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Journal articles on the topic 'Modern Anglophone literary criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Hess, Scott. "The Romantic Work of Genius: Author, Nature, Nation, and the “Genial Criticism” of Samuel Taylor Coleridge." Modern Language Quarterly 80, no. 3 (2019): 287–310. http://dx.doi.org/10.1215/00267929-7569624.

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Abstract This essay explores how genius in the nineteenth century simultaneously constituted both individual and collective national identity, helping to produce new forms of liberal democratic nationalist culture. It offers a Latourian interpretation of genius in terms of the kind of social work and connections that the term enabled. Genius became associated in the late eighteenth and early nineteenth centuries with author, nature, and nation in ways that grounded new models of literature and identity in the supposedly transcendental truth of nature and in specific landscapes as “sites of mem

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2

Newton, K. M. "HERMENEUTICS AND MODERN LITERARY CRITICISM." British Journal of Aesthetics 29, no. 2 (1989): 116–27. http://dx.doi.org/10.1093/bjaesthetics/29.2.116.

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3

Kaplan, Cora. "The Professional Fix: Anglophone Feminist Criticism in National Contexts." Tulsa Studies in Women's Literature 12, no. 2 (1993): 229. http://dx.doi.org/10.2307/463925.

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4

Aziz, Abd, and M. Imam Sofyan Yahya. "KRITIK INTRINSIKALITAS DAN EKSTRINSIKALITAS SASTRA MODERN DALAM KAJIAN SASTRA ARAB MODERN." Mumtaz: Jurnal Studi Al-Qur'an dan Keislaman 3, no. 1 (2019): 23–36. http://dx.doi.org/10.36671/mumtaz.v3i1.31.

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In the practice of literary criticism, including Arabic literature, there are two approaches in evaluating literary works, namely the intrinsic approach and the extrinsic approach. The intrinsic approach bases itself on the objective value of literary works itself without connecting with other sciences, or approaches that seek to see literary works objectively with the propositions of linguistics and literary aesthetics. From this approach was born a flow of semiotic literary criticism and structural literary criticism. Meanwhile, the extrinsic approach uses certain scientific measures in eval

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5

Govorukhina, Anastasiya U. "Cognitive identity of modern literary criticism." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2010): 76–88. http://dx.doi.org/10.17223/18137083/30/10.

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6

Lawall, Sarah. "Rene Wellek and Modern Literary Criticism." Comparative Literature 40, no. 1 (1988): 3. http://dx.doi.org/10.2307/1770638.

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7

Chell, Samuel L. "Jazz aesthetics and modern literary criticism." Popular Music and Society 15, no. 3 (1991): 67–74. http://dx.doi.org/10.1080/03007769108591444.

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8

Govorukhina, Yuliya A., and Yuliya N. Dmitrieva. "Literary forecast genre in modern criticism." International Journal “Speech Genres” 30, no. 2 (2021): 136–43. http://dx.doi.org/10.18500/2311-0740-2021-2-30-136-143.

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The article deals with the problem of the genre, which is studied in the theoretical-critical and historical-literary aspects. The results of the comparative typological analysis of texts containing judgments about the future of literature give ground to talk about the literary forecast as an independent genre and thus update the existing classifications. The genre carriers are the topic, problems, tasks of the critic, as well as the structure of the text, the image of the literature. The future of literature as the main theme of forecasting determines the procedure for specific critical world

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9

Crusius, Timothy W., and Roderick P. Hart. "Modern Rhetorical Criticism." College Composition and Communication 42, no. 2 (1991): 254. http://dx.doi.org/10.2307/358211.

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10

Gervais, David. "Wordsworth and Modern Criticism." Cambridge Quarterly XV, no. 2 (1986): 148–56. http://dx.doi.org/10.1093/camqtly/xv.2.148.

