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Journal articles on the topic 'Mock epic'

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1

Bhati, Tripti. "BELINDA’S WORLD OF TRIVIALITY IN THE RAPE OF THE LOCK: A MICROCOSM OF EIGHTEENTH-CENTURY ENGLAND AND THE IRONIC JUXTAPOSITION OF HER STORY WITH THE CLASSICAL EPICS." SCHOLARLY RESEARCH JOURNAL FOR INTERDISCIPLINARY STUDIES 10, no. 73 (2022): 17681–87. http://dx.doi.org/10.21922/srjis.v10i73.11670.

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The Rape of the Lock is one of the best examples of mock-epic or mock-heroic poems written in English History. It is an imitation of Horatian satire, written in the Eighteenth-Century by Alexander Pope, in which he uses irony, sarcasm, and exaggeration to expose follies and vanities of the aristocratic or upper class in England in an undignified and grandiose manner. Written in heroic couplets about a trivial subject matter, the poet juxtaposes the trivial world of the upper class with the heroic deeds mentioned in the classical epics. This paper navigates the epic allusions used in The Rape o
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Serra, Pedro G. "Machado de Assis e o risum movet do poema herói-cómico. Algumas cláusulas a propósito d’O Almada." Diálogos Latinoamericanos 14, no. 20 (2013): 19. http://dx.doi.org/10.7146/dl.v14i20.113270.

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O Almada, mock-epic poem written by Machado de Assis, proposes a‘theory’ of this ‘difficult’ genre, within a literary program that wouldmean the invention of a first example of mock-epic poetry in Brazilianliterature. Machado’s proposal implies that the mock-epic looses referentiality;otherwise put, undergoes a process of anesthetization. This aesthetic autonomy,however, would signify the universalization of a textual phenomenology of “twofamous compositions that served as models, but are not truly inimitable”. In myarticle I elaborate on how Machado de Assis reads the mock-epic tradition,Boil
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3

Weissbrod, Rachel. "Mock-Epic as a Byproduct of the Norm of Elevated Language." Target. International Journal of Translation Studies 11, no. 2 (1999): 245–62. http://dx.doi.org/10.1075/target.11.2.04wei.

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Abstract Beginning in the late nineteenth century, Hebrew underwent a process of revival. Despite the growing stratification of the language, literary translations into Hebrew were governed by a norm which dictated the use of an elevated style rooted in ancient Hebrew texts. This norm persisted at least until the 1960s. Motivated by the Hebrew tradition of employing the elevated style to produce the mock-epic, translators created mock-epic works independently of the source texts. This article describes the creation of the mock-epic in canonized and non canonized adult and children's literature
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Praet, Stijn. "The Trojan Ass: Asinarius as Mock Epic." Viator 44, no. 3 (2013): 157–73. http://dx.doi.org/10.1484/j.viator.1.103482.

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Balcells, José María. "El Arcipreste de Hita y el subgénero ficcional de la epopeya alegórica." Estudios Humanísticos. Filología, no. 17 (December 15, 1995): 29. http://dx.doi.org/10.18002/ehf.v0i17.4103.

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<p>Tres son los subgéneros ficcionales a los que se ha vinculado el episodio juanruiciano «De la pelea que ovo Don Carnal con la Quaresma»: los «debates»; la epopeya burlesca de tradición clásica y la epopeya. alegórica medieval. Examinado el relato bajo el prisma de los rasgos pertinentes que conforman los «debates», se concluye que no es razonable considerarlo como tal. Respecto al erróneo ligamen entre «De la pelea y la epopeya burlesca que remite a. la Batracomiomaquia, se argumentan razones para negar una relación intertextual entre la obrita helénica y Juan Ruiz. El referido episod
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Edson, M. "RITCHIE ROBERTSON, Mock-Epic Poetry from Pope to Heine." Notes and Queries 60, no. 1 (2013): 155. http://dx.doi.org/10.1093/notesj/gjs251.

