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Books on the topic 'Mobile film'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Philip, Stephenson, and Pang Nicholas, eds. Oracle9i Mobile. New York: McGraw-Hill/Osborne, 2002.

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2

Wesołowski, Krzysztof. Mobile communication systems. Chichester: John Wiley, 2001.

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3

Pietra, Ugo La. Il mobile Morelato: Per amore, per scelta. Firenze: Alinea, 1998.

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4

Guttry, Irene De. Scremin: Mobili d'arte. Padova: PMT, 1997.

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5

Nicholas, Pang, ed. Mobile Macromedia Flash MX. Berkeley, Calif: Osborne/McGraw-Hill, 2003.

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6

Funk, Jeffrey L. Mobile disruption: The technologies and applications driving the mobile Internet. Hoboken, NJ: Wiley-Interscience, 2004.

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7

Anderson, Jermaine G. Professional Flash Lite mobile development. Indianapolis, IN: Wiley, 2010.

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8

Pearce, James. Professional mobile Web development with WordPress, Joomla!, and Drupal. Indianapolis, IN: Wiley Pub., 2011.

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9

Principles of mobile communication. 2nd ed. Boston: Kluwer Academic, 2001.

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10

Stüber, Gordon L. Principles of mobile communication. 2nd ed. Boston: Kluwer Academic, 2001.

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11

Stüber, Gordon L. Principles of mobile communication. 2nd ed. Boston: Kluwer Academic, 2001.

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12

Principles of mobile communication. Boston: Kluwer Academic, 1996.

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13

Board, Canada Tariff. Relating to the general preferential tariff ; petition for safeguard action by Mobil Chemical Canada, Ltd., Films Division: Safeguard petition no. 11 : review and recommendation. Ottawa, Canada: Canadian Govt. Pub. Centre, Supply and Services Canada, 1985.

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14

Schefer, Jean Louis. Images mobiles: Récits, visages, flocons. Paris: P.O.L., 1999.

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15

Pulkkinen, Matti. The breakthrough of Nokia mobile phones. [Helsinki]: Helsinki School of Economics and Business Adiminstration, 1997.

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16

Wireless and mobile data networks. Hoboken, NJ: John Wiley & Sons, 2005.

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17

International Workshop of teh EURO-NGI Network of Excellence (2nd 2005 Villa Vigoni, Italy). Wireless systems and network architectures in next generation internet: Second International Workshop of the EURO-NGI Network of Excellence, Villa Vigoni, Italy, July 13-15, 2005 ; revised selected papers. Berlin: Springer, 2006.

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18

Mobile radio networks: Networking, protocols and traffic performance. 2nd ed. Chichester: Wiley, 2002.

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19

Walke, Bernhard. Mobile radio networks: Networking, protocols and traffic performance. 2nd ed. West Sussex, UK: Wiley, 2001.

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20

Walke, Bernhard. Mobile radio networks: Networking and protocols. Chichester: John Wiley & Sons, 1999.

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21

Ltd, Symbian, ed. Professional Symbian programming: Mobile solutions on the EPOC platform. Chicago, Ill: Wrox Press Ltd., 2000.

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22

Wei xin xiao cheng xu kai fa shi zhan. Beijing Shi: Ren min you dian chu ban she, 2017.

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23

Wei xin xiao cheng xu kai fa bi bei 100 Tip. Beijing Shi: Dian zi gong ye chu ban she, 2017.

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24

(Firm), Palazzetti. I classici del mobile moderno = The classics of modern furniture. 3rd ed. [New York]: Palazzetti, 1992.

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25

1970-, Miller Matthew, ed. Master Visually Windows Mobile 2003 visual. Hoboken, NJ: Wiley, c2004., 2004.

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26

Litovski, Ivan. Inside the Symbian SQL: A mobile developer's guide to SQLite. Hoboken, NJ: John Wiley & Sons, 2010.

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27

Litovski, Ivan. Inside the Symbian SQL: A mobile developer's guide to SQLite. Hoboken, NJ: John Wiley & Sons, 2010.

