyazaki F, except for the presence of one extra alanine residue at the N terminus.

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Fogel, Joshua A. "Miyazaki Ichisada 1901–1995." Journal of Asian Studies 55, no. 3 (1996): 806–8. http://dx.doi.org/10.1017/s0021911800061428.

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Santiago, Omar. "La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano." Ética y Cine Journal 12, no. 1 (2022): 9–18. http://dx.doi.org/10.31056/2250.5415.v12.n1.37377.

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El presente trabajo propone una lectura de la relación ser humano-naturaleza en el largometraje desarrollado por el director japonés Hayao Miyazaki: Nausicaä del Valle del Viento, a través del principio confuciano de armonía, ampliando la forma en que se ha comprendido el papel del agente moral en la obra de Miyazaki en su relación con la naturaleza.

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Inoue, Sanshiro, Masakazu Kozuma, Naoshi Kikuchi, et al. "Statistical Study of Extremity Fractures in the Child at Miyazaki Prefectural Miyazaki Hospital." Orthopedics & Traumatology 58, no. 4 (2009): 647–49. http://dx.doi.org/10.5035/nishiseisai.58.647.

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Izotova, Nadezda Nikolaevna, and Ekaterina Viktorovna Sladkova. "The relationship between parents and children in Japanese society based on the material of Hayao Miyazaki's film "Gone with the Ghosts"." Культура и искусство, no. 5 (May 2024): 83–95. http://dx.doi.org/10.7256/2454-0625.2024.5.40859.

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The object of the study is the work of the Japanese animator, director Hayao Miyazaki. The subject of the research is the relationship between parents and children in Japanese society on the material of the animated fantasy film, written and directed by Hayao Miyazaki. The empirical material of the article is not only the film itself, but also interviews of the director, participants of the film creation process, journalists, viewers, and posts in social networks. The research focuses on the images of the parents of the main character Chihiro and her parents from the point of view of Japanese viewers. The goals of Miyazaki in creating the image of «inadequate parents» are defined and analyzed. Particular attention is paid to the description of the beliefs associated with spiriting away (hidden by kami) in Japan. The authors describe cases of missing children in medieval Japan, including such phenomenon as &#38291;&#24341;&#12365; mabiki – «getting rid of children». The basis of the research methodology is an interdisciplinary socio-cultural approach, methods of cultural and phonological interpretation and linguocultural commentary. The relevance of the research topic is determined by the expanding space and forms of intercultural communication, the popularity of Hayao Miyazaki's works all over the world, the humanistic nature of his works, the increased interest of researchers in the subculture of anime, which transfers cultural values and behavior models and serves as a tool of youth socialization. Scientific novelty of the study is determined by the fact that for the first time the film «Spirited Away» is analysed in terms of the relationship between parents and children, taking into account the broad context of national and cultural attitudes. Original materials in Japanese and their interpretation are introduced into the scientific turnover. In the course of the research, the authors conclude that the main task that the director was to help unleash the inner life force of the main character Chihiro, and for this purpose he sent the girl on a journey full of trials.

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May, Hermione. "Where the human and non-human meet in environmentalist animations: Hayao Miyazaki’s transformational enchantment." Journal of Illustration 10, no. 1 (2023): 117–32. http://dx.doi.org/10.1386/jill_00064_1.

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Hayao Miyazaki’s animated films question what audiences may conceive to be inanimate and bring these objects into a new sphere of categorization. New eco-philosophical schools of thought have recently raised the dualistic definitions of the terms ‘human’ and ‘non-human’ as problematic. Philosophical approaches of ‘new materialism’ point to agency inherent to all objects. Utilizing the term ‘non-human’ within this article will enable a more nuanced grasp of what may be considered as the ‘inanimate’ and the ‘non-human’. Miyazaki utilizes a philosophical approach to ‘enchantment’ to present audiences with a complex view of the relations between the human and non-human world through a folkloric lens, thereby providing an alternative mode of eco-criticism.

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HARADA, Ken-ichi. "Memory of Dr. Hiroshi Miyazaki." Journal of the Mass Spectrometry Society of Japan 57, no. 2 (2009): 56–57. http://dx.doi.org/10.5702/massspec.57.56.

