Academic literature on the topic 'Modern literary Arabic'

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Journal articles on the topic "Modern literary Arabic"

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DAHAMI, YAHYA SALEH HASAN. "MODERN SAUDI POETRY: MOHAMMAD HASAN AWWAD’S NIGHT AND ME, IN BALANCE." International Journal of Applied Research in Social Sciences 2, no. 5 (2020): 130–43. http://dx.doi.org/10.51594/ijarss.v2i5.177.

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Arabic poetry is the heart of all types of literature in all Arabic realms. Consistent with this generalization, it can be right that the development of poetry in the modern age, among Arabs, is a positive measure. At that argument, the same would be focused on modern Saudi literature since it is typically considered a central, authoritative, and undivided part of Arabic poetry. In this paper, the researcher has attempted to illustrate some literary aspects of modern Arabic poetry in the Kingdom of Saudi Arabia as an instance of the greatness of Arabic poetry with a particular reference to a c
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Suleiman, Y. "A Transformational Grammar of Modern Literary Arabic." Journal of Semitic Studies 49, no. 1 (2004): 197–98. http://dx.doi.org/10.1093/jss/49.1.197-a.

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Boullata, Issa J., and M. M. Badawi. "Modern Arabic Literature." World Literature Today 67, no. 4 (1993): 884. http://dx.doi.org/10.2307/40149790.

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Dardiri, Taufiq A. "PERKEMBANGAN PUISI ARAB MODERN." Adabiyyāt: Jurnal Bahasa dan Sastra 10, no. 2 (2011): 2834. http://dx.doi.org/10.14421/ajbs.2011.10204.

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This article aims to study the development of Arabic poetry from its early phase to its modern one. Having used a historical-diachronic study of form and content of Arabic poetry, this article concludes that Arabic poetry, as the oldest genre in the Arabic literary tradition, has hardly developed. Not until the 20th century, more commonly known in the history of Arabic literature as As}r al-Nahd}ah, that the awareness of the absence of creativity in Arabic poetry and external factors due to the interaction of Arab with the West have given birth the seeds of modern Arabic poetry. At least, ther
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Kilpatrick, Hilary, and Roger Allen. "Modern Arabic Literature (A Library of Literary Criticism)." Die Welt des Islams 29, no. 1/4 (1989): 217. http://dx.doi.org/10.2307/1571022.

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Mokrushina, Amalia A. "Modern Arabic literature: literary works of young novelists." Vestnik of Saint Petersburg University. Asian and African Studies 9, no. 1 (2017): 51–57. http://dx.doi.org/10.21638/11701/spbu13.2017.105.

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Harlow, Barbara. "WHENCE? WHITHER? THE MODERN ARABIC LITERARY NARRATIVE: SOME HAZARDED SPECULATIONS." International Journal of Middle East Studies 46, no. 1 (2014): 175–84. http://dx.doi.org/10.1017/s0020743813001384.

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Postwar Lebanon, Sufism, imperial translations, Hamlet, trials and atlases, city streets, literary cafés, and Tahrir Square: disorienting as these various themes might appear to be, they nonetheless entitle eight recent inquiries into contemporary—and precedent—directions of literary critical studies of the modern Arabic novel and their calculated revisions of, perhaps, another Arabic literary historical narrative that necessarily engages multigenre, comparative literary–historical investigations. Each of the works under review here was published between 2010 and 2013, with just one specifical
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Ebert, Hans-Georg. "Modern Arabic Literature." Die Welt des Islams 47, no. 2 (2007): 250. http://dx.doi.org/10.1163/157006007781569963.

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Aziz, Abd, and M. Imam Sofyan Yahya. "KRITIK INTRINSIKALITAS DAN EKSTRINSIKALITAS SASTRA MODERN DALAM KAJIAN SASTRA ARAB MODERN." Mumtaz: Jurnal Studi Al-Qur'an dan Keislaman 3, no. 1 (2019): 23–36. http://dx.doi.org/10.36671/mumtaz.v3i1.31.

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In the practice of literary criticism, including Arabic literature, there are two approaches in evaluating literary works, namely the intrinsic approach and the extrinsic approach. The intrinsic approach bases itself on the objective value of literary works itself without connecting with other sciences, or approaches that seek to see literary works objectively with the propositions of linguistics and literary aesthetics. From this approach was born a flow of semiotic literary criticism and structural literary criticism. Meanwhile, the extrinsic approach uses certain scientific measures in eval
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Ayvazyan, Y. S. "Blends in Modern Literary Arabic within the naming processes." MGIMO Review of International Relations, no. 1(28) (February 28, 2013): 209–11. http://dx.doi.org/10.24833/2071-8160-2013-1-28-209-211.

