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Journal articles on the topic 'Modern architecture in Uruguay'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Sprechmann Gomez, Magdalena Ana. "Burle Marx and his collaborations: micro-histories of modern dreams in design and of Brazilian micro-landscapes in small Uruguay." PosFAUUSP 30, no. 56 (2023): e194485. http://dx.doi.org/10.11606/issn.2317-2762.posfauusp.2023.194485.

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This paper is a preliminary inquiry into the work of Burle Marx in Uruguay between the decades of 1950 and 1980. In this period, he had some piecemeal collaborations with two pioneers of modern design in Uruguay: Luis García Pardo and Walter Pintos Risso. They attempted to materialize pragmatically the idea of Gesamtkunstwerk, i.e. of total artwork, produced for a local bourgeoisie. This was expressed through architecture, gardens, built-in works of art, such as sculptures and murals, designer furniture and advertising graphic design for their own products.  As research methodology

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Rimbaud, Tatiana. "Nuevos palacios." PENSUM 10, no. 13 (2024): 101–16. https://doi.org/10.59047/2469.0724.v10.n13.46402.

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Uruguay underwent a huge transformation process around 1900 that placed it as a modern, thriving and independent nation within the great world panorama. The architectural works produced in the country at that time were used as a demonstration of greatness, abundance and progress by advertising publications sent to Europe in order to attract potential visitors and settlers. This work addresses - through the look at the buildings portrayed in these publications - the role of architecture in the process of formation and consolidation of the republic. The analysis of the incorporation of these ima

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3

Rivas-Moyano, Fernando Ismael, and Diego Javier Proaño-Escandón. "GILBERTO GATTO SOBRAL, CONCEPTOS Y CRITERIOS URBANO – ARQUITECTÓNICOS APLICADOS EN EL CAMPUS DE LA UNIVERSIDAD CENTRAL DEL ECUADOR." DISEÑO ARTE Y ARQUITECTURA, no. 9 (December 21, 2020): 265–77. http://dx.doi.org/10.33324/daya.v1i9.346.

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El proyecto de investigación indaga sobre los distintos mecanismos y operaciones formales realizados por uno de los pioneros de la arquitectura moderna en el Ecuador, el arquitecto uruguayo Gilberto Gatto Sobral, para el diseño del Campus de la Universidad Central del Ecuador y sus dos primeras edificaciones que se diseñaron y realizaron entre los años 1945– 1955 en Quito – Ecuador. La investigación describe, en primera instancia, la trayectoria del arquitecto Gilberto Gatto Sobral a través de una revisión pormenorizada de sus obras, su instrucción académica y profesional y sus influencias. A

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Israel, Docomomo. "Arie Sivan, 1940-2010. In Memoriam." Brasilis, no. 43 (2010): 85. http://dx.doi.org/10.52200/43.a.6lndgtph.

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Designer, architect, educator, researcher, critic, polemicist, Arie’s multifaceted and ceaseless activity was, sadly, cut short just a week after his participation and lectures at the docomomo Congress and Icomos in Mexico, last August. His formative years at the Architecture faculties in Montevideo, Uruguay, and the Technion in Haifa during the late sixties, were decisive for his long lasting belief in the Modern Movement instrumental role in the creation of “A new society” and, in his words, “A creative relation between people, their environment and their time”.

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Melachos, F. C., W. Florio, L. Rossato, and F. Maietti. "THE ARCHITECTURAL GEOMETRY OF THE CHURCH OF CRISTO OBRERO Y NUESTRA SEÑORA DE LOURDES." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 26, 2023): 1059–66. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-1059-2023.

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Abstract. The object of study of this paper is the Church of Cristo Obrero y Nuestra Señora de Lourdes, in the city of Atlántida, Uruguay, designed and built by Uruguayan engineer Eladio Dieste between 1956 and 1960, and proclaimed as a UNESCO World Heritage Site in 2021. Furthermore, the object of study is the outset of Eladio Dieste’s experimentations with reinforced brickwork, which resulted in innovative thin-shell structural typologies. Hence, the objective of this article is to verify the geometrical relationships within the continuous gaussian vaults of the Cristo Obrero’ roof and the r

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Juan, Pablo Tuja. "Tres experimentos Modernos. El proceso de proyecto del edificio Positano = Three modern experiments. The design process of the Positano building." rita_ Revista Indexada de Textos Académicos, no. 7 (April 5, 2017): 92–101. https://doi.org/10.24192/2386-7027(2017)(v7)(06).