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Oda, Tomoki, Naoya Tajima, Sigeru Kuwahara, and Shunichi Hirakawa. "Sporting Injuries in Miyazaki Prefecture." Orthopedics & Traumatology 42, no. 1 (1993): 291–95. http://dx.doi.org/10.5035/nishiseisai.42.291.

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Caruso, Riccardo, Alessandro Pesce, and Venceslao Wierzbicki. "Starling resistor and Miyazaki syndrome." Child's Nervous System 32, no. 11 (2016): 2047. http://dx.doi.org/10.1007/s00381-016-3220-1.

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Çetinkaya, Hümeyra. "Miyazaki Animasyonlarında Kadın Karakterlerin Oluşumu." Social Sciences Studies Journal 111, no. 111 (2023): 6920–27. http://dx.doi.org/10.29228/sssj.69801.

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Iglesias, Jorge. "The Genius of Hayao Miyazaki." Chesterton Review 50, no. 1 (2024): 135–41. http://dx.doi.org/10.5840/chesterton2024501/220.

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Caplan, Linda Kakō. "Kyoku. Performed by Mieko Miyazaki & Suizan Lagrost by Aldo Tollini and Mieko Miyazaki." Asian Music 51, no. 1 (2020): 147–50. http://dx.doi.org/10.1353/amu.2020.0011.

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Tokunaga, Syuichi, Hiroshi Sameshima, and Tsuyomu Ikenoue. "Applying the Ecology Model to Perinatal Medicine: From a Regional Population-Based Study." Journal of Pregnancy 2011 (2011): 1–4. http://dx.doi.org/10.1155/2011/587390.

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Objective. Ecology model is useful to provide a framework for organizing medical care. We aimed to see if the ecology model is applicable to perinatal care in Japan.Methods. On a population-based approach, we had 53,461 deliveries in Miyazaki from 2001 to 2005. In comparison, we used all of the 106,613 deliveries in Tokyo in 2009. Women were divided into 4 grades by risk-allocation criteria and their proportion was expressed per 1,000 women to apply to the model and to delineate the ecology curve. The perinatal mortality was compared by Chi-square test.Results. We found remarkable similarity in ecology curves between the original ecology models and that representing Miyazaki perinatal data. However, the curve representing Tokyo was different from the original one. Besides, the perinatal mortality was significantly lower in Miyazaki (4.40/1,000) than in Tokyo (5.06/1,000).Conclusion. Applying the ecology model to perinatal care is useful with improvement of perinatal outcome and it would provide an appropriate framework for organizing perinatal care.

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Johnson, Letitia B. "The case of Dr Masajiro Miyazaki: Japanese-Canadian healthcare in World War II." Medical Humanities 46, no. 2 (2020): 135–43. http://dx.doi.org/10.1136/medhum-2019-011753.

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The forcible relocation of Japanese-Canadians (Nikkei) during World War II has been widely examined; however, little scholarly attention has been paid to the impact of relocation on the medical services provided to, and by, the Nikkei. This article highlights the issue of providing sufficient medical care during forcible relocation and the experiences of one Nikkei physician, Dr Masajiro Miyazaki. His story illustrates both the limitations in the healthcare provided to the Nikkei community during relocation and the struggle for Nikkei medical professionals to continue their practice during the war. The agency of the Nikkei—who constantly balanced resistance and adaptation to oppressive conditions—comes to the forefront with this case study. Dr Miyazaki’s personal records of forcible relocation, as well as his published memoir, reveal aspects of the lived reality of one Nikkei physician who was not included in the government discourse, or in the dialogue among his fellow Nikkei physicians, such as inter-racial medical care. It is evident through this case that there was great diversity in the level of medical care which the Nikkei received during their relocation in Canada. Furthermore, Dr Masajiro Miyazaki’s story proves that healthcare professionals, from doctors to nurses’ aides who were both Nikkei and white, provided extraordinary medical services during the forcible relocation, despite significant constraints.