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This paper is dedicated to the analysis of morphological, syntactic and typological characteristics of blends in Modern Literary Arabic in the course of sociopolitical terminology within the naming processes.
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Dissertations / Theses on the topic "Modern literary Arabic"

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Al-Shamaa, Khaldoun. "Modernism and after : modern Arabic literary theory from literary criticism to cultural critique." Thesis, SOAS, University of London, 2007. http://eprints.soas.ac.uk/28817/.

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This thesis aims to provide the interested reader with a critical account of far-reaching changes in modern Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion, and of the tendency by subsequent critics and commentators to view literary criticism in terms of a self-elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt "to modernize but not to westernize", and also provides a comparative treatment of the terms, concepts and definitions used in the con
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Smith, Benjamin Lenox. "Writing Amrika: Literary Encounters with America in Arabic Literature." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13095487.

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My dissertation, Writing Amrika: Literary Encounters with America in Arabic Literature is an examination of this cross-cultural literary encounter primarily through fictional prose written in Arabic from the beginning of the 20th century into the 21st century. The texts studied in this dissertation are set in America, providing a unique entry point into questions about how Arab authors choose to represent Arab characters experiencing their American surroundings. While each text is treated as a unique literary production emerging from a contingent historical moment, an attempt is made to high
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Dahroj, Fawaz Ahmad. "The effect of modern linguistics on Arabic literary criticism : the stylistic approach and its application to Arabic poetry." Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/6494/.

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The main objective of this study is to show how "the Stylistic Phenomenon" has entered Arabic literary critical life. It aims to examine "Practical Criticism" in Arabic, which adopts a "stylistic approach". In order to achieve this, however, it is essential to have examined a complete picture of this approach in Arabic literary life in all its aspects, most of which are concerned with issues, of stylistic theory rather than practical stylistics. Efforts have been devoted to establishing it as a separate recognised approach: in the theory of translation, in matters of terminology, in traditiona
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Magreb, Alzahrani. "Continuity of traditional literary features in the modern Arabic novel : a study in intertextuality." Thesis, University of Manchester, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605812.

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Swanson, Maria Lebedeva. "The Russian Influence On The Literary And Critical Writings Of Mikhail Naimy." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332760.

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My dissertation examines the Russian influence on the critical writing, poetry, prose and philosophy of Mikhail Naimy (1889-1988), the world renowned figure in modern Arabic literature. Together with Jibran Khalil Jibran, Ameen al-Rihani, Ilia Abu Madi, Rachid Ayuub, and several other Arab-American men of letters he founded the Pen Association, a literary league in New York in 1920 that lifted Arabic literature from the quagmire of stagnation, imitation and old classicism. They also promoted the new generation of Arab writers and made it an active force in Arab nationalism. Numerous researcher
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Mowafy, Waheed Mohamed Awad. "Modern Arabic literary biography : a study of character portrayal in the works of Egyptian biographers of the first half of the twentieth century, with special reference to literary biography." Thesis, University of Leeds, 1999. http://etheses.whiterose.ac.uk/703/.

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In Chapter one, I presented a comparative definition of the meaning of Sirah (PI.Siyar), Tarjamah (Pl. Tarajim), Manaqib, Tabaqat and Maghazi as they were understood in antiquity. I also showed how the meaning of Sirah in modern times has only narrowly developed. Although the method of biographical writing continuously developed in Europe, it hardly progressed in Modem Arabic Literature. The only exception was seen in the writings by the pioneers of enlightenment in Egypt at the beginning of the twentieth century. This change of direction relied on borrowing European methodology in biographica
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Al-Bataineh, Afaf Badr. "The modern Arabic novel : a literary and linguistic analysis of the genre of popular fiction, with special reference to translation from English." Thesis, Heriot-Watt University, 1998. http://hdl.handle.net/10399/1233.

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The aim of this thesis is to examine the notion of 'genre' in general as a basic unit in linguistic, cultural and literary analysis. Chapter One is an introduction to this study outlining my aims and objectives which are mainly related to popular fiction in English and Arabic. Chapter Two discusses the theory of genre both from a linguistic and a literary point of view, underlining crosscultural differences and similarities. These critical insights should enable us to form an overall picture of how the subject of my case study (Mills & Boon and its translation into Arabic) is viewed in the lan
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Al-Nassan, Abidrabbo. "Les compétences lexicales en arabe langue étrangère/seconde : analyse d'un corpus télévisuel syrien." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2070/document.