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El edificio Positano, proyectado durante la década de 1950 por el arquitecto Luis García Pardo, marca un hito en la arquitectura de la vivienda colectiva moderna en el Uruguay. Para concretar este edificio, el arquitecto -y promotor inmobiliario a la vez- desarrolló una serie de proyectos, identificándose tres proyectos completamente documentados. Esta serie posee un fuerte carácter moderno y experimental, el cual se expresa en la volumetría general, la implantación, en el desarrollo tipológico, el diseño estructural y el dise&ntil

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Cardellino, Paula, and Craig Deed. "Interactions between Design Innovation and Educational Change in Non-Western Schools." Buildings 14, no. 3 (2024): 716. http://dx.doi.org/10.3390/buildings14030716.

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In Western countries, school systems have employed modern school building designs as symbols for progressive and innovative educational change. Yet, how does this design symbolism change teaching and learning? To address this, we examine the challenges and complexities of innovative school design by drawing on case studies of preschool and primary-level schools from non-Western cultural contexts. A conceptual framework that links social, organisational, cultural, and material elements is used to analyse two new schools in the Kingdom of Saudi Arabia and Uruguay that used modern school designs

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8

JANOW, MERIT E., and PETROS C. MAVROIDIS. "Digital Trade, E-Commerce, the WTO and Regional Frameworks." World Trade Review 18, S1 (2019): S1—S7. http://dx.doi.org/10.1017/s1474745618000526.

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The digitalization of trade is a reality, and yet the regulation of the world trading system as embedded in the World Trade Organization (WTO) only tangentially, if at all, touches upon this issue. True, digitalization of the economy, the fourth industrial revolution as it is colloquially referred to, is a recent phenomenon, and to some extent post-dates the conclusion of the Uruguay round agreements (1994). True also, however, is the reality that the world trading system has shown a remarkable inability to adjust to modern business realities in its multilateral rule architecture. To the exten

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Álvarez-Dorado, Manuel, Daniel Fernández-Vega, and Carlos Morón-Fernández. "Estudio comparativo de estructuras Ligeras en la arquitectura moderna: Eladio Dieste vs Félix Candela = Comparative study of lightweight structures in modern architecture: Eladio Dieste vs. Félix Candela." Anales de Edificación 8, no. 1 (2023): 1–5. http://dx.doi.org/10.20868/ade.2022.5015.

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El siguiente texto presenta el análisis comparativo de las estructuras ligeras del ingeniero uruguayo Eladio Dieste y el Arquitecto español Félix Candela. A través de 4 obras relevantes, como son el restaurante Los Manantiales, la Iglesia Ntra Sra de Guadalupe, La iglesia de San Juan de Ávila y el pabellón del colegio Don Bosco, se comparan aspectos clave en el desarrollo de la arquitectura de ambos y su funcionamiento. A través de las luces, como objetivo principal de las arquitecturas singulares, los soportes y el proceso de ejecución, se pretende extraer las ventajas e inconvenientes de las

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dos Reis, Adriano Domingos, Claiton Marlon dos Santos Scherer, Amanda Owen, et al. "A quantitative depositional model of a large distributive fluvial system (Megafan) with terminal aeolian interaction: The Upper Jurassic Guará DFS in southwestern Gondwana." Journal of Sedimentary Research 92, no. 5 (2022): 460–85. http://dx.doi.org/10.2110/jsr.2021.040.

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ABSTRACT Recent studies have shown that distributive fluvial systems are the dominant fluvial forms in modern continental sedimentary basins, thus composing a large part of the stratigraphic record. This study provides a basin-scale architectural analysis of the Guará Formation, from the Upper Jurassic record of southwestern Gondwana, and attempts to compare the formation's depositional model to those developed for distributive fluvial system (DFS) successions. This time interval is significant because it was a period of intense tectonic activity related to the Paraná–Etendeka plume and the Go

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11

Muy, Nelson, and Pedro Samaniego. "CRITERIOS URBANOS Y ARQUITECTÓNICOS INMATERIALES EN EL PLAN URBANO MODERNO DE CUENCA DE 1947." DISEÑO ARTE Y ARQUITECTURA, no. 9 (December 21, 2020): 289–306. http://dx.doi.org/10.33324/daya.v1i9.348.