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Li, Chenmei. "Influence of Hayao Miyazaki’s Animation on the Cross-Cultural Spread of Japanese Traditional Culture under the Background of 5G and Wireless Communication." Wireless Communications and Mobile Computing 2021 (October 11, 2021): 1–5. http://dx.doi.org/10.1155/2021/1640983.

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The development of 5G technology has brought tremendous changes to all areas of social life, especially in the external communication of culture; the increasing effect of 5G technology has become more obvious. All kinds of new media are constantly emerging, and the expression of cultural products is more diversified, and they also have certain characteristics of their own national cultural symbols. As one of the important representatives of Japanese modern and contemporary culture, animation works have made extremely outstanding contributions in promoting the spread of Japanese culture. Japanese animation is not only second to none in Asia but has also many fans all over the world. This article takes the characteristics of Hayao Miyazaki Animation’s external communication under the background of 5G as the starting point and deeply analyzes the impact of technological background changes on the external communication of Japanese traditional culture. Through data comparison, it is found that with the support of 5G technology, people’s habit of watching videos has changed a lot, from mobile terminals and short videos in the 4G era to large-screen projections and long animations in the 5G era. In a certain sense formed the return of the animation viewing form to the television era at the end of the last century. The number of video clicks on major websites shows that the number of Japanese animation products represented by Hayao Miyazaki Animation has increased significantly. Moreover, the age and occupation coverage of the audience is also very wide. The survey shows that people’s appreciation of Hayao Miyazaki’s animation at this stage is not only the attractiveness of the plot itself, but the deep meaning behind the animation is also the focus of attracting them. This gives Hayao Miyazaki Animation a higher level of appreciation value, that is, guiding countries that have suffered from the side effects of industrial civilization to rethink the relationship between ruleism and development speed. The research results suggest that the development of 5G technology has given traditional Japanese animation new characteristics in the dissemination of it and directly affected the cross-cultural dissemination effect of Japanese traditional culture. Discover the essence of respecting nature and observing rules in Japanese traditional culture to better serve our social development.

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Ibarra, Maria Cristina. "Design como esperança no engajamento com um grupo de moradores de um bairro do Rio de Janeiro." Arcos Design 11, no. 2 (2020): 26–55. http://dx.doi.org/10.12957/arcosdesign.2018.47516.

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No livro The method of Hope (2004), o antropólogo Hirokazu Miyazaki propõe uma nova modalidade de engajamento etnográfico que aborda a esperança como método e não apenas como um objeto de análise. À luz dos argumentos de Miyazaki, busca-se aqui explorar como o design contribui ou interrompe momentos de esperança. Esta exploração se faz através da análise do meu engajamento como designer com um grupo de moradores que lutou contra a violência no bairro de Santa Teresa (Rio de Janeiro), denominado "Coletivo Santa sem violência" (CSSV).

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Montero Plata, Laura. "Mirai: el pasado que nos define." Con A de animación, no. 9 (March 14, 2019): 8. http://dx.doi.org/10.4995/caa.2019.11325.

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<p>Si una cosa está clara, es que Mamoru Hosoda hace sus películas con el corazón. Lo mismo que podía decirse de Miyazaki hace menos de diez años es lo que define el impacto conmovedor que causa en los espectadores la filmografía de este personal autor, cofundador del Studio Chizu en 2011, y que en su momento declinó trabajar para el Studio Ghibli cuando se le propuso dirigir el proyecto de El castillo ambulante (Hauru no Ugoku Shiro, Hayao Miyazaki, 2004). Laura Montero Plata —autora de las monografías El mundo invisible de Hayao Miyazaki (Dolmen, 2012) y La princesa Mononoke (Héroes de Papel, 2017), de la Biblioteca Studio Ghibli— reseña para Con A de animación la más reciente película de Mamoru Hosoda: Mirai, mi hermana pequeña (Mirai no Mirai, 2018), que ha formado parte de la selección oficial de Festival de Annecy (Francia), Cannes (Quincena de los Realizadores), está actualmente nominada a dos premios Annie y ha hecho historia siendo la primera película de animación japonesa nominada a los Globos de Oro.</p>

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Morimoto, Jumpei, Motoyoshi Oda, Masayuki Torii, Shun Chiyonobu, Hidetoshi Shibuya, and Hanako Domitsu. "Integrated stratigraphy of the Middle to Late Pliocene upper Miyazaki Group, southern Kyushu, Southwest Japan." Stratigraphy 7, no. 1 (2010): 25–32. http://dx.doi.org/10.29041/strat.07.1.03.