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28

Litovski, Ivan. Inside the Symbian SQL: A mobile developer's guide to SQLite. Hoboken, NJ: John Wiley & Sons, 2010.

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29

Litovski, Ivan. Inside the Symbian SQL: A mobile developer's guide to SQLite. Hoboken, NJ: John Wiley & Sons, 2010.

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30

Spence, Ewan. Rapid Mobile Enterprise Development for Symbian OS. New York: John Wiley & Sons, Ltd., 2005.

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31

The Symbian OS architecture sourcebook: Design and evolution of a mobile phone OS. Hoboken, NJ: J. Wiley & Sons, 2007.

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32

Yeung, Alan. Mobile Macromedia Flash MX: With Flash Remoting & Flash Communication Server. New York: McGraw-Hill/Osborne, 2003.

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33

The art of iPhoneography: A Shutter Sisters' guide to mobile creativity. New York: Lark Books, 2011.

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34

The art of iphoneography: A guide to mobile creativity. Asheville: Pixiq, 2012.

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35

Emanuele, Garofalo, ed. Windows Phone 7 recipes: A problem-solution approach. [New York]: Apress, 2011.

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36

Windows Phone 7 plain & simple. Sebastopol, Calif: O'Reilly, 2010.

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37

Camarillo, Gonzalo. The 3G IP multimedia subsystem (IMS): Merging the Internet and the cellular worlds. 2nd ed. Hoboken, NJ: J. Wiley & Sons, 2006.

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38

Camarillo, Gonzalo. The 3G IP multimedia subsystem (IMS): Merging the Internet and the cellular worlds. 3rd ed. Hoboken, NJ: J. Wiley & Sons, 2008.

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39

Mobile games: Creating business with Nokia N-Gage. Indianapolis, Ind: New Riders, 2003.

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40

Kirsten, Barta, ed. The PayPal official insider guide to mobile profits: Make money anytime, anywhere. Berkeley, CA: Peachpit, 2012.

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41

Kleinman, Sharon. Displacing place: Mobile communication in the twenty-first century. New York: Peter Lang, 2007.

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42

Morsch, Thomas. Der mobile Blick: Film, touristische Wahrnehmung und neue Screen-Technologien. Springer VS, 2020.

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43

Evaluation of on board film processing in mobile breast screening uniit using Kodak equipment. London: Department of Health, Medical Devices Directorate, 1991.

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44

Szczepaniak-Gillece, Jocelyn. A Mobile Gaze through Time and Space. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0004.

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Chapter 3 examines the neutralized cinema in the era of widescreen, from 1950 to 1960. While most histories of widescreen focus on participation, I argue that presence formulated an additional exhibition category. In this way, widescreen was at times figured as a process of mental rather than bodily immersion. Such a description further distanced film from television at a crucial historical juncture and insisted on the removal of vestigial live theater attributes such as the proscenium arch. The chapter discusses the transcineum theater structures at Colonial Williamsburg as pinnacles of Schlanger’s work; these “floating voids” or “optical vacuums” transported spectators into an enormous screen, and thus into the past, via a highly calculated filmic environment.

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45

Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twenty-first century resulted from widespread, multifaceted transformations in postsocialist China. At the core of this rock imaginary is the aesthetic of cinema vérité and postsocialist realism. In sync with the kaleidoscopic manifestation of the cityscape and long tracking shots of protagonists roaming the metropolis, rock music and the hand-held mobile camera seek to document a reality of postmodern life and capture a feeling of postsocialist anxiety-a concern for realism articulated through dialogue and ambient sound.

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46

Coppola, Francis Ford. Dracula. 2015.

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47

Oracle9i Mobile. New York: McGraw-Hill, 2003.

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48

Yadate, Hajime. Mobile suit Gundam. 2015.

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49

Blokdyk, Gerardus. Mobile file management: Complete Self-Assessment Guide. CreateSpace Independent Publishing Platform, 2018.

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50

Keinonen, Turkka, and Christian Lindholm. Mobile Usability: How Nokia Changed the Face of the Mobile Phone. McGraw-Hill Professional, 2003.

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