Relevant bibliographies by topics / Modern Indian theatre movement

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Modern Indian theatre movement'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Modern Indian theatre movement"

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Dr., M. SUBBIAH. "THE IMPACT OF WESTERN THEATRE ON THE EVOLUTION OF MODERN INDIAN THEATRE." Global Journal of Arts Humanity and Social Sciences 5, no. 2 (2025): 166–74. https://doi.org/10.5281/zenodo.14822661.

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This research paper delves into the intricate relationship between Western and Indian theatre, exploring the multifaceted impact of cross-cultural interactions on the evolution of modern Indian theatre. Spanning historical, artistic, and educational dimensions, the study uncovers the dynamic synthesis of Western influences with indigenous traditions, shaping narratives, aesthetics, and training methodologies. The historical overview examines the colonial period, tracing the introduction of Victorian drama and realism to India. Playwrights like Rabindranath Tagore creatively adapted Western for
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Bhuyan, Abul Basher MD Ziaul Haque. "The synthesis of tradition in contemporary theatre of Bangladesh: “The theatre of roots”." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 4 (2022): 84–104. http://dx.doi.org/10.35852/2588-0144-2022-4-84-104.

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The article examines how the Eastern traditional theatre responded to the Western theatre in the context of the British colonial regime in the Indian subcontinent. From this point of view, the dialogue between cultures was practically not considered. Hence, this study is devoted to understanding the synthesis of European theatre and traditional theatre, which began to be considered a rural art form by the early twentieth century, meaning something simple or low. In contrast, urban theatre of the European type was perceived as something refined or high. Rabindranath Tagore had not been fully su
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Zarna, Tejendrabhai Pandya, and Alpesh Upadhyay Dr. "ORIGIN AND HISTORY OF DRAMA IN INDIA." INTERNATIONAL EDUCATIONAL JOURNAL OF SCIENCE AND ENGINEERING - IEJSE 7, no. 3 (2024): 25–30. https://doi.org/10.5281/zenodo.15607522.

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This paper explores the origin, development, and contemporary significance of drama in India, tracing its evolution from ancient ritualistic performances to modern theatrical expressions. The study examines the influence of Vedic rituals, Sanskrit drama, and the Bhakti and Sufi traditions on Indian theatre, as well as the impact of colonialism, regionalism, and globalization on its growth and adaptation. Through an analysis of key historical periods, including the Classical, Medieval, Mughal, and post-Independence eras, the paper highlights the fusion of Indian and foreign influences, the emer
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Samipendra Banerjee. "Colonial Encounters, Nationalism and the Public Theatre in Calcutta." Voice of Creative Research 4, no. 2 (2022): 1–5. https://doi.org/10.53032/tvcr/2022.v4n2.01.

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This research article examines the intersections of colonial encounters, nationalism, and the public theatre in Calcutta during the late 19th and early 20th centuries. Focusing on the dynamic cultural and political landscape of colonial Bengal, the study investigates how the emergence of public theatre served as a crucial site for negotiating and expressing nationalist sentiments in response to British colonial rule. The article begins by contextualizing Calcutta’s theatrical milieu within the broader framework of colonialism’s impact on Indian society and culture. It explores how European-sty
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Patra, Mintu. "POWER POLITICS IN GIRISH KARNAD’S HAYAVADANA AND TUGHLAQ." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 10, no. 04 (2023): 17–21. http://dx.doi.org/10.54513/joell.2023.10404.

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Through the centuries, Indian drama has been one of the means of discovering how a human being can achieve an optimal human existence–cultural, social, political, material, and spiritual. The staging of patriotic plays in modern Indian theatre boosted operative energy in the freedom movement. The spirit of liberty provided significant impetus to the revival of various forms of performing arts. After independence, Karnad, along with other playwrights such as Vijay Tendulkar, Mohan Rakesh, and Badal Sircar, conducted 101 theatrical and thematic experiments in order to free individuals from the s
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Jha, Dr Suprita. "Tendulkar’s ‘Ghashiram Kotwal: An Illustration of Socio-Political Opportunism." International Journal of English Literature and Social Sciences 3, no. 5 (2018): 927–30. http://dx.doi.org/10.22161/ijels.3.5.38.

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he development of modern theatre in India may be attributed to a change in the political set up in India. Post-Independence Indian theatre and drama got a new footing with the new found cultural confidence. The year 1972 turned out to be a landmark for the Indian vernacular theatre when Vijay Tendulkar’s Marathi play ‘GHASHIRAM KOTWAL’ made waves by its brilliant use of traditional folk forms in modern contemporary theatre. ‘GHASHIRAM KOTWAL’ has been in the controversy since its very inception. It was staged in 1972 but soon it was banned for its anti-Brahmin stance and the distortion of fact
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SOLOMON, RAKESH H. "From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present." Theatre Research International 29, no. 2 (2004): 111–27. http://dx.doi.org/10.1017/s0307883304000276.