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Neogene sedimentary deposits are present in the Miyazaki region, southern Kyushu, on the Pacific side of southwestern Japan. The upper part of the Miyazaki Group, exposed in the Tsuma–Takanabe region of northern Miyazaki, is divided into the Tsuma, Sadowara, and Takanabe formations, in ascending order, and contains a planktic foraminiferal and calcareous nannofossil record of Pliocene events of the mid-latitude northwestern Pacific. The geological age of these units is based on magneto- and biostratigraphy. Five calcareous nannofossil datum horizons are recognized: the last occurrence (LO) of Reticulofenestra pseudoumbilicus, the termination of acme zone II of Reticulofenestra minutula var. C, the LO of R. minutula var. B, calcareous nannofossil datum plane A, and the termination of acme zone I of R. minutula var. C. Six planktic foraminiferal bioevents are also recognized: a coiling direction change, from sinistral to dextral, in the genus Pulleniatina; the first occurrence (FO) of Globorotalia crassaformis; the LOs of Globorotalia margaritae, Sphaeroidinellopsis seminulina, and Dentoglobigerina altispira; and the FO of Neogloboquadrina asanoi. The presence of two calcareous nannofossil bioevents, Datum A and the termination of acme zone I of R. minitula var. C, suggests that the normal and reversed polarity intervals of the upper part of the Takanabe Formation correspond to Chron C2An.1n (latest Gauss Normal Epoch) and Chron C2r.2r (earliest Matuyama Reversed Epoch), respectively. Based on combined floral and faunal data and magnetostratigraphic chron boundaries from the ATNTS2004, the upper part of the Miyazaki Group is Middle to Late Pliocene in age.

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Ejaz, Xinnia. "Confronting Coming of Age and War in Hayao Miyazaki’s Howl’s Moving Castle (2004)." IAFOR Journal of Literature & Librarianship 11, no. 1 (2022): 7–19. http://dx.doi.org/10.22492/ijl.11.1.01.

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This research paper evaluates how Hayao Miyazaki’s film Howl’s Moving Castle (2004) does not reaffirm or condone the celebration of the kidult but rather solemnizes confronting reality and growing up by the infantilized adult. By placing the narrative of war as a major subject matter within the film, Miyazaki allows the child to step outside their safe space while also contextualizing the actions of the characters Howl and Sophie. On one hand, Howl acts as a vain and powerful wizard who avoids choosing sides in the war and attempts to protect civilians. His maturation is explored through several symbols such as the castle, his hair and appearance, his heart, and the concept of staying human. Simultaneously, Sophie who skips the awkwardness of maturation and acts as a wise and heroic figure with agency and intellect becomes an active agent in ending the war. The characters thus echo Miyazaki’s other narratives of psycho-social maturation, combining elements of both Western and Japanese traditions in animation, and fashioning a transnational piece of work that appeals to a diverse audience.

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Kim, Jun-Su. "Hybridity Images of Miyazaki-hayao Animation." Journal of the Korea Contents Association 8, no. 12 (2008): 160–67. http://dx.doi.org/10.5392/jkca.2008.8.12.160.

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NAGAI, Takeharu. "Reminiscence: The 57th Annual Festival @ Miyazaki." Seibutsu Butsuri 60, no. 3 (2020): 192–93. http://dx.doi.org/10.2142/biophys.60.192.

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Takebe, Takashi. "Takeshi Miyazaki, Economics of Land Rent." Journal of Rural Problems 23, no. 4 (1987): 215–16. http://dx.doi.org/10.7310/arfe1965.23.215.

