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Books on the topic 'Modern Hindi Poetry Analysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Shrotriya, Prabhakar. The quintessence of poetry: With special reference to new Hindi poetry. Karnal: Natraj Pub. House, 1987.

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2

Nāyara, Je Rāmacandrana. Ādhunika Hindī kāvya meṃ vyaṅgya =: Satire in modern Hindi poetry, 1930-60. Ilāhābāda: Smr̥ti Prakāśana, 1988.

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3

Nāyara, Je Rāmacandrana. Ādhunika Hindī kāvya meṃ vyaṅgya =: Satire in modern Hindi poetry, 1930-60. Ilāhābāda: Smr̥ti Prakāśana, 1988.

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4

Mahadevi Varma and the chhayavad age of modern Hindi poetry. Berkeley: University of California Press, 1998.

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5

Mahadevi Varma and the Chhayavad age of modern Hindi poetry. Delhi: Oxford University Press, 1998.

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6

Constantakis, Sara. Poetry for students: Presenting analysis, context and criticism on commonly studied poetry. Detroit, Mich: Gale, 2010.

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7

Constantakis, Sara. Poetry for students: Presenting analysis, context and criticism on commonly studied poetry. Detroit, Mich: Gale, 2010.

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8

Poetry for students: Presenting analysis, context and criticism on commonly studied poetry. Detroit, Mich: Gale, 2011.

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9

Constantakis, Sara. Poetry for students: Presenting analysis, context and criticism on commonly studied poetry. Detroit, Mich: Gale, 2010.

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10

Namdev, his mind and art: A linguistic analysis of Namdev's poetry. New Delhi: Bahri Publications, 1988.

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11

The Laghukathā: A historical and literary analysis of a modern Hindi prose genre. Berlin: Walter de Gruyter, 2003.

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12

Sarma, Ira Valeria. The laghukathā: A historical and literary analysis of a modern Hindi prose genre. New Delhi: Munshiram Manoharlal Publishers, 2012.

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13

Dixit, Chhote Lal. Ādhunika kāvya meṃ phantāsī kī prāsaṅgikatā =: Relevance of fantasy in modern Hindi poetry. Vārāṇasī: Viśvavidyālaya Prakāśana, 1993.

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14

Dixit, Chhote Lal. Ādhunika kāvya meṃ phantāsī kī prāsaṅgikatā =: Relevance of fantasy in modern Hindi poetry. Vārāṇasī: Viśvavidyālaya Prakāśana, 1993.

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15

Poetry for students: Presenting analysis, context and criticism on commonly studied poetry. Detroit, Mich: Gale, 2010.

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16

Morphology and syntax of Old Hindi: Edition and analysis of one hundred Kabir Vani poems from Rajasthan. Leiden: Brill, 2013.

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17

Papastaikoudēs, Nikos I. Keimenodiphikē analysē: Protasē kai anaptyxē mias neas methodou gia tēn epistēmonikē exetasē logotechnikōn keimenōn : seira mathēmatōn stis SELME Thessalonikēs kai Kavalas, 1987-1988. Thessalonikē: Kōdikas, 1989.

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18

The female voice in medieval Romance lyric. New York: P. Lang, 1988.

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19

De Zordo, Ornella, ed. Saggi di anglistica e americanistica. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-022-2.

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Saggi brings together the results of the research activity carried out in 2008 on the PhD course in English and American Studies (Department of Modern Philology, University of Florence). The seven contributions relate to the theatre, narrative, poetry, autobiographical writing and correspondence, and range from the Renaissance up to the present day, offering critical perspectives that go from the analysis of the postmodern identity to the phenomenon of rewriting, from reception theories to comparative studies, and from literary topography to computational linguistics. The heterogeneity of the material illustrates the free choice of the young academics who, in the climate of collaboration that was established, decided to address the technical and editorial aspects of the book as a team in the open access editorial workshop of the Department.
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20

Casavala, Premalata. Muktibodha-kavya (मुक्तिबोध - काव्य): Janavadi cetana ke sandarbha mem (जनवादी चेतना के सन्दर्भ में ). Adhara Prakasana, 2001.

