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Journal articles on the topic 'Modern architecture ; Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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1

Adiyanto, Johannes. "Modern architecture in Indonesia: A genealogy study." ARTEKS : Jurnal Teknik Arsitektur 5, no. 3 (December 1, 2020): 331–38. http://dx.doi.org/10.30822/arteks.v5i3.465.

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Architectures in Indonesia are often identified as 'unique' compared to European and American constructions. They are referred to as Wastuwidya by Mangunwijaya and Nusantara by Prijotomo. This paper, therefore, aimed to examine the reasons for the perceived similar principles between the Indonesian architectures and those in Europe or America and also reviewed the architecture in the country beyond the identity. This involved the application of a historical approach with synchronous-diachronic methods to determine the significance of a historical timeline and its architectural content. The results showed the country’s modern architecture is associated with the foreign entry, its climate, and socio-cultural conditions, and also perceived as a sign of certain political powers presented during the Daendels and Sukarno era. Indonesian and European/American architectural designs were also observed to have different entry processes. Therefore, modern architecture should be perceived as a process rather than a product. © 2020 Johannes Adiyanto
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Liu, Jia Sheng. "The Influence of Architectural Culture on Architectural Design." Applied Mechanics and Materials 357-360 (August 2013): 278–81. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.278.

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The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.
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Hasbi, Rahil Muhammad, and Wibisono Bagus Nimpuno. "Pengaruh Arsitektur Modern Pada Desain Masjid Istiqlal." Vitruvian 8, no. 2 (June 25, 2019): 89. http://dx.doi.org/10.22441/vitruvian.2018.v8i2.005.

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Modern architecture in its golden age has given a lot of influences to many architectures around the world. The spread of modern architecture at that time could not be stopped and became a style that is widely used throughout the world including IndonesiaThe influence of modern architecture emerged in Indonesia during the Dutch colonial occupation. European architects at that time introduced classical European architecture and modern architecture to Indonesian society. During the Colonial occupation and at the beginning of Indonesian independence, European architects designed public buildings such as government buildings, places of worship( like mosques and churches) and commercial buildings as well as several residences using classical European architectural and modern architecture.As the example that we can still see now is the Istiqlal Mosque in Jakarta, Indonesia, which was designed by architect Friedrich Silaban who self-taught modern architecture. The design of the Istiqlal mosque at a glance looks very much influenced by modern architecture, although domes and tower as a characteristic of Middle East architecture is still been used.The mosque as a whole is designed to look monumental which emphasized the used of a mixture of modern architecture styles.
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Mácêl, Otakar. "Modern Architecture and Modern Furniture." Designing Modern Life, no. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon originated in the 19th century and the furniture designs were usually developed for the architect’s own building designs and later offered to the broader consumer market, sometimes through specialized companies. This is the reason for which an agreement between the architect and the commissioner was needed, something which was not always taken for granted.
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Suharjanto, Gatot. "Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini." ComTech: Computer, Mathematics and Engineering Applications 5, no. 1 (June 30, 2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.

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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures of Indonesia archipelago architecture that has evolved is West Java. There are a lot of people trying to apply the concept of Sundanese traditional house in their residence. Shifting sacred values in traditional concept seems indeed to be lost along with the differences in modern human civilization.
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Lassus, Pongkwan. "Modern Architecture in Thailand." Modern Southeast Asia, no. 57 (2017): 64–73. http://dx.doi.org/10.52200/57.a.mc2poifj.

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The influence of modern architecture became more visible in Thailand after the country shifted from an absolute monarchy to a constitutional monarchy in 1932 and also as a result of economic circumstances and world trends. The first generation of Thai Modernist architects (or the pioneers of modern architecture in Thailand) had their education in Europe because of the necessity to modernize Thailand. The second generation were Thai architects who received their architectural education in Thailand as well as some continuing their studies in the USA. Their works reflect the International Style with a concern for a tropical architecture vocabulary and local material utilization based on economics. As the architectural profession was declared a protected profession in 1965 for Thai architects only, there was very little modern architecture in Thailand designed by foreign architects.
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Su, Hong Zhi. "Systems Scientific Analysis of Architecture Adaptability Design." Applied Mechanics and Materials 744-746 (March 2015): 2165–70. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.2165.

