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Books on the topic 'Model of provenance'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Liu, Qing. Data Provenance and Data Management in eScience. Springer Berlin Heidelberg, 2013.

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2

Ashton, T. L. The Madonna Model,: A Tale of Doubtful Provenance. CreateSpace Independent Publishing Platform, 2018.

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3

Liu, Qing, Quan Bai, and Stephen Giugni. Data Provenance and Data Management in eScience. Springer, 2012.

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4

Liu, Qing, Quan Bai, Darrell Williamson, Stephen Giugni, and Johnn Taylor. Data Provenance and Data Management in EScience. Springer Berlin / Heidelberg, 2014.

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5

Glavic, Boris. Data Provenance: Origins, Applications, Algorithms, and Models. Now Publishers, 2021.

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6

Liu, Huan, Geoffrey Barbier, Zhuo Feng, and Pritam Gundecha. Provenance Data in Social Media. Springer International Publishing AG, 2013.

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7

Provenance Data in Social Media. Morgan & Claypool Publishers, 2013.

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8

Liu, Huan, Geoffrey Barbier, Zhuo Feng, and Pritam Gundecha. Provenance Data in Social Media. Morgan & Claypool Publishers, 2013.

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9

Konstan, David. Comedy and the Athenian Ideal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198748472.003.0006.

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New Comedy was a Panhellenic phenomenon. It may be that a performance in Athens was still the acme of a comic playwright’s career, but Athens was no longer the exclusive venue of the genre. Yet Athens, or an idealized version of Athens, remained the setting or backdrop for New Comedy, whatever its provenance or intended audience. New Comedy was thus an important vehicle for the dissemination of the Athenian polis model throughout the Hellenistic world, and it was a factor in what has been termed ‘the great convergence’. The role of New Comedy in projecting an idealized image of the city-state

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10

Seneviratne, Oshani W., Leslie F. Sikos, and Deborah L. McGuinness. Provenance in Data Science: From Data Models to Context-Aware Knowledge Graphs. Springer International Publishing AG, 2021.

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Seneviratne, Oshani W., Leslie F. Sikos, and Deborah L. McGuinness. Provenance in Data Science: From Data Models to Context-Aware Knowledge Graphs. Springer International Publishing AG, 2022.

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12

The Gothic Language: Grammar, Genetic Provenance and Typology, Readings (Berkeley Models of Grammars, V. 5.). Peter Lang Publishing, 2003.

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13

McConville, Mike, and Luke Marsh. The Myth of Judicial Independence. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198822103.001.0001.

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This book on the criminal justice system is uniquely positioned to examine judicial claims to independence, the politics of the judiciary, the rule of law, and the role of the executive in the context of a democratic polity. The authors have mined the British government’s archival vaults to assemble records including official (previously classified) Home Office files and present a ground-breaking narrative. By tracking the relationship between senior judges and the Home Office from the end of the nineteenth century to the modern day, revelations concerning the politics of the judiciary and the

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14

Parmenter, Christopher Stedman. Racialized Commodities. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197757147.001.0001.

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Abstract Between circa 700 and 300 BCE, the ancient Greeks developed a vivid imaginary of the world’s peoples. Ranging from the light-skinned, “gray-eyed Thracians” of the distant north to the “dark-skinned Ethiopians” of the far south (as the poet Xenophanes would describe around 540 BCE), Greeks envisioned a world populated by human groups with distinct physiognomies. Racialized Commodities traces how Greece’s “racial imaginary”—a confluence of thinking about cultural geography, commodity production, and human physiognomy—emerged out of the context of cross-cultural trade between Greece and

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15

Geczy, Adam. Phenomenology of Paint. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350452053.

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Analyzing the different modes of appearance and application of the most ubiquitous medium in art and ritual, this book examines the aesthetics, anthropology, ethnography and history of paint. The result is a clearly articulated account of both the materiality and phenomenology of paint, as substance and idea. Beginning with paint as ritual in prehistoric and ancient times, it discusses the provenance, politics and chemistry of pigments, the role of concealment and beautification as paint is applied to bodies, the stories and practices of hiding paint by artists, and efforts to isolate paint as

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