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This essay offers a comparative critique of all major Indian theatre histories written during the modern era. It reveals three distinct representations of Indian theatre and argues that each was a manifestation of a discrete historiographic approach, shaped by its particular historical and cultural moment. Theatre histories of the Orientalist period offer a narrow and elitist construction of Indian theatre as synonymous with a single defunct genre, the ancient Sanskrit theatre. Histories of the high nationalist phase make a token acknowledgement of the Sanskrit and traditional genres but defin
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Mitra, Shayoni. "Badal Sircar: Scripting a Movement." TDR/The Drama Review 48, no. 3 (2004): 59–78. http://dx.doi.org/10.1162/1054204041667730.

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Amitabh Kumar and Dr. Vivek Kumar Dwivedi. "From Proscenium to Public: Explorations of Body and Space in Sircar’s Third Theatre." Creative Launcher 8, no. 2 (2023): 59–64. http://dx.doi.org/10.53032/tcl.2023.8.2.08.

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The name of Badal Sircar, the Bengali playwright, actor and theatre activist, holds a very prestigious position in the history of modern Indian theatre. Both in the field of the Indian mainstream proscenium theatre and in that of the Alternative/Street theatre, he has made significant contribution to the Indian drama. In the post-independence period, when Indian theatre world was caught in the debate of “modern” and “Indian”, he established a brand-new genre of theatre called “Third Theatre”. Third Theatre provided a potent resolution to the inherent dichotomy in modern Indian drama by skillfu
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Yadav, Ajay Kumar. "ANALYZING THE INFLUENCE OF STREET THEATRE ON SOCIAL COMMUNICATION." International Journal of Innovations & Research Analysis 04, no. 02(II) (2024): 190–95. http://dx.doi.org/10.62823/4.2(ii).6748.

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Early in the 20th century, street theatre developed as a means of emancipating the working class and bolstering the revolt against established authority. Its journey in India started with left-wing theatre activists leading the anti-colonial movement. Although street theatre and folk theatre are closely related, street theatre is more of a participatory social communication process than a straightforward artistic medium. With an emphasis on the "Halla Bol" movement, this intellectual examines the function and possibilities of street theatre as a vehicle for community development intended to br
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Dissertations / Theses on the topic "Modern Indian theatre movement"

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Matthews, Laura S. "DIRECTING THROUGH ANCIENT MOVEMENT: An Experiment Exploring Ancient Greek Choral Structures on the Modern Stage." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5731.

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This thesis outlines my research and creative process of how to direct modern theatre under the structure of the Ancient Greek chorus, specifically through movement. I include a brief history of how the chorus functioned in Ancient Greek theatre; how movement shaped the chorus’ role as well as the story for the audience. Using the parameters of the chorus, I directed two theatrical productions, Jason Robert Brown’s Parade, and Sarah Ruhl’s adaptation of Virginia Woolf’s Orlando. Through exploration and analysis I conclude that using Ancient Greek choral movement in modern theatre helps to crea
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Ruozzo, Stephanie Marie. "The Legitimate Princess: Intersections of Broadway and the Little Theatre Movement in Jerome Kern's Musical Comedies." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1591286570783829.

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Hester, Zoe. "Storytelling through Movement: An Analysis of the Connections between Dance & Literature." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/470.

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Movement and storytelling are the links between past and present; both dance and literature have the same artistic and primal origins. We began to dance to express and communicate, to worship and feel. We tell stories for the same reasons: to learn from the past and to be able to communicate in the present. This work explores the many connections between literature and dance through examinations of six dance forms: Native American, Bharatanatyam, West African, Ballet, Modern, and Post-Modern dance.
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Beaudoin, Antoine. "Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100133/document.

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Le mouvement de construction de théâtres en plein air sous le Troisième Reich ou Thingbewegung est un aspect relativement méconnu de la politique culturelle national-socialiste. Ce théâtre de propagande devait réunir plusieurs milliers de spectateurs dans des lieux excentrés, des espaces construits spécialement par le régime afin de célébrer la communauté du peuple dégagée de toute différenciation sociale ou, pour reprendre la terminologie nazie, la Volksgemeinschaft. L’aspect central reste la volonté du régime de faire coïncider, à une échelle considérable, une nouvelle forme d’architecture e
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Idrissi, Nizar. "Stephen Poliakoff: another icon of contemporary British drama." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210559.

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This thesis is an attempt to portray the birth of British modern drama and the most important figures breaking its new ground; more to the point, to shed light on the second generation of British dramatists breaking what G.B. Shaw used to call ‘middle-class morality’. The focal point here is fixed on Stephen Poliakoff, one of the distinctive dramatists in contemporary British theatre, his work and the dramatic tinge he adds to the new drama.<br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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Books on the topic "Modern Indian theatre movement"

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Lakshmi, Subramanyam, ed. Muffled voices: Women in modern Indian theatre. Shakti Books, 2002.