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Architecture is the arena on which man's life unfolds, due to the constant changes taking place in life, deformability is demanded to increase the adaptability of modern Architecture. Thus, to achieve such deformability, research on the systematic hierarchy of architectures is carried out; indicating that the hierarchies are the intermediary of the inner transformation of the architecture and the formation process of architecture system is a process of gradual differentiation. With the development of the gradual differentiation process, the flexibility of architecture begins to fail while increasing its determinacy. The key point determining the adaptability of architectures lies in the inter-transformation between the various levels of sub-hierarchy systems. According to the complexity and hierarchy of the transformation, categorization and analysis with future study on the performance manifestation of architectural adaptability design are implemented.
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8

Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern Movement and the rise of the "theory speak". Architecture's features as a public art ask for a certain amount of objectivity. The philosophy of architecture in analytic tradition can contribute to a more objective conceptual frame. The principal concerns are familiar to those acquainted with continental philosophy: What makes architecture special among the arts? What is the essence of an architectural work? How we can better define architecture's social mission? But the way of answering them is different. The ethical dimension of architecture is one of the most debated subjects among architects in recent years. There are several contributions on the connection between ethics and aesthetics in the philosophy of architecture in analytic tradition. They have the potential to have an impact on architectural theory and practice.
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9

Mallinson, Helen. "Less than interesting." Architectural Research Quarterly 5, no. 4 (September 2001): 293–95. http://dx.doi.org/10.1017/s1359135502221351.

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Does Giles Oliver (letters, arq 5/3) mean to connect the success of the Tate Modern in ‘sucking in huge crowds’ with the success of architectural education? Both in his view seem suspect achievements. The Tate is not proper architecture — it is too brutish and poorly lit — while current architectural education avoids all that is proper to architecture. His message is that both public and consumer opinion counteth for nought in these matters. But what else have professionals ever said? Particularly the generations brought up to believe that unpopularity was architecture's native condition. Frankly I am rather encouraged by the popularity of supposedly arcane subjects like modern art, modern architecture and architectural education. At least we seem to be getting one thing right. Not that I am advocating complacency. Keeping anything alive in our management sodden culture is tricky, particularly the kind of creative team spirit required to make projects work.
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Hutton, Louisa. "Modern Color/Modern Architecture." Architectural Research Quarterly 7, no. 1 (March 2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.

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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.
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Verma, Neena. "Insecurity in architecture." Architectural Research Quarterly 18, no. 2 (June 2014): 106–9. http://dx.doi.org/10.1017/s1359135514000414.

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‘I myself do not believe in explaining anything’, wrote Shel Silverstein. It seems that architecture is always looking to explain itself. Definitions of architecture seem almost common knowledge; ask a bartender, biologist, computer scientist, economist, legislator, birdwatcher, quilter or scientist, each of whom analogises their field with respect to architecture. And several within the profession can themselves define architecture's limits quite elegantly. Most recently Steven Holl defined architecture as consisting simply of abstract, use, space and idea. However, seeking a rationale or explanation for architecture – its role in society, its impact, its value – remains an open debate. This debate has consumed the field, in academia and practice, for centuries. It suggests a dire insecurity.Shifts in architecture's self-perception and self-explanation often relate to formal styles. Any text on architectural history covers these styles, from Neolithic to contemporary, including accompanying sub-movements such as, for the early modern category, Expressionist architecture, Art Deco, and the so-called ‘International Style’. Each style is often imagined a product of, or reaction to, a preceding style, and much the same can be said of accompanying trends in the explanation of architecture. This essay, and its underlying argument, is itself a reaction to the current state of affairs.
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Dong, Tie Xin. "Metal Coat of Modern Architecture." Applied Mechanics and Materials 357-360 (August 2013): 1379–82. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.1379.

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There has been a long history of applying metal to architecture. At the beginning, they just appeared in the structure of bridges, factories and storages, and then gradually turned up as a form of building structural materials in civil architecture such as markets, schools and office buildings. So all the time, metal like steel structure or hardware impresses people as a kind of industrialized building materials. With the development of architectural technology and the researching of characteristics of building materials, metal material has been brought in building skin design with brand-new appearance, and coruscate new vitality in the field of architectural design depending on full of variety of expressions and economic environmental character.
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13

Sarnitz, August, Otto Wagner, and Harry Francis Mallgrave. "Modern Architecture." Journal of Architectural Education (1984-) 44, no. 2 (February 1991): 119. http://dx.doi.org/10.2307/1425103.

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14

Figueira, Jorge, and Bruno Gil. "Biographies of Power: Personalities and Architectures." Joelho Revista de Cultura Arquitectonica, no. 8 (December 26, 2017): 170–200. http://dx.doi.org/10.14195/1647-8681_8_11.