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7

Claes, Paul. "The Bloomiad: A Mock Heroic Epic in Eighteen Stanzas." James Joyce Quarterly 51, no. 2-3 (2014): 501–8. http://dx.doi.org/10.1353/jjq.2014.0025.

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8

Parker, Blanford. "Mock-Epic Poetry: Pope to Heine by Ritchie Robertson." Scriblerian and the Kit-Cats 46, no. 2 (2014): 179–81. http://dx.doi.org/10.1353/scb.2014.0014.

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9

Krämer, Olav. "Rowdies and Dandies (Schläger und Stutzer)." Daphnis 46, no. 1-2 (2018): 308–26. http://dx.doi.org/10.1163/18796583-04601004.

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The decades between 1730 and 1770 witnessed the publication of a large number of mock-heroic epic poems, in many cases inspired by Alexander Pope’s The Rape of the Lock (1712–1717). One of the most successful products of this trend was Friedrich Wilhelm Zachariä’s Der Renommiste (1744). The article attempts to show that Zachariä’s poem, in addition to using the constitutive contrasts of mock-heroic for comic effects, also displays a critical attitude towards traditional ideals of heroism.
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10

Szilagyi, Stephen, and Gregory G. Colomb. "Designs on Truth: The Poetics of the Augustan Mock-Epic." South Atlantic Review 58, no. 3 (1993): 110. http://dx.doi.org/10.2307/3200921.

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11

Forbes, Alexander, and Gregory G. Colomb. "Designs on Truth: The Poetics of the Augustan Mock Epic." Rocky Mountain Review of Language and Literature 47, no. 4 (1993): 252. http://dx.doi.org/10.2307/1348315.

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12

Hammond, Brean S., and Gregory C. Colomb. "Designs on Truth: The Poetics of the Augustan Mock-Epic." Yearbook of English Studies 25 (1995): 293. http://dx.doi.org/10.2307/3508880.

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13

Driscoll, Kate. "Heiress of Fiction: Marfisa and the Macabre Legacy of Chivalric Ferrara." Renaissance Quarterly 77, no. 4 (2024): 1134–83. https://doi.org/10.1017/rqx.2024.432.

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This essay traces parallel developments in the myths and legends associated with the historical noblewoman Marfisa d’Este (1554–1608) and her literary counterpart Marfisa, the warrior knight from chivalric romance epic poetry. Through the Este princess’s embrace of her cross-dressing fictional double in courtly performance, alongside the evolution of the figure “Marfisa bizzarra” in Italian mock epic, the intermedial afterlives of these two figures reinterpreted the women’s brazen, autonomous agency as nefarious, destructive desire. Fantasies of decadent-turned-grim Ferrara, Marfisa’s native c
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14

De Decker, Filip. "The Augment in the Fragments of the Epic Cycle and Other Fragmentary Greek Epic." Yearbook of Ancient Greek Epic Online 5, no. 1 (2021): 58–134. http://dx.doi.org/10.1163/24688487-00501003.

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Abstract I discuss the use of the augment in fragmentary hexametric Greek texts outside of early epic Greek (Homer, Hesiod, and the Homeric Hymns) and the mock-epic works (such as the Batrakhomyomakhia). I quote them after West 2003 but also analyze fragments that are not found in West. I determine the metrically secure forms, discuss previous scholarship on the meaning of the augment in epic Greek, and then proceed to the actual analysis. For my investigation, I divide the fragments in three categories: first, those that can be analyzed; second, those that have fewer forms and that allow for
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Gupta, Nikhil. "Fashioning Bernice and Belinda: F. Scott Fitzgerald's Revision of Alexander Pope's Mock Epic." Texas Studies in Literature and Language 57, no. 1 (2015): 31–52. http://dx.doi.org/10.7560/tsll57102.

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16

Ziolkowski, Theodore. "Mock-Epic Poetry from Pope to Heine by Ritchie Robertson (review)." MLN 127, no. 5 (2012): 1274–78. http://dx.doi.org/10.1353/mln.2012.0137.