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El estudio analiza criterios urbanísticos y arquitectónicos inmateriales del plan urbano moderno de la ciudad de Cuenca, Ecuador, desarrollado en 1947 por el arquitecto uruguayo Gilberto Gatto Sobral. El trabajo comprende tres momentos: 1) Investigación descriptiva de la influencia que tuvo el arquitecto para desarrollar el plan regulador de Cuenca. 2) Revisión de casos de estudio de los planes normativos y urbanísticos que se han desarrollado a nivel nacional e internacional, y 3) Investigación exploratoria donde se toma como punto de partida el plan del arquitecto Gatto Sobral en Cuenca, par

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Vammalle, Camila, and Ana Maria Ruiz Rivadeneira. "Budgeting in Uruguay Towards modern budgeting practices in Uruguay." OECD Journal on Budgeting 19, no. 1 (2019): 171–97. http://dx.doi.org/10.1787/4ff4bfce-en.

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13

Andreev, Anton. "The Communist Movement in Modern Uruguay: Strategies, Ideology, Challenges." ISTORIYA 14, no. 9 (131) (2023): 0. http://dx.doi.org/10.18254/s207987840028237-9.

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Modern Uruguay remains a country in which the left-wing forces have high public support. Despite the results of the 2019 elections, the left-wing coalition “Broad Front” continues to be one of the main players in the political and economic life of the country. The Communist Party of Uruguay has been a member of the “Broad Front” since its foundation and has a significant impact on the formation of the program, tactics and strategy of the coalition. At the same time, in recent years, new political groups have appeared in Uruguay that share communist (marxist, trotskyist, leninist, etc.) ideas.

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14

Hutton, Louisa. "Modern Color/Modern Architecture." Architectural Research Quarterly 7, no. 1 (2003): 92–93. http://dx.doi.org/10.1017/s1359135503232012.

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William Braham writes that this book has been conceived as a genealogy of modern architectural colour, explaining that he uses the term ‘genealogy’ in the (Deleuzean) sense of it automatically bringing one to an understanding of the distance travelled since the particular origins under research. Such an analysis is useful to Braham who wants to bring to the practising architect an informed view of the use of colour in architecture by investigating the discussions that have surrounded it since the 1830s.

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Soto, Matías, Ethel Morales, Gerardo Veroslavsky, Héctor de Santa Ana, Nelson Ucha, and Pablo Rodríguez. "The continental margin of Uruguay: Crustal architecture and segmentation." Marine and Petroleum Geology 28, no. 9 (2011): 1676–89. http://dx.doi.org/10.1016/j.marpetgeo.2011.07.001.

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16

Sarnitz, August, Otto Wagner, and Harry Francis Mallgrave. "Modern Architecture." Journal of Architectural Education (1984-) 44, no. 2 (1991): 119. http://dx.doi.org/10.2307/1425103.

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17

Loan, Pham Thuy, and Truong Ngoc Lan. "Modern Architecture in Vietnam or Vietnamese Modern Architecture?" Modern Southeast Asia, no. 57 (2017): 74–81. http://dx.doi.org/10.52200/57.a.2alyxs4z.

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Architecture is one of the keys to the values of a society, a reflection of a people’s aspiration, and a society’s ideas and technological experiments over periods in its history. This paper will address “modern architecture in Vietnam” focusing on the general course of its development: its practice, discourse and the built environment throughout history. The guiding questions for the main content of this paper are very fundamental: How can we define modern architecture in Vietnam? How was it formed and developed through the modern history of the country? Can we call modern architecture in Vie

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18

Mácêl, Otakar. "Modern Architecture and Modern Furniture." Designing Modern Life, no. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon origin

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19

Filatova, Tetiana. "Abel Carlevaro’s guitar works in the context of Uruguayan musical culture." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 137 (October 30, 2023): 121–35. http://dx.doi.org/10.31318/2522-4190.2023.137.294672.

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The relevance of the article is to consider Uruguayan guitar music as an important component of the modern South American repertoire. On the example of the works of famous composer and performer Abel Carlevaro connections with the folklore traditions of the country, Afro-Uruguayan genres and styles have been revealed. Main objective of the study is to reveal the influence of Abel Carlevaro's guitar work on the development of national performing traditions and the repertoire of Uruguayan music. The novelty of the article lies in the introduction of materials about Uruguayan musical culture and

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Ogli, Yuldashev Iqboljon Tolqinboy. "Modern landscape architecture." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 11 (2021): 929–32. http://dx.doi.org/10.5958/2249-7137.2021.02535.0.