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This section displays the work produced by the students of the Department of Architecture of the University of Coimbra (DARQ, UC) for the courses History of Architecture III and History of Architecture IV in the academic year 2016-2017. The main theme for the practical works of both course units was Biographies of Power: Personalities and Architectures. The work was exhibited in the gallery of DARQ, UC in September 2017. The works presented for Biographies of Power: Personalities were focused on the passage of testimony between Louis Sullivan and F. L. Wright. While they crucially contributed to the identity of a modern and American architecture, they carried out a professional and personal relationship that was also guided by the measurement of forces. The work done by the students for Biographies of Power: Architectures resulted from an observation of a set of buildings that goes beyond their architectural and physical contours, or which precisely searches for their actual description, in the light of any ideology that is ultimately represented or even reinforced by its own architectural condition.
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Loan, Pham Thuy, and Truong Ngoc Lan. "Modern Architecture in Vietnam or Vietnamese Modern Architecture?" Modern Southeast Asia, no. 57 (2017): 74–81. http://dx.doi.org/10.52200/57.a.2alyxs4z.

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Architecture is one of the keys to the values of a society, a reflection of a people’s aspiration, and a society’s ideas and technological experiments over periods in its history. This paper will address “modern architecture in Vietnam” focusing on the general course of its development: its practice, discourse and the built environment throughout history. The guiding questions for the main content of this paper are very fundamental: How can we define modern architecture in Vietnam? How was it formed and developed through the modern history of the country? Can we call modern architecture in Vietnam “Vietnamese modern architecture”?
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16

Deng, De Xiang. "Cultural Context in Architecture of Marina Bay Sands, Singapore." Applied Mechanics and Materials 209-211 (October 2012): 126–31. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.126.

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It is the human intelligent enlightenments, particularly presented by that of Moshe Safdie that has constructed the world’s groundbreaking architectural work--Marina Bay Sands, Singapore. The designer’s appropriate interpretation of cultural context of this architecture has endowed it with vitality and energy, making it the paradigm of soul dwelling and spiritual home of human beings. It ushers a door for modern architectures to be built with rich flavor of spirituality.
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Rosa, Joseph. "Architectural photography and the construction of modern architecture." History of Photography 22, no. 2 (June 1998): 99–104. http://dx.doi.org/10.1080/03087298.1998.10443865.

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18

Wang, Xue Yong, Bo Zhou, Wen Dong, and Jing Wei Gong. "Modern Representation of Traditional Architectural Style." Applied Mechanics and Materials 584-586 (July 2014): 272–75. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.272.

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Based on the architectural design practice of Peach Blossom Valley Traffic Control and Training Center, this paper probes into several key points of modern architecture creation from the aspects of local cultural context, adaptation to local conditions, traditional signs and architectural style, etc., emphasizing that traditional local architectural culture should be inherited and developed in the modern architecture design.
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19

Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.
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Jevremovic, Ljiljana, Branko Turnsek, Ana Stanojevic, Marina Jordanovic, and Milanka Vasic. "Use of color in architecture - industrial architecture perspective." Facta universitatis - series: Architecture and Civil Engineering 18, no. 1 (2020): 49–63. http://dx.doi.org/10.2298/fuace191016004j.

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This paper deals with the color theory and the application of this theory in architectural design. Since the modernist architects and modern era in architecture, the colors of the buildings were not in the focus of their authors. On the contrary, the modern movement has taught us that color, and especially artificial one, is almost a crime to use and in a way, it expresses a lack of a style. Through examining universal color harmony principles in this paper the problem and phenomenon of using colors in contemporary architecture was discussed, which had its roots in the modern movement and evolved through technological advance especially in material technology. The industrial architecture is used as an example, to narrow down the research field, but also for the reasons of extensive and creative use of color in this type of buildings. We have examined several industrial buildings that have been systematized into three categories. All three categories are analyzed for the application of general color harmony principles. Then discussion focuses on refining principles of color usage in architecture that appear in contemporary architecture in order to systematize those principles, particularly important for architectural education and new practitioners of architecture. In conclusion, it is stated that universal color harmony principles are applicable in architecture as well, as in other visual arts.
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Bizio, Krzysztof. "Inspiracje kulturami lokalnymi w awangardowej architekturze początków XXI w." Środowisko Mieszkaniowe, no. 31 (2020): 4–17. http://dx.doi.org/10.4467/25438700sm.20.011.12684.

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Local cultural inspirations in avant-garde architecture in the wake of the twenty-first century This paper attempts to systematise the manner in which avant-garde architecture employed regional motifs during the first two decades of the twenty-first century. Architecture has used local patterns since its beginnings. However, as soon as the models of architectural orders had become widespread in the modern era, folk architecture and inspirations drawn from regional traditions were marginalised. Post-modern architecture questioned the ideas of universal practices, giving prominence to regional architecture. At the beginning of the twenty-first century, avant-garde architecture once more redefined the employment of local traditions as inspirations. The paper seeks to systematise the modern references to local traditions, distinguishing three basic categories: a) inspirations by architectural form, b) inspirations by construction materials and craft, c) inspirations by the ’idea of community‘. The selected examples are representative of these modern architectural solutions, and are discussed in connection to earlier projects.
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Qiu, Yu, and Jing Qiu. "The Application of Green Material in Modern Architecture." Advanced Materials Research 894 (February 2014): 87–91. http://dx.doi.org/10.4028/www.scientific.net/amr.894.87.