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Kropf, Carl R. "Douglas Adams’s “Hitchhiker” Novels as Mock Science Fiction." Science Fiction Studies 15, Part 1 (1988): 61–70. https://doi.org/10.1525/sfs.15.1.0061.

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Reviewers of Douglas Adams’s “Hitchhiker” novels have accurately noted that his works do not conform to any of the usual definitions of SF. One useful way of discussing these works is to regard them as examples of mock SF, analogous in form and function to the mock epic. Adams’s novels employ many of the conventional plot devices of SF—exotic hardware, strange life forms, narrow escapes. But at every turn the conventions are used to frustrate rather than fulfill the reader’s normal expectations of what should happen in the genre. For example, Adams’s hero, Arthur, is a bungler who repeatedly e
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Zbądzki, Jakub. "Intertextual Echoes or Cultural Universals? Reassessing the Influence of Ancient Greek Poetry in The Mighty Thor series (issues 363–6)." Symbolae Philologorum Posnaniensium Graecae et Latinae 34, no. 1 (2024): 143–53. http://dx.doi.org/10.14746/sppgl.2024.xxxiv.1.8.

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The purpose of this article is to reexamine the interpretation of comics 363–6 in Marvel’s The Mighty Thor series as a retelling of the Hellenistic mock epic poem Batrachomyomachia, a view expressed by scholars such as Nicholas Newman in his paper entitled The War of Frogs and Rats. The Batrachomyomachia in Marvel’s The Mighty Thor. The article proposes an alternative approach to reading these comics outside of the antique context, interpreting the similarities between the two works through the lens of cultural universals theory.
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19

Porter, David W. "The Anglo-Latin elegy of Herbert and Wulfgar." Anglo-Saxon England 40 (December 2011): 225–47. http://dx.doi.org/10.1017/s026367511100010x.

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AbstractA poem by a French monk named Herbert petitions Wulfgar Abbot of Abingdon for a gift of warm clothing. The poem, a mock epic employing alliteration and hermeneutic vocabulary, presents the seasons as warring deities. Using similar technique in the final eight lines of the poem, Wulfgar denies Herbert with a humourous response. This article contains an edition, translation, and analysis of the poem, along with brief biographies of the two authors. Another work by Herbert, a prosimetric letter requesting an allowance of fish, is edited and translated in an appendix.
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Struhal, Eva. "Natural Painting and the New Science in Seventeenth-Century Florence." Nuncius 32, no. 3 (2017): 683–708. http://dx.doi.org/10.1163/18253911-03203008.

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This article compares the techniques of observation and experimentation (“esperienze”) practiced by members of the Accademia del Cimento with the “pure imitation of truth” pursued by Florentine painter Lorenzo Lippi (1606–1665). Lippi’s art reveals striking parallels between developments in the fine arts and the sciences in seventeenth-century Florence, particularly in their moral commitment towards the truthful representation of nature and a matter-of-fact style of representation. Despite these parallels, it is interesting to note that in his mock-epic Il Malmantile Racquistato, Lippi parodie
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Hays, Peter L. "If As I Lay Dying is a mock-epic, what is being mocked?" Explicator 79, no. 4 (2021): 188–91. http://dx.doi.org/10.1080/00144940.2021.2005524.

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Sena, John F. "Gregory G. Colomb. Designs on Truth. The Poetics of the Augustan Mock-Epic." Scriblerian and the Kit-Cats 26, no. 1 (1993): 59–61. http://dx.doi.org/10.5325/scriblerian.26.1.0059.

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23

Rawson, C. "War and the Epic Mania in England and France: Milton, Boileau, Prior and English Mock-Heroic." Review of English Studies 64, no. 265 (2012): 433–53. http://dx.doi.org/10.1093/res/hgs084.