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Thomas, Jolyon Baraka. "Shûûkyôô Asobi and Miyazaki Hayao's Anime." Nova Religio 10, no. 3 (2007): 73–95. http://dx.doi.org/10.1525/nr.2007.10.3.73.

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This article attempts to address the lack of terminology concerning the long-standing but often overlooked relationship between religion and entertainment in Japan, arguing that these two seemingly discrete and opposing fields are often conflated. Examining the underlying thought behind the animation films of director Miyazaki Hayao, and investigating audience responses to those works, the article suggests that this conflation——religious entertainment or playful religion——can best be described by the neologism shûûkyôô asobi. Composed of the words "religion" and "play" in Japanese, shûûkyôô asobi jettisons the artificial distinction between popular entertainment and religion in favor of describing the common space between them, as well as describing the utilization of that space by various interest groups. This deployment of simultaneously religious and playful media or action can result in the creation of entirely new religious doctrines, interpretations, rituals, and beliefs.

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Yoshino, Kenji, Kensuke Nishioka, Atsuhiko Fukuyama, Hidetoshi Suzuki, and Masahisa Otsubo. "Photovoltaic Systems in University of Miyazaki." Applied Mechanics and Materials 372 (August 2013): 555–58. http://dx.doi.org/10.4028/www.scientific.net/amm.372.555.

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We organized a project of solar cells in University of Miyazaki in order to develop the technologies for solar cells. We have four kinds PV module systems, such as hybrid Si Thin film (1 kW), Poly-Si (50 kW), CIS (100 kW) and CPV (14 kW×2). Their total is 179 kW. These take appoximately 5% of total electricity of the university.

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Mueller, Nancy, Akihiko Okayama, Sherri Stuver, and Nobuyoshi Tachibana. "Findings from the Miyazaki Cohort Study." Journal of Acquired Immune Deficiency Syndromes and Human Retrovirology 13 (1996): S2—S7. http://dx.doi.org/10.1097/00042560-199600001-00002.

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Kərimli, İmdad. "HAYAO MİYAZAKİ YARADICILIĞINDA DİNİ MOTİVLƏRİN TƏZAHÜRÜ." SCIENTIFIC WORK 17, no. 6 (2023): 111–15. http://dx.doi.org/10.36719/2663-4619/91/111-115.

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Goffart, Juliette. "Les profondeurs d’un mythe, Hayao Miyazaki." Études Juillet-Août, no. 7 (2024): 95–104. http://dx.doi.org/10.3917/etu.4317.0096.

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À partir du film testament d’Hayao Miyazaki, Le garçon et le héron , cet article revisite l’ensemble de l’œuvre de cet artiste qui a révolutionné le cinéma d’animation. Il révèle la cohérence et la profondeur mythique d’un univers hanté par l’impérialisme guerrier, le désastre écologique, les métamorphoses de l’enfance à travers les épreuves du deuil et de l’ambivalence humaine.

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Perwira, Susilo Adi. "Textbook Readibility Assessment of K13 English Textbook For Twelfth Grade." IJET (Indonesian Journal of English Teaching) 8, no. 2 (2019): 38–47. http://dx.doi.org/10.15642/ijet2.2019.8.2.38-47.

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English textbook for twelfth grade of SMA which is published by Ministry of Education and Culture is a compulsory textbook which is based on national curriculum 2013 to support education in Indonesia. This study aims to investigate the readability level of the English textbook. It uses descriptive quantitative method to examine the readability of this book. The data are in the form of texts derives from transactional and interpersonal text, short functional text, reading text, instructional text inside the book. There are 180 data taken from those four texts. They are analyzed by using Miyazaki EFL readability formulae as a tool to measure the readability level whether it is suitable or not for twelfth grade students. According to Miyazaki EFL readability test, the easiest text from the book is in 5th grade and the hardest one is in post-school/university grade. But the most frequent grade appear in this book is in 8th and 9th grade which is 77 data (texts). The average of this book score is 63.2 which means it is suitable for 8th and 9th grade. This book is too easy for twelfth grade according to Miyazaki EFL readability test.