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The concept and the application of green material start from the modern times. In recent years, with deepening of environmental pollution, peoples health and the ecological balance got impacted; therefore, environmental protection gained peoples attention. Having realized the significance of architecture materials to environmental protection, people are more paying attention to the environmental protection effects in choosing and producing architecture materials. Then, the concept of green materials emerged and the green architecture materials began to be applied by architectures broadly. The application of green materials proved to be remarkable feature of modern architecture.
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Thapa, Rena. "Rhythm in Architecture: an Aesthetic Appeal." Journal of the Institute of Engineering 13, no. 1 (June 22, 2018): 206–14. http://dx.doi.org/10.3126/jie.v13i1.20368.

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It is a discourse that exhibits the presence of rhythm in visual art, especially the architecture that holds strong aesthetic appeal. In this paper, the introduction part focuses on how rhythm generally reinforces aesthetic experiences in human sensory. Rhythm in architecture means recurrence of elements such as lines, shapes, forms or colors resulting on organized movement in space and time. I have taken the best analogy and examples of rhythm present in nature which has been formulated by scientist as Fibonacci number. I have tried to show architectures incorporating rhythm in different epoch of human civilization around the globe that have been popular and remarkable till the date. These architectural monuments have become aesthetic timeless entity, such as pyramids in Egypt, Parthenon in Greece, gothic architecture of medieval Europe, Tajmahal in India, Hindu temples and Buddha stupas in Nepal etc. Similarly modern architecture has been in equal focus in this article despite its unique and functional structures. The paper has been concluded with the strong statement that however the sense of beauty is shaped by cultural experience, rhythm is frequently desired with architectural compositions. These qualities are often universally admired and celebrated irrespective of time and place.Journal of the Institute of Engineering, 2017, 13(1): 206-214
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Hasudungan Irianto Sitinjak, Ronald, Laksmi Kusuma Wardani, and Poppy Firtatwentyna Nilasari. "Traditional Balinese Architecture: From Cosmic to Modern." SHS Web of Conferences 76 (2020): 01047. http://dx.doi.org/10.1051/shsconf/20207601047.

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Balinese architecture often considers aspects of climate and natural conditions as well as environmental social life. This is to obtain a balance in the cosmos, between human life (bhuana alit / microcosm) and its natural environment (bhuana agung /macrocosm). However, Bali's progress in tourism has changed the way of life of the people, which is in line with Parsons Theory of Structural Functionalism, that if there is a change in the function of one part of an institution or structure in a social system, it will affect other parts, eventually affecting the condition of the social system as a whole. The shift in perspectives has caused structural and functional changes in Balinese architecture. The building design or architecture that emerges today is no longer oriented towards cosmic factors but is oriented towards modern factors, developing in the interests of tourism, commercialization, and lifestyle. The change has had an impact on spatial planning, building orientation, architectural appearance, interior furnishings and local regulations in architecture. In order to prevent Balinese architecture from losing its authenticity in its original form, which is full of spiritual meaning and local Balinese traditions, it is necessary to have a guideline on the specifications of Balinese architectural design that combines elements of aesthetics, comfort, technology, and spirituality. Through this guideline, Balinese architecture can exist in modern times without losing its traditional values.
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Hussain, Nor Hayati. "Nation Building and Modern Architecture in Malaysia." Modern Southeast Asia, no. 57 (2017): 30–37. http://dx.doi.org/10.52200/57.a.eold2t77.

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This paper explores the historical development of modern architecture in Malaysia, which is evident in the emerging architectural language; the efforts of the Federation of Malaya Society of Architects (later known as the Pertubuhan Akitek Malaysia); as well as the direction taken by the architectural practice in the country; all of which were driven by the prevailing political, economic as well as the socio-cultural attributes of the new nation, and the vision on Tunku Abdul Rahman, the first Prime Minister of the Federation of Malaya. The outcome of all these is an architecture that speaks of the nation’s modern society’s values and identity.
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Niroumand, Hamed, M. F. M. Zain, and Maslina Jamil. "Modern Architecture in the 21st Century." Advanced Materials Research 457-458 (January 2012): 403–6. http://dx.doi.org/10.4028/www.scientific.net/amr.457-458.403.

