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1

Advances in democracy: From the French Revolution to the present-day European Union. New York: New Britannica Educational Pub., in association with Rosen Educational Services, 2011.

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2

"Beijing wen wu jian zhu da xi" bian wei hui, ed. Jin dai jian zhu: Modern architecture. Beijing: Beijing mei shu she ying chu ban she, 2011.

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3

Zhongguo xian dai wen hua lun zheng: The cultural contestation of modern China. Beijing Shi: She hui ke xue wen xian chu ban she, 2012.

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4

Alabied, Ryad. Über das freie Denken zwischen islamischer und westlicher Kultur. Aachen: Verlag Mainz, 1997.

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5

Zhongguo xian dai you hua shi: The history of Chinese modern oil painting. Shanghai Shi: Shanghai shu hua chu ban she, 2007.

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6

Liu nian wu yu: Xi fang jin xian dai wen ming de zhe si. Kunming Shi: Yunnan ren min chu ban she, 2005.

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7

Früchtl, Josef. Das unverschämte Ich: Eine Heldengeschichte der Moderne. Frankfurt am Main: Suhrkamp, 2004.

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8

Das riskante Projekt: Die Moderne und ihre Bewältigung. Bielefeld: Aisthesis, 2011.

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9

Xian dai xi fang zhe xue de shi wu tang ke: Modern Western philosiphy. Taibei Shi: Wu nan tu shu chu ban gong si, 2007.

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10

Mu, Lin, and Lane Letitia, eds. Art and artists of Chinese modern painting, 1890-1949 =: [Zhongguo xian dai hui hua yi shu, 1830-1949]. Lewiston, N.Y: E. Mellen Press, 2005.

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11

Xian dai zhuan xing yu yi shu jia de shi jiao: The modern transformation and artist's perspective. Beijing: Ren min chu ban she, 2014.

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12

Jin dai Nanjing cheng shi jian she yan jiu: Study of the construction of the modern city of Nanjing. Nanjing: Nanjing da xue chu ban she, 1999.

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13

Xian dai xi fang jing ji xue liu pai: Modern schools of western economics. 2nd ed. Beijing: Bei jing da xue chu ban she, 2015.

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14

(Taipei, Taiwan) Xiong shi hua lang. Hanguo xin sheng dai shui mo hua zhan: Korean water-ink paintings of the new generation. Zhonghua min guo Taibei Shi: Xiong shi hua lang, 1987.

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15

Jin dai Zhong wai wen hua jiao liu shi: A modern history of cultural exchanges between China and other countries. Nanjing Shi: Nanjing da xue chu ban she, 2003.

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16

Zhongguo jin dai Zhong xi jian zhu wen hua jiao rong shi: The combination history of Sino-West architectural culture in modern times of China. Wuhan Shi: Hubei jiao yu chu ban she, 2003.

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17

David, Thompson. Homecoming. New York: Leisure Books, 1996.

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18

Jin dai xue ren yu Zhong xi jiao tong shi yan jiu: Modern scholars' research on the history of sino-foreign communications. Beijing Shi: Guang ming ri bao chu ban she, 2010.

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19

Shi jie Hua wen xin wen xue shi: Zhongguo xian dai wen xue de liang du xi chao = A history of global modern Chinese literature : two waves of Westernization in modern Chinese literature. Xinbei Shi: INK yin ke wen xue sheng huo za zhi chu ban you xian gong si, 2015.

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20

Jiu ye shi pai yu xi fang xian dai zhu yi. Shanghai Shi: Dong fang chu ban zhong xin, 2010.

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21

Xi yang tong ban hua yu jin dai Zhongguo: Western engravings and etchings and modern China. Fuzhou: Fujian jiao yu chu ban she, 2008.

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22

Xi yang tong ban hua yu jin dai Zhongguo: Western engravings and etchings and modern China. Fuzhou: Fujian jiao yu chu ban she, 2008.

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23

Zhongguo xian dang dai wen lun yu wai guo shi xue. Xiamen: Xiamen da xue chu ban she, 2003.

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24

Rennie, Kriston R. The Destruction and Recovery of Monte Cassino, 529-1964. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729130.

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Between the sixth and twentieth centuries, the Benedictine Abbey of Monte Cassino (est. 529) experienced a cycle of atrocities which forever transformed its identity. This book examines how such a tumultuous history has been constructed, remembered, and represented from the Middle Ages to the present day. It uses this singular and pivotal case to analyse the historical process of remembering and its impact on modern representations of the past. Exactly how Monte Cassino is remembered is distinctive and diagnostic. The abbey is recognizable today as a beacon of western civilization, culture, and learning precisely because of its 'destruction tradition' over fourteen centuries. The Destruction and Recovery of Monte Cassino, 529.1964 asks how the abbey’s fragmented past has been ideologically, politically, and culturally constituted and preserved; how its experience with destruction and suffering . and recovery and rebirth . has become incorporated into a modern narrative of progress and triumph.
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25

Kühn, Thomas. Das moderne Brasilien: Gesellschaft, Politik und Kultur in der Peripherie des Westens. Wiesbaden: VS, Verl. für Sozialwiss., 2006.

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26

"Xi hua" de li cheng: Zhong Ri jian zhu jin dai hua guo cheng bi jiao yan jiu = A comparative research betwee China and Japan on development of architecture in modern times. Taibei: Tian yuan cheng shi wen hua shi ye you xian gong si, 2001.

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27

Das diskursive Erbe Europas: Antike und Antikerezeption. Frankfurt am Main: Peter Lang, 2008.