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Bartolomei, Cristiana, Alfonso Ippolito, and Davide Mezzino. "Representation of Landscape and Ecological Vision in Miyazaki’s Filmography." Sustainability 15, no. 20 (2023): 15132. http://dx.doi.org/10.3390/su152015132.

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This study analyzes the central role of landscape in Hayao Miyazaki’s films. The depiction of landscape in Miyazaki’s films goes beyond mere visual backdrops in order to convey deep symbolic meanings and to foster an empathic connection between the viewer and the world depicted. The renowned Japanese animator, filmmaker, screenwriter, draftsman, manga artist and film director has strongly promoted environmental awareness in his productions by paying close attention to the depiction and visualization of landscape dynamics, using details, and real and invented elements to create an engaging visual experience. The landscapes also take on emotional, metaphorical dimensions, reflecting the emotions and inner thoughts of the characters. Through an in-depth critical analysis of eleven selected films, the proposed research identifies the character-defining elements adopted by Miyazaki to stimulate reflection on a sustainable combination between urban development and the preservation of natural elements, as well as increasing focus on the beauty of the landscape, thereby highlighting the importance of its preservation. The relevance of this research is to understand Miyazaki’s approach to creating representations of natural elements and how he has managed to combine them with the plots of his various films, indirectly stimulating environmental awareness and fascination with nature in its different forms.

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Miyazaki, Tsukasa, Keisuke Shimokita, Hiroki Ogawa, and Katsuhiro Yamamoto. "System forin situobservation of three-dimensional structural changes in polymer films during uniaxial deformation. Corrigendum." Journal of Applied Crystallography 51, no. 2 (2018): 560–61. http://dx.doi.org/10.1107/s1600576718001875.

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Hafiz, Md Hafizur Rahman, Ahsanul Salehin, Fumihiko Adachi, et al. "Latitudinal Characteristic Nodule Composition of Soybean-Nodulating Bradyrhizobia: Temperature-Dependent Proliferation in Soil or Infection?" Horticulturae 7, no. 2 (2021): 22. http://dx.doi.org/10.3390/horticulturae7020022.

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A species-specific latitudinal distribution of soybean rhizobia has been reported; Bradyrhizobium japonicum and B. elkanii dominate in nodules in northern and southern areas, respectively. The aim of this study was to elucidate whether temperature-dependent proliferation in soil or infection is more reliable for determining the latitudinal characteristic distribution of soybean-nodulating rhizobia under local climate conditions. Three study locations, Fukagawa (temperate continental climate), Matsue and Miyazaki (humid sub-tropical climate), were selected in Japan. Each soil sample was transported to the other study locations, and soybean cv. Orihime (non-Rj) was pot-cultivated using three soils at three study locations for two successive years. Species composition of Bradyrhizobium in the nodules was analyzed based on the partial 16S rRNA and 16S–23S rRNA ITS gene sequences. Two Bradyrhizobium japonicum (Bj11 and BjS10J) clusters and one B. elkanii (BeL7) cluster were phylogenetically sub-grouped into two (Bj11-1-2) and four clusters (BjS10J-1-4) based on the ITS sequence. In the Fukagawa soil, Bj11-1 dominated (80–87%) in all study locations. In the Matsue soil, the composition was similar in the Matsue and Miyazaki locations, in which BeL7 dominated (70–73%), while in the Fukagawa location, BeL7 decreased to 53% and Bj11-1 and BjS10J-3 increased. In the Miyazaki soil, BeL7 dominated at 77%, and BeL7 decreased to 13% and 33% in the Fukagawa and Matsue locations, respectively, while BjS10J-2 and BjS10J-4 increased. It was supposed that the B. japonicum strain preferably proliferated in the Fukagawa location, leading to its nodule dominancy, while in the Miyazaki location, temperature-dependent infection would lead to the nodule dominancy of B. elkanii, and both factors would be involved in the Matsue location.

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Sasazaki, Shinji, Raito Yamamoto, Shintaro Toyomoto, et al. "Verification of Candidate SNP Effects Reveals Two QTLs on BTA7 for Beef Marbling in Two Japanese Black Cattle Populations." Genes 13, no. 7 (2022): 1190. http://dx.doi.org/10.3390/genes13071190.