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This paper presents the modern architecture in the current century. Modern architecture is a new architectural style that emerged in many countries in the decade after World War I. It was based on the “rational” use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and ornament. Modern architecture was adopted by many influential architects and an architectural educator, gained popularity after the Second World War, and continues as a dominant architectural style for institutional and corporate buildings in the 21st century. According to this research, The Modern movement also referred to controversially as a style by some bound morality, technology and art together. Morality in that there was an aim to improve humanity's lot, notably whole scale demolition of slums to make way for clean modern housing. This paper presents the role of modernism in architecture. In this paper has been shown the influence of modernism in humanity and countries.
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Qiong, Liu. "Vernacular Architectural Culture Versus Concession in the Late Qings Dynasty: The Case of Tianjin and Shanghai." Open House International 42, no. 3 (September 1, 2017): 67–72. http://dx.doi.org/10.1108/ohi-03-2017-b0014.

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During the late Qing Dynasty, Western colonists plundered and divided the land as concession where they consequently built European and American architectures. These architectures, such as concession garden architectures, are a result of relevant cultural exchange. Thus, concession garden architectural culture should be studied. In this study, the historical records of the concession and the concession garden in the late Qing Dynasty and the Republic of China were examined on the basis of the representative architectures of Shanghai and Tianjin in China. The origin, classification, characteristic, and development of the concession garden architecture were regarded as the starting point, and the characteristics of the garden architecture in different regions were discovered. Further insights into the development of conservation concession garden buildings in China and the use of modern landscape architectures were provided, and new perspectives for studies on concession landscape architectures were presented through an in-depth understanding and analysis of concession landscape architectures.
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Stankovic, Danica, Aleksandra Cvetanovic, Aleksandra Rancic, Vojislav Nikolic, and Bojan Stankovic. "Biophilia in modern architectural practice: recommendations for Serbia." Facta universitatis - series: Architecture and Civil Engineering 17, no. 2 (2019): 133–43. http://dx.doi.org/10.2298/fuace190316007s.

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Architecture and its natural environment have always been inextricably intertwined throughout the centuries-old history of civil engineering development. Nowadays, when rapid development and accelerated technological innovations take place and the planet becomes everyday endangered as the result of human activities, nature is a main theme and support, in the focus of architectural creation more than ever. Biophilia in architecture represents an innovational method of architectural designing, in which the accent is on the role of nature in the quality of living and working in built areas. An architecture created based on this principle represents the architecture of the future. This architecture is imagined and created as a healthy and productive environment for a modern man, both in terms of indoor space and in the planning of local communities as active and sociable neighborhoods. By using an analytical descriptive methodology and research references, this paper focuses on contemporary experiences and analyzes selected case studies, in order to establish the elements of a possible model for architectural practice in Serbia.
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Thalia, Ivana, Made Suastika, and Leny Pramesti. "MODERN ARCHITECTURE APPLICATION ON WEDDING CENTRE DESIGN IN SURAKARTA." ARSITEKTURA 16, no. 1 (April 30, 2018): 67. http://dx.doi.org/10.20961/arst.v16i1.20142.

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<p class="Abstract"><em>Modern architecture is an approach in the field of architectural engineering that is used as a design approach. The research is done to discuss the field of architectural engineering, especially in planning and design. The purpose of this research is to reveal the concept of planning and design on the application of modern architecture as a design method in Wedding Center building in Surakarta. The method used is a descriptive explorative method on the preparation of planning and modern architecture design methods on the building design. Modern architectural design method is used as a method of design approach on building Wedding Center in Surakarta in order to be able to provide a building image in accordance with the concept of Wedding Center building as a one-stop wedding service in Surakarta. The results and discussion of analysis in this research are qualitative analysis. The final concept formed from this research is a conceptual model and the physical design model of Wedding Center with Modern Architecture Approaches in Surakarta.</em></p>
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Gifford, Robert, Donald W. Hine, Werner Muller-Clemm, D’Arcy J. Reynolds, and Kelly T. Shaw. "Decoding Modern Architecture." Environment and Behavior 32, no. 2 (March 2000): 163–87. http://dx.doi.org/10.1177/00139160021972487.

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Tang, Xi Ya. "Architectural Historical Context Continuation and Modern Architecture Self-Realization." Advanced Materials Research 368-373 (October 2011): 3284–87. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3284.

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This paper use the design of Suzhou Museum as a example,study the cultural value of modern architecture "suzhou museum" and discuss several design strategies of continuing historical context from the aspects of history, culture and environment. Meanwhile, From the angle of architecture, we discuss how to inherit Chinese architectural context and realize self-innovation of Chinese modern architecture under the background of internationalization.
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Chechel', I. "MODERN DESIGN CONDITIONS AND COMPONENTS OF THE ARCHITECTURAL CONCEPT OF SECONDARY SCHOOLS." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 6, no. 7 (July 10, 2021): 73–88. http://dx.doi.org/10.34031/2071-7318-2021-6-7-73-88.