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11

Kantor, Roanne L. "A Case of Exploding Markets: Latin American and South Asian Literary “Booms”." Comparative Literature 70, no. 4 (2018): 466–86. http://dx.doi.org/10.1215/00104124-7215506.

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AbstractThis article seeks to explain the recent popularity of South Asian Anglophone literature (beginning in 1981 and peaking between 1998 and 2008) in light of the boom in Latin American literature of the 1960s. It argues that the phenomenon of regional literary “booms” shares features across both eras, and that a unified theory of booms is increasingly important to understanding the way contemporary literature circulates around the globe. Scholarship about both eras has tended to coalesce around three types of boom-driving agents: “creators,” “contexts,” and “curators.” Within that broader

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12

Natiazhko, Svitlana. "Psychoanalytic Research in Modern Ukrainian Literary Criticism." Pitannâ lìteraturoznavstva 91 (November 28, 2015): 220–33. http://dx.doi.org/10.31861/pytlit2015.91.220.

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13

Wellek, Rene. "Rene Wellek and Modern Literary Criticism: Response." Comparative Literature 40, no. 1 (1988): 25. http://dx.doi.org/10.2307/1770639.

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14

Alexandrova-Osokina, O. N. "Issues of Geopoetics in Modern Literary Criticism." Nauchnyi dialog, no. 5 (May 30, 2020): 216–41. http://dx.doi.org/10.24224/2227-1295-2020-5-216-241.

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The results of the study and systematization of literary research on the problems of geopoetics as a direction in Russian literary criticism are presented in this review article. The relevance of the study is seen in the need to comprehend and systematize the accumulated literary experience in the field of the geopoetic paradigm of literary research. The scope of work identified in the research process is an indicator of a growing scientific interest in the aforementioned problems. In the study of the material, it was shown that the theoretical component of the work is the study of the nature

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15

Trijić, Vesna. "Literary Criticism and the Media." Transcultural Studies 11, no. 1 (2015): 72–84. http://dx.doi.org/10.1163/23751606-01101008.

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This article deals with literary reviews published in newspapers and their subordination to modern media which tend to give priority to non-verbal forms of communication, such as photography and the graphic shape of titles, which may control or overshadow the meaning of a text. In order to survive in such a context, book reviewers usually accept the language of journalism which imposes an ideological and commercialized dimension on them, forcing them to abandon their original discourse based on literary criticism. The paper poses the question whether there is any place left for literary critic

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16

Gildea, Niall, and David Wylot. "The And of Modernism: On New Periodizations." Modernist Cultures 14, no. 4 (2019): 446–68. http://dx.doi.org/10.3366/mod.2019.0267.

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The study of literary modernism is in the ascendant in the academy. From alternate modernisms, to neomodernisms, to metamodernism and global modernisms, modernism scholarship has evolved through a configuration of modernism into a cross-cultural and inter-generational aesthetic practice. This article critically examines the periodizing logic implicit in this new modernism scholarship, specifically as it pertains to the study of what is loosely called ‘neomodernism’, which we suggest presents a notable development in literary history for accounts of contemporary fiction and postmodern culture.

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17

Kilpatrick, Hilary, and Roger Allen. "Modern Arabic Literature (A Library of Literary Criticism)." Die Welt des Islams 29, no. 1/4 (1989): 217. http://dx.doi.org/10.2307/1571022.

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18

Orr, Mary, and Lillian S. Robinson. "Modern Women Writers: A Library of Literary Criticism." Modern Language Review 93, no. 3 (1998): 789. http://dx.doi.org/10.2307/3736518.

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19

Ackerman, Alan. "The Prompter's Box: Modern Drama and Literary Criticism." Modern Drama 50, no. 4 (2007): 475–86. http://dx.doi.org/10.3138/md.50.4.475.

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20

Ackerman, Alan. "The Prompter’s Box: Modern Drama and Literary Criticism." Modern Drama 50, no. 4 (2007): 475–86. http://dx.doi.org/10.1353/mdr.0.0000.