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24

Mora, Arthur Katrein. "A ORIGEM DO ESTRANHAMENTO: PROVOCAÇÕES INTERTEXTUAIS EM EU, TITUBA, FEITICEIRA... NEGRA DE SALEM." Cadernos do IL, no. 58 (October 15, 2019): 29–45. http://dx.doi.org/10.22456/2236-6385.93158.

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Este trabalho tem por objetivo investigar a origem do estranhamento provocado pela leitura de Eu, Tituba, feiticeira... Negra de Salem (1986), de Maryse Condé. Ambientada no século XVII, o livro trata de Tituba, negra natural da ilha de Barbados e escravizada na América do Norte. Conforme as teorias Leonor Arfuch (2010), Ingedore Koch (2012) e Ritchie Robertson (2009), a análise revela que Eu, Tituba... é, estilisticamente, uma espécie de mock-epic pós-moderno, projetada com o intuito consciente de desafiar os códigos de expectativa do receptor. Uma performance poética que celebra a cultura e
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Levy, John F. "The Gospel according to Aucupre, or Réécriture on the cheap." Reinardus / Yearbook of the International Reynard Society 23 (December 23, 2011): 104–25. http://dx.doi.org/10.1075/rein.23.05lev.

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Previous commentators on the prologue to the gamma version of the Roman de Renart have dealt with it brilliantly but selectively, thereby omitting certain features of interest. After a brief initial look at authorial tone in the other families – alpha, beta and composite – we focus on the author’s effort to “cyclify” the gamma version and, especially, on how we read the gamma version’s two exemplary tales. A diverse set of new problems arises in regard to the prologue: how the pastiche or parody of the chansons de geste in the Renart mock epic may have been received by the medieval public, why
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Semyonov, Vadim. "“A Din and a Dirdy, a Garray and a Hirdy Girdy”: the specifics of the composition of pars prima of the Scottish mock epic "Colkelbie Sow"." St. Tikhons' University Review. Series III. Philology 74 (March 31, 2023): 66–81. http://dx.doi.org/10.15382/sturiii202374.66-81.

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The article deals with «Colkelbie Sow», the epic poem of the 15th century, created by an anonymous author in Middle Scots. The Anglo-Scottish publishers of this mock-epic perceived the poem as strange, incomprehensible, with a bizarre composition. Therefore, its plot and narrative structure became the subject of our study. The research methods are historical poetics, versification and linguopoetics. The main attention was focused on the vaguest part of the poem - Pars Prima. The study revealed significant differences between this part and the Proemium and the following parts. The differences a
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Lőrincz, Julianna. "Az epitheton ornansok Petőfi Sándor A helység kalapácsa című művében és fordításaiban." Névtani Értesítő 46 (October 28, 2024): 33–42. http://dx.doi.org/10.29178/nevtert.2024.3.

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Observing literary names and fictional name translations is essential in applied onomastics, contrastive stylistics and literary comparatistics. This paper examines the significance and characteristic function of the proper names and epitheta ornantia in the mock epic poem entitled A helység kalapácsa [‘The Hammer of the Village’], both in the source language text and in the Russian and English translations of the poem. The Petőfi text contains a multitude of epitheta ornantia, either in conjunction with proper names in fixed noun constructions or dispersed throughout the text. The latter adje
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Myers, K. Sara. "THE CULEX’S METAPOETIC FUNERARY GARDEN." Classical Quarterly 70, no. 2 (2020): 749–55. http://dx.doi.org/10.1017/s0009838821000045.

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The Culex is now widely recognized as a piece of post-Ovidian, possibly Tiberian, pseudo-juvenilia written by an author impersonating the young Virgil, although it was attached to Virgil's name already in the first century c.e., being identified as Virgilian by Statius, Suetonius and Martial. Dedicated to the young Octavian (Octaui in line 1), the poem seems to fill a biographical gap in Virgil's career before his composition of the Eclogues. It is introduced as a ludus, which Irene Peirano suggests may openly refer to ‘the act of impersonating Virgil’, and, like many of the poems in the Appen
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Ricke, Joe. "‘Text Corruptions’ Corruption: Restoring C.S. Lewis's Critical Satire." Journal of Inklings Studies 14, no. 1 (2024): 43–61. http://dx.doi.org/10.3366/ink.2024.0215.