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21

Modern Hindi Poetry. South Asia Books, 1990.

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22

Vajpeyi, Kailash. Anthology of Modern Hindi Poetry. HarperCollins India, 2000.

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23

(Contributor), Leonard Nathan, and Vidya Niwas Misra (Editor), eds. Modern Hindi Poetry: An Anthology. South Asia Books, 1990.

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24

Kailash, Vajpeyi, ed. An anthology of modern Hindi poetry. Calcutta: Rupa & Co., 1998.

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25

Simpson, Paul. A Stylistic Analysis of Modern Irish Poetry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561247.013.0023.

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26

1919-, Amrita Pritam, and Rājeśa Candrā, eds. Āvājeṃ. Dillī: Hinda Pôkeṭa Buksa, 2001.

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27

Daniel, Weissbort, Rāṭhī Giradhara 1946-, Sahitya Akademi, and Translation Workshop (1990 : New Delhi, India), eds. Survival, an experience and an experiment in translating modern Hindi poetry. New Delhi: Sahitya Akademi, 1994.

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28

Galens, David. Poetry for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 2002.

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29

Galens, David. Poetry for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 2003.

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30

Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 1999.

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31

Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 1999.

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32

Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 1999.

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33

Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 1998.

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34

Poetry For Students Presenting Analysis Context And Criticism On Commonly Studied Poetry. Gale Cengage, 2010.

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35

Poetry for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 2000.

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36

(Editor), Mary K. Ruby, and Ira Mark Milne (Editor), eds. Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 2000.

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37

(Editor), Marie Rose Napierkowski, and Mary K. Ruby (Editor), eds. Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry (Poetry for Students). Thomson Gale, 1997.

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38

(Foreword), David Kelly, Marie Rose Napierkowski (Editor), and Mary K. Ruby (Editor), eds. Poetry for Students: Presenting Analysis, Context and Criticism on Commonly Studied Poetry, Volume 3 (Poetry for Students). Thomson Gale, 1998.

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39

Reading the Difficulties: Dialogues with Contemporary American Innovative Poetry (Modern & Contemporary Poetics). University Alabama Press, 2014.

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40

Sarma, Ira Valeria. The Laghukatha: A Historical and Literary Analysis of a Modern Hindi Prose Genre (Indian Philology and South Asian Studies, V 4). Walter de Gruyter, 2002.

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41

The Work of Form: Poetics and Materaility in Early Modern Culture. Oxford University Press, 2014.

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42

Novels for Students: Presenting Analysis, Context and Criticism on Commonly Studied Novels (Novels for Students). Thomson Gale, 1998.

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43

(Editor), Deborah A. Stanley, and Marie Rose Napierkowski (Editor), eds. Novels for Students: Presenting Analysis, Context and Criticism on Commonly Studied Novels (Novels for Students). 8th ed. Thomson Gale, 2000.

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44

Jones, Kevin M. The Dangers of Poetry. Stanford University Press, 2020. http://dx.doi.org/10.11126/stanford/9781503613393.001.0001.

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Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.
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45

The teaching and acquisition of south Asian languages. Philadelphia: University of Pennsylvania Press, 1995.

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46

d'Hubert, Thibaut. In the Shade of the Golden Palace. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190860332.001.0001.