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21

Mustoyapova, A. "Actual research areas in modern foreign literary studies." Bulletin of the Karaganda University. Philology series 98, no. 2 (2020): 70–79. http://dx.doi.org/10.31489/2020ph2/70-79.

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The article describes the types of latest research presented in foreign literary studies at the beginning of the XXIst century. The аuthor focuses on the formation of such critical approaches as cognitive criticism, Darwinian criticism, ecocriticism, human and animal studies. The author focuses on the problems of literature at the beginning of the XXIst century, which are closely related to the latest achievements in neurobiology, cognitive science, environmental and evolution issues. A review of the modern foreign researcher’s works allows us to conclude that they are related to poststructura

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22

Saverchanka, I. V. "Achievements of literary science, textology and criticism." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 63, no. 4 (2018): 490–96. http://dx.doi.org/10.29235/2524-2369-2018-63-4-490-496.

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In the article the main achievements of modern Belarusian theory of literature, textology and literary criticism are presented. The author draws attention to the results of scientific research by leading scientists of the Yanka Kupala Institute of Literary Studies – Yevgeny Gorodnitsky, Vladimir Gnilamiedov, Mikhail Tychino and others. The high scientific level of preparation of the Collected Works of Ivan Shamyakin and Ivan Naumenko is noted. The positive influence of critics who work in the Institute of Literary Studies on the development of modern Belarusian prose, poetry, drama and publici

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23

Slaymaker, William. "Ecoing the Other(s): The Call of Global Green and Black African Responses." Publications of the Modern Language Association of America 116, no. 1 (2001): 129–44. http://dx.doi.org/10.1632/s0030812900105085.

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Global production of literature and criticism about the environment has increased dramatically in the past decade, but black African writers and critics have not participated fully in this new approach. Literary green globalism, broadcast from metropolitan centers East and West, has inspired suspicion among some black African anglophone writers, while gaining acceptance among others, who with their Euro-American counterparts have begun to examine the relations of humanity and nature in sub-Saharan environments.

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24

Slaymaker, William. "Ecoing the Other(s): The Call of Global Green and Black African Responses." PMLA/Publications of the Modern Language Association of America 116, no. 1 (2001): 129–44. http://dx.doi.org/10.1632/pmla.2001.116.1.129.

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Global production of literature and criticism about the environment has increased dramatically in the past decade, but black African writers and critics have not participated fully in this new approach. Literary green globalism, broadcast from metropolitan centers East and West, has inspired suspicion among some black African anglophone writers, while gaining acceptance among others, who with their Euro-American counterparts have begun to examine the relations of humanity and nature in sub-Saharan environments.

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25

Kartiganer, Donald M., and Lawrence H. Schwartz. "Creating Faulkner's Reputation: The Politics of Modern Literary Criticism." American Literature 62, no. 1 (1990): 139. http://dx.doi.org/10.2307/2926809.

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26

Al-Dabbagh, Abdulla. "The anti-romantic reaction in modern(ist) literary criticism." Acta Neophilologica 47, no. 1-2 (2014): 55–67. http://dx.doi.org/10.4312/an.47.1-2.55-67.

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While the antagonism of modernism to realism has often been commented upon, its equally vehement rejection of romanticism has not been as widely discussed. Yet, if modernism compromised at times with realism or, at least, with a "naturalistic" version of realism, its total antipathy to the fundamentals of romanticism has been absolute. This was a modernist trend that covered both literature and criticism and a modernist characteristic that extended from German philosophers, French poets to British and American professors of literature. Names as diverse as Paul Valery, Charles Maurras and F.R.

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27

O'Brien, Michael, and Lawrence H. Schwartz. "Creating Faulkner's Reputation: The Politics of Modern Literary Criticism." American Historical Review 95, no. 3 (1990): 899. http://dx.doi.org/10.2307/2164452.