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Gifford, Robert, Donald W. Hine, Werner Muller-Clemm, D’Arcy J. Reynolds, and Kelly T. Shaw. "Decoding Modern Architecture." Environment and Behavior 32, no. 2 (2000): 163–87. http://dx.doi.org/10.1177/00139160021972487.

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Luccas, Luís Henrique Haas. "Preservação em cidades turísticas e patrimônio moderno: o caso do Parador La Solana em Punta Ballena." Oculum Ensaios 13, no. 2 (2016): 313. http://dx.doi.org/10.24220/2318-0919v13n2a3107.

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O texto examina a intervenção acrítica realizada para reuso do Parador La Solana, em Punta Ballena, que desfigurou aquela obra fundadora da arquitetura moderna uruguaia. Projetada e construída por Antonio Bonet ao final da Segunda Guerra, a obra apresentou valor artístico reconhecido, como atesta sua inclusão no celebre livro “Latin American Architecture since 1945”, publicado por Henry‑Russel Hitchcock em 1955. O caso oportuniza a análise de algumas questões conexas, com destaque para as duas que estão na raiz do problema: a ainda difícil aceitação da arquitetura moderna como patrimônio e a p

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Hasníková, Hana, Jiří Kunecký, and Kateřina Kulawiecová. "Documenting modern architecture using modern technologies." Zprávy památkové péče 79, no. 2 (2019): 146–53. http://dx.doi.org/10.56112/zpp.2019.2.05.

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Jablonski, Mary, and William W. Braham. "Modern Color/Modern Architecture: Amedee Ozenfant and the Genealogy of Color in Modern Architecture." APT Bulletin 34, no. 2/3 (2003): 77. http://dx.doi.org/10.2307/1504828.

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Andreev, Anton. "The foreign policy program of the modern left movement of Uruguay: regional and global dimensions." Latin-American Historical Almanac 37, no. 1 (2023): 163–84. http://dx.doi.org/10.32608/2305-8773-2023-37-1-163-184.

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Political developments 2020–2021 in Latin America allow us to talk about the beginning of a new left turn in the region. The rise of the in-fluence of left forces on the continent is having an impact on the left in Uruguay, where the traditional right parties are now in power. The pur-pose of this article is to determine the features of the foreign policy program of the modern left forces of Uruguay. Based on party pro-grams, speeches of party leaders, parliamentary discussions, the article shows how the Uruguayan left perceives global and regional processes, how they see the future of the cou

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Lassus, Pongkwan. "Modern Architecture in Thailand." Modern Southeast Asia, no. 57 (2017): 64–73. http://dx.doi.org/10.52200/57.a.mc2poifj.

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The influence of modern architecture became more visible in Thailand after the country shifted from an absolute monarchy to a constitutional monarchy in 1932 and also as a result of economic circumstances and world trends. The first generation of Thai Modernist architects (or the pioneers of modern architecture in Thailand) had their education in Europe because of the necessity to modernize Thailand. The second generation were Thai architects who received their architectural education in Thailand as well as some continuing their studies in the USA. Their works reflect the International Style w

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Ермоленко, Е. В. "Sphere in modern architecture." СОВРЕМЕННАЯ АРХИТЕКТУРА МИРА, no. 2(11) (February 4, 2020): 55–82. http://dx.doi.org/10.25995/niitiag.2019.11.2.017.

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С первой декады 2000-х годов начинается неожиданное возвращение сферической формы в архитектуру. Утраченный ранее интерес компенсируется многочисленными новыми зданиями, в которых сфера либо становится главным формообразующим элементом, либо является значимой частью. Статья посвящена анализу приемов использования сферы в современном зодчестве. Показан процесс замещения первоначального для традиционной культуры смыслового значения сферы как сакрального «мирового яйца» формальными композиционными приемами в новейшей архитектуре. Since the first decade of the 2000s, an unexpected return of spheri

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Walker, Paul. "Migration and Modern Architecture." Fabrications 18, no. 1 (2008): 40–55. http://dx.doi.org/10.1080/10331867.2008.10539621.

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Yaneva, Albena. "Modern Architecture as Inextensible." Joelho Revista de Cultura Arquitectonica, no. 9 (December 27, 2018): 82–89. http://dx.doi.org/10.14195/1647-8681_9_4.