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In our previous study, we used genome resequencing to detect all candidate polymorphisms within a quantitative trait loci (QTL) region for beef marbling reported previously at 10–30 Mbp on bovine chromosome 7, and we selected 6044 polymorphisms as candidate quantitative trait nucleotides (QTNs). In the present study, we aimed to identify quantitative trait genes (QTGs) and QTNs in this QTL region by verifying the effect of SNPs on beef marbling in two Japanese Black cattle populations using a Dynamic Array integrated fluidic circuit. In total, 96 selected SNPs were genotyped in 441 and 529 animals in Hyogo and Miyazaki cattle populations, respectively. The most significant p-values were detected in a SNP in a splice region of ALDH7A1 (SNP93_ALDH7A1; p = 3.46 × 10−5) in Hyogo cattle and a missense polymorphism of intercellular adhesion molecule-1 (ICAM1) (SNP37_ICAM1; p = 3.33 × 10−4) in Miyazaki cattle. Interestingly, SNP93_ALDH7A1 was not significant (p = 0.459) in Miyazaki cattle, and SNP37_ICAM1 showed a weakly significant association (p = 0.043) in Hyogo cattle. Thus, each population would likely have different QTGs and QTNs for beef marbling in the QTL region. In the Hyogo population, it was not possible to determine the accurate range of the linkage disequilibrium (LD) block in LD block analysis because of a strong LD structure throughout the assessed region. In Miyazaki cattle, however, an LD block containing SNP37_ICAM1 had a range of 15.8–16.1 Mbp, suggesting that QTNs would be located within this region. The functions of 19 genes in the LD block were investigated. ICAM1 is known to play an important role in adipocyte differentiation; given this function and the effect of amino acid substitution, SNP37_ICAM1 was identified as a promising candidate QTN for beef marbling. Further research on the effect of SNP37_ICAM1 on adipocyte differentiation is expected to provide insights into the mechanism underlying beef marbling formation.

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Akashi, Hiroomi. "Infectious Diseases of Domestic Animals." Journal of Disaster Research 7, no. 3 (2012): 251. http://dx.doi.org/10.20965/jdr.2012.p0251.

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The outbreak of Foot-and-mouth disease (FMD) in Miyazaki Prefecture in 2010 has turned out to be the most striking disaster in the history of animal hygiene in Japan, from the points such as the number of the animals culled and buried or the human resources required until the time of termination. Inquiry committees for FMD countermeasures established by Miyazaki Prefecture and by the Ministry of Agriculture, Forestry and Fisheries have pointed out the various issues in disease control measures taken during the period starting from the outbreak till the termination. As a result, amendments were made to the Act on Domestic Animal Infectious Diseases Control in April of 2011, and in October, to the Standards of Rearing Hygiene Management. The outbreak of Foot-and-mouth disease (FMD) in Miyazaki Prefecture in 2010 has turned out to be the most striking disaster in the history of animal hygiene in Japan, from the points such as the number of the animals culled and buried or the human resources required until the time of termination. Inquiry committees for FMD countermeasures established by Miyazaki Prefecture and by the Ministry of Agriculture, Forestry and Fisheries have pointed out the various issues in disease control measures taken during the period starting from the outbreak till the termination. As a result, amendments were made to the Act on Domestic Animal Infectious Diseases Control in April of 2011, and in October, to the Standards of Rearing Hygiene Management. Diseases that cause damage to domestic animals including FMD are presented in this special issue. I hope that this special issue will contribute to the betterment of animal hygiene and furthermore to the enhancement of dietary life. Finally, I would like to express my sincere gratitude to the authors and reviewers for their great contributions to this issue.

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Wang, Xun, and Ellen V. Rothenberg. "Illuminating the core of adaptive immunity—how the regulatory genome controls Rag chromatin dynamics." Science Immunology 5, no. 51 (2020): eabd6427. http://dx.doi.org/10.1126/sciimmunol.abd6427.

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Cooley, Kevin. "Past the End of the Catbus Line: Mushishi’s Apparitional Actants." Animation 14, no. 3 (2019): 178–90. http://dx.doi.org/10.1177/1746847719875034.