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28

Pinnegar, Fred, and Lawrence H. Schwartz. "Creating Faulkner's Reputation: The Politics of Modern Literary Criticism." Rocky Mountain Review of Language and Literature 43, no. 4 (1989): 254. http://dx.doi.org/10.2307/1347020.

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29

Urgo, Joseph R., and Lawrence H. Schwartz. "Creating Faulkner's Reputation: The Politics of Modern Literary Criticism." South Atlantic Review 54, no. 4 (1989): 104. http://dx.doi.org/10.2307/3199801.

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30

Jehlen, Myra, and Lawrence H. Schwartz. "Creating Faulkner's Reputation: The Politics of Modern Literary Criticism." Journal of American History 76, no. 4 (1990): 1321. http://dx.doi.org/10.2307/2936704.

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31

Staif, Al-Nabi. "The Question of Freedom in Modern Arabic Literary Criticism." Journal of Arabic Literature 26, no. 1 (1995): 165–74. http://dx.doi.org/10.1163/157006495x00148.

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32

Gunn, Giles, and Rene Wellek. "A History of Modern Criticism, 1750-1950." Poetics Today 8, no. 1 (1987): 205. http://dx.doi.org/10.2307/1773017.

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33

Brown, Calvin S., and Rene Wellek. "A History of Modern Criticism, 1750-1950." Comparative Literature 40, no. 1 (1988): 67. http://dx.doi.org/10.2307/1770644.

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34

Jun, Deng. "A New Perspective of Literary Criticism." Lingua Cultura 3, no. 1 (2009): 79. http://dx.doi.org/10.21512/lc.v3i1.334.

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Paratext is a relatively new term in literary criticism, which is mainly elaborated by modern French scholar Gérard Genette. Article presents a qualitative method with its purpose to present a survey to this new literary term and probe into what may lie behind this new critic perspective. Analysis was done by exploring the new literatures in terms of paratext. It can be concluded that paratext has a great influence to the deeper understanding from different perspectives of a literature work.

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35

Maiga, Imirana Seydou. "The role of linguistics in the development of modern literary criticism." (الطموحات ) EL-THUMUHAT 2, no. 2 (2020): 18–35. http://dx.doi.org/10.25299/elthumuhat.2019.vol2(2).2991.

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The nineteenth century is the age of linguistics, which opened the horizons for human sciences in this age, especially the monetary field, which is considered the first beneficiary of the fruits of linguistics, where both work on one material: language. However, linguistics was interested in the ordinary language, while the criticism in the creative language took criticism from the impressionist stage to rely on technical mechanisms to prevent the critic from falling into the trap of self-impression. And with the scientific breakthrough of criticism resulting from the exchange of critici

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36

Bucco, Martin, and Rene Wellek. "A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950." American Literature 59, no. 1 (1987): 126. http://dx.doi.org/10.2307/2926495.

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37

Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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38

Fiore (book author), Silvia Ruffo, and Olga Z. Pugliese (review author). "An Annotated Bibliography of Modern Criticism and Scholarship." Quaderni d'italianistica 11, no. 2 (1990): 333. http://dx.doi.org/10.33137/q.i..v11i2.10600.

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39

Cooper, Thomas. "Dezső Kosztolányi and intertextuality Anticipations of post-modern literary criticism." Hungarian Studies 14, no. 1 (2000): 46–53. http://dx.doi.org/10.1556/hstud.14.2000.1.2.

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40

Staif, A. N. "The Question of Foreign Influences in Modern Arabic Literary Criticism." Journal of Arabic Literature 16, no. 1 (1985): 109–18. http://dx.doi.org/10.1163/157006485x00103.

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41

Smidt, Kristian. "T.S. Eliot's criticism of modern prose fiction." English Studies 76, no. 1 (1995): 64–80. http://dx.doi.org/10.1080/00138389508598952.

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42

Kozlov, V. I. "No man’s land of modern poetry." Voprosy literatury, no. 5 (December 19, 2018): 103–25. http://dx.doi.org/10.31425/0042-8795-2018-5-103-125.