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I will begin with this provocative, and quite unusual image, of an iconic building that we all know – the Eiffel Tower. Some of you might have heard about the media debates surrounding the “new design for the restructuring of the public spaces of the Eiffel Tower” announced by the French architect David Serero in March 2008. He suggested doubling the size of the tower’s highest observational platform. The architect claimed that “his firm’s proposal was accepted after an open call, and that the structure is expected to be assembled for the 120th anniversary of the tower construction.” But short

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Paden, Roger. "Otto Wagner's modern architecture." Ethics, Place & Environment 13, no. 2 (2010): 229–46. http://dx.doi.org/10.1080/13668791003778883.

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Coleman, Nathaniel. "Utopia and modern architecture?" Architectural Research Quarterly 16, no. 4 (2012): 339–48. http://dx.doi.org/10.1017/s1359135513000225.

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It is a commonplace to describe twentieth-century Modernist architecture as utopian, but doing so arguably has less to do with putative social agendas than with explaining the failure of such work to deliver on extravagant promises. By interrogating utopian declarations for twentieth-century architecture and visionary urban representations, the aim of this article is to sharpen the loose pairing of Modernist architecture and Utopia. Consideration is also given to how undue emphasis on representation supports post-rationalisations of failure as the inevitable teleology of Utopia, which serves o

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Gross, U., and P. Hagemann. "Modern TEM systems architecture." Proceedings, annual meeting, Electron Microscopy Society of America 44 (August 1986): 602–5. http://dx.doi.org/10.1017/s0424820100144486.

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By addition of analytical equipment, scanning transmission accessories and data processing equipment the basic transmission electron microscope (TEM) has evolved into a comprehensive information gathering system. This extension has led to increased complexity of the instrument as compared with the straightforward imaging microscope, since in general new information capacity has required the addition of new control hardware. The increased operational complexity is reflected in a proliferation of knobs and buttons.In the conventional electron microscope design the operating panel of the instrume

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Sun, Lesley L. "Architecture of modern China." URBAN DESIGN International 17, no. 1 (2012): 76–77. http://dx.doi.org/10.1057/udi.2010.22.

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Vichente, Iovita, and Kampeanou Xristina. "Architecture on Modern Physics." Proceedings of the international conference of contemporary affairs in architecture and urbanism-ICCAUA 8, no. 1 (2025): 283–86. https://doi.org/10.38027/iccaua2025en0008.

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The question "What is architecture?" is challenging to answer due to its complexity, diverse implications, and its integration into human activity worldwide, from prehistoric history to contemporary applications. This study proposes a methodological approach combining theoretical and experimental exercises. These exercises address environmental laws, the physical dynamics of small and large towns, and the impact of the built environment on both the collective population and individual inhabitants. Our findings highlight the significance of daily construction practices and reveal how modern phy

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Melachos, F. C., W. Florio, F. Maietti, L. Rossato, and M. Balzani. "INVESTIGATIONS ON THE DESIGN PROCESS OF ELADIO DIESTE: 3D PARAMETRIC MODELLING OF MODERN LATIN AMERICAN ARCHITECTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 23, 2019): 775–82. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-775-2019.

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<p><strong>Abstract.</strong> The Uruguayan Engineer Eladio Dieste underwent a quest for thinness in the field of structural design which rendered his reinforced masonry thin-shell structures at a conspicuous position in Modern Latin American Architectural Heritage, so much so as to have Dieste’s work in Latin America and Europe included in an indicative list for UNESCO’s cultural heritage sites as of 2010. Nonetheless, the design process that led Dieste to such innovative structural typologies is yet to be fully academically explored. Thus, the objective of this paper is to

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Obolenskiy, V. "Protectionism and Free Trade in Modern World." World Economy and International Relations, no. 12 (2013): 14–23. http://dx.doi.org/10.20542/0131-2227-2013-12-14-23.

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In the second part of XX century the world saw a steady strengthening and consolidation of liberalization trend in trade policies of many nations. This helped to establish the GATT in 1947 and, later on as a result of Uruguay round of multilateral trade negotiations (1986-1994), the new international economic institution - the WTO. However, the pace and scale of multilateral liberalization do not satisfy the participants of international trade. This triggers a widespread drive for concluding bilateral, regional and then transcontinental agreements on economic cooperation. The article is devote

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Parker, Timothy. "Modern Color/Modern Architecture: Arnédée Ozenfant and the Genealogy of Color in Modern Architecture. William W. Braham." Studies in the Decorative Arts 12, no. 1 (2004): 145–47. http://dx.doi.org/10.1086/studdecoarts.12.1.40663105.