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After evaluating some of the limitations in the reception of Hayao Miyazaki’s films as advocacy for climate change reform, the author suggests the need for a new path in animation toward animating the nonhuman. He nominates the anime series Mushishi as the ideal trailblazer for a more ecologically sound and posthumanistically inclined future. Mushishi envisions a fairly realistic turn-of-the-20th-century Japan in which beings called ‘ mushi’, simple organisms that are neither plant nor animal nor Miyazaki-esque fantastic spirit, exist alongside small agrarian communities. Using Mushishi and its barely animated titular beings as a test case, he argues that animation’s allusory–illusory nature and depiction of nature can combat the central tenets of anthropocentrism, generating a visually figurative ontology in which humans and nonhuman animals, subjects and objects, and characters and landscapes are democratically leveled down to symbolic totems, all rendered unreal through the filter of cartooning.

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McClelland, Mike. "The Legendary Creativity of Hayao Miyazaki and Shigeru Miyamoto as a Product of Metacognitive Awareness, Family, and Environment." Journal of Genius and Eminence 4, no. 2020.01 (2020): 15–21. http://dx.doi.org/10.18536/jge.2020.01.02.

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This article compares two eminent programmers, Shigeru Miyamoto and Hayao Miyazaki, and their respective works, the video game The Legend of Zelda: The Ocarina of Time and the film Princess Mononoke. It discusses their creativity in the context of their above-average access and opportunity to metacognitive skill development, ideation, production, and influence in relation to methods recommended in the research on creativity and genius. This article also looks at how their individual creativity was nurtured by family and scholarship, influenced by birth order and parental relationships, and enhanced by their geographic location and work place. The article concludes that all of these factors combined to allow Miyamoto and Miyazaki to reach legendary levels of creativity, with remarkable similarity to one another.

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Ragunathan, Meelaashah, Erna Herawati, and Lusi Epsilawati. "Gambaran klinis dan faktor predisposisi dari coated tongue pada mahasiswa gigi klinik Fakultas Kedokteran Gigi Universitas Padjadjaran." Jurnal Radiologi Dentomaksilofasial Indonesia 3, no. 3 (2020): 17. http://dx.doi.org/10.32793/jrdi.v3i3.441.

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Objectives: The aim of this research is to find the clinical features and the predisposing factors of coated tongue among clinical dental students in Faculty of Dentistry Universitas Padjadjaran. Material and Methods: The research is a descriptive type where students with coated tongue were observed and specific scores were given based on Miyazaki classification and Gomez classification to measure the distribution and discoloration of the coating on the tongue. For the predisposing factor, a questionnaire was given out to find out the most influential predisposing factor. Results: In this research, 68 clinical dental students were found with coated tongue. Based on Miyazaki classification, 28 have score 1, 29 have score 2 and 11 have score 3. Based on Gomez classification 63 have score 1 (92.6%), 3 have score 2 (4.4%) and 2 have score 3 (3%). coated tongue occur due to soft diet on 29 students (42.6%), medication intake on four students (5.9%), less water intake on 26 students (38.2%) and less fiber intake on nine students (13.2%).  Conclusion: Among all clinical dental students in Faculty of Dentistry Universitas Padjadjaran, most of the sample have scored 2 for Miyazaki classification and score 1 for Gomez classification. For the predisposing factors, coated tongue highly occured due to soft diet followed by less water intake, less fiber intake and medication intake.

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Khusnul Setia Wardani and Keisuke Murakami. "EVALUATION OF BEACH NOURISHMENT ON MIYAZAKI COAST." Journal of Japan Society of Civil Engineers, Ser. B3 (Ocean Engineering) 74, no. 2 (2018): I_294—I_299. http://dx.doi.org/10.2208/jscejoe.74.i_294.

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TANIGUCHI, Mamoru. "Yoji Miyazaki “Urban Regeneration and Consensus Building”." Studies in Regional Science 39, no. 2 (2009): 499–500. http://dx.doi.org/10.2457/srs.39.499.

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Journal articles on the topic 'Miyazaki'

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