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McFarlane, Peter. Brotherhood to nationhood: George Manuel and the making of the modern Indian movement. Between the Lines, 1993.

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Symposium, International Council for Traditional Music Study Group on Performing Arts of Southeast Asia. (Re)producing Southeast Asian performing arts & Southeast Asian bodies, music, dance, and other movement arts: Local identity, tourism and commodification & institutionalizing Southeast Asian performing arts traditions in modern multi-cultural music education movement arts and the Southeast Asian body movement arts, music, ritual and theatre new research, proceedings of the 2nd Symposium of the ICTM Study Group on Performing Arts of Southeast Asia. Philippine Women's University, 2013.

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Modern Indian theatre: A reader. Oxford University Press, 2009.

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Bhatia, Nandi. Modern Indian Theatre: A Reader. Oxford University Press, 2011.

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Subramanyan, Lakshmi. Muffled Voices in Modern Indian Theatre. Har Anand Publications,India, 2002.

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Muffled voices: Women in modern Indian theatre. Har-Anand Publications Pvt Ltd, 2013.

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Mee, Erin B. Theatre of Roots: Redirecting the Modern Indian Stage (Enactments). Seagull Books, 2008.

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Theatre of Roots: Redirecting the Modern Indian Stage (Enactments). Seagull Books, 2008.

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Dalmia, Vasudha. Poetics, Plays, and Performances: The Politics of Modern Indian Theatre. Oxford University Press India, 2007.

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Book chapters on the topic "Modern Indian theatre movement"

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Yajnik, R. K. "The Rise of the Modern Theatres." In The Indian Theatre. Routledge, 2025. https://doi.org/10.4324/9781003593492-7.

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Price, Jason. "The Workers’ Theatre Movement I: Starting Points, and Germany." In Modern Popular Theatre. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-55062-0_4.

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Price, Jason. "The Workers’ Theatre Movement II: Britain and the United States." In Modern Popular Theatre. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-55062-0_5.

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Chakrabarty, Bidyut, and Rajendra K. Pandey. "Socio-economic Dimensions of the Nationalist Movement." In Modern Indian Political Thought. Routledge India, 2023. http://dx.doi.org/10.4324/9781003440062-21.

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Shivaprakash, H. S., and Kamalakar Bhat. "The Evolution of Modern Indian Theatre." In The Word in the World. Routledge, 2023. http://dx.doi.org/10.4324/9781003427803-22.

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Horie-Webber, A. "Modernisation of the Japanese Theatre: The Shingeki Movement." In Modern Japan. Routledge, 2021. http://dx.doi.org/10.4324/9781003243489-11.

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Yun, Hunam. "The Modern Korean Theatre Movement and Western Drama." In Appropriations of Irish Drama in Modern Korean Nationalist Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9781003163947-2.

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Ahuja, Naman P. "Creating the Sensibility of the Modern Indian Artist-Craftsman: Santiniketan & the Arts and Crafts Movement." In The Making of a Modern Indian Artist-Craftsman Devi Prasad. Routledge India, 2022. http://dx.doi.org/10.4324/9781003157250-1.

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Datta Tripathi, Kamalesha. "Ethnicity in modern Indian theatre." In Théâtres indiens. Éditions de l’École des hautes études en sciences sociales, 1998. http://dx.doi.org/10.4000/books.editionsehess.26157.

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Baldick, Chris. "Modern Drama." In The Modern Movement. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198183105.003.0006.

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Abstract New Words, 1910–1940 The widening division evident in this period between minority art and majority entertainment was most visibly entrenched in the theatre. As in the late Victorian and Edwardian periods, so in these decades the English theatre was a large and generally prosperous business offering a harmless evening’s diversion to urban middle- class audiences, principally in the forms of light comedy and melodrama. Until the advent of radio drama (1924) and of the talking pictures (1928), it still enjoyed with the music hall a comfortable duopoly of dramatic entertainment; and in L
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Conference papers on the topic "Modern Indian theatre movement"

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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i
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Ermicioi, Nina, and Svetlana Tartau. "The means of expression and the essential techniques of the asian theater as components of the performance on the european stage (end of the 20th century - beginning of the 21st century)." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.10.

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The subject of this article represents the study on the means of expression and essential techniques of the Asian theater which can be found in the performances of Peter Brook, Ariane Mnouchkine, in the dramatic shows of Robert Lepage, as well as in the productions of other theater directors of the late 20th - early 21st centuries. Aiming to intensify the dramatic effect, these directors introduce into the sphere of modern European theater techniques characteristic of Eastern theatre art such as pantomime, mask, ritual, different ways of the actor’s walking on stage, and the use of specific mu
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Ilić, Tamara, Bojan Banjanin, and Ivan Pinćjer. "FROM SKETCH TO ANIMATED 3D MODEL: THEATRICAL COSTUME DESIGN." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p30.