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This essay examines in detail a C.S. Lewis letter, published in The Times Literary Supplement that was, in fact, an example of ‘mock-criticism’ (as in ‘mock-epic’), being a satiric parody of an argument made by eminent Shakespeare scholar John Dover Wilson. Lewis published his ‘minor disagreement’ in March 1950, to which Dover Wilson responded with appreciation for Lewis's good humour but continued disagreement on the point of contention – that Shakespeare would ever include lines of verse in a section of his prose. By close analysis, the essay demonstrates how the editor of The Collected Lett
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Duff, David. "Prospectuses, Specimens and National Works: Byron and John Hookham Frere." Byron Journal 52, no. 1 (2024): 45–64. http://dx.doi.org/10.3828/bj.2024.7.

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This article analyses Byron’s stylistic conversion of 1817 by examining the transformative impact of John Hookham Frere’s Prospectus and Specimen of an Intended National Work, by William and Robert Whistlecraft , which Byron acknowledged as his ‘immediate model’ for Beppo . Previous studies of this textual relationship have centred on ottava rima and emphasised the underlying influence of Italian burlesque poetry. I highlight other aspects of Frere’s poem, showing how its title page parodies publishers’ marketing devices and how it mixes mock-epic romance with wide-ranging satire of the Britis
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Wolfe, Jessica. "The Arse Poetica of Thomas Hobbes: On the Composition and Reception of De Mirabilibus Pecci." Erudition and the Republic of Letters 1, no. 3 (2016): 305–57. http://dx.doi.org/10.1163/24055069-00103002.

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This article provides a two-part study of Thomas Hobbes’ De Mirabilibus Pecci, a Latin poem composed very early in his career. Part one examines the poem as a product of Hobbes’ participation in the recreational literary culture of Caroline England, in particular analysing the influence of mock-epic and burlesque traditions that would continue to shape Hobbes’ writings but also studying how the poem offers compelling evidence for his early preoccupation with the laws of motion, with geological processes such as the creation and erosion of stone formations, and with the philosophy of Lucretius.
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Novolodskay, N. S. "The Comic Effect of Dialectisms in German-Language Fairy Tales." Prepodavatel XXI vek, no. 4/2 (December 30, 2023): 492–98. http://dx.doi.org/10.31862/2073-9613-2023-4-492-498.

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The article deals with the linguistic realization of humor in colloquial speech by means of dialectisms on the example of German-language tales about the Swabians. The relevance of the research lies in the study of the use of dialectisms to create humorous situations in the epic kind of literature. The author uses a story that tells about the adventures of short-sighted and cowardly Swabians for the analysis. This story is presented by the Grimm brothers in the fairy tale “Die sieben Schwaben” and by Ludwig Bechstein in the fairy tale “Das Märchen von den sieben Schwaben”. The author gives exa
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Pomeroy, Jeremy. "Private Experience and Public-Spirited Critique: Brexit-Era Britain in the Recent Poetry of Vidyan Ravinthiran and Nicholas Hagger." Porównania 30, no. 3 (2021): 107–18. http://dx.doi.org/10.14746/por.2021.3.7.

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Two starkly different aspects of the Brexit phenomenon may be seen in the recent work of two British poets, Vidyan Ravinthiran and Nicholas Hagger. Ravinthiran’s most recent book consists of love sonnets composed for his wife. These are addressed to an intimate “you” which, upon publication, is expanded to vicariously include his readership. In the course of their everyday life as a mixed-race couple in northern England, the context of Brexit occasionally intrudes. When it leads him to communicate something to his wife, the poet organically transcribes these experiences. While ultimately a sec
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Nikookar, Zeinab, and Mona Hoorvash. "Ideology, RSA, and ISA in Alexander Pope's The Rape of the Lock." Language Horizons 2 (1) (October 10, 2018): 103–15. https://doi.org/10.22051/lghor.2018.21918.1087.