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V. Kozlov, a critic specializing in contemporary poetry, discusses the major issues plaguing this branch of the literary process: such as the ‘synoptic’ quality of modern critical work, vitriolic conflicts between guilds, absence of a publication with a comprehensive overview of the current developments in poetry, etc. The author finds that the biggest problem of modern poetic criticism is that, unlike the Western school of literary criticism, it is unable to take in the big picture of all ongoing developments in modern poetry, and its every attempt to reconstruct it is guided by its subjectiv

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43

Arimbi, Diah Ariani. "Finding Feminist Literary Reading: Portrayals Of Women In The 1920s Indonesian Literary Writings." ATAVISME 17, no. 2 (2014): 148. http://dx.doi.org/10.24257/atavisme.v17i2.5.148-162.

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Abstract:  Modern Indonesian literature can be said to be born around 1920s with the publication of modern Indonesian literary works by Balai Pustaka. Amongst the works published by Balai Pustaka in the 1920s ; there are most popular works namely Sitti Nurbaya (1922) ; Azab dan Sengsara(1927) and Salah Asuhan (1928) representing the tone of 1920s literary productions. This paper aims to look at images of women in those three works written by male authors ; using feminist literary criticism. By means of close reading technique; the study uses feminist literary criticism to examine and (re

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44

Heath, Malcolm. "The Origins of modern Pindaric criticism." Journal of Hellenic Studies 106 (November 1986): 85–98. http://dx.doi.org/10.2307/629644.

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It has been said that ‘the history of Pindaric criticism is the history of the cardinal problem, unity’; but this history has yet to be fully explored. Young's pioneering study passes dismissively over the centuries preceding the publication, in 1821, of Boeckh's commentary—a landmark, indeed, but Boeckh's approach to the poet did not spring into being from nothing; it was the product of a long tradition of careful study, in which Pindar had been widely admired and diversely understood. This paper attempts to document that claim; its primary purpose is therefore historical. But the study of th

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45

Engell, James, and A. C. Goodson. "Verbal Imagination: Coleridge and the Language of Modern Criticism." Studies in Romanticism 31, no. 3 (1992): 391. http://dx.doi.org/10.2307/25600970.

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46

HARDING, A. J. "Verbal Imagination: Coleridge and the Language of Modern Criticism." Modern Language Quarterly 50, no. 1 (1989): 66–69. http://dx.doi.org/10.1215/00267929-50-1-66.

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47

Dooley, Brendan. "From Literary Criticism to Systems Theory in Early Modern Journalism History." Journal of the History of Ideas 51, no. 3 (1990): 461. http://dx.doi.org/10.2307/2709625.

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48

Mahmoud, Alaaeldin. "The Qur’an and modern Arabic literary criticism: from Taha to Nasr." Middle Eastern Literatures 21, no. 2-3 (2018): 254–56. http://dx.doi.org/10.1080/1475262x.2019.1573541.

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49

Ma, Rui. "The Rise of Literary Criticism as a Modern Discipline in China." Comparative Literature: East & West 9, no. 1 (2007): 80–84. http://dx.doi.org/10.1080/25723618.2007.12015612.

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50

Smirnov, A. E. "Why modern poetry could use more ‘red ink’." Voprosy literatury, no. 3 (June 22, 2021): 77–88. http://dx.doi.org/10.31425/0042-8795-2021-3-77-88.

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The article offers to look at contemporary poetry from the viewpoint of an ‘ordinary reader,’ uninvolved in the literary process and unaffiliated with the notional ‘establishment.’ The author uses his position as a bystander, on the one hand, and a training that enables expert assessment (the author teaches Russian language and literature and holds a master’s degree in cognitive research), on the other, to examine the processes behind presentday literary awards and criticism of poetry. According to Smirnov, modern poetry and modern criticism both have disintegrated into separate segments withi

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