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Theatre costume design is a demanding process that requires the collaboration of the play's creative team, including the director and performers. Traditionally, the process involved phases such as sketching, tailoring, sewing, and fitting. Nowadays, these phases have been transformed through digital reconstruction, clothing simulation, and motion-tracking tools. This paper aims to illustrate the theatrical costume design process using Tibor Vajda's play Pygmalion as a case study and to explore how modern technology can breathe new life into the process. The study examines the costume design wo
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Lisowski, Daniel. "Motion Capture Body Tracking and Functional Safety in Dynamically Controlled Theatre Automation Systems." In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004077.

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Live theatrical performance is an ever-evolving art form in which visionary theater makers are incorporating evolving technologies into performances to connect and engage modern audiences. Recent developments in theatrical motion control systems are enabling vibrant and adaptive control through dynamic automation. Traditional theatrical motion control systems use a set path motion profile to produce predictable movements of scenery and people through space and time. New dynamic control systems utilize an external generated set point parameter to specify the desired motion. This flexibility ena
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Nag, Sajal. "Imagining a Bengali Nation: Trial, Tribulations and Trajectory a Bengali Nation-State in South Asia." In The Language Movement and the Emergence of a Bangla-Speaking State in the World. Center for Adanced Research in Arts and Social Sciences, 2024. http://dx.doi.org/10.69862/sajalnag_trajectory.

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Pre-colonial Indian subcontinent was characterized, like most medieval formation, by the co-existence of regions and empires. Eminent historian Niharranjan Ray identifies these regions as "cultural-ecological zones." From the framework of nationalist-discourse, all these communities had the potential to develop into independent nationalities. The cultural-ecological zones of Bengal had developed a trajectory of distinct community from 12th century onwards. However Earliest idea of a Bengali ‘nationality’ was seen in the writings of Bankim Chandra Chattopadhyay which, though had a Hinduist bias
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VELICHE, Alice. "Dancing to Talk about Yourself. The Character is me. Case Study: Pina Bausch." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0023.

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From the corpus of our doctoral research, an essential place in the development and analysis of the theatrical elements of contemporary dance is the subject of Pina Bausch. The choreographic world has been and will remain strongly guided by the well-implemented corporeal principles of Pina Bausch, also called the choreographer of souls. The corporeal rigors imposed by the artistic system and classical working techniques are not the only methods by which we can access a complete final product, to the surprise of many practitioners or theorists. The proof that emotion and corporality can be acce
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Budrovac, Ivica, and Milan Banić. "Research on the dynamics of railway vehicles using the software package Simpack Rail." In Proceeding of scientific-expert Conference on Railway Railcon '24. University of Niš - Faculty of Mechanical Engineering, Niš, 2024. http://dx.doi.org/10.5937/railcon24151b.

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This thesis presents how modern software can be used to predict the behavior of railway vehicles and determine the dynamic quantities that affect vehicle safety and ride quality. The UIC518 standard, which provides information on all regulations concerning on-track testing and the analysis of results regarding the approval of railway vehicles for use, was utilized to determine the dynamic quantities and their limit values. This standard defines four scenarios or test zones in which vehicle testing must be conducted, differing in track layout and vehicle speed. In addition to the dynamic quanti
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Kumar, Neeraj. "Exploration of Womanhood and the Assertion of Self: A Comparative Study of Meghna Pant's One and a Half Wife and Bapsi Sidhwa's The Pakistani Bride." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8204.

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Feminism emerged as a worldwide movement to secure women's rights on the one hand and love, respect, sympathy and understanding from males on the other. It focused on women's struggle for recognition and survival and made them realise that the time has come when they should stop suffering silently in helplessness. The images of women in South Asian novels have also undergone a change in the last three decades. Earlier women were conceived as a symbol of self sacrifice and suffering. In due course of time women writers affected by Western Feminism have exp-lored the alternative ideal of self as
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Sundaram Karibeeran, Shanmuga, M. Prakash, Ramachandiran Alaguraja, and Muruganandhan Radhakrishnan. "Computer Assisted Design and Analysis of Shedding Mechanism of Powerloom Machineries." In ASME 2015 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/imece2015-51277.

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Cloth has always been the most worldwide of all imported and exported commodities. It is an enlightening example of the movement of knowledge, skills, goods and investment across wide geographic seats. South Asia has been dominant for making of these worldwide interactions over period. This capacity grants advanced research that discovers the dynamic ways in which various textile production and trade regions generated the ‘first globalization’. A series of specialists connect this worldwide commodity with the dramatic political and economic alterations that characterised the India in the recen
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