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The present study aims to focus on Alexander Pope’s controversial mock epic, The Rape of the Lock, to investigate the effects of Repressive and Ideological State Apparatus on the formation of characters’ identities in this 18th century poem. It seeks to analyze the ideological atmosphere in The Rape of the Lock and discusses the complexities of notions such as materialism, virtue, womanhood and conciliation in characters’ actions, words and belief on the basis of Louis Althusser’s theories of interpellationand Repressive and Ideological State Apparatuses. It analyses th
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Wodzyński, Łukasz. "An Adventure for All Ages: History, Post-Memory, and Romance in Tomasz Różycki's Twelve Stations." Slavic Review 83, no. 1 (2024): 42–57. http://dx.doi.org/10.1017/slr.2024.310.

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AbstractThe article examines Tomasz Różycki’s 2004 mock epic Twelve Stations. The poem recounts an oneiric tale about a community of expatriates from Poland’s Eastern Borderlands who send their grandson on a mission to assemble a scattered family and guide it to their lost homeland in today’s Ukraine. Revolving around the issues of memory, post-memory, and nostalgia, Twelve Stations draws heavily from the adventure tradition to present a fresh perspective on modern Poland’s founding myths: the loss of Borderlands and settling the post-German territories in the West. Reading the poem in the con
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Markovits, Stefanie. "Arthur Hugh Clough, Amours de Voyage, and the Victorian Crisis of Action." Nineteenth-Century Literature 55, no. 4 (2001): 445–78. http://dx.doi.org/10.1525/ncl.2001.55.4.445.

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Arthur Hugh Clough's Amours de Voyage (1858) provides a revealing lens through which to explore the implications for genre of the changing status of action in the nineteenth century. For historical reasons, conceptions of action shifted in the Victorian period, leading most notably to a decrease in the legibility of deeds. The shift opened up a critical dispute concerning the relative importance of the Aristotelian categories of character and action in literature. This dispute resulted in an emphasis on a literature of inaction - both frustrated external action and heightened internal action -
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Watson, Lindsay. "Catullus’ Priapean Poem (c. 17)." Antichthon 55 (2021): 35–52. http://dx.doi.org/10.1017/ann.2021.10.

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AbstractCatullus 17 poses a host of interpretational difficulties. The thorniest of these concerns its unity. How can the initial lines on the rickety state of Colonia's ponticulus be reconciled with the real focus of the poem, the precipitation from the bridge of a husband who is blind to his bride's erotic needs, in the hope of bringing him to his senses? Many attempts have been made to resolve the problem, but few persuade to any degree. This paper proposes that the key to the unity-question lies in Catullus’ adoption of the rare priapean metre. This manoeuvre expresses itself in two ways:
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Lavine, Ludmila Shleyfer. "Ruslan and Lolita : Nabokov's Pursuit of Pushkin's Monsters, Maidens, and Morals." Nabokov Studies 18, no. 1 (2022): 67–90. http://dx.doi.org/10.1353/nab.2022.a901980.

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Abstract: The previously unexplored Russian precursor to Humbert's "kingdom by the sea"—Pushkin's mock-epic Ruslan and Liudmila ( RL )—permeates different layers of meaning in Lolita . An amalgam of Slavic and Western folklore that scandalized the reading public in its day, Pushkin's work underpins Nabokov's own transnational position as a writer, whose splash onto the Anglophone scene was accompanied by similar outcries of smut and pornography. In addition to a multitude of fairy-tale sources already documented in the scholarship, Lolita 's cluster of mermaids, sleeping beauties, dark magic,
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SEREBRENNIKOV, ARTEM. "Centenary Paper: Drunken Russian Don Quixote: A Forgotten Early Cervantine Reference." Bulletin of Hispanic Studies 102, no. 3 (2025): 233–40. https://doi.org/10.3828/bhs.2025.10.