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L’enseignement du lexique arabe à l’Institut supérieur des langues de Damas n’est pas encore à la hauteur des attentes de l’apprenant pour lui fournir une bonne connaissance lexicale. Les outils pour développer ce travail n’ont pas évolué dans les méthodes utilisées. Dans ces méthodes, on applique toujours l’approche classique du lexique. Cette approche n’est plus valable au moment où le critère de fonctionnalité lié à la notion de fréquence a commencé à avoir sa place dans la nouvelle conception du lexique. Ce projet de thèse vise donc à contribuer à l’enseignement de l’arabe langue étrangère
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Alhalaki, Mohannad. "Les difficultés linguistico-culturelles chez les praticiens et les étudiants en interprétation de conférence (français/anglais-arabe)." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA011/document.

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La présente thèse tente d’identifier les difficultés et les spécificités linguistico-culturelles marquantes qui relèvent de l’environnement de l’interprétation (français/anglais-arabe) aussi bien en pratique qu’en formation. L’interprète arabophone utilise le dialecte au quotidien mais doit s’exprimer en arabe littéraire moderne dans les conférences internationales. Il fait alors face à une variété d’arabe non acquise depuis la naissance qui est sensiblement différente des dialectes locaux, notamment sur le plan morphosyntaxique. Ainsi, l’interprète arabophone peut être amené à déployer plus d
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Al-Maadheed, Fatma G. "Models of bilingual education in majority language contexts : an exploratory study of bilingual programmes in Qatari primary schools." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:7f6a4391-449c-4f6f-b5da-ee05c64064f6.

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The purpose of this thesis was to explore and describe how bilingual programmes are organized and implemented within the unique linguistic and socio-economic case of Qatar. Specifically the thesis explored bilingual programs offered by two types of primary schools in Qatar: international schools and independent schools. Qatar launched a new initiative for educational development in 2001 but with hardly any research linked to these changes. The study was positioned within a qualitative interpretive tradition drawing on elements of ethnography and grounded theory as tools of methodology. However
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Books on the topic "Modern literary Arabic"

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Modern literary Arabic: A reference grammar. Librairie du Liban Publishers, 2004.

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Kebbe, M. Z. A transformational grammar of modern literary Arabic. Kegan Paul International, 2000.

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1960-, Hancox Stuart A., ed. Improvisations on a missing string. University of Arkansas Press, 1997.

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Peter, Theroux, ed. Dongola: A novel of Nubia. University of Arkansas Press, 1998.

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S, St Germain Mary, and Constable Charlene, eds. The committee: A novel. Syracuse University Press, 2001.

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Tom, McDonough, ed. Fatma: A novel of Arabia. Syracuse University Press, 2002.

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Hosseini, Khaled. The kite runner. Bloomsbury, 2007.

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Hosseini, Khaled. द काईट रनर. Peṅguina Buksa, 2012.

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Hosseini, Khaled. The kite runner. Bloomsbury, 2003.

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Hosseini, Khaled. The Kite Runner. Riverhead Books, 2004.

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Book chapters on the topic "Modern literary Arabic"

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Agsous, Sadia. "The Making Stage of the Modern Palestinian Arabic Novel in the Experiences of the udabāʾ Khalīl Baydas (1874–1949) and Iskandar al-Khūri al-BeitJāli (1890–1973)." In European Cultural Diplomacy and Arab Christians in Palestine, 1918–1948. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55540-5_4.

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AbstractIn 1946, the first Palestinian book fair took place at the Arab Orthodox Union Club in Jerusalem. What lay behind this event was a process that paralleled the political life revolving around the formation of local nationalism, a complex process of cultural and literary development within the Arab Nahda (‘Awakening’ or Renaissance) movement in which the Palestinians left their imprint through the press, literature, translation and other cultural fields. This chapter discusses the cultural environment of Khalīl Baydas and Iskandar al-Khūrī al-BeitJālī who initiated the modern Palestinian Arabic novel, both publishing in 1920. It addresses the Palestinian Nahda and the Russian educational enterprise as the formative context of these two authors and propose that Khalīl Baydas should be recognised as the architect of Palestinian literary realism.
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Snir, Reuven. "The Modern Arabic Literary System." In Modern Arabic Literature. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420518.003.0002.

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This chapter sets out the theoretical framework that underlies the Arabic literary system, outlining the scope of the research subject and the assumptions behind the operative theoretical model. It looks also at the question of how popular literature can be given aesthetic legitimation and refers to the delimiting factors between canonized and non-canonized texts as well as between aesthetic and non-aesthetic objects that are by no means static. The chapter shows how canonicity in Arabic literature generally depends on the language of production: The standard Arabic language (fuṣḥā) is the basic medium of canonized texts, whereas the vernacular language (‘āmmiyya) is that of non-canonized texts.
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Snir, Reuven. "Literary Dynamics in Synchronic Cross-section." In Modern Arabic Literature. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420518.003.0003.