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Andreev, Anton. "Uruguay and the USSR in 1945–1991: bilateral relations in the context of the left movement." Latinskaia Amerika, no. 9 (2022): 54. http://dx.doi.org/10.31857/s0044748x0021677-3.

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In modern international conditions Russia is forced to change the vectors of its foreign policy. Moscow paying attention to the countries of Latin America, seeing them as its political and economic partner. However, Russian-Latin American relations have historical traditions formed during the Cold War. The purpose of this article is to show the development of bilateral relations between the USSR and Uruguay in the second half of the 20th century in the context of the development of the Latin American left movement. Based on archival materials, press, memoirs, the article shows how contacts bet

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Stramschak, Julieta. "Vitruvio: the network of architecture, art, design and urbanism libraries." Art Libraries Journal 30, no. 3 (2005): 5–7. http://dx.doi.org/10.1017/s0307472200014012.

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Why create a network of architecture, art, design and urbanism libraries in Argentina and Latin America? Would it not have been better to join one of the existing networks in developed countries, which are more efficient? But do we have the same needs, requests and resources? The Vitruvio network originated in Argentina about 10 years ago and has spread, unplanned, to other countries in this region such as Peru, Uruguay and Ecuador, establishing its objectives to suit the libraries co-operating in the project. Sustainable products and services have been developed, in line with the needs of the

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García Vergara, Marisa. "EMILIO NISIVOCCIA (ed.) - La Aldea Feliz. Episodios de la modernización en Uruguay." ZARCH, no. 3 (December 31, 2014): 203. http://dx.doi.org/10.26754/ojs_zarch/zarch.201439310.

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Ciarkowski, B. "Non-Modern Modernity? Neomodern Architecture." Art inquiry, N 18 (27) (2016): 87–97.

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Molnár, Tamás. "Has Parzival met modern architecture?" Pollack Periodica 8, no. 1 (2013): 133–40. http://dx.doi.org/10.1556/pollack.8.2013.1.12.

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Campaner, Miguel. "Cinema and architecture: Modern perception." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 511–18. http://dx.doi.org/10.5937/saj1903511c.

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Walter Benjamin's essay on cinema expounds his prognostic values. By the time he wrote this article his critique of the capitalistic mode of production showed the direction in which capitalism was progressing: towards an increasing intensity in exploitation of the proletariat, but also its own decline. We are interested in these prognoses that affirm the transformation of art and its function, and which call our attention to the loss of transcendence and the decline of the aura of the work of art. At the same time, they show possibilities that affirm the continuity of art with a different role

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Gawell, Ewelina, and Konrad Grabowiecki. "Modern Details in Meaningful Architecture." Sustainability 13, no. 24 (2021): 13691. http://dx.doi.org/10.3390/su132413691.

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Architecture is the art of shaping space, system, and technology. A close relationship is established between the building and its user, as the facility provides shelter and communicates with the inhabitants by meanings encoded in the form. The reception of architecture occurs through an ideological narrative and the quality of construction and material solutions. Contemporary pro-environmental postulates exert an increasingly clear influence on how architecture is shaped, especially on its aesthetic and semantic solutions. In this context, the article refers to the interdependence between art

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Cohen, Jean-Louis. "Modern Architecture, Promise or Menace?" La lettre du Collège de France, no. 9 (September 25, 2015): 60–61. http://dx.doi.org/10.4000/lettre-cdf.2186.

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Bressani, Martin. "Entanglements: Race and Modern Architecture." Critique d’art, no. 57 (November 30, 2021): 153–63. http://dx.doi.org/10.4000/critiquedart.85489.

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Bonta, János. "Awakening of the modern architecture." Építés - Építészettudomány 39, no. 3-4 (2011): 281–92. http://dx.doi.org/10.1556/eptud.39.2011.3-4.11.

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Whiteley, Nigel. "Modern Architecture, Heritage and Englishness." Architectural History 38 (1995): 220. http://dx.doi.org/10.2307/1568629.

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Benjamin, Andrew. "The Appearance of Modern Architecture." Architectural Theory Review 9, no. 1 (2004): 36–44. http://dx.doi.org/10.1080/13264820409478505.

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Fedorov, Oleg, and Victoria Lazina. "MODERN TRANSLUCENT ENCLOSURES IN ARCHITECTURE." Architecture and Engineering 4, no. 4 (2019): 12–21. http://dx.doi.org/10.23968/2500-0055-2019-4-4-12-21.

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