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This paper brings to light a forgotten Latin poem, ‘In quendam qui ebrius in vrbe Moscua periculū fecerit fortitudinis in imagines camini’/ ‘On a Certain Man Who, While Being Drunk in the City of Moscow, Tested His Mettle Against Some Images on a Stove’ by Richard James (1592–1638), a Jacobean traveller, diplomat and polymath. Between 1618 and 1620 James participated in an English legation to Muscovy. The main product of his extensive stay was his diary, containing the first Russian–English dictionary, remarks about Russian culture and six Russian folk songs. However, James’ contribution to Ru
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Geue, Tom. "THE LOSER LEAVES (ROME'S LOSS): UMBRICIUS' WISHFUL EXILE IN JUVENAL, SATIRE 3." Classical Quarterly 65, no. 2 (2015): 773–87. http://dx.doi.org/10.1017/s0009838815000130.

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Juvenal's third satire is a privileged piece of verbal diarrhoea. As the longest satire in Juvenal's well-attended Book 1, as the centre of this book, and as the one Juvenalian jewel that sparkles ‘non-rhetorically’, it has always been the critics’ darling. Its protagonist, on the other hand, has not always been so popular. Recently, reader sympathy for old Umbricius (the poem's main speaker) has shifted to laughter in his face; the old sense of ‘pathetic’ has ceded to the new. One of the central strategies of the ‘Umbricius-as-caricature’ camp has been to point to the overtime worked by ‘mock
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Byrcyn, Anna Gąsienica. "The Mouseiad and Other Mock Epics [Myszeis]." Polish Review 67, no. 4 (2022): 166–69. http://dx.doi.org/10.5406/23300841.67.4.26.

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John, Preethi, Mary P. Hodges, Gaurav Shah, et al. "A quality improvement initiative to increase screening for financial coverage for breast cancer patients to decrease financial toxicity." Journal of Clinical Oncology 39, no. 28_suppl (2021): 259. http://dx.doi.org/10.1200/jco.2020.39.28_suppl.259.

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259 Background: In April 2021, it was found that 35% of our breast cancer patients seen in the breast surgery and medical oncology clinics had no financial coverage leading to significant financial toxicity at Parkland Memorial Hospital, a safety net hospital for Dallas county in Texas. In addition, only 8% of all our breast cancer patients were financially screened in April 2021. We aimed to increase pre-visit phone calls to financially screen patients within a week of their subsequent visit with a provider from a baseline rate of 8% to 20% for all breast cancer patients in hopes of capturing
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Raetz, Jaqueline, Barak Gaster, Basia Belza, et al. "Implementation of the GSA KAER Toolkit in a Large Clinic System: Workflow Modifications and EMR Tools." Innovation in Aging 5, Supplement_1 (2021): 345. http://dx.doi.org/10.1093/geroni/igab046.1337.

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Abstract We implemented the KAER toolkit in the University of Washington primary care clinics. In this session we share the workflows implemented to promote the KAER model and share the tools we developed within EPIC, the system's electronic medical record (EMR). We collaborated with clinic staff to develop interdisciplinary workflows including: training patient service representatives, social workers, nurses, and medical assistants (MAs) about 'red flags;' training medical assistants to complete the Patient Health Questionnaire (PHQ-9) and Montreal Cognitive Assessment (MoCA); and assuring th
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44

Ascoli, Albert R., and Elizabeth A. Chesney. "The Countervoyage of Rabelais and Ariosto: A Comparative Reading of Two Renaissance Mock Epics." Italica 64, no. 1 (1987): 150. http://dx.doi.org/10.2307/478517.

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45

Neppe, Vernon M. "Consciousness, science and spirituality: the broad conceptualization of consciousness through the prism of extending to the new physics." Journal of Psychology & Clinical Psychiatry 11, no. 1 (2020): 18–38. http://dx.doi.org/10.15406/jpcpy.2020.11.00666.