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This chapter looks at the literary dynamics of Arabic literature in synchronic cross-section. Inventories of canonized and non-canonized literary texts are presented separately in three subsystems: texts for adults, children’s literature, and texts in translation. The resulting six subsystems ― three canonized and three non-canonized ― are seen as autonomous networks of relationships and as interacting literary networks on various levels. The internal and external interrelationships and interactions between the various subsystems need to be studied if we want to arrive at a comprehensive understanding of the modern Arabic literary system. The structure of the canonical center of the Arabic literary system is discussed referring to the phenomenon of Islamist literature and the reasons for its exclusion from the secular literary center.
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Snir, Reuven. "Literary Dynamics in Generic and Diachronic Cross-section." In Modern Arabic Literature. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420518.003.0005.

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This chapter concentrates on the importance of referring to the historical, diachronic development each genre in Arabic literature has been undergoing underwent and the relationships that exist between genres. As with any scholarly treatment of genre, it refers to the developing innovations and discussions of genre theory and the question, “What is genre?” Crucial in this regard is the concept of periodization, that is, how one is to delimit and define “literary periods.” Since literary genres do not emerge in a vacuum, the issue of generic development cannot be confined to certain time spans, and emphasis is placed on the relationship between modern literature, on the one hand, and classical and medieval literature, on the other. The complete study of the historical, diachronic development of literary dynamics requires an analysis of every genre and sub-genre, of the interrelationships and interactions between the genres, as well as of the interactions and interrelationships between the genres and the sub-genres. For reasons of practicality, the chapter relates to only three main genres: poetry, fiction, and theatre.
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Snir, Reuven. "Outlines of Diachronic Intersystemic Development." In Modern Arabic Literature. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420518.003.0004.

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This chapter presents some outlines of the diachronic intersystemic development of the modern Arabic literary system. The space between the text, its author, and the reader is understood as constituting both an economic environment (e.g. literary markets, publishing) and a sociocommunicative system that passes the meaning potential of the text through various filters (e.g. criticism, literary circles, groups, salons, public opinion) in order to concretize and realize it. All other spaces related to literary production and consumption, including the linguistic, spiritual, social, national, and economic spaces, are also considered, together with looking at the interaction of literature with, for example, religion, territory, state nationalism, language, politics, economy, gender, electronic media, and philosophy, as well as foreign literatures and cultures and examples of reciprocal interference between Arabic and Western literatures in the twentieth century and the start of the twenty-first century.
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Snir, Reuven. "Introduction." In Modern Arabic Literature. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420518.003.0001.

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The Introduction explains why the need for a new theoretical framework for the study of Arabic literature is so urgent. Its main outlines are based on the theoretical achievements of historical poetics, in particular those of Russian Formalism and its theoretical legacy. The basic assumption is that all potential inventories of canonized and non-canonized Arabic literary texts ― including children’s literature and translated texts ― are to be seen as forming one dynamic, autonomous literary system.
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Cooke, Miriam. "Jewish Arabs in the Israeli Asylum: A Literary Reflection1." In Studying Modern Arabic Literature. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748696628.003.0010.

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This chapter examines the lives and writings of a few Mizrahi Jews who succeeded in Israel despite the challenges they faced there. Focusing on the first wave of immigration and its aftermath through novels, poetry, autobiographies and films, this chapter uses the asylum metaphor to describe Israel. Initially, Israel was an asylum for European Jews (Ashkenazis) until they turned the asylum into their state. From that point on, they created asylums for various constituencies, including Jewish Arabs. The chapter also considers the process of acculturation in the asylum of Israeli transit camps, which has figured prominently in Mizrahi literature; how ‘foreigners’ in Israel achieved nationalisation through religion and not-religion; and the exodus of thousands of Iraqi Jews to Israel; the role of language in Jewish Arabs' self-fashioning in Israel; and the political awakening of Jewish Arab intellectuals.
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"Coordination." In Transformational Grammar Of Modern Literary Arabic. Routledge, 2013. http://dx.doi.org/10.4324/9780203039014-10.

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"Negation." In Transformational Grammar Of Modern Literary Arabic. Routledge, 2013. http://dx.doi.org/10.4324/9780203039014-11.

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"Interrogative Clauses." In Transformational Grammar Of Modern Literary Arabic. Routledge, 2013. http://dx.doi.org/10.4324/9780203039014-12.

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