Relevant bibliographies by topics / Modern American drama

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  1. Journal articles

Academic literature on the topic 'Modern American drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Modern American drama"

1

Parsons, E. "Modern American Drama on Screen * Modern British Drama on Screen." Adaptation 8, no. 1 (2015): 145–46. http://dx.doi.org/10.1093/adaptation/apv002.

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2

Henke, Richard, and C. W. E. Bigsby. "Modern American Drama: 1945-1990." American Literature 66, no. 4 (1994): 874. http://dx.doi.org/10.2307/2927741.

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3

Kolin, Philip C., and C. W. E. Bigsby. "Modern American Drama, 1945-1990." World Literature Today 68, no. 1 (1994): 135. http://dx.doi.org/10.2307/40149953.

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4

Abdulmunem Azeez, Rasha. "Paula Vogel And The Modern American Female Playwrights." Journal of the College of languages, no. 44 (June 1, 2021): 46–71. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0046.

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Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there we
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5

Guerra, Jonnie G., June Schlueter, Alice M. Robinson, Vera Mowray Roberts, and Milly S. Barranger. "Modern American Drama: The Female Canon." Theatre Journal 44, no. 1 (1992): 125. http://dx.doi.org/10.2307/3208536.

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6

Ben-Zvi, Linda, and June Schlueter. "Feminist Rereadings of Modern American Drama." Modern Language Review 87, no. 3 (1992): 734. http://dx.doi.org/10.2307/3732980.

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7

Bower, Martha Gilman, and Patricia R. Schroeder. "The Presence of the Past in Modern American Drama." American Literature 61, no. 4 (1989): 718. http://dx.doi.org/10.2307/2927027.

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8

Elam, Jr., Harry. "August Wilson, Doubling, Madness, and Modern African-American Drama." Modern Drama 43, no. 4 (2000): 611–32. http://dx.doi.org/10.3138/md.43.4.611.

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9

Stroupe, John H., and Patricia R. Schroeder. "The Presence of the past in Modern American Drama." Modern Language Review 86, no. 3 (1991): 705. http://dx.doi.org/10.2307/3731052.

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10

Abdullah Hammood, Najim, Samer Dhahir Mahmood, and Mohamed Ramadhan Hashim. "The Offstage Character in Modern American Drama: Sam Shepard’s Buried Child." International Journal of Applied Linguistics and English Literature 9, no. 4 (2020): 117. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.4p.117.

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This paper highlights and explains the impact of the offstage character, which is widely prevalent in the American drama, on the onstage characters and the audience as well. In the 20th century, American drama is marked by the loss and absence which depict the dark side of American society because of the ramifications of the two World Wars. These consequences are the major reasons behind man’s hopelessness, alienation and failure. With the great development in the field of psychology, at the hand of Sigmund Schlomo Freud in the 19th century, which paved the path for the writers to deeply burro
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