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Today, large-scale programs for the construction of general education facilities are being implement-ed in the country. The Russian architecture of general educational buildings is gradually moving away from the standard architectural solutions approved by practice. This is influenced by the condi-tions of the current stage in the development of the state and society, and the tasks for the formation of an individual and a new generation of citizens. An analysis of the works of modern Russian architects suggests that the country has begun and is steadily gaining momentum in the process of forming the architecture of a new generation of school buildings. According to the author, the process is under the influence of a number of objective conditions. They are: the need to provide cost-effective architectur-al solutions of the design documentation for the mass construction of an object of General education in Russia; the continuation of the traditions of the author's architectural design for the public sector in education and the growing influence of the architecture of the non-public (private) sector to create innovative school buildings of the new generation; the impact of the reform processes in the field of pedagogical technologies in the system of General education and in solving complex issues of security and anti-terrorist protection of the object of General education on the formation of architecture of the school building; the operation of the object of General education in Emergency situation ( pandemic) and transition to the information society in the era of digitalization,; the enforcement of Federal laws of the Russian Federation in the field of safety of object of General education. Based on the identified conditions, a new systematization of the components of the architectural concept is proposed and the principles necessary for the creation of a general education building that marks the end of time are formulated.
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Rabboh, Emad H., and Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity." Academic Research Community publication 2, no. 4 (January 1, 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.

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The Arab architectural identity is characterized by the originality of the various Arab cultures. Islamic culture is what makes Arab societies unique and it is what inspired Arab architecture. Consequently, the Arab architecture encounters contemporary challenges. If modern architectural trends influenced Arab civilization, it could then obliterate its identity over the years. Moreover, positively interacting with modern architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussion and research and thus the lack of update and development of the vocabulary of Arab architecture. The proposed study discusses the problem of the correlation of deconstructive architecture with the architectural and Arabic identity through the end of the 20th century until 2017. In order to arrive at the definition of the philosophy of deconstruction architecture and the appropriate relationship between it and the Arab architectural identity, the study utilizes a qualitative descriptive methodology that tries to give a generic image of philosophy and characteristics. Deconstruction architecture attempts to link the positive aspects of architecture and Arab identity through the analysis of the frameworks of this philosophy of particular architectural works of various architects who adopt this philosophy of architecture. Responding to the above, the current study shows that it is better to strip the modern trends and take what suits the Arab culture.
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Vatin, Nikolay, and Olga Gamayunova. "Modern Architecture of World's Libraries." Advanced Materials Research 1065-1069 (December 2014): 2622–25. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2622.

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Despite the availability of internet in every home and tens of millions of e-books sold worldwide each year, there are still people who prefer the traditional library. For these people constructed a new library buildings some of which are true masterpieces of architecture. The article presents the unusual buildings of already built libraries, as well as the most interesting architectural projects of libraries of the future.
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Yin, Wei Ling. "Talk about the Soft Tradition in Architecture." Advanced Materials Research 255-260 (May 2011): 1449–53. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1449.

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Building with the times, the traditional architectural form obviously cannot meet the need of modern social life. After the "international style ", modern architecture has been exploring its new features of the times. In which the new regional characteristics is a topic of the times of the building, which relates to the succession of traditional architecture. This article focuses on talking about the soft traditional in Chinese and Japanese architecture and its influence over the modern architecture.
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Niroumand, Hamed, M. F. M. Zain, and Maslina Jamil. "Modern Rammed Earth in Earth Architecture." Advanced Materials Research 457-458 (January 2012): 399–402. http://dx.doi.org/10.4028/www.scientific.net/amr.457-458.399.

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Rammed earth is a technique for building walls using the raw materials of earth, chalk, lime and gravel. Rammed earth is a structural wall system built of natural mineral soils compacted in thin layers within sturdy formwork. People have been using various forms of earth to build structures for centuries. The ancient „rammed earth‟ building technique has been used in Neolithic architecture sites and modern buildings alike. From underground green homes to other futuristic green houses. Modern architecture is a new architectural style that emerged in many countries in the decade after World War I. It was based on the “rational” use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and ornament. This paper is included many examples of structures made from rammed earth using modern architecture. The result has shown the earthen buildings create safer, more people-friendly buildings. The earthen buildings are very low in embodied energy, and extremely comfortable to live in based on modern architecture.
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Liu, Qiang, Jiang Chang, and Nan Shi. "The Application of Traditional Symbols in Modern Architecture." Advanced Materials Research 368-373 (October 2011): 2617–20. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.2617.