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In the Shade of the Golden Palace explores the oeuvre of the prolific Bengali poet and translator Alaol (fl. 1651–1671), who rendered five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol’s works, paying special attention to the poet’s own discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. The monograph shows how a variety of literary experiments fostered by multilingual literacy took place in a seemingly remote corner of the Bay of Bengal: the kingdom of Arakan that lay between todays southeastern Bangladesh and Myanmar. After a careful contextualization of the emergence of Bengali Muslim literature in Arakan, I focus on courtly speech in Alaol’s poetry, his revisiting of classical categories in a vernacular context, and the prominent role of the discipline of lyrical arts (i.e. music, dance) in his conceptualization of the poetics of the written word. The book also contains a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the styles that formed the core of connoisseurship in the regional courts of eastern South Asia, from Nepal to Arakan. The monograph operates on three levels: as a unique vade mecum for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.
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47

Schaflechner, Jürgen. Historical Representations and Recent Changes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190850524.003.0004.

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Chapter 3 introduces the tradition of ritual journeys and sacred geographies in South Asia, then hones in on a detailed history of the grueling and elaborate pilgrimage attached to the shrine of Hinglaj. Before the construction of the Makran Coastal Highway the journey to the Goddess’s remote abode in the desert of Balochistan frequently presented a lethally dangerous undertaking for her devotees, the hardships of which have been described by many sources in Bengali, Gujarati, Hindi, Sindhi, and Urdu. This chapter draws heavily from original sources, including travelogues and novels, which are supplanted with local oral histories in order to weave a historical tapestry that displays the rich array of practices and beliefs surrounding the pilgrimage and how they have changed over time. The comparative analysis demonstrates how certain motifs, such as austerity (Skt. tapasyā), remain important themes within the whole Hinglaj genre even in modern times while others have been lost in the contemporary era.
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48

Shams, Fatemeh. A Revolution in Rhyme. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198858829.001.0001.

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A Revolution in Rhyme: Poetic Co-option under the Islamic Republic offers, for the first time, an original, timely examination of the pivotal role poetry plays in policy, power and political legitimacy in modern-day Iran. Through a compelling chronological and thematic framework, Shams presents fresh insights into the emerging lexicon of coercion and unrest in the modern Persian canon. Analysis of the lives and work of ten key poets traces the evolution of the Islamic Republic, from the 1979 Revolution, through to the Iran-Iraq War, the death of a leader and the rise of internal conflicts. Ancient forms jostle against didactic ideologies, exposing the complex relationship between poetry, patronage and literary production in authoritarian regimes, shedding light on a crucial area of discourse that has been hitherto overlooked.
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49

Crowley, Lara M. “I their forger”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.003.0005.

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Chapter 5 explores Donne’s lyric poetry in British Library, Additional Manuscript 10309, a seventeenth-century miscellany prepared in a single italic hand. We investigate the manuscript’s eight heavily revised Donne poems, read—and perhaps compiled, even adapted—by Margaret Bellasis. This chapter attends to manuscript features such as titles and verbal variants in these poems, focusing largely on the highly variant versions of “Breake of day” and “The Will.” The verse adapter seems to deploy a consistent pattern of revision that emphasizes sincere love and dilutes bitterness, while still delighting in Donne’s witty premises. These supposedly corrupt texts (very corrupt indeed by traditional editorial standards) provide evidence of a sensitive literary mind at work within Donne’s poems. Through its detailed analysis of verbal adaptations, this chapter contributes a vital study to continuing conversations about early modern women as readers and writers.
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50

Mole, Tom. Celebrity and Anonymity. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.30.

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This chapter argues that the discourses, understandings, and practices surrounding the attribution of literary works changed significantly during the Romantic period. It examines the wide range of attribution styles that were available in the period, including the use of initials, phrases such as ‘by a Lady’, invented names such as Malachi Malagrowther (Walter Scott), and the formula ‘by the author of’. Drawing on a quantitative analysis of the bibliographical record, it shows how the popularity of anonymous publication shifted during the period in different ways for novels and poetry volumes. These changes were bound up with the emergence of modern celebrity culture. The chapter suggests that celebrity, anonymity, and pseudonymity were not opposed to one another, but were complexly intertwined, so that anonymity could be a form of celebrity and (paradoxically) celebrity could be a form of anonymity.
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