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28

Xian dai xi fang guo jia yu she hui guan xi li lun: Modern western theory of state-society relations. Beijing Shi: Zhongguo zheng fa da xue chu ban she, 2006.

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29

Graham, Dan. Dan Graham. Barcelona: Ediciones Polígrafa, 1998.

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30

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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31

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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32

Hun xue de sheng zhang: Er shi shi ji ba shi nian dai (1976-1985) dui xi fang xian dai pai wen xue de jie shou. Beijing: Zhongguo she hui ke xue chu ban she, 2011.

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33

Duxiang shi yi de yan yi: Xi fang xian dai yi shu de duan lie yu zhuan hua = The differance [sic] of M. Duchamp's poetics : the non-continuousness and transformation of western modern art. Taibei Shi: Xiu wei zi xun ke ji gu fen you xian gong si, 2008.

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34

Bennett, Simpson, Iles Chrissie, Anastas Rhea, Gordon Kim 1953-, Graham Rodney 1949-, Museum of Contemporary Art (Los Angeles, Calif.), and Whitney Museum of American Art., eds. Dan Graham: Beyond. Los Angeles: Museum of Contemporary Art, 2009.

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35

Zhong gong Zhuhai Shi wei. Xuan chuan bu, Aomen ji jin hui, and Zhongshan da xue (Guangzhou, China). Jin dai Zhongguo yan jiu zhong xin, eds. Zhuhai, Aomen yu jin dai Zhong xi wen hua jiao liu: "shou jie Zhu Ao wen hua lun tan" lun wen ji = Modern cultural exchanges between China and the west in Zhuhai and Macao. Beijing Shi: She hui ke xue wen xian chu ban she, 2010.

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36

Xian dai xi fang jing ji she hui xue li lun shu ping: Introduction to the theory of modern western economic sociology. Beijing: she hui ke xue wen xian chu ban she,2006., 2006.

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37

Graham, Dan. Dan Graham: Public/private. Philadelphia, Pa: Goldie Paley Gallery, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, 1993.

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38

Graham, Dan. Dan Graham: Public/private. Philadelphia: The Gallery, 1993.

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39

Jin dai Zhong xi jiao wang zhong de yu yan wen ti yan jiu: Zuo wei wen hua xian xiang de yang jing bin Ying yu = Research on the language problem in the Sino-Western intercourse in the modern times : Pidgin English as a cultural phenomenon. Chengdu Shi: Sichuan da xue chu ban she, 2006.

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40

Graham, Dan. Dan Graham: Œuvres, 1965-2000. Paris: Paris-musées, 2001.

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41

editor, Zarrow Peter Gue, and Chang Che-chia editor, eds. Jin dai Zhongguo xin zhi shi de jian gou: Di si jie guo ji han xue hui yi lun wen ji = THE CONSTRUCTION OF NEW KNOWLEDGE IN MODERN CHINA : Papers from the Fourth International Conference on Sinology. [Taibei]: Zhong yang yan jiu yuan, 2013.

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42

Graham, Dan. Dan Graham: Contemporary Art Gallery, September 24-November 15, 2003. [Vancouver]: The Gallery, 2003.

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43

Zai Hua Ying wen bao kan yu jin dai zao qi de Zhong Xi guan xi: The English press in China and the Sino-Western relationship in the early modern times. Beijing: She hui ke xue wen xian chu ban she, 2012.

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44

Graham, Dan. Dan Graham: 20 février-19 avril 1987, ARC (Animation, recherche, confrontation), Musée d'art moderne de la ville de aris. Paris: Musée d'art moderne de la ville de Paris, 1987.

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45

1971-, Zhu Hongbo, ed. Xi ban qiu de lie bian: Jin dai La Mei yu Meiguo fa zhan mo shi bi jiao yan jiu = The fission of the Western Hemisphere : the comparative study of development model between modern Latin America and United States. Shanghai: Shanghai ci shu chu ban she, 2005.

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46

Das Beatty Rosarium: Eine Handschrift mit Miniaturen von Simon Bening : vollständige Faksimile-Ausgabe im Originalformat des Codex MS Western 99 aus dem Besitz der Chester Beatty Library, Dublin : Kommentarband. Graz, Austria: Akademische Druck- u. Verlagsanstalt, 1986.

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47

Bendell, Don. Tracks of Hope: A Modern Day Western. Goldminds Publishing, LLC, 2015.

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48

E, Cullen Charles, ed. A modern day western, the Sanchez saga: A film by Charles E. Cullen : a fairytale where past meets present. [Roanoke, Va.]: Cullen Studios, 1997.

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49

Walther, Ingo F. Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day: From the Gothic to Neoclassicsm (Jumbo). Benedikt Taschen Verlag, 1999.

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50

Rütten, Thomas. Early Modern Medicine. Edited by Mark Jackson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199546497.013.0004.

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This article focuses on Western medicine, which, in the form of learned medicine, represents one of the three higher faculties on the basis of a certain canon of Greek and Arabic texts. It presents that from a methodological perspective, women's studies, gender studies, and gender behavioural studies have contrasted the cruder forms of biologizing and ontologizing the feminine with differentiated societal models of constructing sexuality. This approach has led to a radical revision of early modern medical historiography. The history of early modern medicine is further complicated by an imposing diversity of methodological approaches and by growing caution about unsubstantiated generalizations. The past century of exploration into early modern medicine has dictated the various methodological approaches that have held their ground in the research landscape up to the present day.
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