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Chinese traditional culture has a distinct nationality and regionality, and serves as the source of valuable creative element in architecture, at the same time it functions as the powerful weapon resisting “internationalization” and “standardization”. This paper questions the lack of nationality and regionality in current architecture industry, hopes to find the correct expression of Chinese traditional cultures in contemporary architectural design through case study, and aims to find the general application approach of traditional culture symbols in architecture.
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Meiliyandari, Lutvi Arnila, Nabila Khofifah, Asifa Ulima Kafin, Fatimatuz Zahroh, and Anas Hidayat. "BERARSITEKTUR ERA KINI: ANTARA LIVING WITH NATURE DAN LIVING WITHIN NATURE." ATRIUM: Jurnal Arsitektur 6, no. 1 (May 20, 2020): 1–9. http://dx.doi.org/10.21460/atrium.v6i1.140.

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Title: Current Architecture: Between Living with Nature and Living Within Nature Architecture is the answer to human needs on shelter, from the basic structure copying the structure concept in nature to more complex buildings that can be in harmony or in contrast with the surroundings. Nature and architecture are two distinct but related things, mutually affecting their existence. The two paradigms of architecture; modern and post-modern, have their own views about them. Based on those paradigms, architect must select the position where they and their creations belong. With the case studies of architecture in Indonesia, this paper aims at exploring architects’ points of view about nature and site’s coverage and demanding architects not merely to take sides with human being. Using data collection and descriptive method, this paper will provide overview of which architectural paradigm is better with more attention to the nature and the site’s coverage. Even though the architectures presented in this study are built in contemporary era, their paradigms about nature are different. Some use the paradigm of living with nature, and others use the paradigm of living within nature.
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Duque, Estela. "Modern tropical architecture: medicalisation of space in early twentieth-century Philippines." Architectural Research Quarterly 13, no. 3-4 (December 2009): 261–71. http://dx.doi.org/10.1017/s1359135510000114.

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In the interwar years European historians and critics of architecture tried to assimilate science into architecture and arts. For example Sigfried Giedion's Space, Time, and Architecture (1941) attempted to bring Einsteinian spacetime into architectural theory, while Nikolaus Pevsner's An Outline of European Architecture (c. 1943) used space as a criterion to differentiate architecture from other art forms. These brought to the idea of ‘space’ a distinctly modern meaning, making it a universal signifier; whereas in the last decade, architectural historians have argued for the historical specificity of space and a deeper examination of the social and spatial practices embedded in the making of space. This study inquires into the atemporal readings of space, using Lefebvre's theory on the production of space by ‘interested subjects’.
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40

Zachrie ; Caecilia Wijayaputri, Bryan Nurman. "THE PRINCIPLES OF MODERN ARCHITECTURAL DESIGN AS OBSERVED IN PARAHYANGAN CATHOLIC UNIVERSITY’S POSTGRADUATE STUDIES BUILDING." Riset Arsitektur (RISA) 2, no. 01 (June 4, 2018): 108–28. http://dx.doi.org/10.26593/risa.v2i01.2934.108-128.

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Abstract - The post-Independence era saw the beginning of the development of modern architecture in Indonesia. In this particular era the profession of architect emerged as a requirement that eventually also turned into one of the fields that played a role in the development of Indonesian architecture. As one of the first architects, Mohammad Soesilo joined in participating in drawing up the main principles of architectural design valid for that era, a theorem that can be said to be influential to this day, serving as a set of general guidelines. The lack of data available on the dawn of architectural development has created a certain vagueness concerning these principles. In the post-Independence era, Indonesian architects were still strongly influenced by the principles of design being developed, that is to say those governing modern architecture. The purpose of this research is to deepen our insight into into the various principles of architectural design in the post-Independence era to establish how big the influence has been of the principles governing modern architecture that became the guidelines for designs made by Indonesian architects in those days, in order to be able to determine their impact on the design of architectural works in Indonesia itself. This research has been conducted by examining one of the buildings designed by Mohammad Soesilo, namely Parahyangan Catholic University’s Post-graduate Studies Building. The focus of research revolves around the question whether this building can be classified as one designed with the principles of modern architecture in mind because the design of its physical shape was influenced by the seven variables using the terminology of modern architecture. These seven variables have influenced the attainment of function, expression, and technology in Parahyangan Catholic University’s Post-graduate Studies Building as one that has been well designed. Keywords : Architectural principles, Principles of Modern Architecture, Post-Independence Architecture
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wcj.v4i3.7.

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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wc.v4i3.7.

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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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43

Ivina, M. S. "Methods of eco-architecture applied in foreign modern temple design." Вестник гражданских инженеров 17, no. 6 (2020): 5–12. http://dx.doi.org/10.23968/1999-5571-2020-17-6-5-12.

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The article discusses methods of eco-architecture applied in architectural, structural, technological and urban planning solutions in modern temple design. Examples of foreign temple complexes, the architecture of which includes some «green» building components, are given. Possible directions of «green» architecture development in the domestic temple building are identified.
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Pang, Hui, and Xiao Min He. "From Traditional Building to Modern Architecture a Study on Sustainable Development of Architecture Engineering." Advanced Materials Research 433-440 (January 2012): 1377–79. http://dx.doi.org/10.4028/www.scientific.net/amr.433-440.1377.