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‘Consciousness’ cannot adequately be conceptualized unless we apply several different prongs. This paper is divided into three sections. A perspective on Consciousness: Improving on the EPIC prongs. Section 1. The 12 prongs of Consciousness: PIERCED MOCKS. Section 2 linked with WH adverbs. The Elusive Mystery Solved: The Gimmel of Consciousness Section 3. Ultimately, Consciousness can be an important component of understanding not only psychology and medicine but physics and the new discipline of Dimensional Biopsychophysics. We likely cannot understand consciousness without recognizing that t
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46

West, Michael. "Spenser's Art of War: Chivalric Allegory, Military Technology, and the Elizabethan Mock-Heroic Sensibility." Renaissance Quarterly 41, no. 4 (1988): 654–704. http://dx.doi.org/10.2307/2861885.

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In the medieval romances single combat was the knightly norm. The Italian chivalric epics sought to adapt this convention to the ideals of the Renaissance courtier. In Il Cortegiano, Frederico Fregoso explains “that where the Courtyer is at skirmishe, or assault, or battaile upon the land, or in such other places of enterprise, he ought to worke the matter wisely in seperating himself from the multitude, and undertake his notable and bould feates which he hath to doe, with as little company as he can.“’ But such displays of panache had little place in the massed infantry tactics that dominated
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47

Johns-Putra, Adeline. "Satirising the Courtly Woman and Defending the Domestic Woman: Mock Epics and Women Poets in the Romantic Age." Romanticism on the Net, no. 15 (1999): 0. http://dx.doi.org/10.7202/005863ar.

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48

Augier-Grimaud, Johana. "« Et leurs yeux libidineux se rencontrèrent » : la parodie de la scène de première rencontre dans le Satyricon de Pétrone (Sat. 126 à 128)." Vita Latina 191, no. 1 (2015): 117–30. http://dx.doi.org/10.3406/vita.2015.1813.

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The parodical nature of the Satyricon has not to be proved anymore : Petronius strives to satirize a number of serious genres, and to mock their specific rhetoric and their sublime representation of reality. The narrative of Encolpius’ encounter with a young woman (Sat. 126-128) is an interesting illustration of this systematic process of reversal that the author imposes to the literary Models. Petronius masters indeed all the codes of the first meeting scene, and those of the epico-elegiac lover discourse. But he enjoys appropriating this literary topos comically in order to turn it away : th
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Iannarino, Nicholas T. "“What a Loser That Guy Was”: Norm Macdonald’s Humorous Critique of the Romantic/Warrior Narrative." Journal of Communication Inquiry 42, no. 3 (2018): 241–57. http://dx.doi.org/10.1177/0196859918771891.

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Illness narratives are stories that focus on, or are inspired by, the sometimes life-altering experience of illness. Most narrative constructions of these illness experiences are built upon one of three broad narrative “skeletons.” One skeletal subform, the romantic/warrior narrative, is critiqued by comedian Norm Macdonald in a humorous anecdote that mocks the expectation that cancer patients must wage an epic and heroic battle against their pernicious cancer to have a chance to survive. Macdonald explicates that such a mentality produces heroes and villains, winners and losers, and places ad
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Takle, Chaitra A., Eun-Jin Choi, Eun Seok Choi, et al. "The Impact of EPAC2-Associated Junction Plakoglobin on Respiratory Syncytial Virus Infection." Viruses 17, no. 5 (2025): 627. https://doi.org/10.3390/v17050627.

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Respiratory syncytial virus (RSV) is a leading cause of lower respiratory tract infections in infants, young children, and immunocompromised individuals. Currently, FDA-approved monoclonal antibody therapies are limited to infants and young children with severe RSV disease. As a result, there is an urgent need for comprehensive studies of RSV pathogenesis to support the development of new therapeutic strategies. Exchange proteins directly activated by cAMP (EPAC) have recently emerged as key regulators in various viral infections. Our previous work identified EPAC isoform 2 (EPAC2) as a critic
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