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One of the most important factors to keep the world in a good developing trend is the sustainable developing architecture. And the practical application of traditional regional architecture, besides mean of modern architectural science, is an important method beyond neglect to achieve energy saving, environment protection and sustainable development.
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Dymchenko, М. Е., М. F. Dakoro, and D. G. Dadiyan. "The problem of form in modern architecture." E3S Web of Conferences 281 (2021): 02026. http://dx.doi.org/10.1051/e3sconf/202128102026.

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The problems of architectural shaping and thinking evolution in the context of the modern society development are considered in the article. The most important issue is the preservation of cultural-historical and ethnonational codes of collective social experience architectural expression in modern Russia. Distinctive features of Russian architecture development on the background of changes in the Western world and consciousness in the globalization era are marked. The contradictions and challenges of establishing a new architectural language in the context of different vectors of the reception of historical heritage and renewal of the cultural layer of Russian society are characterized.
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Tamari, Tomoko. "Metabolism: Utopian Urbanism and the Japanese Modern Architecture Movement." Theory, Culture & Society 31, no. 7-8 (September 16, 2014): 201–25. http://dx.doi.org/10.1177/0263276414547777.

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The Fukushima catastrophe has led to important practical and conceptual shifts in contemporary Japanese architecture which in turn has led to a re-evaluation of the influential 1960s Japanese modern architecture movement, Metabolism. The Metabolists had the ambition to create a new Japanese society through techno-utopian city planning. The new generation of Japanese architects, after the Fukushima event, no longer seek evolutionally social change; rather, the disaster has made them re-consider what architecture is and what architects can do for people who had everything snatched from them by technology (nuclear power station) and nature (earthquake and tsunami). Drawing on the architectural projects of Tange Kenzo and Metabolists in the 1960s and Ito Toyo’s ‘Home-for-All project’ in 2011, the paper explores this major paradigm shift in Japanese architectural theory and practices.
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Liu, Qiang, Nan Shi, and Jiang Chang. "Discuss the Loss of Traditional Culture in Modern Architecture." Applied Mechanics and Materials 99-100 (September 2011): 42–45. http://dx.doi.org/10.4028/www.scientific.net/amm.99-100.42.

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Foreign trends are fashionable in contemporary Chinese architecture, foreign cutting-edge architecture ideas and international styles wantonly invade, making more and more national landmark buildings possess foreign appearances, and architectural images are becoming more eye-catching, while ethnic, regional features contained in buildings get lost gradually. Based on the comprehensive analysis of positive and negative examples of construction, this paper tries to find the best conjunction point between traditional culture and modern architecture.
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Li, Lan. "Study on Art Design and Materials Problems of Chinese Modern Architecture." Applied Mechanics and Materials 174-177 (May 2012): 1899–902. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1899.

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China's modern architecture modeling carries the subtleties of the ancient architectural art, it combines the architectural art of the west developed. However, in general, it is also a bit behind compared with developed countries. There are still many problems in art design and Material performance of buildings. This paper, from the Chinese modern architecture art foundation started talking about, Analysis of the materials performance and building aesthetic, Elaborated on China's modern architectural art in the combination of Chinese and Western problems, as well as in their own institutional occurred problems.
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Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowledge is a theoretical (historical) method, which involves a study of graphic and textual information covering the era as well as a systematic analysis of the material for the identification of basic principles of the antique architecture. It is shown that the main principles of the antique architecture are being developed in a close connection with philosophy, and determine the further development of the classical direction in architecture.
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Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia." Journal of Design and Built Environment 20, no. 2 (August 31, 2020): 13–26. http://dx.doi.org/10.22452/jdbe.vol20no2.2.

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The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore the icons of Jengki architecture, by elucidating the architectural concepts that underlie the two oldest Jengki buildings in Bandung, West Java. The analysis showed that the characteristics of this architectural style shown by the configuration of architectural elements resembling the form of a pentagon, mostly asymmetrical in spatial layout, playful articulation of ornaments, and the use of local materials. The pentagon becomes an icon of Pancasila, which is a foundational principle of the new Indonesian state and symbolize the meaning of nationalism. Thus, the icon which also represents symbolic meaning becomes an essential aspect in the design of Jengki-style buildings in the future. This icon can be an alternative to be applied to modern buildings that are intended to display national icons, rather than particular regional icons. Besides enriching the architectural knowledge of Indonesian architecture, the results of this study are beneficial to architectural practitioners, stakeholders, and architectural conservationists as well
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